Showing 15 items matching " doing feminism"
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Women's Art RegisterArchive (Series) - Doing Feminism. Subject File 1
... Doing Feminism. Subject File 1...Feminism Activism Body Gender Norma Redpath House Victorian College of the Arts Anne Marsh; Caroline Phillips; Nat Thomas; Fitzroy High School Feminist Collective; Catherine Bell; Cathy Staughton; Pip Staffor; Juia Drouhin; Sleepover Club (Miriam Arbus & Elise Arumets; LEVEL ARI (Rachael Haybes Courtney Coombs Courtney Pederson Caitlin Franzmann); art/mums Collective (Clare Rae Nina Ross Claudia Phares Eugenia Lim); FavourEconomy (Claire Field Alex Pedley Bronwyn Treacy Tonie Fields); snap cat (Renae Coles Anna Dunhill); Sunday School (Kelly Doley Diana Smith); Feminist Colour-In (Katve Kaisa-Kontturi Kim Donaldson); Open Circle (Sapna Chandu Jane Korman) Foolscap white archival 4 flap folder or document wallet Archive Doing Feminism. Subject File 1 ...Promotional Materialfeminism, activism, body, gender, norma redpath house, victorian college of the arts, anne marsh; caroline phillips; nat thomas; fitzroy high school feminist collective; catherine bell; cathy staughton; pip staffor; juia drouhin; sleepover club (miriam arbus & elise arumets; level ari (rachael haybes, courtney coombs, courtney pederson, caitlin franzmann); art/mums collective (clare rae, nina ross, claudia phares, eugenia lim); favoureconomy (claire field, alex pedley, bronwyn treacy, tonie fields); snap cat (renae coles, anna dunhill); sunday school (kelly doley, diana smith); feminist colour-in (katve kaisa-kontturi, kim donaldson); open circle (sapna chandu, jane korman)feminism, activism, body, gender, norma redpath house, victorian college of the arts, anne marsh; caroline phillips; nat thomas; fitzroy high school feminist collective; catherine bell; cathy staughton; pip staffor; juia drouhin; sleepover club (miriam arbus & elise arumets; level ari (rachael haybes, courtney coombs, courtney pederson, caitlin franzmann); art/mums collective (clare rae, nina ross, claudia phares, eugenia lim); favoureconomy (claire field, alex pedley, bronwyn treacy, tonie fields); snap cat (renae coles, anna dunhill); sunday school (kelly doley, diana smith); feminist colour-in (katve kaisa-kontturi, kim donaldson); open circle (sapna chandu, jane korman) -
Women's Art RegisterArchive (Collection) - Doing Feminism Project Archive
... Doing Feminism Project Archive...2018 Feminism Activism Body Gender Norma Redpath House Victorian College of the Arts Anne Marsh; Caroline Phillips; Nat Thomas; Fitzroy High School Feminist Collective; Catherine Bell; Cathy Staughton; Pip Staffor; Juia Drouhin; Sleepover Club (Miriam Arbus & Elise Arumets; LEVEL ARI (Rachael Haybes Courtney Coombs Courtney Pederson Caitlin Franzmann); art/mums Collective (Clare Rae Nina Ross Claudia Phares Eugenia Lim); FavourEconomy (Claire Field Alex Pedley Bronwyn Treacy Tonie Fields); snap cat (Renae Coles Anna Dunhill); Sunday School (Kelly Doley Diana Smith); Feminist Colour-In (Katve Kaisa-Kontturi Kim Donaldson); Open Circle (Sapna Chandu Jane Korman) Archive Doing Feminism Project Archive ...feminism, activism, body, gender, norma redpath house, victorian college of the arts, anne marsh; caroline phillips; nat thomas; fitzroy high school feminist collective; catherine bell; cathy staughton; pip staffor; juia drouhin; sleepover club (miriam arbus & elise arumets; level ari (rachael haybes, courtney coombs, courtney pederson, caitlin franzmann); art/mums collective (clare rae, nina ross, claudia phares, eugenia lim); favoureconomy (claire field, alex pedley, bronwyn treacy, tonie fields); snap cat (renae coles, anna dunhill); sunday school (kelly doley, diana smith); feminist colour-in (katve kaisa-kontturi, kim donaldson); open circle (sapna chandu, jane korman)feminism, activism, body, gender, norma redpath house, victorian college of the arts, anne marsh; caroline phillips; nat thomas; fitzroy high school feminist collective; catherine bell; cathy staughton; pip staffor; juia drouhin; sleepover club (miriam arbus & elise arumets; level ari (rachael haybes, courtney coombs, courtney pederson, caitlin franzmann); art/mums collective (clare rae, nina ross, claudia phares, eugenia lim); favoureconomy (claire field, alex pedley, bronwyn treacy, tonie fields); snap cat (renae coles, anna dunhill); sunday school (kelly doley, diana smith); feminist colour-in (katve kaisa-kontturi, kim donaldson); open circle (sapna chandu, jane korman) -
Women's Art RegisterArchive (Series) - Doing Feminism. Duplicate File 1
... Doing Feminism. Duplicate File 1...Feminism Activism Body Gender Norma Redpath House Victorian College of the Arts Anne Marsh; Caroline Phillips; Nat Thomas; Fitzroy High School Feminist Collective; Catherine Bell; Cathy Staughton; Pip Staffor; Juia Drouhin; Sleepover Club (Miriam Arbus & Elise Arumets; LEVEL ARI (Rachael Haybes Courtney Coombs Courtney Pederson Caitlin Franzmann); art/mums Collective (Clare Rae Nina Ross Claudia Phares Eugenia Lim); FavourEconomy (Claire Field Alex Pedley Bronwyn Treacy Tonie Fields); snap cat (Renae Coles Anna Dunhill); Sunday School (Kelly Doley Diana Smith); Feminist Colour-In (Katve Kaisa-Kontturi Kim Donaldson); Open Circle (Sapna Chandu Jane Korman) Foolscap manilla file Archive Doing Feminism. Duplicate File 1 ...Promotional Materialfeminism, activism, body, gender, norma redpath house, victorian college of the arts, anne marsh; caroline phillips; nat thomas; fitzroy high school feminist collective; catherine bell; cathy staughton; pip staffor; juia drouhin; sleepover club (miriam arbus & elise arumets; level ari (rachael haybes, courtney coombs, courtney pederson, caitlin franzmann); art/mums collective (clare rae, nina ross, claudia phares, eugenia lim); favoureconomy (claire field, alex pedley, bronwyn treacy, tonie fields); snap cat (renae coles, anna dunhill); sunday school (kelly doley, diana smith); feminist colour-in (katve kaisa-kontturi, kim donaldson); open circle (sapna chandu, jane korman)feminism, activism, body, gender, norma redpath house, victorian college of the arts, anne marsh; caroline phillips; nat thomas; fitzroy high school feminist collective; catherine bell; cathy staughton; pip staffor; juia drouhin; sleepover club (miriam arbus & elise arumets; level ari (rachael haybes, courtney coombs, courtney pederson, caitlin franzmann); art/mums collective (clare rae, nina ross, claudia phares, eugenia lim); favoureconomy (claire field, alex pedley, bronwyn treacy, tonie fields); snap cat (renae coles, anna dunhill); sunday school (kelly doley, diana smith); feminist colour-in (katve kaisa-kontturi, kim donaldson); open circle (sapna chandu, jane korman) -
Women's Art RegisterArchive (Collection) - Anne Marsh Artist Archive
... ... Doing Feminism...1956- Feminism Body Performance Political Doing Feminism Norma Redpath House Women's Art Movement S.A. ...feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography, performance art, curating, arts writingfeminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography, performance art, curating, arts writing -
Women's Art RegisterArchive (Collection) - Caroline Phillips Artist Archive
... ... Doing Feminism...1966- Recycled Abstraction Minimalism Colour Feminism Curatorial Soft Soft sculpture Synthetic textiles Participatory Art Relational Craft Mixed Media Metal Macrame Contemporary Luce Irigaray Sexual Difference Interval Gender Philosophy Wikimedia Australia Art+Feminism George Paton Gallery Victorian College of the Arts Melbourne Social Equity Institute Artlink Care Research Project Doing Feminism Margaret Lawrence Gallery Australian Tapestry Workshop UMSU Art Collection Sculpture Photography Textiles Installation Archive Caroline Phillips Artist Archive ...recycled, abstraction, minimalism, colour, feminism, curatorial, soft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection, sculpture, photography, textiles, installationrecycled, abstraction, minimalism, colour, feminism, curatorial, soft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection, sculpture, photography, textiles, installation -
Women's Art RegisterArchive (Series) - Marsh, Anne. Artist File 1
... ... Doing Feminism...Feminism Body Performance Political Doing Feminism Norma Redpath House Women's Art Movement S.A. ...CV, Biography, Newspaper Clippings, Invitations, Promotional Material, Artist Statementfeminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography, performance art, curating, arts writingfeminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography, performance art, curating, arts writing -
Women's Art RegisterArchive (Series) - Phillips, Caroline. Artist File 1
... ... Doing Feminism...Recycled Abstraction Minimalism Colour Feminism Curatorial Soft Soft sculpture Synthetic textiles Participatory Art Relational Craft Mixed Media Metal Macrame Contemporary Luce Irigaray Sexual Difference Interval Gender Philosophy Wikimedia Australia Art+Feminism George Paton Gallery Victorian College of the Arts Melbourne Social Equity Institute Artlink Care Research Project Doing Feminism Margaret Lawrence Gallery Australian Tapestry Workshop UMSU Art Collection Sculpture Photography Textiles Installation Foolscap white archival 4 flap folder or document wallet Archive Phillips, Caroline. ...CV, Biography, Invitations, Artwork Images, Catalogues, Newspaper Clippings, Promotional Material, Artist's Statementrecycled, abstraction, minimalism, colour, feminism, curatorial, soft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection, sculpture, photography, textiles, installationrecycled, abstraction, minimalism, colour, feminism, curatorial, soft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection, sculpture, photography, textiles, installation -
Women's Art RegisterArchive (Series) - Phillips, Caroline. Artist File 2
... ... Doing Feminism...Recycled Abstraction Minimalism Colour Feminism Curatorial Soft Soft sculpture Synthetic textiles Participatory Art Relational Craft Mixed Media Metal Macrame Contemporary Luce Irigaray Sexual Difference Interval Gender Philosophy Wikimedia Australia Art+Feminism George Paton Gallery Victorian College of the Arts Melbourne Social Equity Institute Artlink Care Research Project Doing Feminism Margaret Lawrence Gallery Australian Tapestry Workshop UMSU Art Collection Sculpture Photography Textiles Installation Foolscap white archival 4 flap folder or document wallet Archive Phillips, Caroline. ...Curatorial, CV, Biography, Invitations, Artwork Images, Catalogues, Newspaper Clippings, Promotional Material, Artist's Statementrecycled, abstraction, minimalism, colour, feminism, curatorial, soft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection, sculpture, photography, textiles, installationrecycled, abstraction, minimalism, colour, feminism, curatorial, soft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection, sculpture, photography, textiles, installation -
Women's Art RegisterArchive (Series) - Anne Marsh. Duplicate File 1
... ... Doing Feminism...Performance Art Curating Arts Writing Feminism Body Performance Political Doing Feminism Norma Redpath House Women's Art Movement S.A. ...CV, Biography, Newspaper Clippings, Invitations, Promotional Material, Artist Statementperformance art, curating, arts writing, feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photographyperformance art, curating, arts writing, feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography -
Women's Art RegisterArchive (Series) - Caroline Phillips. Duplicate File 1
... ... Doing Feminism...Sculpture Photography Textiles Installation Recycled Abstraction Minimalism Colour Feminism Curatorial PSoft Soft sculpture Synthetic textiles Participatory Art Relational Craft Mixed Media Metal Macrame Contemporary Luce Irigaray Sexual Difference Interval Gender Philosophy Wikimedia Australia Art+Feminism George Paton Gallery Victorian College of the Arts Melbourne Social Equity Institute Artlink Care Research Project Doing Feminism Margaret Lawrence Gallery Australian Tapestry Workshop UMSU Art Collection Foolscap manilla file Archive Caroline Phillips. ...CV, Biography, Invitations, Artwork Images, Catalogues, Newspaper Clippings, Promotional Material, Artist's Statementsculpture, photography, textiles, installation, recycled, abstraction, minimalism, colour, feminism, curatorial, psoft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collectionsculpture, photography, textiles, installation, recycled, abstraction, minimalism, colour, feminism, curatorial, psoft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection -
Women's Art RegisterArchive (Series) - Anne Marsh. Slide Kit
... ... Doing Feminism...Performance Art Curating Arts Writing Feminism Body Performance Political Doing Feminism Norma Redpath House Women's Art Movement S.A. ...performance art, curating, arts writing, feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photographyperformance art, curating, arts writing, feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography -
Women's Art RegisterArchive (Series) - Anne Marsh, Digitised Slide Kit
... ... Doing Feminism...Performance Art Curating Arts Writing Feminism Body Performance Political Doing Feminism Norma Redpath House Women's Art Movement S.A. ...performance art, curating, arts writing, feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photographyperformance art, curating, arts writing, feminism, body, performance, political, doing feminism, norma redpath house, women's art movement s.a., photography -
Women's Art RegisterArchive (Series) - Caroline Phillips. Digital Images
... ... Doing Feminism...Sculpture Photography Textiles Installation Recycled Abstraction Minimalism Colour Feminism Curatorial PSoft Soft sculpture Synthetic textiles Participatory Art Relational Craft Mixed Media Metal Macrame Contemporary Luce Irigaray Sexual Difference Interval Gender Philosophy Wikimedia Australia Art+Feminism George Paton Gallery Victorian College of the Arts Melbourne Social Equity Institute Artlink Care Research Project Doing Feminism Margaret Lawrence Gallery Australian Tapestry Workshop UMSU Art Collection Archive Caroline Phillips. ...sculpture, photography, textiles, installation, recycled, abstraction, minimalism, colour, feminism, curatorial, psoft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collectionsculpture, photography, textiles, installation, recycled, abstraction, minimalism, colour, feminism, curatorial, psoft soft sculpture, synthetic textiles, participatory art, relational, craft, mixed media, metal, macrame, contemporary, luce irigaray, sexual difference, interval, gender, philosophy, wikimedia australia, art+feminism, george paton gallery, victorian college of the arts, melbourne social equity institute, artlink, care research project, doing feminism, margaret lawrence gallery, australian tapestry workshop, umsu art collection -
Narre Warren and District Family History GroupBook, Sheila Scotter, Sheila Scotter : snaps, secrets and stories from my life, 1998
... Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. ...There is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publisher253 p.; 25 cmnon-fictionThere is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publishersheila scotter, fashion -
Flagstaff Hill Maritime Museum and VillageBook - A Satirical Story, Miles Franklin, My Career Goes Bung, 1946
... does than on its fame. It is an early piece of metafiction, a book about the reception of an earlier book, and scholars treat it seriously. It is a key text for Franklin’s feminism ...My Career Goes Bung is a satirical novel by Miles Franklin, billed as a sequel to My Brilliant Career. It was written in 1902–04 and revised around 1935, but it was not published until 1946. It is better read as a companion than as a true sequel. The narrator, Sybylla Melvyn, is a different version of the heroine and is the person who wrote the earlier book. In this work, Sybylla, a young woman in her late teens, writes a novel from her own bush experience. She is then drawn into the Sydney literary and social set, which the book satirises, including through a mock affair with a thinly disguised Banjo Paterson. The novel ends with Sybylla keeping her independence while her persistent suitor is packed off to Queensland to look after his property. Reviewers in 1946 praised it as lively and funny, with delicious satire.Hard cover book. My Career Goes Bung Author: Miles Franklin Publisher: Georgian House Date: 1946 Further Information: Cover has a pale, mottled watercolour-like wash in cream, sky blue, lime green and yellow, with a thin blue edge. Central panel has a deep red rectangle holding the title in large, cream-white, rounded slab-style lowercase letters, stacked on three lines: “my / career / goes / bung!”. The “g” characters have distinctive looped tails.. The spine has a Library label with an inscription. fictionMy Career Goes Bung is a satirical novel by Miles Franklin, billed as a sequel to My Brilliant Career. It was written in 1902–04 and revised around 1935, but it was not published until 1946. It is better read as a companion than as a true sequel. The narrator, Sybylla Melvyn, is a different version of the heroine and is the person who wrote the earlier book. In this work, Sybylla, a young woman in her late teens, writes a novel from her own bush experience. She is then drawn into the Sydney literary and social set, which the book satirises, including through a mock affair with a thinly disguised Banjo Paterson. The novel ends with Sybylla keeping her independence while her persistent suitor is packed off to Queensland to look after his property. Reviewers in 1946 praised it as lively and funny, with delicious satire.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, my career goes bung, miles franklin
