The sod for the Mount Helen Campus was turned in 1967, and students first studied on campus in 1970. In 1973 the Union Building (Building 'U' now the Albert Coates Centre) was completedSix black and white photographs showing external views of the recently completed Union Building (Coates Centre) on the Mount Helen Campus of Federation University Australia. .1) Union Building north entrance, part of library on right, 'S' building in back. .2) Union Building north west corner, residences in background, two males. .3) Union Building north west corner, student residences in background .4) Union Building north west corner, view towards library .5) Union Building north entrance, part of library on right, 'S' building in back. Shows earthworks for the Electrical engineering building ('E' building)federation university, federation university australia, feduni, university of ballarat, ballarat college of advanced education, albert coates, albert coates centre, union building

In the 1990s, renowned architectural photographer Ian McKenzie OAM (1939-2014) picked up 240 glass plate negatives at a local market. Believed to be from a Victorian news archive, they dated back to the 1930s. The slides lay dormant in a dusty garage until 2020 when Ian’s wife Louise decided it was time to bring them back into the light.Digital reproductionThe McKenzie Collection of glass plate negatives unlocks glimpses of our city not seen for almost 100 years. In the 1990s, renowned architectural photographer Ian McKenzie (1939-2014) picked up 240 glass plate negatives at a local market. Believed to be from a Victorian news archive, they dated back to the 1930s. The slides lay dormant in a dusty garage until 2020 when Ian’s wife Louise decided it was time to bring them back into the light.glass plate negatives, the age newspaper, photography, melbourne, 1930-1939glass plate negatives, the age newspaper, photography, melbourne, 1930-1939

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Wedding party, ca. 1900-ca. 1920. A bride and groom pose for a family portrait in the garden of a family home. The bride in the photo can also be seen in 1995.0038. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.weddings, glass negatives

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Craftsman Ian M. McKenzie and Craftsman Geoffrey Pike, 161 (Indep) Recce Flt asist an American recovery vehicle crew in the collection and return of the remains of Lt. Ross Hutchinsons' Sioux helicopter after it crashed into a mine field.photograph, 161 recon flt, craftsman ian mckenzie, craftsman geoffrey pike, sioux (helicopter), lt ross hutchinson, gibbons collection catalogue, american recovery specialist, denis gibbons, mine field

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Three generations, ca. 1910-ca. 1920. A portrait of four women, four young girls and an infant are posed for what may be a family portrait on the verandah of a house. The matriarch of the family sits at the centre of the group. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.family portraits, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. An outing to the beach, ca. 1900-ca. 1920. A group portrait of six adults and two children, taken at the beach. Given that the negative, of unknown provenance was in a collection that included a photograph of the grave of Violet Steel, the photo may be of her brothers and sisters, whose family home was in Elsternwick. The woman third from the right is the bride in 1995.0037. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.beaches, bathers, glass negatives

Light green program for the Bendigo North Primary School ball held on Thursday, 19th August, 1982 at the White Hills Technical School. Front page has drawings of a spider, moon, star, cat, bat, cooking pot, a witch on a broomstick above outlines of buildings. Name, venue, date and admission price on the front. The centre has the names of the dances and some information about the 'Danse Macabre'. The back has the Acknowledgements to: Judy Hasty, Graham Balaam, Lloyd George, Julie Gillick, Brian Hillman, Roger Hillman, Di Milich, Noel & Heather Ridge, David Tunley, Lexie Ottery, Ian McKenzie, Leslie Campbell, Jeanette Clancy, Merryn Gerrand, Mr & Mrs Ken Gilbee, Jenni Hillman, Janet Holland, Elizabeth Lakey, Val Lee, L Alyss Liiv, Jude Milner, Kerryn Monro, Ken Miles, Laurene Rothenberger, Ruth Roberts, Ruth Sloan, Kaye Trimble, Darren Eastwood, Olga Chafer, Coral McClure, Deanne McNeil, Jenny Mollison, Robyn Murphy, Jane Pattinson, Helen Penna, Neil Ross and Richardsons' Fernery.Bendigo North Primary Schoolentertainment, dance, ball, peter ellis collection, bendigo north primary school, white hills technical school, ridge, judy hasty, graham balaam, lloyd george, julie gillick, brian hillman, roger hillman, di milich, noel & heather ridge, david tunley, lexie ottery, ian mckenzie, leslie campbell, jeanette clancy, merryn gerrand, mr & mrs ken gilbee, jenni hillman, janet holland, elizabeth lakey, val lee, l alyss liiv, jude milner, kerryn monro, ken miles, laurene rothenberger, ruth roberts, ruth sloan, kaye trimble, darren eastwood, olga chafer, coral mcclure, deanne mcneil, jenny mollison, robyn murphy, jane pattinson, helen penna, neil ross, richardsons' fernery

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Agricultural equipment, After 1920. A print from a glass negative that has been reused to document an item of equipment used on a farm. The equipment is vehicular and designed to be hauled behind another form of transport, either equine or mechanical. On the vehicle, there is a motor at the rear. The main part of the vehicle is a barrel that might have been used to hold liquid or solids. The original photograph would appear to be a scene adjacent to a beach. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.agriculture, farming machinery, glass negatives

Photographer notations on slide: "Vice Regal visit to Zoo B42" Not published. Description: A group of men and one woman all dressed in hats and overcoats stand by a wire fence while watching an emu. Research by project volunteer, Fiona Collyer: On 25 June 1934, new Victorian Governor, His Excellency Lord Huntingfield and his wife Lady Huntingfield made an official visit to the Melbourne Zoological Gardens in order to grant his patronage to the Royal Zoological and Acclimatisation Society. During the visit, zoo director Mr. Andrew Wilkie introduced them to some of the zoo’s inhabitants, including an emu. After the First World War, many returned soldiers took up the Government’s offer of land in the Soldier Settlement Scheme. Most of the veterans had little or no farming experience and much of the land offered was of poor quality, with blocks often too small to be viable. Many of the settlers had ongoing physical and mental injuries from the war. The Western Australian government allocated land to 5000 former soldiers but by 1929, one quarter of the men had already abandoned their land, unable to make a living. Not only was the world economy struggling with the Great Depression, but the settlers also had to contend with plummeting wheat and wool prices, crippling drought and rabbit infestation. The Scullin Government (Oct 1929-Jan 1932) had promised subsidies to the Western Australian farmers if they increased their wheat crops but were unable to pass the legislation in the Senate. The new Lyons Government (Jan 1932-April 1939) abandoned the legislation and the subsidies were never paid, bringing calls from Western Australia of secession from Australia. In October 1932, a deputation of soldier settlers from the Campion wheatbelt region in Western Australia, petitioned Commonwealth Minister for Defence, Western Australian Senator Sir George Pearce, for assistance. A mob of 20,000 emus were migrating to the coast after breeding and were gathering along the eastern side of the Number 1 Rabbit Proof Fence, attracted to the ripening crops and the dams the farmers had built. They were heading towards Campion, 303 kilometres east of Perth, eating and trampling the wheat, destroying the fences and letting the rabbits in. Having witnessed firsthand the effectiveness of machine guns in killing people in war, the former soldiers thought the guns would be ideal for killing emus. Sir George, wanting to demonstrate that his government was sympathetic to the settlers and hoping to quell Western Australian succession talk, agreed. However, he stipulated that no expense would be incurred by the Commonwealth Government and only active military personnel could use the machine guns. The farmers had to pay for the ammunition, food and accommodation for the military for the length of the operation. The cost for the ammunition was £50 for 10,000 rounds. Sir George also felt the operation would provide excellent target practice for the soldiers! The operation was headed by Major Gwynydd Purves Wynn-Aubrey Meredith, 1887-1975, of the Seventh Heavy Battery of the Royal Australian Artillery, and assisted by Sergeant S. McMurray and Gunner J. O'Halloran. They were equipped with two American-designed Lewis light machine guns and 10,000 rounds. Each magazine held 47 rounds of ammunition and the gun was capable of firing 500 to 600 rounds per minute with effective firing range of 800 metres. A cinematographer from British Movietone News accompanied the soldiers in order to record what was expected to be not only an easy victory but also useful propaganda for both the military and the Lyons Government. Emu (Dromaius novaehollandiae, meaning New Holland Racer) is a species of long-necked flightless bird endemic to Australia. The Tasmanian and the dwarf King and Kangaroo Island subspecies were hunted to extinction after the European settlement of Australia. It is the second largest bird in the world after the ostrich, standing up to 1.9 metres tall and weighing up to 50 kilograms. The Emu has long, powerful legs with three forward facing toes and is the only bird with calf muscles. It is able to jump 2.1 metres into the air and run 50 kilometres per hour. It communicates by drumming and booming through an inflatable neck sac which can be heard up to two kilometres away. Along with its tough hide and a body more feathers than flesh, the emu can be a tricky target. Emus had been a protected native species until 1922, when the government changed their status to “vermin” in response to the emus breaking down fences and destroying crops. Major Meredith told the press that Colonel Oswald V. Hoad of the 1st Cavalry Division NSW had especially requested he send 100 emu skins to replenish the plumage on his Light Horsemen’s hat tops. On the first day of the Emu War, 2 November 1932, Major Meredith spotted a mob of emus out of range of the guns, so he asked the farmers to use their vehicles to drive the emus towards the fence and the guns. The panicked birds split into small groups, kicking up the dust and scattering every which way. Only six were killed, though some were wounded. After that, the emus became very wary of humans. On 4 November, Major Meredith staged a dawn ambush at a dam. As 1000 emus approached to drink, the soldiers opened fire, killing 12 emus. After reloading, the gun jammed and the emus dispersed in all directions, and were not sighted again that day. The West Australian newspaper reported on 4 November 1932 that, “The emus have proved that they are not so stupid as they are usually considered to be. Each mob has its leader, always an enormous black-plumed bird standing fully six-feet high, who keeps watch while his fellows busy themselves with the wheat. At the first suspicious sign, he gives the signal, and dozens of heads stretch up out of the crop. A few birds will take fright, starting a headlong stampede for the scrub, the leader always remaining until his followers have reached safety.” In a later attempt, they mounted a gun onto the bed of a truck in order to chase and mow down the birds. However the truck couldn’t drive fast enough over the rough terrain and it was too bumpy to fire the gun accurately. The birds easily outran the truck except for one hapless emu who faltered while being chased and fell under the truck, its body wedging in the steering gear, causing the driver to crash the truck, and bringing down half a chain of the rabbit proof fence. RSPCA inspector Mr. Arthur Austin arrived with a rifle and knife in order to finish the work of the Lewis guns and dispatch injured emus. He said that while his society was sympathetic to the stricken settlers, he was anxious that wounded birds should not be left to suffer. Major Meredith told the inspector, “What speed can you run? You have to be better than Peter Pan if you want to catch wounded emus that make for the scrub.” (Racehorse “Peter Pan” had won the 1932 Melbourne Cup a few weeks earlier.) The commentator of the British Movietime newsreel uses a jocular tone to optimistically proclaim, “The scouts [emus] of the advancing army have keen eyesight, and in order to get close to the main body, our lads have to do some real stalking, with the enemy watching events through their periscopes raised up over the heads of corn... Instead of the birds ruining the farmers, tables are turned, there will be no more damage down here for many a day to come once the enemy is eliminated.” Emus proved tougher adversaries than expected, barely breaking stride even when badly injured from machine gun bullets, and the suspicious emus soon learnt to stay out of range of the men and their guns. Meanwhile, in the eastern states concern was being expressed about the cruelty of machine-gunning the native birds. Senator James Guthrie UAP of Victoria suggested that there must be “more humane, if less spectacular methods” of coping with the pests. People wrote letters to the newspapers to express their dismay at the inhumane methods used. R.F. Bellchambers from Humbug Scrub, 25 November 1932, lamented that, “At the present rate of extinctions, it will shortly be necessary to go to the Museum to see the remains of our fauna.” The Murchison Times published a letter on 16 November 1932 from “Clay Pan Joe”: “War on Emus. Slaughter of innocent birds would be more appropriate... The birds may be a nuisance and it may be necessary to destroy them, but why cause so much suffering amongst these innocent birds.” E.S. Playford of Norton’s Summit wrote to The Advertiser, 22 November 1932, that “...habitation on the earth would be impossible without bird life. Therefore, it is unwise to say that any bird is useless. Is sentiment dying? Are we so keen on personal gain that our lovely and unique birds have to be ruthlessly slaughtered in thousands and their bodies left rotting in the sun?” In Sydney, picture palace patrons expressed “considerable concern” after viewing the Movietone News newsreel of emus fleeing from the barrage of machine-guns, and wounded emus in the fields in Campion. The press had a field day, dubbing it the “The Emu War” and joking that the “Chicago method” was being used against the feathered foe. The Daily News newspaper published a cartoon depicting the emus outrunning and outsmarting the soldiers. In Parliament NSW Senator James Dunn called Sir George the “Minister for the Emu War”. Labor member Mr. Rosevear, midst great laughter, asked if the minister would consider declaring an armistice and withdrawing his troops from the Western Front. Prime Minister Joe Lyons was asked if medals would be struck for those taking part in the war. Labor parliamentarian Mr. A.E. Green declared any medals should go to the emus who had “won every round so far”. With the embarrassing press coverage and poor results, Sir George ordered a stop to the project on 9 November, and Major Meredith and the soldiers departed for Perth. The WA Premier Sir James Mitchell and the Campion farmers demanded they return, citing the continued destruction of crops and fences by the emus. Major Meredith and his two gunners were allowed to return on 13 November and seemingly having learnt from their previous experiences, had slightly more success this time killing emus. The operation finally finished on 10 December with Major Meredith reporting “definite kills” of 986 emus for 9860 rounds of ammunition, coincidentally and conveniently exactly 10% of the number of rounds used. A further 2500 birds were said to have died from their injuries and although this is a disputed figure, even if accurate, the ratio of rounds expended to emu casualties was thought too high to justify continuing. The operation barely caused a dint in the marauding mob of 20,000 emus. “There’s only one way to kill an emu”, one of the party bitterly remarked: “Shoot him through the back of the head when his mouth is closed or through the front of his mouth when his mouth is open. That’s how hard it is.” Australian ornithologist Dominic L. Serventy noted that “The machine-gunners’ dreams of point blank fire into serried masses of Emus were soon dissipated. The Emu command had evidently ordered guerrilla tactics, and its unwieldy army soon split up into innumerable small units that made use of the military equipment uneconomic. A crestfallen field force therefore withdrew from the combat area after about a month.” Major Meredith expressed the greatest of respect for the enemy. He said, “If we had a military division with the bullet-carrying capacity of these birds, it would face any army in the world. They could face machine guns with the invulnerability of tanks. They are like Zulus, whom even dum dum bullets would not stop." The Major’s official report stated that there were no human casualties in “The Emu War.” Emus are considered the victors of “The Great Emu War.” Western Australian farmers requested military assistance in 1934, 1943 and 1948, including using bombs, but the government refused. The bounty system instigated in 1923 continued, with farmers using rifles against their fleet-footed foe, with 57,034 bounties for dead emus claimed in six months in 1934 in Western Australia alone. 284,704 emus were killed in Western Australia between 1945 and 1960. The other most effective defence against the emus was the construction of a robust, vermin proof fence spanning over a long distance. Emus were formally protected in 1999 by the Environment Protection and Biodiversity Conservation Act. It’s estimated there are between 625,000 to 725,000 wild emus in Australia in 2024. An emu and a kangaroo feature on Australia’s coat of arms, holding up a shield illustrated with symbols of the six states. The animals symbolise the nation moving forward as neither animal can walk backwards. Campion is now a ghost town. A book about the operation, “Letters from the Emu War” by J.A. Bryden was published in 2023 by Playtime Books. In 2024, an Australian film called “The Emu War” was released, starring Damian Callinan and Luke McGregor. Andrew Arthur Wellesley Wilkie, 1853-1948, was Director of the Melbourne Zoo from 1923 to 1936 and was associated with the zoo for 70 years. He first worked as a horticultural assistant to Government botanist Baron Ferdinand von Mueller at the Botanical Gardens at the age of 13, along with his older brother David. One of Andrew’s jobs was to capture moths for the National Herbarium. In 1857, a group of prominent Melburnians assembled at St. Patrick’s Hall to form the Zoological Society of Victoria, with the aim of introducing animals and plants from overseas. It was conceived, “For the purposes of science and for that of affording the public the advantages of studying the habits of the animal creation in properly arranged zoological gardens.” The Victorian Government granted 32 acres (13 hectares) of land to the Zoological Society at the southern end of Richmond Paddock on the opposite bank to the Botanical Gardens. (This is where AAMI Stadium and Collingwood Football Club now stand.) In 1861, the Zoological Society of Victoria was renamed The Acclimatisation Society of Victoria. Unfortunately the Yarra River frontage was damp, swampy and subject to flooding, so the animals were briefly housed at the Botanical Gardens until in 1862, the City of Melbourne donated 55 acres (22 hectares) of land at Royal Park for the fledgling zoo. Baron von Mueller secured employment at Royal Park for Andrew and David and they helped to lay out the gardens, plant trees and take care of a collection of deer, pheasants, hares and partridges. Initially the zoo was used for the acclimatisation of animals recovering from the long voyage to Australia and for breeding them for sport. In 1872, the zoo bought two lions, a leopard and a cheetah that had been seized from circus showmen Keith and Phillips when they were unable to pay the bill of butcher Mr T K Bennet of Bourke Street. The first zoo director, Mr. Albert Le Souef, negotiated with captains of ships to buy animals at overseas ports they visited and soon a multitude of exotic species arrived, including a ten-year-old Indian elephant in 1878. In 1923, after being head keeper for some years, Andrew was appointed director of the zoo. By 1933, the zoo had 110 different species of animals, 200 species of birds and 72 species of reptiles under Andrew’s care. He had personally planted all but six trees and laid out the garden beds. As director he lobbied authorities for funds to build more humane enclosures for the animals. In June 1928, Table Talk magazine wrote of Andrew Wilkie: “Up at the Zoo there is a humble gentleman who is a lion among the lions, who knows the proper specific to employ when the boa constrictor has chilblains, and who is a friend and confidant of Queenie the elephant. His fount of zoological lore has never been plumbed. It is bottomless, like his good fellowship and geniality. Every day he may be seen somewhere in the grounds of that growing sanctuary for the strange and arresting fauna and creeping things of the world, and I assure you as one who is privy to his passion that that area and its inhabitants are rarely out of his thoughts.” Andrew retired from the zoo in 1936 at the age of 83 and in 1948 died at his home in Brunswick aged 94. He and his wife Josephine had six children. The Victorian Acclimatisation Society was founded in 1861 by Edward Wilson, 1813-1878, then owner and editor of The Argus newspaper. He said that Australian indigenous animals were practically useless, providing only “a little sport and an occasional meal”. The Society believed that Australia’s plants and animals were vastly inferior to those in Europe. They wanted to introduce and acclimatise to Victoria “all innoxious animals, birds, fishes, insects and vegetables, whether useful or ornamental” for sport and for the table, and to spread indigenous animals and plants from the colony around the world. Their motto was “if it lives, we want it”. The Society was primarily responsible for introducing sparrows, starlings, sambar and hog deer, ostriches, brown trout, blackberries, and carp to the Murray River. They released the European songbirds, thrush and blackbird to quell the homesickness of British settlers. The Society also sent Australian animals like platypus, echidnas, kangaroos and koalas to Europe for scientific and novelty purposes. Thomas Austin, a wealthy sheep farmer of Barwon Park, Winchelsea (property now owned by the National Trust) was a member and in 1859 he introduced hares, blackbirds, thrushes and partridges onto his property. He is probably best known for introducing 24 breeding rabbits onto his estate as game for shooting parties. Thomas quipped, “The introduction of a few rabbits could do little harm and might provide a touch of home, in addition to a spot of hunting." In 2022, genomic data confirmed that Australia’s feral rabbit population is entirely descended from these rabbits. Biological control has brought the rabbit population down from an estimated high of 10 billion rabbits in the 1920s to approximately 200 million today, inhabiting 70% of Australian landmass (5.3 million square kilometres). In 1872, the Acclimatisation Society was renamed The Zoological and Acclimatisation Society of Victoria and they focused on importing exotic animals for display purposes to the zoo. In 1937, the Royal Acclimatisation Society of Victoria was recreated as the Zoological Board of Victoria with a focus on research of native animals threatened with extinction. In an editorial for The Argus newspaper, 16 March 1856, Edward Wilson lamented: "...this country has been shamelessly stolen from the blacks. Had they been like the New Zealanders or the North American Indians, we should have bought their land, and supplied them with the means of living when we took it... In less than twenty years we have nearly swept them off the face of the earth. We have shot them down like dogs. In the guise of friendship we have issued corrosion sublimate in their damper, and consigned whole tribes to the agonies of an excruciating death. We have made them drunkards, and infected them with disease which has rotted the bones of their adults, and made such few children as are born amongst them a sorrow and a torture from the very instant of their birth. We have made them outcasts on their own land, and are rapidly consigning them to entire annihilation. There are but a few of them left, comparatively. This is what we would do for that few. We would feed and clothe every one of them.” [Note: this last sentence is italicized in the original newspaper article text]. Lord Huntingfield, (William Charles Arcedeckne Vanneck) 1883-1969, Governor of Victoria 1934-1939, was a British Conservative Party politician and the first ever Australian-born Governor of an Australian state (although he was always considered British). He was patron of the Royal Zoological and Acclimatisation Society of Victoria and was acting Governor-General for six months during the absence of Lord Gowie in 1938. Lady Huntingfield (née Margaret Eleanor Crosby) 1884-1943, his American-born wife showed great interest in social welfare and the advancement of women and children. She was president of the City Newsboys Society and Patroness of the Girls Friendly Society. In 1937, rose breeder Alister Clark named a yellow hybrid tea rose for her. In 1940, the City of Melbourne opened the Lady Huntingfield Free Kindergarten in North Melbourne, now the Lady Huntingfield Early Learning and Family Services Centre. Lady Huntingfield died in London in 1943 after her house was bombed during a German airstrike. The Lady Huntingfield Memorial Scholarship was established after the City of Melbourne raised £1000 in a public appeal conducted in her memory for students undertaking a Social Work degree at the University of Melbourne. It is awarded annually to this day. The Queen Victoria Hospital named a bed in her honour. References: VICE-ROYALTY GREETS THE KING OF BEASTS AT THE ZOO. (1934, June 26). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved August 23, 2024, from http://nla.gov.au/nla.news-article204818472 Prominent Personalities ANDREW WILKIE (1928, June 7). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 15. Retrieved August 29, 2024, from http://nla.gov.au/nla.news-article146562949 'Edward Wilson (journalist)', Wikipedia, https://en.wikipedia.org/wiki/Edward_Wilson_(journalist) 'Thomas Austin (pastoralist)', Wikipedia, https://en.wikipedia.org/wiki/Thomas_Austin_(pastoralist) 'The Acclimatisation Society was driven by misguided ideals about 'fixing nature' in Australia', ABC News, https://www.abc.net.au/news/2022-11-04/acclimatisation-society-introduced-species-history-listen/101588262?utm_campaign=abc_news_web&utm_content=link&utm_medium=content_shared&utm_source=abc_news_web THE ABORIGINES. (1856, March 16). The Argus (Melbourne, Vic. : 1848 - 1957), p. 5. Retrieved September 28, 2024, from http://nla.gov.au/nla.news-article4833244 WAR ON EMUS. (1932, November 4). The West Australian (Perth, WA : 1879 - 1954), p. 12. Retrieved September 29, 2024, from http://nla.gov.au/nla.news-article32588972 'The Great Emu War: how it started and who won', ABC Australia, https://www.youtube.com/watch?v=Y1wA0PKeJqc Advertising (1932, November 25). The West Australian (Perth, WA : 1879 - 1954), p. 2. Retrieved October 26, 2024, from http://nla.gov.au/nla.news-article32584578 Emu Chasers Must Outstrip Peter Pan (1932, November 9). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved October 10, 2024, from http://nla.gov.au/nla.news-article237042749 WAR ON EMUS (1932, November 22). The Advertiser (Adelaide, SA : 1931 - 1954), p. 18. Retrieved October 15, 2024, from http://nla.gov.au/nla.news-article73997254 WAR ON EMUS. (1932, October 28). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 6. Retrieved October 24, 2024, from http://nla.gov.au/nla.news-article237046601 EMU WAR (1932, December 3). Mirror (Perth, WA : 1921 - 1956), p. 7. Retrieved October 24, 2024, from http://nla.gov.au/nla.news-article75626301 Machine Gun Offensive Against Emus. (1932, November 10). Western Mail (Perth, WA : 1885 - 1954), p. 3 (PICTORIAL SECTION). Retrieved October 24, 2024, from http://nla.gov.au/nla.news-article37766670 A THOUSAND BIRDS IN LUCK. (1932, November 10). Western Mail (Perth, WA : 1885 - 1954), p. 28. Retrieved October 11, 2024, from http://nla.gov.au/nla.news-article37766849 New Strategy In A War On The Emu (1953, July 5). The Sunday Herald (Sydney, NSW : 1949 - 1953), p. 13. Retrieved October 11, 2024, from http://nla.gov.au/nla.news-article18516559 This is a nice emu-that was! (1932, November 5). The Daily News (Perth, WA : 1882 - 1955), p. 9 (HOME EDITION). Retrieved September 30, 2024, from http://nla.gov.au/nla.news-article82878309 LOCAL AND GENERAL (1932, November 16). The Murchison Times (Cue, WA : 1924 - 1937), p. 2. Retrieved October 14, 2024, from http://nla.gov.au/nla.news-article257500260 Taking Him for a Ride! (1932, October 13). The Daily News (Perth, WA : 1882 - 1955), p. 6 (HOME EDITION). Retrieved September 30, 2024, from http://nla.gov.au/nla.news-article83717338 'The Emu War', History Nuggets, https://historynuggets.squarespace.com/nuggets/2018/4/21/the-emu-war New Strategy In A War On The Emu (1953, July 5). The Sunday Herald (Sydney, NSW : 1949 - 1953), p. 13. Retrieved October 23, 2024, from http://nla.gov.au/nla.news-article18516559 'This is the story of how Australia went to war with emus and lost', First Dog on the Moon, https://www.theguardian.com/commentisfree/2018/jul/26/this-is-the-story-of-how-australia-went-to-war-with-emus-and-lost Photographer notations on slide: "Vice Regal visit to Zoo B42"emu wars, governors, melbourne zoo, city of melbourne, 1930-1939, hunting, lord huntingfield, lady huntingfield, royal park, animals, wildlife

Letter from John T Harkin to Stock Agents regarding the Requirements of Agents for Cattle Entering Victoria dated 29 August 1995. Letter to Mr Ron Laird from Greg Robinson, Project Officer, Animal Health Operations Branch, dated 14/12/1995 mentioning he has enclosed 100 Interstate cattle ear tags and their requirements. Agriculture Victoria logo in top right corner, A V on a green background.bendigo, council, cattle markets, bendigo saleyards collection - requirements of agents for cattle entering victoria, agriculture victoria, bendigo agriculture centre, john t harkin, ron laird, ian mckenzie, greg robinson

Don Murray who was a member of this class has supplied us with this photo naming almost all the pupils. Please refer to Surrey Hills State School vertical file for list of names.A black and white photograph of a Grade 4 class from Surrey Hills State 2778 taken in 1938. The are 56 children in the class.mr keith rimmer, mr john allen, mr cliff hoath, mr ken newell, mr alan aird, miss joy moodie, miss barbara hoskin, miss helen james, miss valerie muir, miss merle christine, mr don cam, mr don hutchinson, mr maurice millet, miss - canty, miss jean mollison, miss margaret peacock, miss shirley cockerill, miss carmen hutchinson, miss betty carter, miss melba moore, miss vivian turner, mr john flower, miss audrey broomhead, miss gwen skinner, miss dorothy stout, miss irene dunn, miss irene jones, miss isobel browne, miss lucy deucher, miss merle yeomans, miss elaine burgess, miss betty tuck, miss joyce phillips, miss joan fletcher, mr len yeomans, mr frank fletcher, mr bobby edgelow, mr brian griffin, mr claude colbert, mr ken carrington, mr barry dimelow, mr don murray, mr david mccracken, mr ken wheat, miss fay mcbain, miss thelma mcconville, miss valda mcconville, miss betty o'brien, miss barbara mclachlan, mr ray mcdonald, mr ian mckenzie

The print image was taken from a glass negative in the collection which is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. A beachside study, ca. 1900-ca. 1920. An unknown couple pose in a beachside setting for the photographer. The man sits in a deck chair while the woman stands at his side. Some degradation of the original glass negative is apparent in the print that has been taken from it. glass negatives

This item is a sepia photcopy of the Sunbury Fire Authority taken approximately in the 1960s.A photocopy of a group of nineteen men in their Country Fire Authority uniforms17 printed on edgecountry fire authority, firefighters, mcmahon, bernie, forbes, john, dale, bill, baird, ian, keays, mckenzie, hall, tyquin, eugene, tidswell, wasyl, bohdon, hayes, frank, potts, robert, chris, uniforms, george evans collection

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Patriotic gathering, ca. 1914-ca. 1918. A civic hall used for a patriotic gathering; during or after World War I. Around the walls of the crowded hall are banners representing some of the allied nations fighting in the war, including France, Britain, Japan and Belgium. Two soldiers, both in military uniform can be seen at the front left of the photograph. first world war (1914-18), world war 1, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Graves within a cemetery, post 1914. A photograph of graves in a cemetery. The photograph, of unknown provenance, is on the lower half of a glass negative. The upper half can be seen in PIC 0053. Given that the upper half is of a grave in Brighton Cemetery, it is possible that this is also the location shown in this photograph.st kilda cemetery, graves, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The Cast and Audience, ca. 1900 - ca. 1920. The cast and audience at a theatrical event. What appear to be adult performers are seated in the first two rows. [It was once believed that the photograph was of a gathering in the Kew Recreation Hall in Wellington Street (now demolished), however the vaulted ceiling is not the same.] theatre productions, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Patmore & Dinham, Scottsdale, ca. 1910 - ca. 1920. A large corrugated iron store owned by ‘Patmore & Dinham: Produce, Manure and General Merchants’. The store was located in Scottsdale, northeast Tasmania. For more than forty years, George Melville Dinham had occupied a prominent position in the Scottsdale community. He and his partner, Mr. Patmore were to ultimately own four businesses in this farming town, of which this is one.patmore & dinham, scottsdale, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Stationary engine, ca. 1900-ca. 1920. An early stationary engine that might have been used to drive a piece of immobile equipment, such as a pump, generator, or mill or factory machinery. stationery engine, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Bathers, ca. 1920. A group of nine young people pose for a group portrait at the beach. The bathing costumes worn by the group are in a number of styles. The photograph represents the stages of transition towards a briefer swimsuit typified by that worn by the man second from left at rear. bathers, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Verandah portrait, ca. 1900-ca. 1920. An elderly man and woman pose for a portrait outside the front door on the verandah of their weatherboard home. .glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Agricultural equipment, ca. 1910-ca. 1920. An elaborate piece of farm machinery powered by a small engine. The four-wheeled unit has a tank and a hose. The purpose of both is unclear. Like a number of glass negatives in the Collection, this plate has been reused. The original photograph shows houses in a streetscape. In the distance is an advertisement for starch, roughly painted on a fence.agriculture, glass negatives, farming equipment

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Stationary engine, After 1920. A print from a glass negative that has been reused to document an early stationary engine. The equipment, designed to be bolted to a larger object such as a floor, is comprised of wheels and shafts. The content of the original photograph is too unclear to be identified. stationery engine, farming technology, farming equipment, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The croquet players, ca. 1900-ca. 1920. Six croquet players pose for a group photograph outside a wooden pavilion. Two of the women hold their sticks whereas the two central figures rest their sticks at their feet.croquet, sports -- women, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Early automobile, ca. 1910-ca. 1920. A photograph of an early automobile, of indeterminate make. The automobile has its fuel tank behind the passenger seat. The vehicle is missing its front tyres and appears to be converted to allow it to be towed by another automobile or a horse. farming machinery, automobiles, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. A group of men and women in bathing costumes of the period on a suburban beach.bathers, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Portrait of a family. Thirteen members of what is perhaps a family group comprised of multiple generations pose at the front of a house for a group portrait. The clothing worn by individuals in the photo range from the late Victorian period to that current when the photograph was taken. family portraits, glass negatives

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The grave of Violet Laura Steel (1892-1914), after 1914. Violet Laura Steel, was the daughter of Charles Joseph Steel and Julia Harrington. She was born 31 October 1892 in the Police camp in Echuca, and died, aged 21, on 22 May 1914 at her father’s home ‘Maescourt’ in Gladstone Parade, Elsternwick. The photograph of her grave in the Brighton Cemetery is on the top half of a glass negative.st kilda cemetery, violet laura steel (1892-1914)

96 p., illus., maps.non-fictionA pictorial history of Melbourne, illustrated with both old and new photographsmelbourne, yarra river

colin mckay, bob henderson, ian kneebone, colin mckenzie, brian smythe, peter hedley, bob mcgauchie, max lane, jim firth, alfie freeman, rhonda allen, margaret whiting, olive slaughter, pat traeger, margaret watts, dawn cupper, k. traeger, doris allen, dawn woodberry, shirley palmer, june broadstock, j. barrow, g. simmons, k. mckay, bill connors, don rix, s. allen, n. hedley, lester bull, j. simmons, ainslie cupper noel sawyer, alan bull, the lake state school, schools