Bendigo Art Gallery, Bendigo Art Society. President: Hon. R H S Abbot, M.L.C., F.R.S.A. Eleventh Exhibition, in the Bendigo Art Gallery, View Street. October 10th to 31st, 1926. Hon. Treas.: C E Bulley. Catalogue Price 6d. The President, Officers, and Committee of the Bendigo Art Society express their pleasure in presenting the representative collection embodied in this Exhibition. Mr John Shirlow, the noted etcher has been good enough to get together a fine showing of works from eminent artists, who have kindly exhibited with a disire to help the Society and to encourage the local artists. The patronage and help of our citizens is earnestly solicited. Fee, for exhibiting or ordinary membership, only 5/- per annum. Should you care to join, the executive officers will only be too pleased to give any information and to receive subscriptions. Joint Hon. Secs.: J Hudspeth, V E Greenhalgh. Fine Art Section. Arists names: Elma Roach, Ida F Knox, H J Honeybone, Edith H Moore, M A Hope, Lady Barrett, G E Parker, D Hinchcliffe, Aileen R Dent, J Hudspeth, J Florence MacGregor, Madge Freeman, C E Bulley, Merle Bulley, Ethel f Crook, L M Sheridan, C G Dunlop, Ena Smith, William H oliver, E Phillips Fox, Ethel Carrick, H Septimus Power, David Davies, Norman Davies, Norman W Penrose, Margaret McCloud, Josephine Van Damme, M E Coverdale, Marion Jones,R W Bugg, L Rowe, Lucy C Newell, Claire Colgan, Charles G Stewart, Alice Newell, V E Greenhalgh, Violet Hambly. Display of Hand-Painted China: H W Tilley, M Jacobs, W McKie, A E Collier, Hilda Veale, Elma Curnow, Jean Cahill, Frank Vaughan. Collection of Australian Art: W D Knox, Esther Paterson, Dora L Wilson, A M E Bale, E F Hooton, John Rowell, Horah Gurdon, Louis McCubbin. Section A (Outdoor Study, any subject, any medium.) Members only: C G Duinlop, J Florence MacGregor, Merle Bulley, William H Oliver, Norman W Penrose. Section B Student's Section. Drawing or Design. Pupils of Schools: Stanley R Millott, Joyce Ranson, Ronald William Forbes, Dorothy Clemens, Lilian J White, Ruby A I Welch, Nancy R Hudspeth, J Honey Church, J G Graham, Ivo Steel. Section C Student's Section. Applied Art. Pupols of Art Schools: Florrie Spencer, Joyce Ranson, Ronald W Forbes, Dorothy Clemens, Lilian J White, Ruby A I Welch, Nancy R Hudspeth, Jean Honeychurch, Annie I Paterson, Isabel Blake, Beatrice Lee, Garnet Capper, Gwen Osborne, Dorothy Olds, Marjorie Crossman, Doris Shaw, Phyllis Paul, Amy Bolton. Section D Plant Form From Nature (Pulils of Schools in Bedigo Inspectorate), North Bendigo: Alan Styles, Ronald Wright, Agnes R Styles, Jean Woodman. Creek View S.S. Beryl Butcher, Grace Gerguson, Ruth Cheatley, Elmore S.S.: George Read, Hazel Farnsworth, Lorna Washington, Keith Gow, Jean Oliver, Robbie Dick. Wanalta S.S. Mary Brown, Dorothy Nelson, Isobel Roberts, Kenneth McKenzie, Frank Brown. Barnedown S.S.: Elsie Read, George Cahill, Maud Nicholas, Leonard Robbins, Benjamin Robbins. Gravel Hill S.S.: Gladys Bamford, Jean Wright, Jean Hosking, Nancy Honeychurch, Norman McLean, Norman Guy, Agnes Stilwell. Violet St S.S.: Alma Worth, G McConville, Harry Elliot. Various Schools: Wm. Hyslop, Ruby Robertson, Hilda Parkinson, Maud O'Connor, Archie L Walker, Hedley Leggo, Jan O Hoy, Edith Cheatley, John Tatchell, Jean Barell, Keith Ashcroft, John Mueller, J Howe, Eric Cohen, Alice Glover, Ivy Morphett, Allen V Horne, Yin On, R W Moon. 2 Copies of catalogue. Black print, 12 pages made up of 3 sheets of paper with 2 staples in centre.Boltons Print, Bendigoevent, exhibition, bendigo art society, bendigo art gallery, bendigo art society. president: hon. r h s abbot, m.l.c., f.r.s.a. eleventh exhibition, in the bendigo art gallery, view street. october 10th to 31st, 1926. hon. treas.: c e bulley. catalogue price 6d. the president, officers, and committee of the bendigo art society express their pleasure in presenting the representative collection embodied in this exhibition. mr john shirlow, the noted etcher has been good enough to ger together a fine showing of works from eminent artists, who have kindly exhibited with a disire to help the society and to encourage the local artists. the patronage and help of our citizens is earnestly solicited. fee, for exhibiting or ordinary membership, only 5/- per annum. should you care to join, the executive officers will only be too pleased to give any information and to receive subscriptions. joint hon. secs.: j hudspeth, v e greenhalgh. fine art section. arists names: elma roach, ida f knox, h j honeybone, edith h moore, m a hope, lady barrett, g e parker, d hinchcliffe, aileen r dent, j hudspeth, j florence macgregor, madge freeman, c e bulley, merle bulley, ethel f crook, l m sheridan, c g dunlop, ena smith, william h oliver, e phillips fox, ethel carrick, h septimus power, david davies, norman davies, norman w penrose, margaret mccloud, josephine van damme, m e coverdale, marion jones, r w bugg, l rowe, lucy c newell, claire colgan, charles g stewart, alice newell, v e greenhalgh, violet hambly. display of hand-painted china: h w tilley, m jacobs, w mckie, a e collier, hilda veale, elma curnow, jean cahill, frank vaughan. collection of australian art: w d knox, esther paterson, dora l wilson, a m e bale, e f hooton, john rowell, horah gurdon, louis mccubbin. section a (outdoor study, any subject, any medium.) members only: c g duinlop, j florence macgregor, merle bulley, william h oliver, norman w penrose. section b student's section. drawing or design. pupils of schools: stanley r millott, joyce ranson, ronald william forbes, dorothy clemens, lilian j white, ruby a i welch, nancy r hudspeth, j honey church, j g graham, ivo steel. section c student's section. applied art. pupols of art schools: florrie spencer, joyce ranson, ronald w forbes, dorothy clemens, lilian j white, ruby a i welch, nancy r hudspeth, jean honeychurch, annie i paterson, isabel blake, beatrice lee, garnet capper, gwen osborne, dorothy olds, marjorie crossman, doris shaw, phyllis paul, amy bolton. section d plant form from nature (pulils of schools in bedigo inspectorate), north bendigo: alan styles, ronald wright, agnes r styles, jean woodman. creek view s.s. beryl butcher, grace gerguson, ruth cheatley, elmore s.s.: george read, hazel farnsworth, lorna washington, keith gow, jean oliver, robbie dick. wanalta s.s. mary brown, dorothy nelson, isobel roberts, kenneth mckenzie, frank brown. barnedown s.s.: elsie read, george cahill, maud nicholas, leonard robbins, benjamin robbins. gravel hill s.s.: gladys bamford, jean wright, jean hosking, nancy honeychurch, norman mclean, norman guy, agnes stilwell. violet st s.s.: alma worth, g mcconville, harry elliot. various schools: wm. hyslop, ruby robertson, hilda parkinson, maud o'connor, archie l walker, hedley leggo, jan o hoy, edith cheatley, john tatchell, jean barell, keith ashcroft, john mueller, j howe, eric cohen, alice glover, ivy morphett, allen v horne, yin on, r w moon. 2 copies of catalogue. black print, 12 pages made up of 3 sheets of paper with 2 staples in centre.

"Fruits of Your Handiwork" from the 'Woman's Needlework Feature" magazine article 26 July 1937 designed by Dorothy Ellsmore Paul.Dorothy Ellsmore Paul (née Dorothy May Ellsmore; 3 February 1902 – July 1973)[1] was an Australian artist and cartoonist. Paul was born Dorothy May Ellsmore in 1902 in Hertfordshire, England. She trained as an artist at Portsmouth Technical College. She left for Australia at just nineteen years old, arriving in Sydney on 18 March 1921. Once in Sydney she trained under Julian Ashton. She had ambitions of becoming a sculptor though this never eventuated. She was first published in The Sun with the cartoon We Do Believe in Fairies in their Sunbeams section. By 1924 she was drawing cartoons for the soldiers' magazine Aussie alongside fellow female cartoonists Mahdi McCrae, Betty and Esther Paterson, and Lillian Pedersen. The same year she exhibited her work in a black and white show at Anthony Hordern and Sons' Fine Art Gallery with such artists as Norman Lindsay, Percy Leason, and David Low. In 1926 she was illustrating short stories for The Australian Women's Mirror and the Sydney Mail. Her illustrations also featured in The Bulletin. In 1929 she edited a book The Etched Work of Sydney Long which included a sketch of hers of the artist. They were both associated with the Australian Painters-Etchers Society. Paul wrote the introduction for the Society's publication The Charm of the Etching. From 1931 to 1934 Paul wrote a feature section for The Australian Women's Mirror. She started with the technique for linocuts and also wrote on pattern printing, embroidery, crafting cuddle toys, making evening gloves, and even a frog pyjama case for children. These crafts and designs were featured in The Sun and The Mercury. She wrote and illustrated the stories Portrait of a Dark Girl and In Search of a Grandmother. She married fellow artist Oswald "Mick" Paul in 1925, son of artist and social reformer Emily Letitia Paul. His portrait of her was a finalist for the 1929 Archibald Prize. Paul has works in the collections of the National Library of Australia, the National Gallery of Australia, the State Library of New South Wales, and a bookplate of Sydney Long in the National Library of New Zealand. https://en.wikipedia.org/wiki/Dorothy_Ellsmore_Paul Stamped linen design with oranges and baskets. Partly embroidered.Pure Linen stamp.

"Fruits of Your Handiwork" from the 'Woman's Needlework Feature" magazine article 26 July 1937 designed by Dorothy Ellsmore Paul.Dorothy Ellsmore Paul (née Dorothy May Ellsmore; 3 February 1902 – July 1973)[1] was an Australian artist and cartoonist. Paul was born Dorothy May Ellsmore in 1902 in Hertfordshire, England. She trained as an artist at Portsmouth Technical College. She left for Australia at just nineteen years old, arriving in Sydney on 18 March 1921. Once in Sydney she trained under Julian Ashton. She had ambitions of becoming a sculptor though this never eventuated. She was first published in The Sun with the cartoon We Do Believe in Fairies in their Sunbeams section. By 1924 she was drawing cartoons for the soldiers' magazine Aussie alongside fellow female cartoonists Mahdi McCrae, Betty and Esther Paterson, and Lillian Pedersen. The same year she exhibited her work in a black and white show at Anthony Hordern and Sons' Fine Art Gallery with such artists as Norman Lindsay, Percy Leason, and David Low. In 1926 she was illustrating short stories for The Australian Women's Mirror and the Sydney Mail. Her illustrations also featured in The Bulletin. In 1929 she edited a book The Etched Work of Sydney Long which included a sketch of hers of the artist. They were both associated with the Australian Painters-Etchers Society. Paul wrote the introduction for the Society's publication The Charm of the Etching. From 1931 to 1934 Paul wrote a feature section for The Australian Women's Mirror. She started with the technique for linocuts and also wrote on pattern printing, embroidery, crafting cuddle toys, making evening gloves, and even a frog pyjama case for children. These crafts and designs were featured in The Sun and The Mercury. She wrote and illustrated the stories Portrait of a Dark Girl and In Search of a Grandmother. She married fellow artist Oswald "Mick" Paul in 1925, son of artist and social reformer Emily Letitia Paul. His portrait of her was a finalist for the 1929 Archibald Prize. Paul has works in the collections of the National Library of Australia, the National Gallery of Australia, the State Library of New South Wales, and a bookplate of Sydney Long in the National Library of New Zealand. https://en.wikipedia.org/wiki/Dorothy_Ellsmore_Paul "Fruits of Your Handiwork" from the 'Woman's Needlework Feature" magazine article 26 July 1937 designed by Dorothy Ellsmore Paul. Stamped linen design with oranges and baskets included.