Donor purchased the slip from George on Collins St., It could have been made in Georges work room or in Madeira.Half slip in cream silk, with Madeira work round the hem with a design of sprays of flowers, applique part is in silk satin.embroidery, garments, 1920-40, madeira

Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902VictorianLedger Gift, 1988Watercolour depicting a walled city at the foothills of the Madeira mountains. Gold brushed timber frame with off white window mountRecto: Signed "N.Chevalier." in grey watercolour in l.r.c of composition; Not dated; Not titledwatercolour, streetscape, buildings, animals, mountains, roads, river, structures, castle

Pale peach mat with white border with Madeira work and embroidery in a pattern of scrolls and flowersembroidery, madeira, marghab, mats

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.6 pieces Marghab/Madeira embroidery. a) Yellow and white organdy mat with convolvulus in 2 corners b) Pink organdy mat with flowers in opposite corners c) Pink linen mat with spray at one end. d) White organdy mat with red and white spray e) Blue and white cotton mat with applique flowers in border f) Yellow and white scone holder with shadow embroideryembroidery, madeira, marghab, mats, madeira embroidery

Purchased in Melbourne (probably from Georges) in 1962.Pale pink dacron dress with a fine self stripe. It has a white Peter Pan collar and is decorated with coloured embroidery and applique. The sleeves are interesting as they allow for growth of the child.OREM 100% dacron. Baby wear, Handmade in Madeira - Portugal Size 16embroidery, garments - childs, 1960-80, madeira, madeira work

From a collection from the former larnook Teachers' College. They were collected in the 1960's and used as teaching aids. They were passed on t Rusden (finally at Burwood Campus).Pale green organza with a delicate floral pattern in Madeira style applique.embroidery, mats, madeira, madeira work

Large Oval white linen with a small border in floral design worked in satin stitch and eyelet holes. At each end is a single rose embroidered in padded satin stitch and drawn thread work. The mat has a scalloped buttonhole edge.embroidery, mats, 1910-1920, madeira work, whitework

June Edwards, member EGVMachine embroidered box, covered in stamped metal sheet. Stitched with silver thread. Two machine embroidered flowers on the lid. Edge stitched by machine in Madeira metallic thread, then stitched together. Lined with red felt.boxes, metal work

Square white mat, embroidered in pin stitch, 3 decorative corners. Left lower corner has Elizabeth in pin Stitch. Wide edgesElizabethembroidery, madeira, mats

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980.The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdie called Margandie, made in Switzerland, and harder wearing than usual organdie. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches.Pale grey linen hand towel with white embroidery, cutwork and applique. The design is of a tree with blossoms.madeira work, surface stitchery, hand towel

A credence is small table placed within the sanctuary of a church and near the wall at the Epistle side, for the purpose of holding the utensils required for the celebration of the Eucharist. From the 1917 list of gifts, the credence was donated by Captain and Mrs C.D. Goldsmith, brother of Reverend Gurney Goldsmith. Cecile De la Mare Goldsmith was born in 1861 in West Brompton and was in The Royal Naval Reserve (RNR) during WWI. He died on 21 January 1917 Commander RNR & late Master in the P.O. Service died at Madeira while acting as his Majesty's Vice Consul. He's buried in Funchal (Portugal).Small credencegifts-1917, cecil de la mare goldsmith (1862-1917), c.d. goldsmith, rnr, royal naval reserve

A concave, wooden racquet, with white cloth-taped shoulders,brown string whipping, green cloth collar, and a medium-depth grooved handle. Decal across throat on obverse: LA BELLE. Inscription stamped along right side of handle: SLAZENGERS LTD/MADE IN ENGLAND. Inscription along left side: LAURENCE POUNTNEY HILL/LONDON. E.C.4. Butt cover contains maintenance instructions. Inscription across throat on reverse: MAISON BLANCHE/MADEIRA. Materials: Wood, Gut, String, Cloth tape, Metal, Glue, Lacquer, Leathertennis

In February 1951, the Oranje made her first around the world cruise: from Amsterdam via the Panama Canal to Australia and New Zealand and back via Singapore and the Suez Canal to Amsterdam. Between 8 and 18 June 1951, she voyaged to Lisbon and Madeira with 650 passengers. On 4 September 1964, both she and the MS Willem Ruys were sold to an Italian company, Flotta Lauro Lines. Oranje was then sent to Genoa for an extensive refit at the Cantieri Navali del Tirreno shipyards. On 6 March 1966 the Angelina Lauro departed on her maiden voyage from Bremerhaven to Fremantle, Melbourne and Sydney. In 1941 the Netherlands Government offered to the Governments of Australia and New Zealand the MV Oranje, a ship of 22,000 tons, for use as a hospital ship to convey Australian and New Zealand sick and wounded from the Middle East. This offer was gladly accepted by the two governments.A framed oil painting of the migrant ship 'Oranje'Oranjemv oranje, mv angelina lauro, migrant ships

This bottle is sometimes referred to as a black glass 'Gallon' bottle. It is used for storing and transporting liquor such as port or madeira. Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020. The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in Flagstaff Hill Maritime Museum collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases and other medical issues before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. Bottle, glass, solid dark purple (black), round, matt surface. Glass ring below mouth, neck is slightly bulbous, body tapers slightly inward from shoulder to base. Base is concave with pontil mark. Bottle has no inscription. Generally used for storing port.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade bottle, handmade english beer bottle, pontil bottle, black glass, gallon, purple bottle, ale bottle, porter bottle