The programme of the Inaugural celebration of Favaloro's Café on pink card with gold print. ' Favaloro's Café Pall Mall, Bendigo Inaugural Celebration Sept. 9, 1920.' Programme details follow made up of music and dancing. The Accompanist is Miss Mabel McGauchie and the Programme is arranged by Mr. Alex. Hamilton.program, music, favaloro's café, lydia chancellor, collection, place, building, commercial, café, programme, music, dancing, celebration, favaloro's café, commerce

Copy of handwritten quote for meal and Sunday Take-away lunch. Favaloro's Café no date but address is 14 Pall Mall (overwritten from earlier printed 109 Pall Mall (Reg. Office). Signed by F E Favaloro.bendigo, business, favaloro's café, f.e. favaloro, 14 pall mall, 109 pall mall.

Pale lemon colour dinner menu, gold print (2 copies) On front: City of Bendigo coat or arms, Dinner to Hon Stanley M. Bruce, M.C., Prime Minister of Australia on the occasion of his First Official Visit to the City of Bendigo. Given by His Worship the Mayor of the City of Bendigo, (Cr. M.G. Giudice).. Favaloro's Cafe, Monday April 21st, 1924. Toast list inside: His Worship the Mayor, Hon. S.M. Bruce, Hon F.W. Eggleston, Col. Hurry, Dr. A. Dunstan, Cr. J.H. Curnow., Cr. R.J. Cooke.Cambridge Pressbendigo, council, dinner stanley bruce, favaloro's, bendigo council, prime minister, stanley bruce.

Three dance cards from Favaloro's Café - Musical Programme listing nine pieces of music.business, retail, favaloro

Four dance cards from Favaloro's Café - Musical Programme listing nine pieces of music.business, retail, favaloro

Four dance cards from Favaloro's Café - Musical Programme listing nine pieces of music.business, retail, favaloro

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Favaloro CafeChina crockery from Favaloro's Cafe, cups and saucers marked with red intwined "FB" for Favaloro's Brothers. Set contains: three saucers three cups (standard) two cups (large)cafe crockery

Digital scans of photographs of the Favaloro's Cafe.domestic equipment, table setting, ceramic sandwich plates

Souvenir Menu for BTCC (Bendigo Travellers' Charity, 30th May 1936 (''11th and Record Year''). Held at Favaloro's Café, Pall Mall. Includes, menu, toast list and list of Executive Officers of BBTC. (Two copies)clubs, social, bendigotraveller's charity club, f. t. dunphy, j. munn, j. dauber, c. bulley, p. graham, h. betteridge, w. simmie, h. weibgen, b ashford, r. waddington, t. bracher, c. rowarth, g. king, favaloro's cafe

Menu for the BBTC (BENDIGO TRAVELLERS' CHARITY CLUB) ANNUAL BANQUET 29th May 1937. Held at Favaloro's Café, Pall Mall. Menu and Toast List. List of Executive Officers of the BBTC.Cambridge Pressclubs, social, bendigotraveller's charity club, bendigo travellers' charity club, favaloro's cafe, a. munn, j. c. dawber, c. e. bulley, c. rowarth, p. t. graham, t. frost, c. applebee, h. weibgen, t. bracher, p chenu, j. h. allen, a. barningham, f. burgess, w. swift, j. frigerio, r. waddington. bendigo hospital, benevolent asylum.

Menu for Fifth Birthday Dinner of the Apex Club of Bendigo, May 8th 1937 - held at Favaloro's Café, Pall Mall. Menu and Toast List. Includes words of the 'Apex Song' and List of the current Board of Diirectors by name and position.Cambridge Press, Bendigoclubs, social, bendigo apex club, apex club 6, favaloro's cafe, vic eskdale, graham hall, frank jones, ted townsend, clarrie holland, jack andrew, frank o'brien, murray carter, george moore, frank jorgensen, carl applebee, max carter.

Annual Dinner and Installation of President. (Rotarian Alex Fraser). Rotary Club of Bendigo South. Favaloro's Café, Pall Mall, Bendigo. Thursday, 7th July, 1966. 6.30 pm.organisation, union, annual dinner and installation of president, rotarian alex fraser, favaloro's café

Document. Menu & Programme for Rotary Club of Bendigo Annual Dinner & Installation of President held at Favaloro's Café, Pall Mall, Tuesday 6th July 1954. Printed on buff card in blue & gold & listing Past Presidents on back. Performance by Gertrude Perry.organization, club/society, community, gertrude perry collection, menu & programme rotary club bendigo, favaloro's café

Object. Cream coloured ceramic sandwich plates ''Favaloro's Cafe'' printed on the edge of the plates in red, - twenty plates.on under side of plate ''Duraline'' Super Vitrified Gringley Hoteware of England, Lotus Moran Pty Ltd Melbourne 9-61domestic equipment, table setting, ceramic sandwich plates

Possibly used in Favaloro cafes.An unbleached linen tablecloth made from three widths of fabric sewn together.favaloro, tablecloth

This tablecloth was possibly used in Favaloro cafes. An unbleached linen tablecloth made from three widths of fabric sewn together.favaloro, tablecloth

Object. Brown paper cake or lolly bag from Favaloro's Cafes Bendigo. Printed on one side "Favaloro's Cafes'' Confectioners Bendigo. Luncheon,Afternoon Tea and Supper Rooms, Ices and Soda Fountain Drinks a Specialty. Bolton Bros Bendigo (Manufacturer).Phones 267, 201,536,1216, Postal Box 44.ephemera, mementoes, brown paper bags

Black and white photograph showing: Favaloro's Cafe, Mills Fruit supply, Amor Gowns, Wm.I. Jones Chemist and Evelyn Amor. Several cars parked at the front and pedestrians walking.bendigo, streetscape, pall mall