Showing 30 items matching " faun"
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Benalla Art GalleryPainting, Julian ASHTON, Bacchantes, 1892
Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942NeoclassicismGift of Mr Philip Bacon, 2002Two naked women listening to a Faun play twin pipes.painting, figures, faun, allegorical, flute, tambourine, flowers, nude, mountains, sky, mythical -
Robin Boyd FoundationSlide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. House of the Faun, Pompeii, ItalyPompeii / House / dn / A.A (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Book, Victorian Government, Insignia : State of Victoria, Australia
1 portfolio containing 5 folded sheets : 5 col. ill., coat of arms ; CONTENTS: State of Victoria:- Armorial Ensign -- State Flag -- Floral Emblem -- Faunal Emblem 1 ; Faunal Emblem 2.non-fictionvictorian state emblem, victorian state flag, victorian floral emblem -
Greensborough Historical SocietyFolder, Insignia: State of Victoria, 06/06/1910
Illustrated information sheets on the State Insignia of Victoria. Contents: Armorial ensign, The State flag, Floral emblem, Faunal emblem I (helmeted honey eater), Faunal emblem 2 (Leadbeaters possum).An official description of each of the insignia of the state of Victoria.5 x A3 sheets in blue A4 folder.victoria, insignia, state emblems -
Whitehorse Historical Society Inc.Textile - Child's Tray Cloth, circa 1948
Embroidered by donor (Richardson Pat) at Primary School in Grade 6 in 1948A rectangular tray cloth embroidered with a Faun and two Rabbits, Flowers and edged with yellow thread.Meal Mat by Semco No 1handcrafts, embroidery, domestic items, infants -
Glenelg Shire Council Cultural CollectionBook, Norman L Wilkinson et al, The Royal Navy, 1907
Book with blue cloth covered spine and cardboard covers. Text and graphics in gold, brown, dark blue and faun.portland free library, armed forces, the royal navy -
Bendigo Historical Society Inc.Document - INSIGNIA STATE OF VICTORIA
Blue folder titled Insignia of Victoria. Inside five sheets: Armorial Ensign, State Flag, Floral Emblem (the common pink heath), Faunal Emblem I (the helmeted honeyeater), Faunal Emblem II (the Leadbeater's possum). Also, inside a card from Information Victoria with reproduction of the five emblems.government, state, insignia -
Federation University Art CollectionDrawing, Williams, Albert E, 'Drawing Human Figure from the Cast', 1931
Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. In 1937 he was living at 302 Drummond Steet South, Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed pencil drawing of a plaster cast of a human figure known as the Dancing Faun, a marble sculpture first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany in Florence (probably long owned by the Medici). By 1688 the sculpture was held by the Uffizi in Florence. In September 1800 the sculpture was sent to Palermo along with other treasures to avoid plunder by the French army, but it was returned to the Florence in 1803. By the 18th Century the Dancing Faun gained a reputation as one of the finest ancient sculptures in existence. A faun makes music by simultaneously playing the ‘crotala’ (similar to cymbals) in his hands and the ‘scabellum’ or ‘croupezion’ under his right foot. In Victorian Education Department examinations, this sculpture was sometimes called the "Clapping Faun".Written on the mount board below the drawing "Drawing Human Figure from the Cast. for art Teacher's Certificate 1931 by Albert E. Williams. Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, art teacher's certificate, a.e. williams, alumni, drawing from the cast, drawing from the antique, drawing the himan figure from the cast, dancing faun -
Greensborough Historical SocietyCompact disc, Campbell Beardsall, The NEROC Report: sites of Faunal and Habitat significance in North East Melbourne, 1997
The NEROC (North East Regional Organisation of Councils) Report investigates sites of faunal and habitat significance in north-east Melbourne. This CD produced for Nillumbik Council in 1997. The attached PDF file gives an overview of the report.Compact disknillumbik, ecology, habitat, neroc -
Unions BallaratOur Revolution: A Future to Believe In, Sanders, Bernie, 2016
First-hand insights into Bernie Sanders' campaign (an policy platform) to become Presidential candidate for the Democrats in 2016. He was beaten by Hillary Clinton. Clinton subsequently lost to Donald Trump (Republican Party) in the actual election. Pertinent to history of USA and its presidential elections. Hardcover book. Front cover: faun background; blue and red edges; blue and black picture of Bernie Sanders waving; blue, red and black lettering. Back cover: black and red lettering; background and edging as above. Front cover: title and author's name. Back cover: description; recommendations; excerpts.btlc, ballarat regional trades and labour council, ballarat trades hall, politics - usa, politics - united states of america, election campaigning, election campaigning - presidential, criminal justice system - usa, health care - usa, media - usa, immigration - usa, higher education - usa, economy - usa, democratic party - usa -
South Gippsland Shire CouncilPrint, Framed, Faunal Emblem of the State of Victoria -The Helmeted Honeyeater, 1971
Framed print titled: "Faunal Emblem of the State of Victoria/The Helmeted Honeyeater". One of a set of 5 prints. Feature descriptive text and a coloured image of the Helmeted Honeyeater perched on a small branch. Gold painted wood frame. -
South Gippsland Shire CouncilPrint, Framed, The Leadbeaters Possum, 1973
Framed print titled: "Faunal Emblem of the State of Victoria/The Leadbeaters Possum" by Robert Ingpen. One of a set of 5 prints. Feature descriptive text and a coloured image of the Leadbeaters Possum perched on a tree stump. Gold painted wood frame. -
Glenelg Shire Council Cultural CollectionPrint, Klaus Zimmer, Symbol der Dreifaltigkeit, 1970
UnknownTrident form, blue and green patterning on a grey base. Below the trident are three circles of gold, with a black horizontal line underneath these. The background is pale blue with darker blue lines providing a textured appearance. Mounted in faun matt and gold frame.Front: Series VI/5 (lower left) Symbol derDreifealtigkeit (lower centre) K. Zimmer 70 (lower right) (pencil) Back: (no inscriptions)stencil -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting, Oil, Centaur, 1945
Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father, the seller's grandfather was Dr. Bruno Koenig, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Oil painting, depicting mythological scene. Female figure (unclothed), holding a red cloth/ garment trailing behind her. Centaur / faun? walking beside her. Outdoor scene. Trees, mountains & cloudy blue sky visible in background. Sandy coloured soil. Painted on reverse of old "Choice Tea" box.(On back): 1945 Tatura; ... remember ..... and us, Cesare and Maria Vagarini; On back, on sticker: Va(r)garini, Tatura Internment Camp, 1945 "Choice Tea" stencilled on back, part of original box material.tatura, camp 3, cesare vagarini, camp 3 artwork, victorian internment camps, doctor bruno koenig -
Glenelg Shire Council Cultural Collection
Souvenir - Envelope - Victoria's 150th Anniversary, Nov-84
Cream envelope, Aus Post Souvenir cover for Victoria's 150th Anniversary 1984. Coloured design of helmeted honeyeater, with '150' beneath, on left; two 30 cent stamps, one helmeted honeyeater, the other Leadbeater's Possum (Victoria's faunal emblems). Franked at Portland, 19 Nov. 1984. (Special franking stamp). Description on reverseenvelope, souvenir, 150th anniversary, stationery, stamps -
Glenelg Shire Council Cultural Collection
Souvenir - Envelope - Victoria's 150th Anniversary, Nov-84
Cream envelope, Aus Post Souvenir cover for Victoria's 150th Anniversary 1984. Coloured design of helmeted honeyeater, with '150' beneath, on left; two 30 cent stamps, one helmeted honeyeater, the other Leadbeater's Possum (Victoria's faunal emblems). Franked at Portland, 19 Nov. 1984. (Special franking stamp). Description on reverseaustralia post, souvenir, 150th anniversary, stamps, stationery -
Wodonga & District Historical Society IncDecorative object - Black and opal chip beads and brooch
This unusual jewellery set belonged to the family of Mrs. Jean Raper of Wodonga. It is part of an extensive collection of jewellery items which belonged to her mother and grandmother.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long strand of black beads with embedded opal chips of varied sizes. The front central bead is teardrop shaped and surrounded by 4 large round beads. Beads are strung on a strong dark thread with a plastic screw clasp. The set includes a matching brooch consisting of 3 medium sized and 4 smaller beads attached to a faun gold bar.fashion accessory, women's jewellery -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, Botanical, Collin Elwyn Woolcock, Senecio Odoratus (Scented Groundsel), 1985
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of a stem and flower detail of plant with flat, elongated serrated leaves of a pale sage green, bigger at base of plant and diminishing in size as they ascend the stem. At top of stem are flower heads consisting of multiple small yellow blossoms. At lower right is a detail of one of these flowers. Work is mounted in a double matt (pale cream on faun), framed under glass in gold and green wooden frame.Front: Senecio odoratus (Scented Groundsel) (lower left) (pencil). CEW/85 (lower centre in image) (maroon pencil). Back: 38 (top left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, Botanical, Collin Elwyn Woolcock, Grevillea Aquifolium (Prickly Grevillea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Illustration of a plant with prickly pointed leaves (holy-like) and pink flowers with thin tubular petals and yellow stamens (toothbrush-like in appearance). New leaves are at top with brown-red colouring. To mid-right of plant are two seed pods with a pink petal tube emerging from end. Mounted in double matt (faun on orange), framed under glass in gold, blue and brown wooden frame.Front: CE Woolcock (lower left) (green pencil) Back: Grevillea aquifolium (Variable Prickly Grevillea) (Sticky label, blue pen) CE Woolcock (signature)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural CollectionPainting, James McLear, Untitled, 1990
A depiction of a seascape with six large rocky outcrops emerging from the ocean. The rocks are painted in horizontal layers of red, yellow and blue. The sea is indigo with highlights in white and darker areas of near black. Sky depicts a dawn or dusk view, with lower half washed in apricot and yellow with touches of red/orange. Upper half of sky is blue. In faun matt and framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural CollectionArtwork, other, Ian Rankin, Low Tide - Cape Grant Area, 1990
Depiction of a beach with large boulders in the foreground. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465.cape grant, seascape, beach -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, Botanical, Pultenaea Scabra (Rough Bush-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a flowering plant stem with flower details. On left is a flowering stem, with a woody central stem, small heart-shaped leaves and yellow and orange pea flowers. To right are studies of leaves and flowers: (t-b) top view of flower (yellow); flower detail; side view of flower; top and underside views of leaves; side view of bud. Each view is labelled in pencil and in typed letters affixed to paper. Mounted in double matt (white on faun) in glazed wooden frame with gold detail.Front: Pultenaea scabra (lower left) (pencil) Back: 30 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Benalla Art GalleryPainting, Julian ASHTON, Neo-classical allegory, c. 1890
Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942NeoclassicismGift of Mr Wayne N. Kratzmann, 2005painting, mythical, figures, centraur, child, faun, tambourine, grapes, trees, sky, nude, dancing -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, Botanical, Senecio Magnificus (Tall Yellow-Top / Showy Groundsel). Senecia Lautus (Variable Groundsel), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two flowering stems. View on left depicts long stem with many large serrated leaves (blue-green) with some showing darker edges of a purple tinge. Top of stem has yellow flowers coming from long slim stems. Flowers have 8 long yellow petals each and yellow centres. View on left has fine pale green leaves (fern-like). At top of stem are floral stems, ending in buds and full flowers. Flowers are yellow, with 13 petals and darker yellow centres. Mounted in a double matt (white on faun), framed under glass in gold and green frame.Front: L. Senecio magnificus (Tall yellow-top). R. Senecio lautus (Variable Groundsel) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil) CEW (lower left in image) (purple pencil). Back: 24 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural CollectionDrawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Cinnerascens (Grey Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural CollectionDrawing, Collin Elwyn Woolcock, Pultenaea subumbellata (Wiry Bush-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Colour drawings of flowering stem and detailed leaf and flower views. The largest stem view depicts thin woody stem with small fine green leaves along length of stem. Branching stems at top end in clusters of buds or small orange and yellow pea flowers. At centre left are 3 details of leaves (front, rear and end views). On right are (t-b): top view of yellow pea flower; side view (orange and yellow); rear view (orange) with sepals; sepal detail; side view in full bloom. All views are numbered in pencil and printed on white paper affixed to image surface. Mounted in double matt (white on faun), under glass in wooden frame with gold detail.Front: Pultenaea sub-umbellata (lower right) (pencil). CEW (signature, lower centre in image) (maroon pencil). Back: 37 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural CollectionBook, Victorian Parliamentary Debates 1894-1900, 1894-1900
Red leather-bound spine and cover corners. Gold text and graphics. Marbled design paper on covers, green, blue, red and faun. 539.1 - 539.20 539.1- Victoria Parliamentary Debates. Vol. 74, Session 1894 539.2 - Victoria Parliamentary Debates. Vol. 75, Session 1894-5 539.1 - Victoria Parliamentary Debates. Vol. 74, Session 1894 539.2 - Victoria Parliamentary Debates. Vol. 75, Session 1895 539.3 - Victoria Parliamentary Debates. Vol. 76, Session 1894-5 539.4 - Victoria Parliamentary Debates. Vol. 77, Session 1895-6 539.5 - Victoria Parliamentary Debates. Vol. 78, Session 1895-6 539.6 - Victoria Parliamentary Debates. Vol. 79, Session 1895-6 539.7 - Victoria Parliamentary Debates. Vol. 80, Session 1895-6 539.8 - Victoria Parliamentary Debates. Vol. 81, Session 1896 539.9 - Victoria Parliamentary Debates. Vol. 82, Session 1896 539.10 - Victoria Parliamentary Debates. Vol. 83, Session 1896 539.11 - Victoria Parliamentary Debates. Vol. 84, Session 1896 539.12 - Victoria Parliamentary Debates. Vol. 85, Session 1896 539.13 - Victoria Parliamentary Debates. Vol. 86, Session 1897 539.14 - Victoria Parliamentary Debates. Vol. 87, Session 1897 539.15 - Victoria Parliamentary Debates. Vol. 88, Session 1898 539.16 - Victoria Parliamentary Debates. Vol. 89, Session 1898 539.17 - Victoria Parliamentary Debates. Vol. 90, Session 1899 539.18 - Victoria Parliamentary Debates. Vol. 91, Session 1899-1900 539.19 - Victoria Parliamentary Debates. Vol. 92, Session 1899-1900 539.20 - Victoria Parliamentary Debates. Vol. 93, Session 1899-1900reference, government, state government, parliament -
Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 24 Apr 1928 - 27 Nov 1928
Town Hall, The Bendigo Choral Society. 3 Programs for 1928: First Concert, Second Concert & Third Concert. a/ First Concert 38th Grand Concert, Town Hall, Bendigo. Tue. April 24th, 1928. Conductor MR W C Frazier ARCO. Artists: Miss A Caddell, Mr L Bienvenu. Pianiste: Miss Eileen Hains, ATCL. Hon. Sec. E H Collett. Asst. Sec. W F Mansell. Other Artists from BCS; Miss Essa McSwiney, Miss Jean Thompson, Miss May McGauchie, Hector Taylor. Programme: Price 3d. Programme: In These Delightful Pleasant Groves, Like To A Damask Rose, When The King Went Forth To War, Lament Of Isis, Tell I Tell Me, The Princess, Autumn's Storms, Prelude (The Cycle of Life), How Fair is Thy Face, God's Son Hath Set Me Free, Jesus Christ Our Lord Is Risen, I Heav'n Above, King Arthur. b/ The Bendigo Choral Society, Season 1928. Second Concert. 39th Grand Concert. Town Hall, Bendigo. Wednesday, Sep. 19th 1928. Conductor: Mr W C Frazier ARCO. Sub-Conductor: Mr E A Miller. Artists: Coral Trenerry, Muriel Bolt, Leslie Jephcott, Eileen Hains, Bendigo Choral Society. Hon. Sec. E H Collett. Asst. Hon. Sec. W F Mansell. Programme: The Hexhamshire Lass, Prelude and Allegro, M'Appari Tutt 'Amor', Rhapsody, Sweet Stay Awhile, There is a Lady Sweet and Kind, Danse Negre, Study, Merry Andrew, Gracious and Kind Art Thou My Queen, Secrecy, Sweet Honey-Sucking Bees, Mazurka, Sigh No More, Faery Song, Fantasie, Courage Brothers. Picture of W C Frazier is on cover. c/ The Bendigo Choral Society. Season 1928. Third Concert. 40th Grand Concert. Town Hall, Bendigo, Tuesday, November 27th, 1928. Conductor: Mr W C Frazier. Artists: Gwen Prockter, Lotte Daniell, A E Sayer, Eileen Hains ATCL, Joyce Connell LTCL. Hon. Se. E H Collett, Asst. Hon. Sec. W F Mansell. Programme 3d.Programme: Rest Sweet Nymph, Fine Knacks for Ladies, Adagio, Allegro, The Maiden's Complaint, I've Been Roaming, Down in a Valley, Flora Gave Me Fairest Flowers, Gipsy Dance, Songs of Love, Elegie, Songs of Love, Moonlight, The Nut-Tree, Songs of Love, Traumerei, Zigeunertanz, Nymphs and Fauns, Romance, Budmouth Dears, Bonny Fisher Lad, Rolling Down to Rio.Boltons Print, Bendigoprogram, music, the bendigo choral society, town hall, bendigo, the bendigo choral society. 3 programs for 1928 a/ first concert 38th grand concert. tue. april 24th, 1928. conductor mr w c frazier arco. artists: miss a caddell, mr l bienvenu. pianiste: miss eileen hains, atcl. hon. sec. e h collett. asst. sec. w f mansell. other artists from bcs; miss essa mcswiney, miss jean thompson, miss may mcgauchie, hector taylor. programme: in these delightful pleasant groves, like to a damask rose, when the king went forth to war, lament of isis, tell i tell me, the princess, autumn's storms, prelude (the cycle of life), how fair is thy face, god's son hath set me free, jesus christ our lord is risen, i heav'n above, king arthur. b/ second concert. 39th grand concert. wednesday, sep. 19th 1928. sub-conductor: mr e a miller. artists: coral trenerry, muriel bolt, leslie jephcott, eileen hains, bendigo choral society. hon. sec. programme: the hexhamshire lass, prelude and allegro, m'appari tutt 'amor', rhapsody, sweet stay awhile, there is a lady sweet and kind, danse negre, study, merry andrew, gracious and kind art thou my queen, secrecy, sweet honey-sucking bees, mazurka, sigh no more, faery song, fantasie, courage brothers. picture of w c frazier is on cover. c/ the bendigo choral society. season 1928. third concert. 40th grand concert. town hall, bendigo, tuesday, november 27th, 1928. conductor: artists: gwen prockter, lotte daniell, a e sayer, eileen hains atcl, joyce connell ltcl. programme: rest sweet nymph, fine knacks for ladies, adagio, allegro, the maiden's complaint, i've been roaming, down in a valley, flora gave me fairest flowers, gipsy dance, songs of love, elegie, songs of love, moonlight, the nut-tree, songs of love, traumerei, zigeunertanz, nymphs and fauns, romance, budmouth dears, bonny fisher lad, rolling down to rio. -
Mont De LanceyMixed media - Book and Record, Australian Bush Sounds - book, Australian Bush Sounds, 1968
A book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.A slim square hardcover book with text by Allen Keast and a record of Australian Bush Sounds. The cover has a photograph of a Black Swan nesting in open wetlands. Inside the left front cover is a pocket with an EP record by Carl and Lise Weismann. The book has explanations of the sounds recorded as well as black and white photographs of the creatures featured. p.20.non-fictionA book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.animals, insects, mammals, australian birds, australian animals
