The smaller copy of the photograph in Box 22 was donated in 2014 by Peter Stapleton. A laminated, larger copy of this photograph is also in Box 22 (also has registration number 2015-07). A third copy of the photo is in the 'Linton State School - Photos' file. It is understood the laminated copy was donated by Graeme McGregor, one of the boys pictured, whose father worked in Linton for the railways. Some pupils in the laminated photo have been identified - names are on a typed slip of paper which is attached to the back of the copy. All the pupils are identified on a handwritten A4 sheet of paper which is with the copy of the photo in the 'Linton State School - Photos' file.Black and white copy of a photograph of Linton State School boys taken in 1940."Linton School 880 1940/Supplied by Peter Stapleton 2014".linton state school no. 880, "boshie" (norris?) stratton, vic mcgrath, bob hayward, geoff morrissey(?), duncan mcgregor, trevor shepherd, wally kerr, max howard(?), dean hart, steve mcgrath, david bishop, allan mccorkell, ron mccorkell, george haddon, gordon mark, bob brody, lyle grigg, geoff morrissey (?), roland emmerson, jack culliver, jim culliver, basil mcdonald, graham smith, laurie lancaster, laurie stevens, noel cluff, lyle fletcher, mervyn mcdonald, carl hoffman, des harris, les witton, ian morrissey, graham ching, raymond mark, jim(?) haddon, graeme mcgregor, colin hearn, vernon broes, graham stevens, stan lancaster, lindsay whitton, stan howard(?), colin nicol, selwyn hoffman, les mark.

Found at 'Mulvra', a property near Linton belonging to Digory Pendray Roberts. It is believed that the candle-holder was forged in the blacksmith's workshop at the property. Found in the late 1940s and donated to Linton & District Historical Society by Lyle Fletcher, a descendant of Digory Roberts.Iron candle holder, round section to hold candle, with horizontal spike attached, to enable candle holder to be pushed into rocks or clay of mine wall.mining, candle holders

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion