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Federation University Art Collection
Ceramic - Artwork - Ceramics, Salt Glazed Tall Lidded Pot by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-1991) Worked California, USA This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there."Johnstone" on basesandra johnstone, ceramics, artworks, artist, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic - jug, Salt Glazed Jug by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-1991) Worked California, USA Sandra Johnstone is a graduate from the University of California, Berkeley, California. She is known for her large wheel thrown stoneware pots with deep incision on interior and exterior surfaces. Iin 1985 Sandra Johnstone was a visiting artist to Gippsland Centre for Art and Design. (now Federation University Australia) Salt glazed jugJohnstone incised on basesandra johnstone, ceramics, jan feder memorial ceramics collection, gippsland campus, visiting artist -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Sandra Johnstone, Salt Glazed Platter by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-Jan 1991) Born Southern California, USA Worked California, USA Sandra Johnstone was awarded a MA in Ceramics and an MFA in Plastic Arts at San Jose State University, where she later also lectured. Specialiing in functional and sculptural forms, with emphasis on wheel-thrown shapes and salt-glazed stoneware and porcelain, her work is best known for salt glazing, using surface texture and colour to enhance the character of the clay. Sandra Johnstone was a visiting artist to the Gippsland Centre for Art and Design (GCAD). Salt glazed platter. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there."Johnstone" on basesandra johnstone, ceramics, artist, artwork, gippsland campus, jan feder memorial ceramics collection -
Federation University Art Collection
Ceramic - Artwork - Ceramics, [Bulbous Lidded Pot] by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-1991) Worked California, USARaku-fired wheelthrown salt-glazed stoneware.ceramics, jan feder memorial ceramics collection, sandra johnstone, gippsland campus, churchill -
Stawell Historical Society Inc
Map, Easton Johnstone, Map of Stawell Surveyed by Easton Johnstone 1872, 1872
Victoria Co Crushing Machine. St Georges Co Crushing machine. Wimmera Co Crushing Machine. Government Reservoir and Drainage. Sloan Street, Skene Street Mines. old Mine WorkingsA2 map of Stawell Reefs Area. Showing Crushing Machines & Title InfoSurveyed by Easton Johnstone Contract Surveyor. Photo-Lithographed at the Department of Lands & Survey. Melbourne By J Noone 9th May 1872mining -
Federation University Historical Collection
Document - Document - Letter, Ballarat Junior Technical School: Letters and Brochures from John E Johnstone, Diver re the salvaging of gold from the ocean. 1958
Letters written to Mr Garner and Mr Richards from John Johnstone. He was a diver and was wondering if he could talk to the students about salvage work from the oceans. Talk titled "Salvage from the Sea" and tells of how over eight tons of gold was recovered from the wreck of the R M S "Niagara" off the coast of New Zealand.2 hand written letters on beige writing paper - thick Brochure - blue and white with blue printing.Signature on letters John E Johnstoneballarat junior technical school, head master, l garner, school of mines and industries, r richards, principal, john e johnstone, salvage from the sea, r m s niagra, gold bullion, new zealand coast, film screening for school -
Federation University Art Collection
Ceramic - Artwork - Ceramics, [Bulbous Lidded Pot], 1985, C1985
Sandra JOHNSTONE (1936-01/1991) Worked California, USA Sandra Johnstone undertook graduate study at the University of California, Berkeley, California. From 1957 she worked as a studio potter. Between 1983 and 1990 she was a teacher at Napa Valley College, Napa, California. She is known for her large wheel thrown stoneware pots, often deeply incised both on interior and exterior surfaces. Sandra Johnstone was a visiting artist to the Gippsland Centre for Art and Design (GCAD), Churchill.Presented by the artistWheel thrown salt-glazed stoneware. Gift of the artist"Johnstone" on basesandra johnstone, ceramics, gippsland campus, jan feder memorial ceramics collection, churchill -
Federation University Art Collection
Ceramic - Artwork-Ceramic, Johnstone, June, 'Large Carved Mortar and Pestle' June Johnstone, 2010
This item is part of the Federation University Art Collection. The Art Collection features over 1200 works and was listed as a 'Ballarat Treasure' in 2007.A ceramic mortar and pestle paying homage to the rock mortor and pestles used by Aboriginal people.art, artwork, june johnstone, ceramics, aboriginal -
Port Melbourne Historical & Preservation Society
Painting - Painting, Public convenience, Sinclair Parade, Port Melbourne, Ray Johnstone, Ray Johnstone, 1998
One of several Port Melbourne watercolours painted by Ray Johnstone just before his departure to France. Framed watercolour of public convenience in Sinclair Parade by Ray Johnstone, 1998Port Melbourne Prints and Framing sticker on backarts and entertainment - visual arts, built environment - civic, ray johnstone -
Eltham District Historical Society Inc
Folder, John Johnstone, 1870s
Folder of information on John Johnstone, teacher, Eltham 1870sjohn johnstone -
National Wool Museum
Photograph, Johnstone Park, Geelong No 6
James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionJohnstone Park, Geelong No 6 KODAK PRINTtextile mills, collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, geelong, victoria -
National Wool Museum
Photograph, Johnstone Park, Geelong No 4
James Murgatroyd worked at Warrnambool Woollen Mills, Federal Mill, Tweedside, Collins Mills and set up looms for Alexander Spinning Mills Sydney, his son Fred Murgatroyd worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.Murgatroyd Photograph CollectionJohnstone Park, Geelong No 4 KODAK PRINTtextile mills, collins bros mill pty ltd, murgatroyd, mr fred murgatroyd, mr james, geelong, victoria -
Glenelg Shire Council Cultural Collection
Painting, a) Johnston & Co. Hamilton b) Johnstone O'Shannessy, Melbourne, Burswood, late 1800s
From Victorian Heritage: The single storey mansion house with enclosed glass verandah, Burswood was built in 1853 on a site overlooking the Portland Bay for English born pioneer colonist Edward Henty. John Barrow of Adelaide was the architect for this exceptional Australian regency style residence which he designed as a central block of fine axed basalt ashlar and slate roof (now replaced) with flanking brick wings forming an enclosed rear courtyard. Burswood is the most important early mansion house in western Victoria, being an exceptional Australian regency design by distinguished colonial architect James Barrow. Edward Henty, a member of one of Australia's most remarkable colonial families and the founder of Portland, established the first permanent settlement in Victoria on 19th November 1834, and Burswood is testimony to his success as an early colonist. Henty lived in his mansion for 17 years in a semi-regal state. Burswood has been little altered since completion in 1853. A glasshouse conservatory to the side of the present enclosed verandah was demolished prior to 1895 and the slate roof replaced with iron. Johnstone, O’Shannessy & Co was a leading photographic studio located in Melbourne, Victoria, Australia. It was active from 1865 to 1905. Henry James Johnstone was also an artist and studied at Louis Buvelot's school and with Thomas Clark.Painting of a sandstone coloured building. A grand house with a driveway and well-kept gardens to the front. There is a horse and cart with a man standing to the side of it. There is a female figure exiting the building and another female and a man further along the driveway with a dog. The building has a glass conservatory attached to the side. The sky is blue with several fluffy clouds.Bottom right: Johnstone O'Shannessy & Co Melbourne (in white paint)homestead, henty, historic buildings, colonial, burswood house -
Rutherglen Historical Society
Image, Johnstone O'Shannessy & Co. Ltd, 1880s (Approximate)
Mounted Sepia photo of a man standing dressed in naval ceremonial uniform holding sheathed sword At bottom of mount: "Johnstone O'Shannessy & Co. Ltd. | Collins Street, Melbourne"portrait photograph, military uniform -
University of Melbourne, Burnley Campus Archives
Album - DVD, Jim Rule, Student Tree Climbing, 2009
2 DVDs with photographs of student tree climbing, produced by staff members, Jim Rule and Denise Johnstone. Disc 1 has 9 photographs and Disc 2 has 12.students, tree climbing, jim rule, arboriculture, denise johnstone -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sepia photograph of Mrs Mary Livingstone (Howlett), Johnstone O'Shannessy & Co Ltd
Mary Livingstone Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster and he donated them to the museum collection in 1993.Sepia photograph of Mrs Mary Howlett, midwife. Formal studio portrait, with studio stamp "Johnstone O'Shannessy & Co Ltd" Inscribed on verso, probably by Dr Frank Forster, reads "MRS MARY LIVINGSTONE/ HOWLETT".midwifery -
Port Melbourne Historical & Preservation Society
Document - Invitation, opening to exhibition of watercolours by Ray Johnstone, Ray Johnstone, Oct 1977
The artist, a member of this Society (self portrait inside cover), did several paintings of Creswick House, one of which was purchased by the owner Isobel Macbeth (also a PMH&PS member), who waved this item for the collection. Ray subsequently moved to France to paint.1997 invitation to the opening of watercolour artist Ray Johnstone's exhibition at Customs Wharf Gallery in Williamstown, in form of a folder of four polstcards, each with a 4 colour reprodction of a painting. One of these is Creswick House at 139 Bridge Street, Port Melbourne.arts and entertainment - visual arts, built environment - domestic, ray johnstone, creswick house, isobel macbeth -
Hume City Civic Collection
Photograph
Sepia postcard of a woman and 3 children believed to be the Nelson family.On front (embossed): Johnstone O'Shannessy / Melb. Printed on back: Post Card / Correspondence Address only / stamp - Kodak / Australiajohnstone o'shannessy, photographers, nelson family, george evans collection -
University of Melbourne, Burnley Campus Archives
Album - 35mm Colour slides, D. Johnstone, Decay Detection, 1995
24 slides labelled "Decay Detection" showing instruments used. 1 dated '95. Some labelled D. Johnstone. 1. Shigometer. 2. Resistograph. 3. Fractometer. 4.Device (Arborsonic Tester). 5. Plug. 6. Quadrant. 7.Metriguard. 8.Fractometer. 17. Tyromyces. 22. Eucalypt. 23. Ganodderma. 24. Poplar '95 Formes.decay detection, instruments, d. johnstone, trees, arboriculture, shigometer, resistograph, arborsonic tester, quadrant, metriguard, fractometer, tyromyces, ganodderma, poplar 95 formes -
University of Melbourne, Burnley Campus Archives
Album - 35mm Colour slides, D. Johnstone, Diseases, 2000
27 slides labelled "Diseases". Some individually labelled. Some also labelled "D. Johnstone". 8 June 2000. 1-4. appear to be part of B20.0157. 6-12 Cypress Canker. 13. Teprioadium. 14. "Paint" fungus. 15. Tremetes versicolour. 16. Armillaria (old). 17-18. Laetiporus portentotus. 20. Poplar 95 formes. d. johnstone, arboriculture, tree diseases, cypress canker, teprioadium, tremetes versicolour, armillaria, poplar 95 formes, laetiporus potentotus -
Bendigo Historical Society Inc.
Drawing - COHN BROTHERS COLLECTION: ETCHING OF MORITZ COHN, 1878
Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Souvenirs Australia Pty. Ltd, A Ford on the Acheron River, 1881, Post 1995
A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone.A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone. The original painting is oil on canvas and was donated to the Broken Hill City Art Gallery in 1948 by Mr. O. Von Rieben. This postcard was produced by Souvenirs Australia Pty. Ltd. in Glynde, South Australia as a souvenir of Marysville.H.J. JOHNSTONE/ A FORD ON THE ACHERON RIVER, 1881/ OIL ON CANVAS, 171cm x 245cm/ BROKEN HILL CITY ART GALLERY/ DONATED BY MR. O. VON RIEBEN, 1948 Made in/ Australia by/ Souvenirs Aust./ Pty. Ltd./ Adelaide/ BHG 2 ADDRESS Published by/ Souvenirs Australia Pty. Ltd./ Glynde/ Copyright A PITT CARDacheron river, oil painting, h.j. johnstone, broken hill city art gallery, mr. o. von rieben, postcard, souvenirs australia, souvenir -
Darebin Parklands Association
Interview by Reg Johnstone of Laurence J. Course, 5th November 1976, Laurie Course, 1976
Audio recordings, including a recording of a radio interview (approximately 12 minutes) in which Laurie Course discusses the early history of the Rockbeare Park; the significance of the area; and plans to develop the area into the Darebin Parklands.Audio tape. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.Covered with cardboard sleeve wth annotation that incluces: [Interview by Reg Johnstone of Laurence J. Course of the Rockbeare Park Conservation Group at 1.30 in the Hardware Lane Studio in Cyclone House & was broadcast on 3ZZ at 8.15 that night on Friday 5th November 1976]. Annotations also on tape itself. -
Koorie Heritage Trust
Document - Report, Birckhead, Jim, Aboriginal involvement in parks and protected areas : papers presented to a conference organised by the Johnstone Centre of Parks, Recreation and Heritage at Charles Sturt University, Albury, New South Wales 22-24 July 1991, 1992
Highlights significant differences in Aboriginal and non-Aboriginal notions of land and land management.xiv, 390 p. : ill., maps, ports. ; 27 cm.Highlights significant differences in Aboriginal and non-Aboriginal notions of land and land management.national parks and reserves -- australia -- management -- congresses. | land use -- australia -- management -- congresses. | aboriginal australians -- land tenure -- congresses. | aboriginal australians -- antiquities -- congresses. -
Rutherglen Historical Society
Document - School Records - Individuals, Higher Elementary School, Rutherglen, Johnstone, William, 1925
From School records, some more complete than others. Reports should contain information on the pupil's school work and give details of what they did when they left school. They should also show the name of a parent and the occupation. All sheets are indexed on a spreadsheet at the Common School Museum.Individual school records of the pupils of the Higher Elementary School, Rutherglen.rutherglen higher elementary school, pupils, students, school reports -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Nineteenth Century
Black & White Studio photograph male aged approx early forties head shoulders . Printed on front. Johnstone O'Shannessy & Company Limited, 55 & 57 Collins Street East, Melbourne. Scrolled ornately same information on reverse.Johnstone O'Shannessy & Company limited.photograph, person, male -
Eltham District Historical Society Inc
Photograph, Johnstone O'Shannessy & Co, Possibly Caroline Fairlie Stewart (nee Kidd) shortly after her marriage to Alexander Stewart, c.1885
In this image the woman appears wearing a thick wedding band on her left hand. She has a similar resemblance to Sarah Ann Shillinglaw (nee Kidd) and could possibly be a sister. The only sister that the timeline would fit would be Caroline Fairlie Kidd who married Alexander Kirk Stewart 7 Apr 1885 at Richmond, Victoria. The family then lived at Diamond Creek. Johnstone O'Shannessy & Co Photographers operated from 3 Bourke Street from approximately 1865 through 1885. By 1890 they had relocated to 234 Collins Street.The dress is less tailor made and form fitted which appeared from the mid 1880s suggesting this image is circa 1880-1885. There are two other copies of this image in Album 1 (05663) and three in Album 2 (05664) CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1865-1886, 1885, caroline fairlie stewart (nee kidd), johnstone o'shannessy & co photographers 3 bourke st melbourne, unknown -
Whitehorse Historical Society Inc.
Document, General indenture form, 1932
A general indenture form (D.Harvey) for apprentice William George Johnstone as a fitter in the agricultural and horticultural implement trade.A general indenture form (D.Harvey) for apprentice William George Johnstone as a fitter in the agricultural and horticultural implement trade.A general indenture form (D.Harvey) for apprentice William George Johnstone as a fitter in the agricultural and horticultural implement trade.apprenticeships, daniel harvey, johnstone, william george -
Whitehorse Historical Society Inc.
Document, Daniel Harvey Limited, 1937
A testimonial for William George Johnstone from Daniel harvey Limited to the Superintendent of Police. An example of the Daniel Harvey Letterhead listing types of machinery produced.A testimonial for William George Johnstone from Daniel harvey Limited to the Superintendent of Police. An example of the Daniel Harvey Letterhead listing types of machinery produced.A testimonial for William George Johnstone from Daniel harvey Limited to the Superintendent of Police. An example of the Daniel Harvey Letterhead listing types of machinery produced.agricultural machinery, daniel harvey, johnstone, william george -
Kew Historical Society Inc
Photograph - Miss Louisa Henty, c.1875
Louisa Henty (1847-24) was the eldest daughter of Francis and Mary Ann Henty (nee Lawrence). Following the deaths of her mother and father, she inherited 'Fieldplace' in Studley Park, Kew, and 'Merino Downs' in Henty, near Casterton. The original photo, owned by a descendant of Francis Henty is part of an album of family photographs.Print copy of an original carte de visite; a studio portrait of Miss Louisa Henty, daughter of Francis and Mary Ann Henty (nee Lawrence). Photographed in the Johnstone & O'Shannessy & Co atelier, she is posed in a day dress which has a polonaise and train, dating the photograph to the mid 1870s. Standard props used by the studio include imitation masonry and a curtain.Front: "Johnstone & O'Shannessy & Co"louisa henty, henty family, merino downs, fieldplace -- kew (vic)