Index, maps, p.226.non-fictionA centenary history of the Indian Mutiny of 1857indian - sepoy rebellion, india - history

A book titled ' India's Agony : the story of the Sepoy Mutiny of 1857. A record of the splendid heroism of British soldiers under terrible trials,' London : Ward, Lock & Co., Salisbury Square, E.C. New York : Bond Street. 33- 48 pgs. (ill.). This booklet is one of a series of 37 Ward & Lock's ' Penny Books for the People.' ' Historical Series.' Price one penny. There are also advertisements of note.books, biography, india, lydia chancellor, collection, ward & lock's penny biographies, biographies, penny books, ward & lock's penny books for the people, historical series, history, india, indian history, the sepoy mutiney of 1857, mutinees, british history, british history, book, books, advertisements, anglo-indian empire

A book titled ' From The Black Hole to Plassey: The Story of England's supremacy in Bengal. A record of that momentous epoch when the vast empire of India was won for England.' Published London: Ward, Lock & Co., Salisbury Square, E.C. New York: 10 Bond Street. 273 - 288 pgs. (ill.). This book is one of a series of ' 37 Ward & Lock Penny Books for the People.' ' Historical Series. Price one penny. Advertisements are of note.books, biography, india, lydia chancellor, collection, ward & lock's penny biographies, ward & lock's penny books for thepeople, historical series, history, england, english history, india, indian history, from the black hole to plassey, advertisements, book, books, the story of england's supremacy in bengal, book, books, penny books

Lemon coloured trifold document : Tour of Historic Graves at White Hills Cemetery. Friends of the Bendigo Cemeteries. Map of White Hills Cemetery (1854 - 1993 ) showing marked grave sites with descriptions. E.g. Charles Merri Bux - 'Black Charlie' Indian hawker of Bendigo. History of White Cemetery on back page.Friends of Bendigo Cemeteriesbendigo, cemetery, white hills cemetery

The Sooty Albatross can be located on islands in the southern Atlantic Ocean and the Indian Ocean. It is a colonial bird with colonies consisting of 50 to 60 pairs of birds. These birds will build nests on cliffs and steep slopes. The diet of the Sooty Albatross includes squid, crustaceans, cephalopods, fish and carrion. They are considered an endangered species by the IUCN with a population shrinkage of over 75% over the last 90 years. In the 21st century, the population of this Albatross has seen stability on Gough Island. Interestingly, this species have several features which make them unique. They have nasal passages attached to their upper bill called naricorns and can produce a stomach oil which is stored by the bird and used against predators as well as being food for their chicks. These birds also have a salt gland which helps desalinate their bodies after residing in salt water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Sooty Albatross specimen is of medium size and mainly a sooty-brown plumage. The colouring around the sides of the head and the base of the tail is dark. It has a dark bill which is medium in size and has been stylized with glass eyes by the taxidermist. The tail is a wide diamond-shape and the feet are webbed. This specimen has been placed on a wooden mount and has a small paper identification tag tied to its right leg.Sooty Albatross / 13D / Catalogue Page 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk-owl, europe, atlantic ocean, indian ocean, albatross, sooty albatross, endangered species

The Latham's Snipe is the largest of the Snipe species in Australia. This species do not breed in Australia. They breed in Japan and on the east Asian mainland and migrate to south East of Australia, Tasmania and New Guinea. They are commonly found in small groups in freshwater wetlands or along the coast in areas with dense cover. These birds use their colouring to help them camouflage with the terrain which makes them very difficult to see. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Latham's Snipe has a distinctive long and straight bill with brown and cream coloured plumage. The colouring of this bird enables it to camouflage well with the terrain. The wings and tail are short. This specimen has been stylised on a wooden platform and has a paper identification tag tied to its left leg. it also has small brown glass beads for eyes. The eyes are set back on the head which is a rounded shape.26c. / Indian Snipe - / Catalogue. page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, latham's snipe, snipe, japanese snipe, migrating bird, tasmania, new guinea

In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed

This book was given as a Sunday School prize to James Cassady. The donor was William Wines. The Wines families were pioneers in the Woodford district. James Cassady was the son of William and Elizabeth Cassady and the family lived at Boughton on the Merri River (near Cassady’s Bridge, Caramut Road today). This property was established about 1845. Charley and Joe, whose names have also been written in the book, were James’ brothers. This book is of interest because it belonged to James Cassady, the son of pioneer settlers in Cassadys’ Bridge/Woodford area. This is a hard cover book of 220 pages with 32 extra pages at the back of the book giving information on other books produced by the same publisher. The cover is grey-green with gold lettering, green and black floral decorations and gold images of two men on horseback and a South American Indian chief. The spine is torn away at the top and the cover and pages are stained and crumpled. There are many black and white illustrations throughout the text, with the frontispiece protected by a piece of tissue. The inscriptions are handwritten in black ink and pencil.‘Woodford Sunday School presented to James Cassidy (sic) by his well-wisher William Wines’ (this is re-written underneath in pencil with the correct spelling of ‘Cassady’) ‘Chaley cassady, boughton, merri river (sic) “Joe’ james cassady,, boughton, william wines, woodford sunday school, history of warrnambool

This wooden juggling club or exercise club may also be referred to as a juggling pin. It is very similar in shape to a bowling pin or an Indian club. It dates approximately to the early 20th century. It may have been used as one of a pair for gymnastics or exercise, or part of a larger set used by a juggler for entertainment in a circus or carnival. At some time it may have been used with a ball or disc as part of a Skittles or bowling game set. The historical collection of Federation University Australia, Victoria, includes a very similar but slightly shorter club, labelled ‘timber skittle”, as can be seen in their photograph. Another example of very similar-shaped, same-sized clubs can be seen in the collection of Nobelius Heritage Park and Emerald Museum, Emerald, Victoria. JUGGLING Jugglers entertain audiences with their tricks and routines at events such as circuses, amusement parks, parties, shows on television or theatre, schools and parties. Juggles also compete at International Championships to obtain world records, performing as individuals or in groups or teams. Contemporary champion juggler David Cain performs a Juggling History Show that both entertains and educates his audience. His routines date from the early 1600s to the 20th century. He uses a wide variety of equipment in his acts including juggling clubs. EXERCISE Exercise clubs or Indian clubs were used in 19th century Victorian times as part of exercise or strengthening programs when they were swung in certain patterns and movements. Even in the early 20th century workplace a few minutes of Indian club swinging was common practice for the relief of tension. A video clip of an American school room in 1904 shows a group of boys and girls skilfully wielding clubs in an exercise sequence (see ‘Links” section). The 1904 and 1932 Olympic Games had an event called Club Swinging. Rhythmic gymnastics was added to the Olympic Program at the L.A. Games in 1984 where competitors use apparatus such as rope, hoop, ball, ribbon and clubs. The clubs come in a variety of weights and heights and have been used from the mid-1800s until around the 1930s in schools and military institutions. They are decorated in a variety of patterns and colours and some have feature lines or scored rings on them. This juggling club is significant for its association with education, entertainment and sport in the late 19th and early 20th century.Wooden juggling club (or pin, skittle or Indian club). Vintage, bottle-shaped club with a flat, slightly concave, base. Its turned, solid timber body tapers out from the base then in again to a very narrow handle with a round knob joined onto the top. Two concentric feature lines are scored into the wider part of club. It was possibly used in exercise, gymnastics or as a skittle. Sections of the club have two brown painted stripes; paint on the lower strip has been worn off at the base . There are remnants of white paint in two areas, possibly the remains of a maker’s name or decoration. There also appears to be an inscription stamped into the wooden handle but this is illegible. Late 19th to early 20th century.Remnants of what appears to be stamped lettering and painted labelling.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, wooden skittle, entertainment, bowling skittle, wooden juggling pin, wooden juggling club, wooden exercise club, indian club, exercise club, club swinging, rhythmic gymnastics, sport equipment, juggling equipment, wooden club

Port of Portland CollectionFront: Portland (upper left) Victoria (upper right)/ The Victorian Wheatgrowers Corporation (upper centre) 1. M. V. Geisha; 2. SS. Peebles; 3. SS. Queen Margaret; 4. SS Barwon Polwarth; 5. SS Anstral Port; 6. SS H. H. Asquith; 7. M.S. Canada; 8. SS Unden; 9. Portland Bay 1922; 10. SS Aussa; 11. SS Ootmarsum; 12. SS Shelley; 13. SS Dumfries; 14. SS Baltico; 15. SS Indianic/ Season 1921-22 (lower centre)/ Total Wheat Slapped - 3,499, 402 bus - 93,734 Tons (lower centre)(white print) Back: (no inscriptions)port of portland archives, portland harbour, vessel, victorian wheat corporation

Pyott's Ltd., was an merchant and novelty shop in Vancouver, Canada during the early-20th century. An advertisement for the shop was published on February 9, 1922 in the Ubyssey News (issued Weekly by the Publications Board of the University of British Columbia. It reads: 'We carry one of the largest lines of Indian Burnt Leather Goods, Moccasins and Baskets in the city; also Beads, Purses and Hand Bags; View Books, Post Cards and Novelties of all kinds. Your inspection invited, 524 Granville St. Vancouver B.C'. History of shopping bags: Before the late 1800s, shopping bags didn’t exist. Shoppers would either carry their goods home in baskets, or have the merchant deliver them to people's homes, until 1852 when Francis Wolle, a schoolteacher in Pennsylvania, invented a machine to produce paper shopping bags. This invention would allow customers to carry items home in disposable paper bags. Soon after, owners of department stores and retailers began to realise that paper shopping bags could be used to help market their brands, and as such custom shopping bags with printed logos became common place. Carrying a shopping bag from certain shops became a type of status symbol for consumers, providing evidence that one was well-off, had good taste, or both. The paper shopping bag is a rare survival of ephemera related to a retail store that existed in Vancouver, Canada during the early-20th century. The arrival of waves of more than ten million migrants by boat is one of the major themes in Australia’s history. The paper shopping bag is representative of personal items purchased for migrant journeys as markers of domesticity, warmth and making oneself at home in a new land that speaks of the transnational lives embedded in threads of migration. A brown paper shopping bag with a printed logo and store information in black inkPyott's, Indian Souvenirs & Novelies. 524 Granville St, Vancouver- B.C. On the reverse side in handwriting: 'Red + dark red beadsshopping bag, marketing, ephemera, pyott's, vancouver, canada, migration, flagstaff hill, merchant

Bendigo Advertiser Saturday Decemeber 11, 1965 Black & White Article & Photograph The 13th Century Religious Order - Order of Poor Clares Collettines comes to Bendigo. The Sisters consented to being photographed as normally the Order is completely enclosed. The Mother Abbess stands in the front and, from left are Sister Peter, Sister Collette, Sister Baptista, Sister Anthony, Sister Ambrose, Sister John Francis and the Mother Vicaress. The Mother Abbess is English, the Mother Vicaress & another European Sister are (Scottish) and five Sisters are Indian and (Tamil) Minority. The Sisters Bendigo House is located near St. Aidans Orphanage and is only the second of its kind in Australia.bendigo, clubs, italian reigious order in bendigo

Indian Packet Tea Medal: Medallion advertising Indian packet Tea. Round medallion with inscription, outer edge SSAM & DARJEELING TEAS. Inner circle ÍNDIAN PACKET TEAS ARE THE STRONGEST AND BEST' Female figure on the back. Box 625numismatics, medals - civil, indian packet tea.

''COSTERFIELD: A HISTORY FROM 1853 TO 1978'' - PAPER BY JOHN BRADLEY A Paper for History Dip II (where?). 22 handwritten pages with additional pages of photographs. Includes mining history of North Costerfield and South Costerfield Mines; information on Coster family and Field family; coach services to Costerfield; Post Office services; schools in Costerfield; churches at Costerfield; (Indian) hawkers; shops and hotels; boarding houses; blacksmiths; Police in Costerfield; Scheelite mine; Sport; Costerfield Band; Public halls; Cemetery; farmers of the area. Page of acknowledgements; Bibliography; Reproduction (poor) of photographs of early photograph of Costerfield (1890); miners at 'Big Antimony Mine , 1912'; Bombay Mine; various buildings; football club membership 'tickets'; auction advertisement - mining plant, 1902; sale of mining equipment 1941; engine room at the Costerfield Mine 1939; race between motorbike and horse and jinker; school photo - various years 1910-1914; football teams; sketches of public hall and Brown's Mine Tavern (and Billiard Rooms).John Bradleygold, goldfields, costerfield, costerfield mines, coster family, field family, post office, cemetery, football, boarding houses, blacksmith, hotels and shops. brown's mine tavern, big antimony mine.

The remains of the 180 mine battery as painted by Alfred Perry in 1959. This is a watercolour and indian ink sketch on card. Yellow card attached with painting states: ' George Lansell Exhibit No 4. The remains of the 180 mine battery as painted by Alfred Perry in 1959. It was from the 180 that George Lansell laid the foundations of his fortune and indeed the fortunes of the district. With his capital behind the field mining flourished for nearly one hundred years and ensured employment for the many miners in the district.'Alfred Perryartwork, print, mining heritage, alfred perry, mining battery, 180 mine, victoria hill

Copy of black and white photograph showing view of weatherboard double-fronted house, decorative ? Boards, verandah lacework, decorative brick chimneys ??. Roof, double-hung windows. Brick church adjacent, vented slate roof, buttressed walls, Gothic windows. Picket fence along footpath. SEC? pole. Trees in background. Inscriptions: on front in Indian ink written across bottom of image 'St Luke's Church and vicarage, White Hills Bendigo'.buildings, church, st lukes, white hills

Sepia photograph of Christ Church, Swan Hill showing construction materials. Group of eight women, two men, two men on scaffold. Larger building in background. On back: stamped in circle 'Royal Hiostorical Society of Victoria, Bendigo Branch', Indian ink: 'Church, Swan Hill, May 3rd, 1892. IG Alexandra Harris Incumbent'. Black ink' 'MP 268'. Previous Acc. No. 'MP 268'buildings, church, christ church, swan hill

Black and white photograph of Women's Sewing Group manufacturing clothing for Boer War Military (Australian). Packages, sewing machines, chairs in foreground, ladies in middle ground, materials against panelled walls in background. Mounted on fawn board. Inscriptions: GP12 at top corners in Indian ink. In blue/black ink, on top front of board. 'Bendigo Women's Sewing Circle During the Boer War'. On back - stamped in green ink, in circle 'Royal Historical Society of Victoria, Bendigo Branch'. In Indian ink '1137'. In grey lead 'Boer War', 'Bendigo Women Making clothing for Boer Australian contingent'.person, group, women

Sepia photographs showing thirteen nurses, matron? (in centre), six males on mats on lawn with building in background. Mounted on fawn board. Inscriptions: on front - in top corners in Indian ink 'GPI'. On back - stamped in circle in ink 'Royal Historical society of Victoria, Bendigo Branch'.cottage, miners

black and white photograph of the Great Extended Hustlers Quartz Mining claim. Photograph shows five weatherboard clad buildings with corrugated iron roofing. Poppet legs and cable support trestles. Bush logs in foregound at right. Office at left, battery house centre background. Main shaft right. Copy of original photo. On face of photo in indian ink: area of 24 acres, has 6 shafts, equals 4000 feet of sinking. No less than 13 levels and 16 x cuts making a total of 12000 feet. Amount spent in labour 228,000 ( pounds stg. ) Quartz raised 144,5000 tons and yields to date 188,000 ozs of gold. Dividends 585,000 ( pounts st.) nearly 20/-/ a share. Employment to nearly 200 men. It is stated this rich mine changed hands the early days for only 30/-/-. On back in black ink ' Gr. Extended Hustlers. Bottom right corner : A. Richardson/29 Harrison Street/Bendigo.N.J. Caireorganization, business, great extended hustlers mine

sepia photo of float in Easter Fair Procession 1898. Float entered by Cohn Bros. 9 soft drink and cordial manufacturers. Model of sailing boat, flag, Cohn Bros. on cloth banner at front of floar. Males dressed as soldiers, miners, indians. ? At right large model bottle ' Cohn Bros. Pale Ale, Limited, Bendigo Prize 'Behicle appears to be showing ice and polar bears. On back of photo RHS of V. Bendigo Branch. On front printed on board ' Cohn Bros. Limited, Pagaent at Easter Fair Procession, 1989'W.H. Robinsonorganization, business, cohn bros. limited

COHN BROS Limited. GP 27. Soft drink and cordial manufactures. Model of sailing board, flags, Cohn Bros. on cloth banner at front of float. Males dressed as soldiers, miners, indians ? Cohn Bros. Limited.,on top of photo Klondyke left side and right side. Pageant at Easter Fair Procession 1898. in gold embossed print at bottom of photo. Horses on right hand side draped in material.W.H. Robinson photo, Bendigoorganization, business, cohn bros. limited

Sepia photograph on fawn board. Photograph of pageant at Easter Fair Procession. Cohn Bros Lt float representing the 'Klondike'. Float representing iceberg? With Polar Bears, Eskimos or Indians to right of photo wagon with arch, horses draped with blankets? Male figures in suits and hats. White dog centre front. Inscriptions: Printed in margins of mount board at front 'Cohn Bros Ltd', 'Klondike' pageant at Easter Fair. Procession 1898. WH Robinson Photo, Bendigo. On back - in ball point pen 'Presented by Mr Marc Cohn to the Bendigo Historical Society', 'Royal Historical society of Victoria, Bendigo Branch' circular stamp. '1960' on reverse. 'Bendigo Historical Society, Inc' typewritten. Label bottom left corner. History: Previous Acc. No. GP29WH Robinson Photo, Bendigoperson, group, easter procession

Post Card print of a painting called ' Departure of HMA ships 'Australia' and 'Canberra' from the first convoy Indian Ocean 20th January 1940 ' by Frank Norton. Produced by the Australian War Memorial.postcard, world war two, hma ships, australia, canberra, first convoy, indian ocean, frank norton, second world war.

Index, ill, maps, p.686.non-fictionThis volume tells briefly the story of the Royal Australian Navy and of Australian naval policy between the wars, and then records the part played by the ships and men of that Navy on every ocean and particularly in the eastern Mediterranean and Indian and Pacific Oceans from 1939 until the end of the first quarter of 1942. When the volume ends most of the surviving ships are on the Australia Station again and the Japanese fleets dominate half the Pacific Ocean and the seas to the north of Australia. The [author] describes not only the actions of the Australian ships but the problems and policies of the British fleets of which they often formed a part, and discusses the strategical and administrative questions encountered by the senior leaders in Australiaworld war 1939 – 1945 – naval operations - australia, royal australian navy - history