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Lakes Entrance Historical Society
Book, Work With Collections -- Course in Creative Volunteering - no limits, 2010
An explanation of the nine main themes addressed by the Heritage Council of Victoria to encourage a holistic and strategic approach to heritage understanding and management. Examples and case studies included.reference material -
Glenelg Shire Council Cultural Collection
Book, Homeopathy in Practice, n.d
Blue cloth binding over carboard covers, with title and author in gold on spine and cover. 446 pp.medicine, holistic, homeopathy -
Uniting Church Archives - Synod of Victoria
Photograph, Charles Harris, 07/1988
"School at Hall's Gap studies holistic Aboriginal theology" - article by Tim Angus - "Participants at a school of Aboriginal Theology were challenged to take up a new partnership in mission by the Rev. Charles Harris, president of the Uniting Aboriginal and Islander Christian Congress… Charles Harris gave a quiet and determined witness to the power of the Gospel to free his people to become agents of their own destiny in spiritual, cultural and political terms."Head & shoulders, dressed casually."Rev. Charles Harris"harris, charles, aboriginal and islander christian congress -
Eltham District Historical Society Inc
Document - Property Binder, 1036 Main Road, Eltham
Newspaper advertisement: Leader Associated Newspapers, Eltham Centenary Supplement, March 30, 1971, Browne Bros. Saveway Newspaper article: Fullife service, Valley Weekly, 22 June 2005, Description of Fullife Pharmacy services, Eltham. Newspaper article: Holistic health, Valley Weekly, 22 June 2005, Description of Nillumbik Community Health Service. Newspaper advertisement: Nibble & Bake shop, Valley Weekly, 22 June 2005.main road, eltham, shops, businesses, fullife pharmacy eltham, nillumbik community health service, nibble & bake shop eltham, tina asker, browne bros. saveway (eltham) -
Broadmeadows Historical Society & Museum
Booklet - School Yearbook, Salesian College, Rupertswood, "Certantes in Vita" 1977, 1977
School yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.A stapled, card-covered, sixty-four-page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1977 -
Broadmeadows Historical Society & Museum
Booklet - School Yearbook, Salesian College, Rupertswood, "Certantes in Vita" 1973, 1973
School yearbook, presenting details of the events and students at Salesian College, Rupertswood, Sunbury.A stapled, card-covered, fifty-two page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students at Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1973 -
Broadmeadows Historical Society & Museum
Booklet - School Yearbook, Salesian College, Rupertswood, "Certantes in Vita" 1974, 1974
School yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.A stapled, card-covered, forty-eight-page book with loose card cover. Oil stain bottom right of page 11 and bottom left of p.12.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1974 -
Eltham District Historical Society Inc
Document - Property Binder, 616 Main Road, Eltham; Plum Cottage
Plum Cottage is covered by Heritage Overelay HO256 in the Nillumbuk Planning Scheme This two-lot land holding was created as a subdivision and sold to Charles Stuart McNeil by May 1955. Sometime in the period 1955-1960, the builder-designer, John Harcourt had created a pise house on the site, straddling the two subdivision lots. The designer, John M. Harcourt was a pioneer builder in pise-de-terre and mudbrick in the Eltham Shire, Eltham being synonymous with alternative lifestyles and building practises until the onset of suburbia in the late 20th and early 21st centuries. This hipped-roof house is set high above Main Road on a V-shape plan characteristic of the Arts & Crafts style, with rammed earth or pise walls, timber joinery and a cement tiled roof. The V shape plan was used by important English and Eltham Arts & Crafts designers. The use of natural materials such as stone and timber construction is an essential part of the Arts & Crafts style and Harcourt’s work. So too is the application of the style on both the exterior and interior of the house as a holistic concept. The house adjoins the Lim Joon adobe house built and designed by Alistair Knox in the same era (HO119), thus forming a distinctive pair, both using an uncommon plan form. This house was identified in the Shire of Shire of Eltham Heritage 1992 as contributory to the Eltham Gateway Conservation Area, then proposed as an urban conservation area (now Heritage Overlay Area). Land Ownership Emily Jane Smith of 12 Woodside Street Fitzroy owned Crown Allotments 1 & 2 Sections 14, 27 by August 1918, selling to William Henry Smith of 12 Woodside Street, Nth Fitzroy May 1921. (John) James Isherwood of Main Road, Eltham owned the property by 1928 (the year of his death) with the beneficiary of his estate and next owner of this site being his widow, Minnie Maria Isherwood of Cemetery Road, Eltham. His holding in Main Road included parts of what was described in rate records as allotments1 & 2 Section E6. In the late 1930s, early 1940s her son Alfred John Isherwood was also rated for the land around this site, with the rated nett annual value varying between £2 and £5. Alfred Isherwood also lived at Main Road, Eltham with his wife Ellen: her early death at the age of 24 was reported in the Argus of 1923. Part of the Isherwood land was divided off and sold to Charles Stuart McNeil by May1955. Sometime in the period 1955-1960, the builder-designer, John Harcourt had created a pise house on the site, straddling the two subdivision lots. The house is visible on an aerial photograph from 1960s. Reputedly the house was called Plum Cottage and erected for Harcourt’s mother-in-law. A garage was added in 1959. Charles McNeil died in1971 aged 87: he was the son of Don McNeil and Margaret Arkell. Available rate records from the construction era start in the of the 1970s (1972-3) and list Mr H.C. & M/S A.V. Charity at 616 Main Road Eltham of this property with a nett annual value of $740. More recent valuer's data describes the property as lots 1 & 2 LP25668, located in the Central Riding of Eltham Shire, owned by Ann Valerie Charity and later, in 1990, by the Chincarini family. Building Description This hipped roof 11 .5 square house is set high above Main Road on a characteristic-shape plan and has rammed earth or pise walls, timber joinery and a cement tiled roof. The V-shape plan was used by Important designers such as C.F.A. Voysey (UK) who interpreted medieval domestic architecture as part of the Arts & Crafts style of the late 19th and early 20th centuries. The pise walls are covered with a textured render while the cement roofing tiles are also seen in the Harcourt Hill examples. Reputedly the ceiling joists are of a deep section and span long lengths with no need for hanging beams in the roof space. The ceilings are low and panelled in main rooms with apparently Caneite soft board infill panels between the exposed ceiling beams. These are painted white but may have been stained at one time. The focus of the house is the large living area with its vast random stone fireplace. Significance Plum Cottage is significant to the locality of Eltham because: Historically: • Plum Cottage is closely associated with the important historical theme of earth construction evident in Eltham and elsewhere in the Shire since theear1y Arts & Crafts inspired creations at Penleigh Boyd's The Robins (1912, HO101) and those at Montsalvat (1934-, HO82) but more prominent from the Second War period when earth building in Eltham was promoted in national periodicals as an alternative building method that avoided the building materials shortages of that era; • The choice of the earth building technique also expresses the theme of refuge or alternative living, synonymous with Eltham in the early to mid 20th century; • as a good example of domestic architecture from John Harcourt who was the first major post Second War figure in an important phase of Eltham’s earth building development, using his characteristic Old English or Arts& Crafts style that relies in this case on the pise wall construction, pitched roof forms, exposed ceiling joists, half timbering, random stonework, and panelled internal wall finishes. Architecturally: • Plum Cottage's pise wall construction is uncommon among the early earth-walled structures in the Shire, that are mainly of adobe or mud brick, and as a building material is uncommon among the Shire’s suburban dwellings generally which are clad typically with either fired clay bricks or timber boarding. Aesthetically: • Plum Cottage is a good and well preserved example of a modern Old English or Arts & Crafts style earth-walled building in the Shire • For the proximity of the significant Lim Joon adobe house designed by Alistair Knox adjoining to the north, providing a distinctive earth wall house pair, with uncommon plan forms. Reference Heritage Assessment of Plum Cottage, 616 Main Road, Eltham; Graeme Butler & Associates 2010main road, eltham, property, houses, (john) james isherwood, alfred john isherwood, ann valerie charity, arts and crafts style, charles stuart mcneil, chincarini family, eltham gateway zone, emily jane smith, h.c. charity, heritage assessment, john harcourt, john m. harcourt, lim joon house, main road eltham, minnie maria isherwood, pise construction, plum cottage -
The Celtic Club
Book, Diarmaid Ferriter, The Transformation of Ireland 1900-2000, 2005
An holistic approach to the narrative of twentieth century Ireland.Index, bib., P.759non-fictionAn holistic approach to the narrative of twentieth century Ireland.ireland- history. ireland - 20th century. -
Broadmeadows Historical Society & Museum
Photograph - School Photo, Jacana Primary School Bat Tennis Premiers 1979, 1979
This 1979 photograph of Jacana Primary School’s bat tennis premiers offers a nostalgic glimpse into a vibrant chapter of local school life. More than just a snapshot of sporting success, it reflects the values that underpinned the school’s ethos—participation, perseverance, and community pride. Founded in 1959, Jacana Primary served generations of families until its closure in the early 2000s, becoming a hub for both learning and local connection. The image stands as a testament to the school’s commitment to nurturing well-rounded students through both academic and extracurricular pursuits. It also serves as a cultural time capsule, capturing the spirit of a suburban Melbourne school community during a formative era in public education.This 1979 photograph of Jacana Primary School’s bat tennis premiers holds enduring cultural and historical value as a representation of the school’s commitment to holistic education and community engagement. The image is significant not only for documenting a moment of sporting achievement but also for illustrating the broader educational philosophy of the time—one that emphasised teamwork, resilience, and local pride. As a visual record from a school that served the Jacana community from 1959 until the early 2000s, it offers insight into the social fabric of suburban Melbourne during a period of growth and change. The photograph contributes to the collective memory of the area, symbolising the role of public schools as foundational institutions in shaping both individual lives and community identity.A colour photograph of Jacana Primary School’s 1979 bat tennis team. The students are dressed in various sports clothes and are arranged in rows. The teacher stands in the top right corner of the group.jacana primary school, education, photograph, group photograph, 1979, bat tennis -
Broadmeadows Historical Society & Museum
Booklet - School Yearbook, Salesian College, Rupertswood, "Certantes in Vita" 1978, 1978
School yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.A stapled, card-covered, forty-eight-page book. Shows age with damaged corners of front cover.non-fictionSchool yearbook, presenting details of the events and students of Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1978 -
Broadmeadows Historical Society & Museum
Photograph - School Photograph, Fotek School Portraits, Salesian College Rupertswood, Sunbury, 1978, HSC, 1978
This class photograph of the 1978 Higher School Certificate (HSC) cohort at Salesian College, Rupertswood, captures a defining moment in the educational journey of its senior students. Taken in the final year of their secondary schooling, the image reflects a time of transition, achievement, and anticipation as these young men prepared to step beyond the gates of Rupertswood and into the wider world. Set against the backdrop of the historic Rupertswood estate, the photograph is more than a record of faces—it is a snapshot of a community shaped by shared experiences, enduring friendships, and the values of the Salesian tradition. The students pictured here were part of a generation that embraced both academic challenge and personal growth, guided by the principles of faith, integrity, and service. As a historical artifact, this image offers future generations a glimpse into the life and spirit of the college in the late 1970s. It stands as a tribute to the legacy of Salesian education and the formative role it played in preparing students for life beyond school.This 1978 class photograph of the HSC cohort at Salesian College, Rupertswood, holds enduring historical and cultural value as a visual record of a pivotal moment in the lives of its students and the broader school community. Taken within the grounds of the historic Rupertswood estate, the image captures the final year of secondary education for a group of young men shaped by the Salesian tradition of holistic learning, spiritual growth, and community service. The photograph is significant not only for documenting the individuals who comprised the graduating class of 1978, but also for reflecting the values and spirit of the time. It represents a rite of passage—marking the transition from school life to adulthood—and embodies the camaraderie, resilience, and shared experiences that defined the Rupertswood journey. As a preserved artifact, this image contributes to the collective memory of the college. It offers future generations a tangible connection to the past, highlighting the enduring impact of Salesian education in preparing students to meet life’s challenges with integrity, compassion, and purpose.Colour photograph of HSC level students in a plastic wallet.salesian college, rupertswood, sunbury, hsc, 1978, philip donohue, vic lakey, berand graham, damien chrystie, kym stuart, tony scully, peter lowe, tony hill, geoff nation, chris butler, coridal mcguire, mark murrell, peter symons, tom quinn, bruce oswald, paul moody, michael taylor, brendon fallon, mick taylor, terry payne, mark whorlow, brian lynch., peter gallagher, michael fallon, joe harper, damien synott, michael mcconnell, peter summers, john torr, pat redman, robert dejong, russell dunon., rick dalbon, andy readman, liam leonard, steve millett, peter aggrawal, clinton welch, robert hughes, steve nash, brendan wilson., fr. t. jennings, john tesoriero