A box covered with decorative paper containing articles taken from 'Home Beautiful' 1932 - 1952.Home Beautiful 1932 onwardshouse, private, renovation, lydia chancellor, collection, gardens, gates, building, building extensions, craft, handicraft, furniture, home renovations, antiques, architecture, house plans, england, australian homes, english homes, fireplaces

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016. This upstairs bedroom is a modern extension.Digital copy of colour photographjohn scotland, scotland avenue greensborough

Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016. The house name is Balquhidder, named after a small town in Scotland which was the home of Rob Roy MacGregor.Digital copy of colour photographjohn scotland, scotland avenue greensborough, balquhidder

This Victorian cottage was probably once used as a guest house during the tourist boom to the mineral water resort at Hepburn Springs or Daylesford. "This elegant double-fronted Victorian residence c1900 will be a Mecca for lovers of Victorian heritage and ornate styling. Period features, pressed ceilings, fret displays, high ceilings and magnificent original timber walls. With 3 bedrooms, 2 living areas, the home offers any keen Renovator or Investor many opportunities, renovate or lease it out immediately (the property has been a permanent rental for many years) " (http://www.stockdaleleggo.com.au/daylesford/details.asp?internetid=271641&OFFICE_ID=57, accessed 24/12/2013)A weatherboard cottage at 21 Duke Street, Daylesford. It is thought this house was once a boarding house for visitors to Daylesford.daylesford, duke street, guest house, weatherboard, cottage

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, and a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Dr Michele Matthews has been a local and social historian for nearly three decades since she first used correspondence held by the then Bendigo City Council for her Honours thesis. She is an ardent advocate for the use of local history records to tell Victorian and Australian history from a grassroots perspective. Michele’s MA thesis, ‘A forgotten “Father” of Federation: Sir John Quick 1852‑1911’ (2003), and her PhD thesis, ‘Survivors, schemes, Samaritans and shareholders: the impact of the Great Depression on Bendigo and District 1925‑1935’ (2007), both drew heavily on Bendigo and district records. Michele Matthews Collection: PHD Research - Taylor Family Transcript of Audio Tape Interview This item includes the following document: 8672.91a Black and White photo of the Taylor house in Panton Street - Scanned from the transcript - Only a representation of the original photo. 8672.91b The document presents the early history of the Taylor family of Bendigo, tracing several generations from the arrival of John William Taylor in Victoria during the gold rush through to the childhood and early adulthood of Howard Johnson Taylor. Drawing heavily on oral history interviews, it describes how the family's experiences reflected the broader social and economic development of Bendigo, from the goldfields to the Depression era. Historical photographs of family members, homes and possessions accompany the narrative. The story begins around 1860, when John William Taylor emigrated from England and walked from Melbourne to Bendigo carrying his belongings. Attracted by the gold rush, he acquired a miner's right and built a timber home on Specimen Hill near Chum Street. Although he initially pursued gold, he later secured work as a pattern maker in one of Bendigo's foundries before becoming a house builder as mining declined. He married Susanna Johnson, and together they raised nine children, establishing a family whose descendants remained closely connected with Bendigo for generations. The narrative then focuses on Henry Johnson Taylor, the youngest son, and his wife Elva May Hartin, whose son Howard Johnson Taylor was born on 9 September 1912 in a weatherboard house on Specimen Hill. Howard's early childhood was marked by tragedy when his mother died in childbirth while expecting another child. The account reflects on the limitations of rural medical care at the time, suggesting that faster transport may have saved her life. Following her death, the family moved to Golden Square, and Henry later remarried May Whitcombe, who became Howard's stepmother. Howard's childhood provides an insight into everyday life in early twentieth-century Bendigo. The family experienced the influenza epidemic that followed the First World War, although Henry survived despite lasting health effects. Howard recalled living in several homes built or renovated by his father, including properties in Panton Street and later Echuca Street, Quarry Hill. The document describes domestic life in detail, including wood-fired bath heaters, heating and cooking with timber, and the pride taken in maintaining weatherboard houses. Education forms another important theme. Howard attended Specimen Hill State School, Golden Square State School, Quarry Hill State School, and later Bendigo High School. He remembered strict discipline, small class sizes in the primary years, and a strong interest in mathematics, particularly algebra and geometry. Despite enjoying school and performing well academically, the economic pressures of the Great Depression forced him to leave after obtaining his Merit Certificate so he could work alongside his father in the building trade. He later attended night classes to improve his building and bookkeeping skills. The memoir also captures changing technology and transport during Howard's youth. The family initially travelled by horse and buggy before purchasing a Chevrolet touring car in 1925, a significant financial investment at the time. Howard developed a lifelong enthusiasm for motor vehicles, learning to drive as a teenager and eventually owning numerous cars. He also briefly owned a B.S.A. motorcycle before replacing it with a Ford V8 Roadster, illustrating the rapid shift from horse-drawn transport to motor vehicles during the interwar years. Throughout the document, Howard's recollections provide valuable insight into family life, housing, education, employment, transport and community in Bendigo between the 1860s and the 1930s. Rather than simply recording genealogical facts, the narrative places the Taylor family's experiences within the broader history of Bendigo's growth from a gold mining settlement into a well-established regional city. The final pages consist of detailed footnotes referencing the original oral history recordings from which many of the quotations were drawn.bendigo, michele matthews collection, taylor transcript of audio tape interview

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, a nd a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141 At the eastern tip of York Street, Eltham, stands Shinrone, the former home of one of Australia’s intellectual leaders. Professor William Macmahon Ball, was one of the first to bring Asia as a foreign policy issue to the Australian public.1 He was a political scientist, writer, broadcaster and diplomat. The house was one of the first in Eltham Shire to incorporate mud-brick,2 because of the acute shortage of building materials after World War Two. Its novice builders later become leaders in Eltham’s built and garden design. Mac (as he was usually called), who was the son of a Church of England minister, was born in Casterton, Victoria in 1901 and died in 1986. In 1945 he helped establish the United Nations, as political consultant to the Australian Delegation at the San Francisco Conference.3 Then in 1946 Mac was appointed British Commonwealth Representative on the Allied Council for Japan, which is recorded in detail in his diary.4 In 1948 Mac led an Australian Government Goodwill Mission to South East Asia. However, Mac was perhaps most successful as an academic and public speaker.5 He was a commentator on the Australian Broadcasting Commission, from the early 1930s to the early 1960s. He was also Controller of the Short-Wave Broadcasting Unit during World War Two, which later became Radio Australia. From 1923 he taught at The University of Melbourne, then became foundation Professor of Political Science in 1949 and was Chair until his retirement in 1968.6 In 1942, as the government expected a Japanese invasion, Mac’s wife Katrine and their only child Jenny, moved from Kew to Eltham as temporary evacuees. However Mac and Katrine lived in Eltham for almost the rest of their lives. After staying with friends, they rented a house in Reynolds Road, where, as it was wartime, they needed to keep horses for transport and a cow and poultry for milk and eggs. In 1945 the family moved to the house at York Street, which was then a timber cottage, built around the 1890s and in poor repair. The underground well, cellar and part of the garden are all that remain of what stood on the original 18 acre (7.3ha) allotment. Thanks largely to Katrine’s hard work, the house was gradually renovated and extended. The long rambling house was partially built by several young neighbours, who were inspired by the cheap mud-brick and stone building style of Montsalvat, the Eltham artists’ colony. Mac asked Alistair Knox to renovate Shinrone, named after an Irish village near Katrine’s family home. Knox later popularised the mud-brick style of house construction, for which Eltham became known. He expanded the living area and added verandas. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Another neighbour, Gordon Ford, who was to have a major influence on the Australian garden style, made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in short-wave broadcasting, to build a pisé (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms – including an attic bedroom – a balcony with a shower and toilet, and a fireplace and chimney of local sandstone. With pioneering work naturally came mistakes, including one particularly dramatic incident when Harcourt was building walls with unsupported sections. Jenny Ellis, Mac’s daughter, remembers being awakened from sleep by a thundering shudder. The wall of her room had fallen down – fortunately away from her! In 1950 artist Peter Glass – another neighbour and later landscape designer – built Katrine a mud-brick pottery. As a result, the house features at one end Harcourt’s characteristic steep gable roof, while at the other the flatter construction characteristic of Knox. Mac referred to the home as the Eltham ‘experimental building site’.7 Surprisingly, the combination works, perhaps partly because it has the warm inviting feel of timber, mud-brick and stone.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

This plaque was originally in the Foyer (vestibule on the original plans) of the Soldiers Memorial Institute Bendigo to compliment framed photos of Soldiers who never came home from the Great War. This was unveiled on ANZAC Day 1927. After the closure of the SMI for renovations 2016 - 18 the plaque was placed in what was originally called "The Writing Room" now called "The Building and RSL history Room"Plaque brass with curved corners with inscribed text in black with several scrolls around. Plaque is attached via 4 screws to a backing board onto a wall.“THIS GALLERY of HONOR Instituted by the Bendigo Branch of the RS&SILA exclusively contains portraits of members of the AIF who in the service to King and Empire made the supreme sacrifice in the Great War 1914 - 1919 into the imperishable memory of the priceless heritage beqeathed by them to the nation. This Gallery is dedicated in reverent gratitude”brsl, smirsl, plaque

Dysart is a Tudor Gothic building used as the original site of Geelong Grammar School. The Governor of Victoria, Sir Henry Barkly, laid its foundation stone in 1857 with the Bishop of Melbourne and the Archdeacon of Geelong in attendance. The student boarder population grew rapidly to call 55 Maud Street their home. After the school relocated to a larger site in 1914, the building was subdivided into a factory and a guesthouse called the Dysart Private Hotel. In 1961, it was again converted into the Reformed Theological College then later a private residence. In 2018 55 Maud Street had fallen into a state of disrepair, but was renovated to provide 28 premium dormitories in a peaceful and gorgeous setting.Small black and white photo.Verso "Taken oustise "Dysart" 21-3-47 Delegates ANA Conference 1947 Geelongana, australian natives association, geelong, dysart

The Wycheproof Court House Opened 24-9-1890.The Law Department Closed the Court House during the 1980s. The building became the home of the Wycheproof Craft Group and then the Wycheproof And District Historical Society. Financial support from Heritage Victoria enabled interior renovations to be completed in 2007.This is the only known photo of the Opening of the Wycheproof Court House. It is fragile and precious.Early days photo of large group of men standing proudly in front of the just constructed Wycheproof Court House in 1890.wycheproof, court-house

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. Gordon Ford and photographer Sue Winslow were married in 1965. They set up home in an old log cabin on the property Gordon had purchased in 1954 on Laughing Waters Road. Situated between the Yarra River and Overbank Road, Gordon had built a small mud-brick shack on the river and a pontoon. Over the decades the shack has been locally referred to as “the love shack”, the “rooting shack” or simply “Gordon’s shack”. Gordon and Sue commissioned local builder Graeme Rose to do a wattle and daub renovation and extension to the old log cabin on the north side of Laughing Waters Road. The work had only just been completed in 1965 when a bushfire swept through the area and destroyed the cabin. Gordon and Sue relocated to his property, Fulling, in Pitt Street, Eltham. In 1970 work started on a new house at the Laughing Waters property. Originally known as the Banana House, it is now known as Boomerang. Designed by Alistair Knox, the mud-brick house includes iron window grilles made by Matcham Skipper that puncture the curved mud walls. The grilles were made from ‘off-pressings’ from the Sidchrome tool works in Heidelberg. Gordon, Sue and family moved into the house in 1972. Their marriage fell apart and Sue moved to Sydney with the children around the same time Gordon commenced building Birrarung just below Boomerang on the Laughing Waters Road block. After the Fords moved out, Boomerang it was rented out to various share households of students, musicians, artists and environmentalists for twenty-four years. Gordon Ford sold Birrarung and Boomerang to Melbourne Water in 1999. The Laughing Waters Artist in Residence Program was developed as a partnership between Parks Victoria and Nillumbik Shire Council. Boomerang was deemed unfit for habitation so was used as a day studio only. By 2001 Boomerang was in a poor state of repair and by 2002 the last artist in residence was to use the house as a studio. Nillumbik Shire Council had been granted funds from the Melbourne Community Fund to restore both Boomerang and Birrarung but it was apparent in early 2003 that the funds would be insufficient to restore both houses. Boomerang was infested with termites which presented a risk to any occupants and so the decision was made to close Boomerang and concentrate funding on Birrarung. Boomerang was fenced off for safety and to prevent intrusion and remains ‘caged’ today (2023). However, it is readily apparent the property has been occupied by squatters over the years. By 2023 it was clear that the squatters had abandoned the property and sections of the roof structure have given away in some areas and collapsed internally. For a more in-depth description and history of the property and that of Gordon and Sue Ford, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, boomerang house, gordon ford