Sign for show floors and auction room.Show Floors & Auction Room.sign

Written on back of photograph, "Additions to Eastland (2 floors added) 11/7/73."

The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する　東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama

Demolition of the former Shire of Eltham Offices, 895 Main Road, Eltham, August 1996. Colour photographeltham shire office, demolition

Photographs taken by Jeff Leipold, member of RDHS

Photographs taken by Jeff Leipold, member of RDHS

Sign from Dennys, Lascelles Limited building.Sign from Dennys, Lascelles Limited building.WOOL DEPT.wool stores, dennys, lascelles limited, sign

Pop’s was a powdery wax used on wooden dance floors, scattered before a dance and spread by the dancers’ feet. It made the floor very slippery! It would have had a lot of use in country halls where dances were often held for fundraising (and fun).500g Cardboard box containing ballroom floor "powder" Pop's Ballroom Floor Dressing …..(see photo)ballroom dancing, floor, dressing

Copy of floor plan of new clubrooms.Fully dimensioned floor plan. Architects: Sheppard & Dwyer Pty Ltd, Richmond.

463-1 Header Assembly floor Massey Ferguson 463-2 Header Assembly Floor Massey Ferguson Drills Stripper Dept 38 463-3 Header Assembly Floor Massey Ferguson Cessation 1986 to 1987massey ferguson, sunshine harvester works

Floor tile recovered from Loch Ard wreckTile, triangular marble floor salvage, loch ard, tile

Copy of newspaper article with images showing damage to steps outside the Ringwood Secondary College. Newspaper unknown.; Holes in floor; rusty pipes, broken walls, creaky steps. +Additional Keywords: Semple, Gary / Phillips, Michael (Principal) / Gude, Phil / Ashley, GordonHoles in floor; rusty pipes, broken walls, creaky steps.

A series of six prints showing various stages of labour, donated to the College in 1999. This print was used in the antenatal clinic of St George's Hospital, Kew, Victoria.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'ABDOMINAL MUSCLE DRIVE PELVIC FLOOR THIN PLATE 11'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 11. Abdominal muscle drive pelvic floor thin/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.ABDOMINAL MUSCLE DRIVE PELVIC FLOOR THIN PLATE 11obstetric delivery

A series of six prints showing various stages of labour, donated to the College in 1999. This print was used in the antenatal clinic of St George's Hospital, Kew.Black and white reproduction print of a plate from a book, enclosed in a wooden frame. Text at the top of the print reads 'HEAD TURNS UPWARD PELVIC FLOOR RETREATS PLATE 12'. The plate depicts a detailed cross section image of a baby in the womb. Label attached to back of work reads: 'Robert Latou DICKINSON and Abram BELSKI/ Plate 12. Head turns upward pelvic floor retreats/From: Birth atlas: reproduction of twenty-four life size sculptures of fertilization, growth,/stages of labour and involution./New York: Maternity Center Association, 1943. 6th ed./Gift of St Georges Hospital, Kew, 2000'.HEAD TURNS UPWARD PELVIC FLOOR RETREATS PLATE 12obstetric delivery

c1950's. This vintage 375g Nabisco Pty Ltd Wundawax Floor Polish was used to shine wooden floorsA flat round vintage Wundawax Floor Polish tin with a removable lid and polish contents inside. The top of the yellow and black lid has a red star in the middle with 'Instant Shine' in yellow letters. Around the edge of the lid 'WUNDAWAX' is printed in red lettering as well as '375g Net Weight'. 'Product of Australia' is in small black print on the right side of the top of the lid.' The lid cannot be opened.The yellow and black lid has a red star in the middle with 'Instant Shine' in yellow letters. 'WUNDAWAX Floor Polish' is also on the top. Around the edge of the lid 'WUNDAWAX' is printed in yellow lettering as well as '375g Net Weight' 'Goes on easily Shines up instantly' is on the lid at the top. A black barcode is printed at the bottom on the top of the lid - numbers 9 310034 100296. As the lid is rusted it is not very clear to see.cleaning equipment, cleaning products, floor polish

The photograph depicts the magnitude of the tobacco industry in the late 1960s to 1970s era when many Myrtleford district growers contributed to the annual tobacco harvest. The impact of post-war migration from southern Europe was playing an important role in reaching harvest records.The photograph reflects the "golden years" of tobacco growing in the district, which continued into the 1970s, prior to later deregulation in the 1980s and 90s and the ceasing of production altogether in 2006. This sales floor attracted local farming families to observe activities off-season in Melbourne, before the sales were conducted at a complex in Myrtleford. A monochrome photograph displaying a large tobacco selling floorInscription: "VIEW OF THE SHOW FLOOR OF DALGETY-NZL's BROOKLYN WOOL STORE ON 27-6-1966 WHEN 15,940 BALES OF TOBACCO LEAF VALUED AT $3,507,000 WERE DISPLAYED. IT WAS THE BIGGEST DISPLAY OF TOBACCO LEAF EVER SEEN IN AUSTRALIA" tobacco industry, myrtleford tobacco selling floor

This bottle labelled No Rub liquid wax proclaims the wonders of No-Rub, no-slip, and shines as it dries. The bottle still contains some of the liquid floor wax, made by J R Alexander & Sons Limited. The company was registered as a limited company from 1924 to 1975. However, the firm's advertisement and referrals from satisfied Melbourne customers, printed in The Argus, Melbourne, on Mach 19th, 1954, states that it made the first shoe polish, Supreme, in Australia as long ago as 1900. The firm made a range of household cleaning products such as floor wax, shoe polish and fabric starch. The J R Alexander & Sons Ltd. No-Rub liquid wax was advertised in various states of Australia from around 1936 until the 1950s. Later advertisements show sketches of the wax containers, which were round bottles or metal cans. The bottle in our collection is likely to be made around the 1960s.Bottle; brown glass with metal cap and yellow, orange and black label on the front. Flat rectangular-shaped bottle with a short neck and rounded shoulders The bottle has a black metal screw top lid and contents inside. There are inscriptions on the label. The bottle contains No Rub Floor Wax. Made by J R Alexander and Sons, of Adelaide, Melbourne, Sydney and BrisbanePrinted on the label: "SHAKE WELL" "No-Rub" TRADE MARK REGD." "THE NON-SLIP / Liquid / FLOOR WAX / Saves Labour / Saves Time" "Shines as it dries" "NETT CONTENTS 15 FLUID OZS"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, glass technology, bottle, glass bottle, brown glass, cleaning product, floor cleaner, floor polish, domestic cleaner, no-rub, floor wax, non-slip, flat bottle, bottle contents, liquid wax, j r alexander & sons, household cleaning, cleaning products, zippy starch, zippy window cleaner, liquid floor wax, no rub floor wax, supreme shoe polish, rectangular bottle

The Classic Restaurant, located in Swanson Street next to Young and Jacksons Hotel, was one of the many businesses owned by Ithacans in Melbourne's CBD. Nakis Raftopoulos ran the business during the 70 & 80s up until the property was sold and became a fast food chain outlet. The building has since been demolished as part of Melbourne's Metro Tunnel project. Many Ithacans who settled in Melbourne in the early years of the twentieth century opened restaurants In the CBD. From the 1950s onwards the number of these Ithacan owned businesses gradually declined and by the 1970s very few remained. The Classic Restaurant was one of the last remaining establishments in the CBD owned and operated by an Ithacan. A black and white photograph of the Classic Restaurant. It is a two storey building large printed letters spelling out the name of the business on the first floor of the building. Three sedans are in front of the building and two people are standing at the tram stop opposite the building.Painted on the second storey of the building: CLASSIC RESTAURANT/ GROUND FLOOR/ COFFEE LOUNGE.

Dennis and Rita Viragos on the dance floor at a club dance.The Ithacan Philanthropic Society held regular dances in their clubrooms. They were held on Tuesday nights because the it was not a busy day on the following Wednesday morning as fruiterers and stall holders had a chance to relax on that night. A black and white photograph of a couple on a dance floor.

Rita Varigos and Parry Gabriel are the couple on the dance floor. A black and white photograph of a couple on a dance floor.

Housewives waxed their floors to clean, shine and preseve their lino floors.Use by residents of the Kiewa Valley. Waxing floors was common in the 1950s.Round red and blue tin with white and black print. Contains some wax.Fisher's Extra Rich Wax Net 375g 'cleans, shines, preserves, your floors' Manufacturers: Reckitts Household Division, Sydney 10046Dfloor wax, reckitts, fisher's wax

A floor plan layout of Kooringa Resort and Conference Centre in Marysville.A floor plan layout of Kooringa Resort and Conference Centre in Marysville.marysville, victoria, australia, kooringa, frederick webb, cuzens brothers, betha wilhelmina christina unmack, minnie webb, t.e. foster, edgar charles webb, clarence thomas pitman, jacob pitman, sir isaac pitman, caroline anna blood newenham, henry newenham pitman, carrie rosalind persse pitman, reginald william stringer, alice burton pitman, clarence edward pitman, newenham mueller pitman, olive birch, constance may pitman, olive dora blakeney pitman, gwendoline de burch pitman, kooringa guesthouse, lilian may shelton, thomas henry branchflower, wilbur anderson, peter mackey, caroline anna pitman, joyce anderson, barry brenton, kathy brenton, kooringa tourist house, photograph, kooringa conference centre, kooringa resort and conference centre

A group of widows at Legacy House doing light exercises. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House. It is assumed to be 1999 as it was with a bunch of other photos with the label, "Legacy House 2nd Floor 1999". Names unknown. A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo x 2 of ladies doing light exercises seated in Legacy House.Yellow Post-it note says: "Legacy House 2nd Floor 1999". widows, exercise classes, activities

Australian Tessellated Tile Company Tile from kitchen floor of Schwerkolt Cottage laid early 1900s after bush fire. Tiles removed in Nov 2013 due to cracking and damage- damaged tiles replaced with look-alike tiles.2 square floor tiles from Schwerkolt Cottage kitchen floor. Dark cream speckly in colour with cream backing.ceramics, schwerkolt cottage, floor tiles

shop at No. 110 Maling depicting the 1st floor storey of the buildingColoured photograph shop at No. 110 Maling depicting the 1st floor storey of the buildingcanterbury, maling road, shops