Gold was discovered in Ballarat in 1851 when many people rushed to the diggings. A monument commemorates the centenary of the finding of gold at Poverty Point and is dedicated to the memory of pioneer miners of Ballarat. It record gold yields, nuggets and the richest recorded yields of both alluvial and quartz mines. The replica gold nugget on the monument is the `Welcome Nugget`, found in Ballarat in 1858, weighed 2,217 ounces and was sold for £10,500. The memorial, known as the Pioneer Miners’ Monument, was made to commemorate Ballarat's gold centenary. It was proposed that part of the Pioneers' Memorial Fund might be used. This fund was started with £1300 profit from the 1938 centenary celebrations. (Age (Melbourne), The monument was created by John Edward Skilbeck, a toolmaker with Ronaldson and Tippett. John Skilbeck had a deep interest in Ballarat History, and undertook much research with Bert Strange and Keith Stacpoole. Councillor William Ernest Roff provided the copper for the memorial from scrap copper obtained during his plumbing business. The copper was reworked by John Skilbeck, and was soldered in the kitchen of his home at 14 Frank Street. Colour photograph of the gold monument on the corner of Sturt Street and Albert Street, Ballarat - also known as the Pioneer Miner's monumwnt. It commemorates the discovery of gold at Poverty Point in August 1851. The quartz structure features a replica of the 62.8 kg Welcome Nugget, the world's largest gold nugget which was found in Ballarat. The monument was unveiled in 1951 and is mainly constructed of large piecesof quartz, with a miniature popper head on the top made of copper. Mounted on the side is a replica of the Welcome Nugget, which was unearthed on the corner of Humffray and Mair Streets, Ballarat on 09 June 1858.FRONT This monument was erected by the Ballarat Historical Society to commemorate the finding of gold at Poverty Point 21st August 1851 and is dedicated to the memory of/ pioneer miners of Ballarat LEFT SIDE Richest recorded yields alluvial mines Band of Hope 303269 Ozs Prince of Wales 168929 Koh I Noor 164157 Great Redan Ex 110111 Albion 107125 Bonshaw Fr 96520 Park 94699 St George 86702 Sir Wm Don 76830 Hand in Hand 76830 Sir Henry Loch 43562 Quartz Mines Star of the East 256758 Ozs Band of Hope 158299 Victoria United 152013 N Woah Hawp 129562 New Normanby 127562 Britannia 103225 Llanberris No 1 100533 Black Hill 91665 Last Chance U 83766 Llanberris 71364 Speedwell 66000 South Star 64444 Sulieman Pasha Companies 62666 RIGHT Recorded gold yield 20606000 ozs Nuggets Alluvial Welcome 2217 ozs Saraha Snads 1619 Lady Hotham 1177 Canadian 1 1117 Canadian 2 1011 Koh 1 Noor 834 Eureka 625 Lady Loch 617 Prince of Wales 606 Bakery Hill 571 Native Youth 540 Faboulous yields of earliest diggings not offically recorded Quartz Nuggets N Woah Hawp 5-- 300 200 Ozs White Horse 500 Woah Hawp 444 266 262 Canton 257 200 Q Victoria lease 410 U Black Hill Coy 315 Tinworths 250 Parade Coy 245gold monument, ballarat, skilbeck, poppet head, j.e. skilbeck, john skilbeck

Photo with a brown tinge of the Gold Monument next to the Black Swan Hotel in McCrae Street. Street surface looks like gravel. There are horse drawn vehicles in the picture and on the right side of the photo is a tram with No. 6 painted on the back. Behind the statue is a poppet leg structure and a row of trees around the Hotel.bendigo, streetscape, general street views, john jones collection - gold monument, black swan hotel

Deborah Gold Mine and Monument Hill Gold Mine Drawn on paper, cross sections of Deborah and Monument Hill Gold Mines, Bendigo. Plan shows shaft depths and drives. Written alongside each plan" W.H. Cundy, Bendigo, July 1934' Plan forms part of the Margaret Roberts Collection of mining records. margaret roberts, gold, gold mine, bendigo, deborah gold mine and monument hill gold mine, monument hill gold mine, deborah gold mine

GOLD MONUMENT ERECTED ON SITE OF FIRST GOLD DISCOVERY IN VICTORIA 1851BRICK MONUMENT, SURROUNDED BY MESH FENCE WITH WOODEN POSTS. GRASS GROWING AROUND MONUMENT, MULLOCK HEAPS IN BACKGROUND, HOME ON CAMP PARADE.GOLD MONUMENT CLUNESphotographs, mining civic momentoes, gold monument

ORIGINAL MONUMENT ON ACTUAL GOLD DISCOVERY SPOT, PORT PHILLIP MINE, CLUNESPHOTO OF PORTION OF METAL CHIMNEY STACK STANDING IN SELECTED QUARTZ ROCKS DEPICTING ACTUAL SPOT WHERE FIRST GOLD WAS DISCOVERED IN CLUNES 1851 AT PORT PHILLIP MINE. HAWTHORN HEDGE PLANT GROWING IN TOP OF MONUMENTACTUAL GOLD DISCOVERY CLUNESphotographs, mining civic momentoes, chimney stack, gold monument

Black and white photo title 'Gold Monument' looking up Pall Mall /McCrae St, Bendigo. Gold Monument in Howard Place on left, No 6 Tram on right.person, individual, basil miller

1960s, clunes, gold discovery, monument, detail

Made for gold celebrationCharm fashioned to resemble a gold monument "Gold Monument - Clunes"gold, jewellery

Photo of a man (Wal Jack) standing by the Gold Monument at Poverty Point at the rear of Main Street Ballarat East. Monument looks new or recently cleaned up. Photo taken Sept. 1946.Has a close association with Wal Jack, an avid collector of Ballarat Tramway and other tramway and railway materials.Black and white photographic print with hand written note on the rear.On rear in ink "Gold Monument at rear of Main Street Ballarat East. / First gold discovered in Ballarat 1851 / Sept 1946." In Wal Jack's handwriting.trams, tramways, ballarat, gold monument, poverty point

McColl Rankin & Stanistreet, New Monument Gold Mining Co NL, cheque book. Hard cover containing butts and unused cheques of New Monument Gold Mining Co NL. Unused have been signed by C J Michelsen. Markings/inscriptions: 'New Monument Gold Mining Company NL' stamped on front cover 'Final Distribution' hand written front cover. Item date:1960-1964organization, mining, new monument gold mining company nl, mccoll rankin & stanistreet new monument gold mining co nl cheques

Stawell Progress Association Members 1953 beside Gold Memorial monument to the discovery of gold at Pleasant Creek.stawell

1960s, clunes, gold discovery, monument

Set of Slides of 1981 Snow fall around Stawellcentral park, grampians gate park, stawell caravan park, children playing, mini world, snowman, methodist church, stawell, bird bath, stawell house, from big hill, fraser park, big hill, big hill gold monumnet

Group of People Stawell Progress Association in front of monument. Gold Memorial Opening 1954stawell

Monument Hill Gold Mine was located near the corner of Old Violet and Olive Streets, Bendigo. It operated until 1947. The shaft was capped, the poppet legs and mullock removed. A house now occupies the site. The Monument Hill Gold mine depth was over 1200 ft. Detailed transverse plan of Monument Hill Mine, showing main shaft and levels. Plan of underground workings alongside section. Written on bottom of plan: 'Plan and transverse section, Monument Hill Mine, Deborah Line of Reefs, Bendigo' Handwritten on bottom of plan: 'J.J. Caldwell, 6.11.39'. Plan forms part of the Margaret Roberts Collection.gold mining, gold, bendigo, transverse, monument hill gold mine

Monument Hill Gold Mine was located near the corner of Old Violet and Olive Streets, Bendigo. It operated until 1947. The shaft was capped, the poppet legs and mullock removed. A house now occupies the site. The Monument Hill Gold mine depth was over 1200 ft. Transverse section of Monument Hill Mine. Written on top of plan: ' Cross Section Monument Hill Mine'. Handwritten on bottom: ' W.H. Cundy, May 1931' Plan forms part of the Margaret Roberts Collection.gold mining, gold, bendigo, transverse, monument hill gold mine

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.