Lady Ella Latham was President, Children's hospital Committee of Management, from 1933 to 1954.Silver jug with lid and handle, engraving on side.Presented To Lady Latham, C.B.E By The Senior Medical Staff, Royal Children's Hospital, In Gratitude And Appreciation, 27th May 1954

P W Stynes (Mayor)black and white photograph, good conditionOriginal, mounted photograph.D. Aldous , H.W. Bush, G.W. Minty, W. Quinan,John Fallon, E.C. Mitty, A.C. Walsh, W.E. Dickeson, John A. Mickles, W.A. Phillips, Ernest Allen, M.Frawley, J. Darcy O'hea, P.W. Stynes (Mayor)". John P Latham 320 High st, StKilda. LU6405. Mch 1957

Colour Plates by 'G.A. EMELETON'. OSPREY MEN AT ARMS SERIES.Soft cover book. Soft cover - cardboard, blue and black colour print on front, spine and back. Front cover illustration of three army personnel on white background. 40 pages, paper, cut, plain, white. Illustrated - black and white photographs, maps and colour plates. Title page - two owner's stamps.Title page - owner's stamp, black ink, "MR. W.J. HAMMILL, A.A.I.M./ PO BOX 76, KANGAROO FLAT/ VICTORIA, 3555, AUSTRALIA,"books, history, ww2

Possible Brighton lay people.Matte, sepia, postcard head and shoulders photograph of a man and a woman. The man is looking at the camera and the woman slightly to one side of the camera. He has short white hair and beard and is wearing glasses and a collar and tie. She has her hair tied back and is wearing a white blouse with a broach at the neck underneath a dark coloured dress. She has a long chain around her neck. The couple is Rev. and Mrs. J. Latham. The postcard's width is written on the back in pencil and indication that the photograph was to be used in the Spectator.latham

Identity the families registered with the Church of Jesus Christ of Latter Day Saintssmall sheet of film Alphabetical Index LATHAM - DANIEL Church of Jesus Christ of Latter Day Saintsfamily, register, alphabetical

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white photograph of 'Raheen', in Studley Park Road, Kew."Raheen by Ed. Latham / (Palace of Roman Catholic Archbishop / 18 / 2 views - either one"historic houses -- kew (vic.), edward latham, raheen

The Latham's Snipe is the largest of the Snipe species in Australia. This species do not breed in Australia. They breed in Japan and on the east Asian mainland and migrate to south East of Australia, Tasmania and New Guinea. They are commonly found in small groups in freshwater wetlands or along the coast in areas with dense cover. These birds use their colouring to help them camouflage with the terrain which makes them very difficult to see. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Latham's Snipe has a distinctive long and straight bill with brown and cream coloured plumage. The colouring of this bird enables it to camouflage well with the terrain. The wings and tail are short. This specimen has been stylised on a wooden platform and has a paper identification tag tied to its left leg. it also has small brown glass beads for eyes. The eyes are set back on the head which is a rounded shape.26c. / Indian Snipe - / Catalogue. page, 36. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, latham's snipe, snipe, japanese snipe, migrating bird, tasmania, new guinea

Hand tinted photo print. One of two of 4 portraits of grandparents of Baillieu - Latham descendants: water colour portraits in plain wooden frame. Signed Foster and Martin. See bk288 - The Colony and its People in 1888, p.518.

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white photograph of Raheen in Studley Park Road, Kew."Raheen / ca. 1870 by Ed. Latham / Palace of Roman (Catholic Archbishop) / 2 views either one / 22"raheen -- studley park road -- kew (vic), edward latham, archbishop mannix

The first section of Raheen was commenced in 1870 with an extension added in 1884. It was designed by William Salway and built for Edward Latham of the Carlton Brewery. Original colour positive photograph (Kodak print) of the garden on the west side of 'Raheen' in Studley Park Road, KewInk on reverse: "Raheen 1979 / Donated by M Rolley"raheen, 96 studley park road -- kew (vic.), historic gardens -- kew (vic.)

Notes written in red pen: Ref: B. M. L Hustlers Reef No 1 Page 269. Ironbark Co. 200'. 1857 -'64. (Latham & Watson's Trib. Working Party - see Eclipse Co 28 - 2 - 1865. 200' 1857 - 1859.mining, parish map, hustler's reef, hustlers reef, hustlers reef no 1, ironbark co., latham & watson's trib., eclipse co.

Black and white photo mounted on cardboard of B.U.C.C. V. Grace's Team , 1874 - Latham , J.McWhirter , Glen Coffin , Hartley , Dalby , Daly , Brennan , Gibbs , Wyndham , Kinlock (ump. ) , Passfield , Aitken (scorer ) Butler , McColl , Neill , Beswick , Bayliss , Aspinall , Boyle W.Bruceclubs, cricket, bendigo united cricket club, bendigo united cricket club records collection 1872 onwards / of b.u.c.c. v. grace's team , 1874 - latham , j.mcwhirter , glen coffin , hartley , dalby , daly , brennan , gibbs , wyndham , kinlock (ump. ) , passfield , aitken (scorer ) butler , mccoll , neill , beswick , bayliss , aspinall , boyle w.bruce

Other number 03652.1Colour photograph of A Grade cricket team Premiers K Watson, C Hatfield, W Cunningham, M Post, P Latham, D McKean, J Matthews, B Allen, L Moss, L Davidson, J Allen, J Armstrong Lakes Entrance Victoriaclubs, sports

Plan of the Great Extended Hustler's Mine. Bulletin No 33, Plate No XI. Shows No 2 Shaft, Latham & Watson's Shaft, levels and their depths and some geographical features. Geographical Survey of Victoria emblem and signed by H A Whitelaw, Underground Survey Office, Bendigo, September 1913. Has reference to photos.mining, parish map, great extended hustler's mine, no 2 shaft, latham & watson's shaft, geological survey of victoria, underground survey office bendigo, h a whitelaw

The article was published after a visit by the Victorian Historical Society to St Helena.Information about the Beale family and their connection to St Helena2 x A4 pages downloaded from Victorian Historical Magazine (1952) Vol 24, Issue 96, pages 140-141. Victorian Historical Magazine (1952) Vol 24, Issue 96, pages 140-141. This is the transcript of a paper read by Mr A T Latham. The title is St.Helena and the subject is Anthony Beale and his connection with Greensborough. st katherines church, st helena, anthony beale

Circular medallion with flange at top with hole (for attachment).Front: (Centre) If I'm / lost ring / FB3626 / 59027 / is my / registered / no. (edge) Latham House, 234 Swanston St, Melb. Back: (Centre) Crossed Tails / J / Help my / Pals (edge) The Tail-Waggers Club.tailwaggers, registered no 59027

The first section of Raheen was commenced in 1870 with an extension added in 1884. It was designed by William Salway and built for Edward Latham of the Carlton Brewery. Sir Henry Wrixon, prominent Melbourne barrister and solicitor, later owned and resided at the property. In 1917 Raheen was purchased by the Catholic Church and became the official residence of Archbishop Mannix, as well as four other Catholic archbishops of Melbourne. In 1981 the Church sold the property and it again reverted to a private residence. (Source: VHD)Photographic positive showing the gates to the mansion 'Raheen' in Studley Park Road. Notable are the three Himalayan Cedars inside and outside the high brick fence.Verso: "Gates to Raheen 1981"raheen -- studley park road -- kew (vic.), mansions -- studley park -- kew (vic.), historic houses -- studley park -- kew (vic.), raheen

Two copies of two pages of hand written notes (one in blue pen and one in black pen) on the Hustlers Anticline. They are numbered Page 266 (Great Extended Hustlers) and Page 267 (Latham and Watsons). Notes give name of company, depth of shaft, the years, Calls, Divs, Tons, Ozs of Gold, Authority and Remarks. Black copy has: Copied 25-10-68 written on it.mine, gold, great extended hustlers., great extended hustlers mine, hustlers anticline, hustlers hill co., tuff & joseph, rigby peterson & co, james kershaw & co, garibaldi co, messrs finnigan & co, scott & smith, stewart & co, ulster coy main no 1& no 2, south hustlers great extd co, londonderry co, great extended hustlers, great extended hustlers trib no 1, g. b. both co, great extended hustlers maria trib, j b hustlers trib co, bendigo amal goldfields, jonathan harris claim (hustlers or mac's hill), latham watson & hustlers, latham watson & sibley (sibley & co), latham & watson, latham & watson's nos 1 & 2 tribs, great hustlers co, great extended hustlers reef g m no 1, koh-i-noon co

"The first section of Raheen was commenced in 1870 with an extension added in 1884. It was designed by William Salway and built for Edward Latham of the Carlton Brewery. Sir Henry Wrixon, prominent Melbourne barrister and solicitor, later owned and resided at the property. In 1917 Raheen was purchased by the Catholic Church and became the official residence of Archbishop Mannix, as well as four other Catholic archbishops of Melbourne. In 1981 the Church sold the property and it again reverted to a private residence." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original, monochrome print copy of a photograph of Raheen in Studley Park Road (Kew). The unrendered red brick house with tower has a toe story section at right with a double colonnade and a single story section at left. The photographs predates the restoration of the gardens and house by te. Pratt family. Annotation verso: "Raheen. R. C. Archbishops Palace, Studley Park Road, Kew".reheen, mansions -- kew (vic.), studley park road

Book with blue cover, the title printed in red and the other printing in dark blue. Title is Purple and Gold, Collected Poems and Lyrics by Frank S. Williamson With an Introduction by Rt. Hon. Sir John G. Latham, G.C.M.G. Written in the front of the book is: With best wishes to Golden Square School on the occasion of the Official opening of its New Library 19.11.71. R. L. Harrowfield, H.T. 1941 - 59. Book contains a variety of poetry.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - purple and gold collected poems and lyrics, frank s williamson, rt hon sir john g latham, education gazette, r l harrowfield

BHS CollectionBlack and white photograph of mining landscape with poppet head, chimney and mining sheds (plus timber in stack) in foreground. Other mines in bare landscape on LHS background and housing on RHS background. Inscriptions: on front - 'The Hustler's Line of Reef from Redan Hill Hustler's Tribute Coy', 'Gt. Extended Hustler;s Claim', 'The Old Hustler's Claim, Gt. Hustlers (Late Latham & Watson's). On back - 'A Richardson, 29 Harrison Street, Bendigo'.mine, gold, hustlers reef mine, bendigo, mines and mining, mine, mines, mining, landscape, mining landscape, redan hill, poppet head, old hustlers, mining cottages

Book. ALEC H CHISHOLM COLLECTION. 55 page blue hardcover collection of poems and lyrics by Frank S. Williamson, teacher at Newington College (NSW) and Wesley College (Vic). Introduction by Sir John Latham (Melbourne, 1940). B&W photo of author on flyleaf. Died 1936. 2nd edition published in 1940 by Lothian Publishing Co. Melbourne and Sydney and printed by the Hassell Press, Adelaide. 1st edition published in 1912. Catalogue sticker ''2259 WIL''.Frank S Williamsonbooks, collections, poetry, alec h chisholm collection, frank s williamson, poetry

Painting depicts a significant action carried out by the 2/6th Battalion, an anticedent unit of 5/6 RVRLarge framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet.A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephoneww2, 5/6rvr, 2/6th australian infantry battalion, bardia, ivor hele

Ivor Hele was the Australian official war artist of World War II. This painting depicts the members of 17 platoon 2nd/6th Battalions in their first action of the war. their mission was to "attack and capture Post 11" in order to provide a faint or diversionary attack for the brigades main penetration. The attack was pressed home with the characteristic vigour of Australian soldiers Prior to the attack the commanding officer demanded that " No matter what happens to us, when we go forward we shall give the enemy such a thrashing that they will never willingly stand up to an assault by Australian Infantry again." The Battalion succeeded in its mission and went on to play a vital role in many of the most arduous battles of the war. This painting depicts the actions of one of the predecessor units to 5/6 RVR. Large framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet. A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephone bardia, 2/6th australian infantry battalion, ww2, ivor hele, wark vc club