Showing 6 items matching " dream space"
-
Women's Art RegisterArchive (Series) - La Trobe University Gallery. Subject File 1
... ... Dream Space...Margaret Scott Ann Fogarty Claire Smith Julie Millowick Donna Bailey Caroline Dew Sylvia Reeves Dream Space Engineering Women Loris Jull Button Foolscap white archival 4 flap folder or document wallet Archive La Trobe University Gallery. ...Promotional Materialmargaret scott, ann fogarty, claire, smith, julie millowick, donna bailey, caroline dew, sylvia reeves, dream space, engineering women, loris jull buttonmargaret scott, ann fogarty, claire, smith, julie millowick, donna bailey, caroline dew, sylvia reeves, dream space, engineering women, loris jull button -
Women's Art Register
Archive (Collection) - La Trobe University Gallery Exhibition Archive
... ... Dream Space...Margaret Scott Ann Fogarty Claire Smith Julie Millowick Donna Bailey Caroline Dew Sylvia Reeves Dream Space Engineering Women Loris Jull Button Archive La Trobe University Gallery Exhibition Archive ...margaret scott, ann fogarty, claire, smith, julie millowick, donna bailey, caroline dew, sylvia reeves, dream space, engineering women, loris jull buttonmargaret scott, ann fogarty, claire, smith, julie millowick, donna bailey, caroline dew, sylvia reeves, dream space, engineering women, loris jull button -
The Beechworth Burke MuseumAnimal specimen - Snake Skin, Trustees of the Australian Museum, 1860-1880
... dreaming, representing one of the great and powerful forces of nature and spirit. In the Rainbow Serpent Dreamtime story, they are considered the great life giver and protector of water, which is their spiritual home. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space...dreaming, representing one of the great and powerful forces of nature and spirit. In the Rainbow Serpent Dreamtime story, they are considered the great life giver and protector of water, which is their spiritual home. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space ...There is no known information about the species of snake that this skin belongs to. However, generally speaking, Australia has over two hundred known species of snakes. They are elongated, legless and carnivorous reptiles with scaly, textured skin. Snakes are especially important in Aboriginal dreaming, representing one of the great and powerful forces of nature and spirit. In the Rainbow Serpent Dreamtime story, they are considered the great life giver and protector of water, which is their spiritual home. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Caramel coloured long snake skin curled around in an oval shape.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, snake skin, snake, reptile -
The Adam Lindsay Gordon Commemorative Committee Inc.Magazine - Magazine, quarterly, Stephen Murray-Smith, Overland - Eureka Centenary Number, 1954-1955
... space to underrepresented voices and brand-new literary talent every single day. In Overland’s very first edition in 1954, Stephen Murray-Smith noted that the magazine would ‘publish poetry and short stories, articles and criticism by new and by established writers. It will aim high … [but] will make a special point of developing writing talent in people of diverse backgrounds. We ask of our readers, however inexpert, that they write for us; that they share our love of living, our optimism, our belief in the traditional dream ...Second issue of poetry magazine Overland founded by Stephen Murray-Smith in 1954. Overland – Australia’s only radical literary magazine – has been showcasing brilliant and progressive fiction, poetry, nonfiction and art since 1954. The magazine has published some of Australia’s most iconic writers, and continues to give space to underrepresented voices and brand-new literary talent every single day. In Overland’s very first edition in 1954, Stephen Murray-Smith noted that the magazine would ‘publish poetry and short stories, articles and criticism by new and by established writers. It will aim high … [but] will make a special point of developing writing talent in people of diverse backgrounds. We ask of our readers, however inexpert, that they write for us; that they share our love of living, our optimism, our belief in the traditional dream of a better Australia.’ (from Overland website) overland, dr h.v.evatt, vance palmer, hugh anderson, laurence collinson, jack lindsay -
Kew Historical Society Inc
Journal, Kewriosity : April 1989
... space / p6. Playgroup binds young and old [Carnsworth-Garoopna Nursing Home] / p6. Baptist re-union / p6. School's 75th [The School for the Burwood Boys' Home, Wattle Park Primary School] / p6. What's the point in baby-sitting [Boroondara Babysitting Club] / p7. Heritage Week [Willsmere, Kew Historical Society] / p7. Bodalla Garden Party / p7. Youthful fitness [Little Athletics] / p7. Keeping you informed [Citizens Advice Bureau] / p8. Tram dream ...Meals [on Wheels] well appreciated / p1 Report on East Kew "overdevelopment" / p1. Dates for April / p2. Commentary [civic awards, volunteers] / Cr Allen Martin / p3. Kew's nod to power line suggestion / p3. New Councillor [Cr Tom Indovino, Cr Joe Ormando, profiles] / p3. Cotham Road reconstructed [Streetscaping Master Plan] / p3. Traffic Management updates / p4. Ivy's number one [Ivy Smith, Kew Recreation Centre] / p4. In for a penny ... [dog pound] / p4. ... Bad times just around the corner [Kew City Library] / p4. Residents form action group [Cotham Residents’ Action Group] / p4. As Ruyton likes it ["As You Like It"] / p5. MLC fair sounds fun / p5. Students look for accommodation / p5. Asthma Swim classes here [Kew Recreation Centre] / p5. Watch your car [Neighbourhood Watch] / p6. Watch my lips [lip reading classes] / p6. Watch the birdie [Red Cross tour] / p6. Watch the meeting [Kew Community Action Group] / p6. Watch this space / p6. Playgroup binds young and old [Carnsworth-Garoopna Nursing Home] / p6. Baptist re-union / p6. School's 75th [The School for the Burwood Boys' Home, Wattle Park Primary School] / p6. What's the point in baby-sitting [Boroondara Babysitting Club] / p7. Heritage Week [Willsmere, Kew Historical Society] / p7. Bodalla Garden Party / p7. Youthful fitness [Little Athletics] / p7. Keeping you informed [Citizens Advice Bureau] / p8. Tram dream / p8. Hefty competition [weightlifting] / p8. [Kew Citizens'] Band competes at Ipswich / p8. Join the Chorus [Viola Musical Comedy Society ] / p8. Non-stop chamber music for Kew [Elysium Ensemble] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionMeals [on Wheels] well appreciated / p1 Report on East Kew "overdevelopment" / p1. Dates for April / p2. Commentary [civic awards, volunteers] / Cr Allen Martin / p3. Kew's nod to power line suggestion / p3. New Councillor [Cr Tom Indovino, Cr Joe Ormando, profiles] / p3. Cotham Road reconstructed [Streetscaping Master Plan] / p3. Traffic Management updates / p4. Ivy's number one [Ivy Smith, Kew Recreation Centre] / p4. In for a penny ... [dog pound] / p4. ... Bad times just around the corner [Kew City Library] / p4. Residents form action group [Cotham Residents’ Action Group] / p4. As Ruyton likes it ["As You Like It"] / p5. MLC fair sounds fun / p5. Students look for accommodation / p5. Asthma Swim classes here [Kew Recreation Centre] / p5. Watch your car [Neighbourhood Watch] / p6. Watch my lips [lip reading classes] / p6. Watch the birdie [Red Cross tour] / p6. Watch the meeting [Kew Community Action Group] / p6. Watch this space / p6. Playgroup binds young and old [Carnsworth-Garoopna Nursing Home] / p6. Baptist re-union / p6. School's 75th [The School for the Burwood Boys' Home, Wattle Park Primary School] / p6. What's the point in baby-sitting [Boroondara Babysitting Club] / p7. Heritage Week [Willsmere, Kew Historical Society] / p7. Bodalla Garden Party / p7. Youthful fitness [Little Athletics] / p7. Keeping you informed [Citizens Advice Bureau] / p8. Tram dream / p8. Hefty competition [weightlifting] / p8. [Kew Citizens'] Band competes at Ipswich / p8. Join the Chorus [Viola Musical Comedy Society ] / p8. Non-stop chamber music for Kew [Elysium Ensemble] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Federation University Art CollectionWork on paper - Printmaking - Multiplate Etching, Dean Bowen, 'The Car Park' by Dean Bowen, 1994
... spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming...spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming ...Dean BOWEN (1957 -) Born Maryborough, Victoria Dean Bowen's work combines humour and gentle irony with technical proficiency to explore the world around him. 'The car park epitomises qualities found in the best of his post 1990 work. Born out of the daily grind of stop-start commuting by car along Melbourne's Punt Road to and from his former workplace, the feeling of this large work (just over two metres long) is of duality. On the one hand there is the crowded chaos of a relentless number of cars choking the roads; on the other, order is imposed in his aerial view of cars 'parked' around intersecting roads as well as the actual charting of roads and interstitial spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming tracks from above. And as seen in the famous 'X ray' paintings of Arnhem Land, his cars and buildings are cross-sectioned to reveal the objects (usually humans) within. The impression of Aboriginally is further given by his use of earthy browns and by the outlining of shapes (cars, roads, trees).' (Susan McCulloch) This work was selected by the Art Acquisitions Committee (1995) to be placed in the 1870 Founders Hall at Mt Helen Campus. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A multiprint etching depicting a carpark that won the 1994 Fremantle Print Award;Edition 12/20art, artwork, dean bowen, bowen, etching, multi-plate etching, printmaking, printmaking etching, carpark
