Index, maps, p.226.non-fictionA centenary history of the Indian Mutiny of 1857indian - sepoy rebellion, india - history

A book titled ' From The Black Hole to Plassey: The Story of England's supremacy in Bengal. A record of that momentous epoch when the vast empire of India was won for England.' Published London: Ward, Lock & Co., Salisbury Square, E.C. New York: 10 Bond Street. 273 - 288 pgs. (ill.). This book is one of a series of ' 37 Ward & Lock Penny Books for the People.' ' Historical Series. Price one penny. Advertisements are of note.books, biography, india, lydia chancellor, collection, ward & lock's penny biographies, ward & lock's penny books for thepeople, historical series, history, england, english history, india, indian history, from the black hole to plassey, advertisements, book, books, the story of england's supremacy in bengal, book, books, penny books

A book titled ' India's Agony : the story of the Sepoy Mutiny of 1857. A record of the splendid heroism of British soldiers under terrible trials,' London : Ward, Lock & Co., Salisbury Square, E.C. New York : Bond Street. 33- 48 pgs. (ill.). This booklet is one of a series of 37 Ward & Lock's ' Penny Books for the People.' ' Historical Series.' Price one penny. There are also advertisements of note.books, biography, india, lydia chancellor, collection, ward & lock's penny biographies, biographies, penny books, ward & lock's penny books for the people, historical series, history, india, indian history, the sepoy mutiney of 1857, mutinees, british history, british history, book, books, advertisements, anglo-indian empire

BHS CollectionLemon coloured trifold document : Tour of Historic Graves at White Hills Cemetery. Friends of the Bendigo Cemeteries. Map of White Hills Cemetery (1854 - 1993 ) showing marked grave sites with descriptions. E.g. Charles Merri Bux - 'Black Charlie' Indian hawker of Bendigo. History of White Cemetery on back page.Friends of Bendigo Cemeteriesbendigo, cemetery, white hills cemetery

Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionThe 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. Volume 2 of The Historians' History of the World focuses on "Israel, India, Persia, Phoenicia, Minor Nations of Western Asia."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 2 set 1

One of three We The Makers videos commissioned by the Programs and Education department at the National Wool Museum to assist in learning and engagement alongside the We The Makers Sustainable Fashion Prize 2025 exhibition at the National Wool Museum. The films feature artist interviews from three finalists from We the Makers, providing insights into their personal influences, the motivations behind their material choices and the impact of culture on artistic practice. This film features designer Abha Gupta and her work '1608'. Artist Statement: ‘16o8' collection by designer Abha Gupta pays tribute to the historic moment when the British first arrived in India, a pivotal event that reshaped the country's fashion landscape for over two centuries. She launched this collection under her brand name, ‘Antiek East’. Designed under the mentorship of RMIT professor Blake Barns, the collection draws inspiration from the era of British colonisation, reflecting its profound influence on Indian fashion history. Drape suit jacket in the collection is meticulously handwoven and handmade by local artisans using natural fibres, embodying a commitment to traditional craftsmanship. Beyond creating aesthetically compelling garments, ‘16o8’ project served as a catalyst for social impact. By prioritising fair wages and opportunities for marginalised communities, she uplifted artisans and craftspeople, embedding sustainability across all levels and stages of her endeavour. This commitment not only resonated through the ethical sourcing of materials but also through the conscientious production practices that minimise environmental impact. Circular design principles guided the approach of this project, emphasising materials that are biodegradable and minimise environmental impact. Natural dyeing processes not only uphold traditional craftsmanship but also reduce harmful chemical runoff into ecosystems. By choosing sustainable fabrics and methods, the project aimed to create garments that are not only beautiful but also ethically and environmentally sound.Three minute eighteen second digital video with audio. abha gupta, fashion, designer, film, we the makers, sustainability, textiles

This wooden juggling club or exercise club may also be referred to as a juggling pin. It is very similar in shape to a bowling pin or an Indian club. It dates approximately to the early 20th century. It may have been used as one of a pair for gymnastics or exercise, or part of a larger set used by a juggler for entertainment in a circus or carnival. At some time it may have been used with a ball or disc as part of a Skittles or bowling game set. The historical collection of Federation University Australia, Victoria, includes a very similar but slightly shorter club, labelled ‘timber skittle”, as can be seen in their photograph. Another example of very similar-shaped, same-sized clubs can be seen in the collection of Nobelius Heritage Park and Emerald Museum, Emerald, Victoria. JUGGLING Jugglers entertain audiences with their tricks and routines at events such as circuses, amusement parks, parties, shows on television or theatre, schools and parties. Juggles also compete at International Championships to obtain world records, performing as individuals or in groups or teams. Contemporary champion juggler David Cain performs a Juggling History Show that both entertains and educates his audience. His routines date from the early 1600s to the 20th century. He uses a wide variety of equipment in his acts including juggling clubs. EXERCISE Exercise clubs or Indian clubs were used in 19th century Victorian times as part of exercise or strengthening programs when they were swung in certain patterns and movements. Even in the early 20th century workplace a few minutes of Indian club swinging was common practice for the relief of tension. A video clip of an American school room in 1904 shows a group of boys and girls skilfully wielding clubs in an exercise sequence (see ‘Links” section). The 1904 and 1932 Olympic Games had an event called Club Swinging. Rhythmic gymnastics was added to the Olympic Program at the L.A. Games in 1984 where competitors use apparatus such as rope, hoop, ball, ribbon and clubs. The clubs come in a variety of weights and heights and have been used from the mid-1800s until around the 1930s in schools and military institutions. They are decorated in a variety of patterns and colours and some have feature lines or scored rings on them. This juggling club is significant for its association with education, entertainment and sport in the late 19th and early 20th century.Wooden juggling club (or pin, skittle or Indian club). Vintage, bottle-shaped club with a flat, slightly concave, base. Its turned, solid timber body tapers out from the base then in again to a very narrow handle with a round knob joined onto the top. Two concentric feature lines are scored into the wider part of club. It was possibly used in exercise, gymnastics or as a skittle. Sections of the club have two brown painted stripes; paint on the lower strip has been worn off at the base . There are remnants of white paint in two areas, possibly the remains of a maker’s name or decoration. There also appears to be an inscription stamped into the wooden handle but this is illegible. Late 19th to early 20th century.Remnants of what appears to be stamped lettering and painted labelling.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, wooden skittle, entertainment, bowling skittle, wooden juggling pin, wooden juggling club, wooden exercise club, indian club, exercise club, club swinging, rhythmic gymnastics, sport equipment, juggling equipment, wooden club

In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed

The Sooty Albatross can be located on islands in the southern Atlantic Ocean and the Indian Ocean. It is a colonial bird with colonies consisting of 50 to 60 pairs of birds. These birds will build nests on cliffs and steep slopes. The diet of the Sooty Albatross includes squid, crustaceans, cephalopods, fish and carrion. They are considered an endangered species by the IUCN with a population shrinkage of over 75% over the last 90 years. In the 21st century, the population of this Albatross has seen stability on Gough Island. Interestingly, this species have several features which make them unique. They have nasal passages attached to their upper bill called naricorns and can produce a stomach oil which is stored by the bird and used against predators as well as being food for their chicks. These birds also have a salt gland which helps desalinate their bodies after residing in salt water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Sooty Albatross specimen is of medium size and mainly a sooty-brown plumage. The colouring around the sides of the head and the base of the tail is dark. It has a dark bill which is medium in size and has been stylized with glass eyes by the taxidermist. The tail is a wide diamond-shape and the feet are webbed. This specimen has been placed on a wooden mount and has a small paper identification tag tied to its right leg.Sooty Albatross / 13D / Catalogue Page 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk-owl, europe, atlantic ocean, indian ocean, albatross, sooty albatross, endangered species

The Courtship of Miles Standish and Other Poems Author: H W Longfellow Publisher: W Kent & Co Date: 1858 fictionThe Courtship of Miles Standish and Other Poems (1858) by Henry Wadsworth Longfellow centers on the title narrative poem, a romantic tale set in 1621 Plymouth Colony amid tensions with Native Americans. It follows a love triangle with a gruff military captain Miles Standish who wants to marry young widow Priscilla Mullins but asks his friend and assistant John Alden to propose on his behalf, since Standish is too awkward with words. flagstaff hil, warrnambool, flagstaff hill maritime museum, shipwreck coast, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, the courtship of miles standish and other poems, h w longfellow, henry wadsworth longfellow

Pyott's Ltd., was an merchant and novelty shop in Vancouver, Canada during the early-20th century. An advertisement for the shop was published on February 9, 1922 in the Ubyssey News (issued Weekly by the Publications Board of the University of British Columbia. It reads: 'We carry one of the largest lines of Indian Burnt Leather Goods, Moccasins and Baskets in the city; also Beads, Purses and Hand Bags; View Books, Post Cards and Novelties of all kinds. Your inspection invited, 524 Granville St. Vancouver B.C'. History of shopping bags: Before the late 1800s, shopping bags didn’t exist. Shoppers would either carry their goods home in baskets, or have the merchant deliver them to people's homes, until 1852 when Francis Wolle, a schoolteacher in Pennsylvania, invented a machine to produce paper shopping bags. This invention would allow customers to carry items home in disposable paper bags. Soon after, owners of department stores and retailers began to realise that paper shopping bags could be used to help market their brands, and as such custom shopping bags with printed logos became common place. Carrying a shopping bag from certain shops became a type of status symbol for consumers, providing evidence that one was well-off, had good taste, or both. The paper shopping bag is a rare survival of ephemera related to a retail store that existed in Vancouver, Canada during the early-20th century. The arrival of waves of more than ten million migrants by boat is one of the major themes in Australia’s history. The paper shopping bag is representative of personal items purchased for migrant journeys as markers of domesticity, warmth and making oneself at home in a new land that speaks of the transnational lives embedded in threads of migration. A brown paper shopping bag with a printed logo and store information in black inkPyott's, Indian Souvenirs & Novelies. 524 Granville St, Vancouver- B.C. On the reverse side in handwriting: 'Red + dark red beadsshopping bag, marketing, ephemera, pyott's, vancouver, canada, migration, flagstaff hill, merchant

The Latham's Snipe is the largest of the Snipe species in Australia. This species do not breed in Australia. They breed in Japan and on the east Asian mainland and migrate to south East of Australia, Tasmania and New Guinea. They are commonly found in small groups in freshwater wetlands or along the coast in areas with dense cover. These birds use their colouring to help them camouflage with the terrain which makes them very difficult to see. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Latham's Snipe has a distinctive long and straight bill with brown and cream coloured plumage. The colouring of this bird enables it to camouflage well with the terrain. The wings and tail are short. This specimen has been stylised on a wooden platform and has a paper identification tag tied to its left leg. it also has small brown glass beads for eyes. The eyes are set back on the head which is a rounded shape.26c. / Indian Snipe - / Catalogue. page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, latham's snipe, snipe, japanese snipe, migrating bird, tasmania, new guinea

RMS Mauretania was launched on 28 July 1938 at the Cammell Laird yard in Birkenhead, England and was completed in May 1939. The second Mauretania was the first ship built for the newly formed Cunard White Star company following the merger in April 1934 of the Cunard and White Star lines. A booklet illustrating the history of construction through to the launch of the passenger liner Mauretania in 1938rms mauretania, troop transport, passenger liner, cunard, white star

This book was given as a Sunday School prize to James Cassady. The donor was William Wines. The Wines families were pioneers in the Woodford district. James Cassady was the son of William and Elizabeth Cassady and the family lived at Boughton on the Merri River (near Cassady’s Bridge, Caramut Road today). This property was established about 1845. Charley and Joe, whose names have also been written in the book, were James’ brothers. This book is of interest because it belonged to James Cassady, the son of pioneer settlers in Cassadys’ Bridge/Woodford area. This is a hard cover book of 220 pages with 32 extra pages at the back of the book giving information on other books produced by the same publisher. The cover is grey-green with gold lettering, green and black floral decorations and gold images of two men on horseback and a South American Indian chief. The spine is torn away at the top and the cover and pages are stained and crumpled. There are many black and white illustrations throughout the text, with the frontispiece protected by a piece of tissue. The inscriptions are handwritten in black ink and pencil.‘Woodford Sunday School presented to James Cassidy (sic) by his well-wisher William Wines’ (this is re-written underneath in pencil with the correct spelling of ‘Cassady’) ‘Chaley cassady, boughton, merri river (sic) “Joe’ james cassady,, boughton, william wines, woodford sunday school, history of warrnambool

Index, ill, maps, p.686.non-fictionThis volume tells briefly the story of the Royal Australian Navy and of Australian naval policy between the wars, and then records the part played by the ships and men of that Navy on every ocean and particularly in the eastern Mediterranean and Indian and Pacific Oceans from 1939 until the end of the first quarter of 1942. When the volume ends most of the surviving ships are on the Australia Station again and the Japanese fleets dominate half the Pacific Ocean and the seas to the north of Australia. The [author] describes not only the actions of the Australian ships but the problems and policies of the British fleets of which they often formed a part, and discusses the strategical and administrative questions encountered by the senior leaders in Australiaworld war 1939 – 1945 – naval operations - australia, royal australian navy - history

Index, ill, p.296.President Lincoln used his own weapons--his words--to fight the Civil War as brilliantly as any general who ever took the field. In Lincoln on War, historian Harold Holzer gathers and interprets Lincoln's speeches, letters, memoranda, orders, telegrams, and casual remarks, organizing them chronologically and allowing readers to experience Lincoln's growth from an eager young Indian War officer to a middle-aged dove congressman to a surprisingly hardened and determined hawk as the Union's commander-in-chief. We observe a man willing to sacrifice life and treasure in unprecedented quantities, to risk wounding the pride of vain generals, and even to mislead the public if it meant the preservation of an unbreakable union of states, the destruction of slavery, and the restoration of America as an example to inspire the world. This volume covers strategy; tactics; the endless hiring, sustaining, motivating, and dismissal of commanders; military discipline; and military technology. Modern commanders-in-chief have repeatedly quoted Lincoln to justify their own wars, so it behooves us as citizens to know Lincoln's record well. From masterpieces such as the Gettysburg Address to lesser-known meditations on God's purposes, Lincoln on War is the first book to highlight exclusively Lincoln's sublime and enduring words on waramerican civil war 1861-1865 - history, abraham lincoln 1809-1865 - leadership

This document details the history and fate of the ornate mantelpiece in the music room at Fortuna: The music room, now the Orderly Room, was one of the earliest parts of Fortuna and was later extended during George Lansell's time.I n 1904, the room was described as large (52 feet by 21 feet by 16 feet) and featured a prominent, richly carved mahogany mantelpiece with unique mirrors and musical symbolism. The mantelpiece was made from now-extinct Indian mahogany, took two years to carve, and was highly valued (costing 400 pounds at installation, estimated at 1200 pounds by 1940). It was considered a showpiece due to its craftsmanship and elaborate design. The mantelpiece was later removed and sent to Melbourne, with its current whereabouts unknown.The document expresses skepticism about its fate and invites anyone with information to come forward.Fortuna Article - The Missing Mantlepiece This item contains the following documents: 11217.82a Fortuna Article - The Missing Mantlepiece - Plan of mantlepiece and mirror by W. Beebe in 1904 11217.82b Fortuna Article - The Story of the Missing Mantlepiece - sometime after 1940non-fictionbendigo, fortuna, george lansell, the fortuna mantlepiece

Series of Black & White Photos Total of 10 two severely damaged detailing the life of the Hill family and friends during the war and post World War One.Frank and Dev photo severely damaged. Vin astride an old Indian motorcycle Reg no. 24797, street setting showing gutter dilapidated paling fence further background shows large building with spire. Mollie and Hilda wooden framework of a gateway, severely damaged. Darkie the horse in forested situation 'The Pines' January 1919. Doreen sitting on the backrest of a long seat wearing a dark coloured dress with white collar trees and shrubbery in background. Dora wearing a dark dress with white collar standing in a garden situation , lawn and hedge in background, 'The lawns' 1917. Royston standing in school uniform of dark suit white shirt and dark tie, two younger boys (unnamed) kneeling on the ground both wearing grey suits white shirts and dark ties, all amid long grass, white picket fence and hedge with trees in the background. 'Jock' small terrier or foxy standing on a white chair in front of a palm tree, distant background shows sections of a picket fence. Miss Tovey dressed in white next to a brick wall, to her left fence with hedge at 'The Ranche' 1918.Hal attired in warm dark clothing and wearing a white beanie at Mt Buffalo July 1923.Hilda Hill Personal Collectionaustralia, history, post war life

''COSTERFIELD: A HISTORY FROM 1853 TO 1978'' - PAPER BY JOHN BRADLEY A Paper for History Dip II (where?). 22 handwritten pages with additional pages of photographs. Includes mining history of North Costerfield and South Costerfield Mines; information on Coster family and Field family; coach services to Costerfield; Post Office services; schools in Costerfield; churches at Costerfield; (Indian) hawkers; shops and hotels; boarding houses; blacksmiths; Police in Costerfield; Scheelite mine; Sport; Costerfield Band; Public halls; Cemetery; farmers of the area. Page of acknowledgements; Bibliography; Reproduction (poor) of photographs of early photograph of Costerfield (1890); miners at 'Big Antimony Mine , 1912'; Bombay Mine; various buildings; football club membership 'tickets'; auction advertisement - mining plant, 1902; sale of mining equipment 1941; engine room at the Costerfield Mine 1939; race between motorbike and horse and jinker; school photo - various years 1910-1914; football teams; sketches of public hall and Brown's Mine Tavern (and Billiard Rooms).John Bradleygold, goldfields, costerfield, costerfield mines, coster family, field family, post office, cemetery, football, boarding houses, blacksmith, hotels and shops. brown's mine tavern, big antimony mine.

The Bendigo College of Advanced Education (Bendigo C.A.E.) was established in 1976 by the merging of the Bendigo Institute of Technology with the State College of Victoria at Bendigo, Both the Bendigo Institute of Technology and the State College of Victoria at Bendigo are previous agencies to the Bendigo College of Advanced Education.Bendigo Institute of Technology staff at work and at social events. Peter Ellis Collection. This item contains 12 coloured slides of people at a social event: 8829.1a Carl Gately in a turbin and Indian attire 8829.1b Laurie Pethica 8829.1c Narina Lindria 8829.1d Marc De Clas 8829.1e Brian Taylor 8829.1f Mr and Mrs Robin? Physics Lecturer 8829.1g Ken Andrea 8829.1h Wayne Friswell 'One Thing Now' 8829.1i Lyn Wingrave 8829.1j Peter Ellis 8829.1k Narena Lindrea - Contact the BHS for details 8829.1l Roman Toga Ballhistory, bendigo, peter ellis collection, bendigo institute of technology, b.i.t.

Whitcombe's Vivid History Reader. Grade III. Myths, Legends and Stories of World History. Specially written to meet the requirements of the Social Studies (History) Course in Victorian Elementary Schools. Printed in 1944. The stamp of State School No. 1087, Barnedown on the first page top right. Contents: 1: Stories of the Stone Age. 2: Myths and Legends of the Greek World. 3: Hebrew Stories. 4: Stories of the Roman World. 5: Stories of Early Britain and the Days of King Arthur. 6: Stories of the Middle Ages. 7: Legends and Stories of the American Indians. Appendix A: things to do. Appendix B: the making of plays, pronunciation of proper name. The book has 136 pages.books, school, history

Sepia photograph on fawn board. Photograph of pageant at Easter Fair Procession. Cohn Bros Lt float representing the 'Klondike'. Float representing iceberg? With Polar Bears, Eskimos or Indians to right of photo wagon with arch, horses draped with blankets? Male figures in suits and hats. White dog centre front. Inscriptions: Printed in margins of mount board at front 'Cohn Bros Ltd', 'Klondike' pageant at Easter Fair. Procession 1898. WH Robinson Photo, Bendigo. On back - in ball point pen 'Presented by Mr Marc Cohn to the Bendigo Historical Society', 'Royal Historical society of Victoria, Bendigo Branch' circular stamp. '1960' on reverse. 'Bendigo Historical Society, Inc' typewritten. Label bottom left corner. History: Previous Acc. No. GP29WH Robinson Photo, Bendigoperson, group, easter procession

military historySet of five medals with ribbons attached. Related to the Indian & Afghanistan campaigns.A description of the origins of each of the medals is on display with the medals.medals, india & afghanistan

The Golden King Mine poppet-head stands at the school’s Yan Yean Road exit gate. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p23 Early Yarambat - Tanck's Corner Its early settlers, who in the 1840s were amongst the first non-Aboriginal people in the area, found life tough as they grazed their sheep and cattle. Yarrambat was then known as Tanck’s Corner or Reynolds Corner, after wood carter, Frederick Tanck, who owned land north of Ironbark Road, at the corner of Yan Yean Road, and Thomas Reynolds, owner of the opposite property. After Reynolds sold his land, the corner became known as Tanck’s Corner. In 1929 the district’s name was changed to Yarrambat, believed to mean ‘high hill’ in the Wurundjeri language. Tanck’s Corner was in the centre of gold-bearing country and the district is honeycombed with old tunnels and shafts. However although gold played a dominant role for decades, there was insufficient to develop a substantial township. Meat and agricultural produce made a greater impact. Until the mid-20th century the only substantial building was the primary school. The first gold rush occurred around 1860, the second after 1900; then during the Depression, the Government paid men to pan for gold. The first rush attracted hundreds of Chinese people to Smugglers Gully, who constructed round diggings to keep away spirits. Alluvial miners lived along the Plenty River in tents or humpies - some fenced with gardens - and some miners distilled their own ‘plonk’. It was a wild time and bushrangers - and later gangster Squizzy Taylor - were said to hide4 in the old Pioneer Tunnel in Dunne’s Gully between Heard Avenue and Pioneer Road. Mines opposite Tanck’s Corner included Beer’s Line, Golden Crown and Golden Stairs. Some of the big mines had batteries and stampers to process quartz. At first there was plenty of alluvial gold, as much as two ounces to the ton. At times gold was exposed after heavy rains so fossickers panned for gold around orchard irrigation trenches. Gold was mined until 1984 when Yarrambat’s last operating goldmine, the Golden King Mine, in North Oatlands Road, closed. The Clayton family operated it full-time, making a comfortable living and in the 1960s it was the only private family gold mine in Victoria.5 Gold was such an important part of Yarrambat’s history that a gold poppet-head is the Yarrambat Primary School’s logo. The Golden King Mine poppet-head stands at the school’s Yan Yean Road exit gate. However this school was built in 1988. The original school No 2054, at the corner of Ironbark and Yan Yean Roads, was opened in 1878 and modified to its present form in the 1920s. In 2000 it was relocated to the Heritage Museum at Yarrambat Park.7 The school, whose first head teacher was Charles Planner, consisted of one room with a three-roomed residence. The school was also the community centre. On Saturday nights it was crammed for dances or euchre parties, community singing or other social events. On Sundays, services for different denominations took turns each week. However the school had its teething problems. Parents accused Charles Planner of neglecting his duties and the school closed several times. When it closed in 1892, only church services continued. Social activities moved elsewhere, such as the tennis club to the Stuchbery tennis court opposite. A sports day and woodchop on Boxing Day around 1900 was held at the Evelyn Hill Hotel, also called Evelyn Arms and Tunnel Hill Hotel, on the Greensborough–Diamond Creek Road. An annual agricultural show in Diamond Creek paraded through the town, and New Year’s Day picnics at the Yan Yean Reservoir included highland dancing and competitions. Also popular were the Indian hawkers who visited every three months, selling trinkets, clothing and other items. One called Jimmy ‘Allem dem Bedi’, gave presents and told stories, played draughts and sold delicious curries he cooked over his camp fire at night.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, golden king mine, tanck's corner, yarrambat primary school

Indian Industrial Mission......wool marketing textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, kidman, mr g. l., wool marketing, textile mills - history, textile mills - staff, textile mills

Presented to the Dalai Lama when he arrived at Bomdila in India after his escape from the Chinese military occupation of Tibet. He was received at the Indo-Tibet border by Har Mander Singh, Political Officer of the Government of India, on 31 March 1959. The Dalai Lama was invited to stay in his home in Bomdila, while the Indian Government made arrangements for an official welcome. The locals made a throne for His Holiness, and next to it was this bowl filled with local fruits. The fruit bowl was presented to the Dalai Lama as a gesture of reverence and welcome at an important time in the history of Tibet. The bowl stands as a quiet witness to the beginning of a new chapter in the Dalai Lama’s life, at the outset of his exile. Painted fruit bowl, made of lacquered wood.dalai lama xiv, ceremonies