Handwritten extract of Early Bendigo Memories by an Old Bendigonian.document, names of bendigo pioneers, bendigo advertiser, early bendigo memories, bendigo advertiser 28 oct 1890, pike's corner, criterion hotel, the black swan, john harney, mr fenton

Notes on French names found on early Bendigo (James Lerk mini-talk, Feb 2005). Incl. Blaidier, de Ravin, L'Huillier, Tabuteau, Ferriere, Porlongeon, Felix, Gallus, Chodet, Trolet.bendigo, history, early bendigo, jean baptiste loridan. m. bladier. jean theodore de tavin. l'huillier. augustus oliver tabuteau. jean porlongeon.

Black and White Photo of a very early Tram, Advertising Sign says 'Drapery Half Price - Beehive Sale', Side markings 'Bendigo Tramways Co.Ltd', the front tram car is marked Number 2 and maybe steam propulsion and towing the larger carriage. Rear of the photo has written in biro Early Bendigo Tram. Also number 91(4?) written in pencil.photograph, tram, no 2, early bendigo tram, bendigo tramways, trams, bendigo tramways co.ltd

Rob Upson became a volunteer at the Bendigo Visitor Centre in 1998. The Staff produced a monthly newsletter called ‘The Grapevine’. Being reasonably new to Bendigo, Rob became interested in its history and began writing articles to share with the volunteers. He called them ‘Grapevine Cuttings’ under the pen name of ‘Merlot’. Rob wrote about 90 articles over a period of 12 years until ‘The Grapevine’ was finally pruned and shutdown. Rob is a valuable volunteer for the Bendigo Historical Society.Article 83 of 65 Newsletters in PDF format from the Grapevine collection. history, bendigo, grapevine cuttings, a constitutional proposal & early bendigo vineyards

2.4.1980 newspaper article re the display of early Bendigo photos by the Royal historical society .Photos shows Easter Parade photos .The top photo show crowds lining Pall Mall and flooding into Howard Place in 1898. The bottom photo was taken at an Easter procession during the 1890'snewspaper, bendigo advertiser, newspaper column

'The German Contribution to Early Bendigo' ( 23rd Feb) 1986 lecture by Frank Cusack on the occasion of the 130th anniversary of the first Lutheran service in Bendigo). Origins of the large flow of Germans to the goldfields (failure of liberalism at home; conscription threat). Mention of George Bruhn, Menge (opal discoverer), Jacob Brahe; Ballerstedt; Wittscheibe; Schlemm; Ernst Mueller; Morris Collman; Louis Samuels; Gustave Adolphus Hugo Thureau; Backhaus; Pastor Friedrich Leypoldt; various German vignerons; ''The Hamburg'' (hotel); ''The Berlin'' (hotel); ''The European'' (hotel); Deutsche Verein; Paul Bucholz; Herr Gollmick; Early architects - Getzschmann, Bosselmann, Nicolai, Emil Mauermann, Friedrich Lehmann; Medical people - Dr Barnett; , Dr Landvoigt. Dr Sandner Snr.; others - Conrad Meyerhoff (patent gold cradle), Benno Sluytmann (first electricity plant in Bendigo), Gustavus con Tempsky (re Burke & Wills expedition), Ludwig Becker (Burke & Wills expedition); Josef Von St. Nicolai (Freemasonry); Captain Von Paleski.bendigo, mining, early german history, german diggers, diamond hill, mangurang, mexican enclave at eaglehawke, irish town, back creek, ironbark gully, white hills, georg bruhn, menge, jacob brahe. old bendigo cemetery.

'The German Contribution to Early Bendigo' ( 23rd Feb) 1986 lecture by Frank Cusack on the occasion of the 130th anniversary of the first Lutheran service in Bendigo). Origins of the large flow of Germans to the goldfields (failure of liberalism at home; conscription threat). Mention of George Bruhn, Menge (opal discoverer), Jacob Brahe; Ballerstedt; Wittscheibe; Schlemm; Ernst Mueller; Morris Collman; Louis Samuels; Gustave Adolphus Hugo Thureau; Backhaus; Pastor Friedrich Leypoldt; various German vignerons; ''The Hamburg'' (hotel); ''The Berlin'' (hotel); ''The European'' (hotel); Deutsche Verein; Paul Bucholz; Herr Gollmick; Early architects - Getzschmann, Bosselmann, Nicolai, Emil Mauermann, Friedrich Lehmann; Medical people - Dr Barnett; , Dr Landvoigt. Dr Sandner Snr.; others - Conrad Meyerhoff (patent gold cradle), Benno Sluytmann (first electricity plant in Bendigo), Gustavus con Tempsky (re Burke & Wills expedition), Ludwig Becker (Burke & Wills expedition); Josef Von St. Nicolai (Freemasonry); Captain Von Paleski.Frank Cusackbendigo, mining, early german history, german diggers, diamond hill, mangurang, mexican enclave at eaglehawke, irish town, back creek, ironbark gully, white hills, georg bruhn, menge, jacob brahe. old bendigo cemetery.

Transcript of a lecture presented by Frank Cusack on Sunday, 23rd February, 1986, on the occasion of the 130th anniversary of the first Lutheran service in Bendigo. Three typed A4 sheets.lutheran church, winegrowers

Black and white photo copy: Image shows mine site, horse harnessed to puddling machine, shaft in immediate foreground, with pipe extending into top of shaft. Horse harnessed to cart on LH side. Very early image of mining in Bendigo, no poppet heads visible.Batchelderplace, bendigo, mining, bendigo, mining, gold, puddling

Five pages numbered 1-4-6-7 and 8 handwritten in ink on lined paper. Personal recollections by Angus Kennedy of doctors, inquests, cemeteries, funerals etc. Incomplete as several pages are missing. Doctors mentioned in the document: Stuart, Hunt, Owens, Eadie, Hutchison, Smith, Hoyle, Maxwell, O'Donnel, Roche (Coroner), Cruikshonk, Cheyne, Atkinson, Hugh Boyd, Barnet, Betham. Typed transcription included.bendigo, hospital, bendigo doctors

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.