DAMP produced Victoria’s Secret alongside a suite of ceramic based artworks, which on close inspection are a patchwork of broken fragments that form the basis of ‘The Harrison Collection’. ‘The Harrison Collection’ and ‘Victoria’s Secret’, began with the simple gesture of breaking a plate. Each member of DAMP painted a fragment of this plate and it was glued back together. For two years DAMP gathered found objects, personal effects and references and transformed these into a sculptural patchwork. Each of the 40 or so objects in the series were a result of the collaboration, demarcated by individual hands. In the case of Victoria’s Secret, a ready-made statue was carved into pieces. DAMP members used the American cartoonist and musician Robert Crumb and a Bauhaus Tapestry as reference material for this piece.collective

The damping bottle was filled with water and used to moisten starched clothes and linen before garments were ironed. The introduction of steam irons into households in the early 1960's resulted in damping bottles becoming superfluous.A glass 'Schweppes' bottle has yellow and black graphics on it. It has been recycled and used as a damping bottle. The metal stopper has been inserted into a cork. There are spray holes on the top of the stopper. The word 'Schweppes' has been embossed around the base of the bottom.13 FL. OZ / SCHWEPPESlaundering, ironing, starching, schweppes, domestic items, george evans collection

This is original and was contained in the desk.Vintage U-shaped damp adhesive strips to preserve your slides: U Feucht-Klebestreifen Made in Germany.walsh st miscellaneous

Flat bed machine made socks with a link up the back. Possibly made in damp air as this makes threads stronger.textile

Date made December 2000Colour photograph showing fire brigade vehicles parked in front of the remains of the Club Hotel, whilst members search through the debris and damp down smouldering areas. hotels, fire brigade, disasters

Believed to have been made by William Taffe of Hymettus in the early 1940s these iron scone trays were a popular baking tray in the family home of the early twentieth century.The iron tray is an example of domestic kitchen equipment used in the late 19th to mid 20th century for baking gem scones or similar in a wood stove. These particular gem scone irons are believed to have been made by William (Bill) Taffe when working at a local foundry in the late 1930s-40s.Small cast iron trays of twelve concave cups for scone mix to bake gem scones. These have been left in damp conditions and severely weathered and rusted.Nilcooking, baking, scones, ballarat, william taffe, cast iron, kitchenware

rackethttp://www.utas.edu.au/docs/library/companion_to_tasmanian_history/A/Alexander%20Patent%20Racket%20Company.htm extract..The Alexander Patent Racket Company made sporting equipment, notably the world's first laminated tennis racquet. In the early 1920s Alfred Alexander invented the process, patented it and began making racquets. In 1926 the Company was formed and production expanded at the factory in Wentworth Street, Newstead. Success depended on the use of imported English ash Wooden press with 1 fixed side. The racket slides in and the frame is tightened with a wing nut. This was used to store the rackets as the laminated wooden frame warped due to pressure of the strings and damp conditions. racket wooden press alfred alexander alexander patent racket company

Victorian Railways general appendix to the book of rules and regulations and to the working time table dated 1953. Inside the hard red covered book is the name J R Dempster. The pages are distorted with damp.document, memo, railway, victorian railways general appendix to the book of rules and regulations and to the working time table dated 1953. j r dedmpster.

Date made December 2000Colour photograph showing smoking debris and fire brigade members damping down hot spots, remains of the Club Hotel, destroyed by fire, two brick chimneys still standing. Lakes Entrance Victoriahotels, police, disasters

Date made December 2000Colour photograph showing destroyed Club Hotel. Photo taken from the Esplanade, front carparks covered with water and hoses as Lakes Entrance Fire Brigade damp down remaining trouble spots. Lakes Entrance Victoriahotels, fire brigade, disasters

Clothing. Pink satin woman's panties with gussett and straight legs trimmed with 4cm coffee coloured lace. 15 cm opening with placket on LHS fastened with two X 1 cm white plastic buttons. Turned over hem on waistband.Tag on inside seam, ''BURCHARD LINGERIE'' ''IRON WHILE DAMP USING WARM IRON'' ''MADE FROM CELANESE TRADE MARK''.costume, female underwear, woman's pink satin panties

These collars were worn by Mr Whiteman, Marjorie Burton's father, until he died in 1972. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. She came from a middle-class working church-going family. Her father served in Civil Defence during WW11. A detachable collar was a shirt collar separate from the shirt, fastened to it by buttons. The collar was usually made of a different fabric from the shirt and was almost always white and specially starched to a hard cardboard-like consistency. detachable collars were a better way to clean and starch a collar for business or formal wear. As more emphasis started to be placed on comfort in clothing wearing a detachable stiffly starched collar decline in day wear; although it is still often worn by barristers while a full dress shirt may still have a stiff detachable collar. These collars are examples of clothing which was commonly worn by businessmen in the first half of the 20th century.Four men's starched cotton shirt collars. They each have 3 button holes for attaching to a shirt. Two are white with grey stripes and two are plain white.2483.24 and 2483.25 - Trubenised reg trade mark Reg user Do not starch Iron very damp 129 4128 15 2483.26 - Patented and made in England Woven from Egyptian cotton 476035 SECONDS Van Heusen 15/38 2483.27 - Trubenised Patent registered No starch needed 15 Iron very damp collars-detachable men's-clothing accessories burton,-marjorie

Created during the middle of the Second World War (1942) about tests undertaken on flame damping screens for the exhausts of the Supermarine Spitfire. spitfire, farnborough, royal aircraft establishment

Date made December 2000Colour photograph showing the Club Hotel, after the fire had destroyed the buildings. Signage for the bistro and holiday tourism flag on the electricity pole. Fire truck and brigade members in taped off area damping down debris. Onlookers survey damage of early morning fire. Lakes Entrance Victoriahotels, fire brigade, disasters

Bendigo Advertiser ''The way we were'' from 2000. Heidelberg: located in Horace Street, Bendigo, the two-storey front of this house was added in 1885 to an earlier part of uncertain age. Basement rooms offered a cool summer temperature, but dampness was ever a problem. This house was built for Thomas Falkingham. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Perforated paper with silk embroidery sewing together with decorative stitching. Side 1, In Melbourne letters Side 2, To guard her head from Find no grace Dust and damps Unless they bear This case provides for Victoria's face Postage stamps19th century, embroidery, small articles, counted thread, australia

Iron would be heated on a stove, and used on pre-damped fabrics. In common use when electricity was not available, before electric irons were made. Also called "Sad-iron".Small heavy black iron with strong cast handle and flat bottom. "Silvester No. 5" flatiron, irons

From c1950s electrical irons were used. The thermostatic iron followed the electric iron used with a container that enabled water to be sprayed onto the cloth. Damp cloth was more easily pressed. This thermostatic electric iron was one of the early models.This iron was used by residents of the Kiewa Valley including those living at Mt Beauty where there was electricity and an SEC shop from c1950.This is a "General Electric" iron. It has a steel base with a chrome upper and black plastic handle. It is thermostatically controlled with water spray. The electric cord is permanently attached, at right angels, to the handle base. A red button activates the water spray when pushed. A white button slides to enable fabric selection. A metal hole in the front of the handle is used to fill the iron with water.General Electric; Wash and Wear / Wool / Cot / Lin; Australian General Electric Appliances Pty Ltd.; Notting Hill Victoria. 1100 Wats 240 Volts AC only. V/A2F Cat. No. 10 FS10iron;, electrical appliance, laundry, domestic, pressing clothes

Old timber trestle bridge before it was washed away. Note sign in background for P. Bird Timber Merchant Box Hill. Photo has been damp at some stage and image has stuck to glass causing some damage to image in a number of areas.Black and white photograph mounted in thin black framebox hill, p. bird timber merchant, warrandyte bridge, yarra river

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

The blue gums originally planted in Sturt St in the 1860s were grown from seed gifted by Baron von Mueller. About 20 years later shopkeepers complained that the trees shaded their shops too well, and made the street damp. The bluegums were then replaced with exotics.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Hospital, nw corner Sturt and Drummond Streets, image not dated.gas lamps, horse and cart

This book was awarded to John Thomas Good as First prize for French in the Sixth form in 1880. John enrolled in Ballarat College in 1878 at the age of 12. In the original register his parent/guardian is listed as Mrs. H J. Munch, Beulah Glenthompson.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown half calf with college crest embossed on front cover. Six raised ornately decorated bands on spine with gilt lettering on second and third compartments. Marble edging with marble end papers. Dampness and water damage, with the book having been plastic covered (plastic removed 2013). Slight foxing on pages, slight detachment of spine, black and white frontise piece, 628 p.Book plate inside front cover: school crest/ French/ First Prize,/ Sixth Form./ Awarded to/ Thomas J. Good/ CHRISTMAS. 1880.john-thomas-good, book-prize, ballarat-college, 1880, h-j-munch, beulah-glenthompson.

This book was awarded to John Thomas Good as First prize for Latin in the Sixth form in 1880. John enrolled in Ballarat College in 1878 at the age of 12. In the original register his parent/guardian is listed as Mrs. H J. Munch, Beulah Glenthompson.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown half calf with college crest embossed on front cover. Six raised ornately decorated bands on spine with gilt lettering on second and third compartments. Marble edging with marble end papers. Dampness and water damage, with the book having been plastic covered (plastic removed 2013). Slight foxing on pages, slight detachment of spine, black and white frontise piece, 624 p.Book plate inside front cover: school crest/ Latin/ First Prize,/ Sixth Form./ Awarded to/ Thomas J. Good/ CHRISTMAS. 1880.john-thomas-good, book-prize, ballarat-college, 1880, h-j-munch, beulah-glenthompson.

The photograph shows Victorian Railways tram 37 and two others at the Brighton Beach terminus. If taken at the same time as item 8976, the other trams would be 40 and 7 - both photos on a damp day. All trams have Robur tea adverts. Photo early 1950s.Yields information about VR Tramcars at the Brighton Beach terminus.Negative - 127 film black and white.tramways, vr, victorian railways, brighton beach, tram 40, tram 7, tram 37

Black and white photograph of the finish of the 130 yards Pro. Sprint Championship, part of the Lilydale Gift, 1953 Finish of the 130 yards. Pro> Sprint Championship, run at Lilydale, March 21, 1953, and won by Frank Banner (right) in 12.4 secs. (Track damp with raise of 3 ft) Banner said it was one of his best runs in Australia. lilydale gift, lilydale, frank banner

Khaki coloured dress trousers with pressed seam running vertically down front and back of each leg. Two hip pockets, one on each side, with rear pocket on right side fastened by plastic button; additional pocket sits in waistline on right side. Trousers have seven loops for a belt and smaller loops for metal inserts which support a Sam Brown belt. Trousers fastened by a zipper in front and flap which secures with a plastic button on the interior. Spare button is sewn into the interior waistband. Leg hem is reinforced at front and back with strip of synthetic binding, presumably to aid against wear from rubbing on boots. Interior label on left back of waistband reads "DRY CLEAN/REPRESS ON ORIGINAL CREASES/USE DAMP CLOTH OR MEDIUM TO/HOT STEAM IRON/MENDING PATCH ATTACHED" Interior label on right back of waistband reads "ARMY NO/NAME" dress uniform, pants, australian defence force