Ill, p.164.non-fictionCreated by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. world war 1914-1918 - personal recollections, world war 1914-1918 - campaigns - gallipoli

Photographic portrait of three seated men.fullarton, men

Wilma Hall (later Hobbs) wore this blazer while studying at the Ballarat Teachers' College in 1954-55. The college was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry off the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue unlined, woollen Ballarat Teachers' College blazer with embroidered pocket. The jacket had three buttons at the front although two are missing. The edges are all bound with tape including the pocket and the sleeve binding is 12cm from the cuff edge. The seam edges are either turned back and stitched or cut with pinking shears. There is a small panel on either side of the inside between the side seam and the facing which reinforces the pockets.Embroidered emblem of the Ballarat Teachers College and woven makers patch - The Myer Store for Menballarat teachers' college, blazer, wilma hall, wilma hobbs, textiles, costume, embroidery, uniform

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A round pressed metal button in red, white and blue. The pale border is designed to look like a belt. The button was initially sold on the 24 March 1916, the day set aside as ‘Button Day For Our Fighting Men’ to raise funds for the servicemen fighting overseas."For Our Fighting Men"patriotic buttons, first world war (1914-18), badges

Print of photograph with inscription 'Camberwell Victoria, Garbage men loading rubbish into a Camberwell City Council truck c. 1950' Camberwell Victoria, Garbage men loading rubbish into a Camberwell City Council truck c. 1950camberwell

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens jumpers and cardigans.Patons / BOOK / 848 / MEN ONLY: IN PATONS SKOL / 35cknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

Promotional poster, "Men Knitting - the first Australian Exhibition"Promotional poster, "Men Knitting - the first Australian Exhibition".knitting wool marketing, australian wool corporation, knitting, wool marketing

John Wilson with three unidentified men, drinking tea.B/W negative of John Wilson with three other menassociation for the blind, john wilson

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by the publishers of the magazine "The New Idea" and contains knitting patterns for mens and boys garments.Knitting Book for / MEN & BOYS / 6D. / THE NEW IDEA N.S.11.handicrafts - history knitting, the new idea, handicrafts - history, knitting

Black and white photograph of men in a group, some seated others standing and a dog with the man in the light jumper.Black and white photograph of eight men and one dog.toogood charles, pearce duncan spencer, crowther ted, harris fred, zerbe fred, pearce edward, and two unknown.

Water Supply Tunnel. Four men working at Tunnel entrance. Grampians Range near Pomonal. Two men are working on the side of the embankment and the other 2 are working just outside the tunnel entrance. Four men working at the water supply tunnel entrance in Grampians Range near Pomonal.stawell grampians

"The ANZAC Book" Written and illustrated in Gallipoli by the men of ANZAC" Hard cover book. Cover - cardboard, grey/blue buckram, Navy blue coloured print on front. Gold coloured print on spine. Illustrated front cover - in colour. Soldier in front of flag. 169 pages - cut, plain, discoloured off white. Illustrated - colour drawings (on plates), black and white photographs and line drawings.book, military history, anzac, ww1

The ANZAC Book, written & illustrated in Gallipoli by the men of ANZAC. Soft, lightweight cardboard cover, navy blue print on front, grey / blue background colour. Illustrated in colour of a soldier in front of a flag. 164 cut, plain, white, pages. Illustrated colour drawings on plates, black / white photos & line drawings.book, anzac

Group of men in Camp 10 at Loveday South Australia during WW2.Black and white photograph of a group of men, some standing and others sitting, in front of huts.loveday internment camp, camp 10 internment camp, loveday internees

Three men inspecting Quartz reef in Amalgamated Scotchmans Underground Mine 1895. Showing the face of the 1.100ft level. Illustrated the Magdala Lode appearance.Three men underground inspecting mine face. Obviously not miners.stawell mining

Unknown mine with group of well dressed men in foreground and poppet head in background.c1890's. Some miners amongst group on right of photo.Group of well dressed men and a child in foreground and mine poppet head woodwork in background.stawell

Written and pictorial items prepared by the men of Gallipoli while on Gallipoli. A poem, "When it's all over" was written by Harry McCann of the 4th Aust Light Horse RegiementGreen hard covered book with the title handwritten on a grey panelHand written name and address of owner - A.R Smith. (A member of 3 Aust Light Horse). For the benefit of Patriotic Funds connected with the A.&N.Z.A.C.gallipoli, world war 1, anzac book, gallipoli, world war 1, anzac book

This is a photograph of early members of the Ithacan Philanthropic Society. Back from L-R: Andreas Zavitsanos, Nikiforos Lekatsas Front from L-R: Dimitri Paxinos, Panagiotis Lekatsas. A.J. Lucas, Panayiotis Lokaris The Society was formed in October 1916 to support and assist Ithacan Greeks, at the time mainly men, who settled in Melbourne in the early years of the twentieth century. The Ithacan Philanthropic Society was a home away from home for the early Ithacan migrants who in the early years were predominantly men. As many worked in the city area in cafes, the market or as fruit vendors they would regularly go to the club rooms at lunch times and after work where they would catch up with fellow Ithacans and learn news from back home. A black and white photograph of six men photographed in front of a brick wall. Two of the men are standing behind the other four who are seated on a wooden bench.Stamped on the back: PROPERTY OF / STATHI RAFTOPOULOS / POET

Shows a group picture of the men involved in building the Waranga Basin.Black and white photograph of a group of men working on the sides of the Waranga Basin. Contained in brown wood frame with white mount and under glass.waranga basin

An early Barratt photo of the Cockatoo Creek, looking towards the McBride St bridge. The four men depicted in the image, look relaxed and are taking in the serenity of the creek below.Dear Florrie, just a card to let you know I haven't quite ? altogether am up here among the ferns and ? It is a lovely place for a quiet holiday the fern gullys are just lovely you can see the Ranges in the distance as blue as the sea. This view is the bridge over Cockatoo creek near the R. Station. As space is short I will close Best Love from ?Original Barratt Photo, of four men standing on the McBride St bridge over the Cockatoo CreekRear of the postcard includes handwritten correspondence in ink, to someone called Florriea. t barratt, postcard, cockatoo creek, cockatoo, views of cockatoo,

Shows the men working on the constrution of the Waranga Basin.Black and white photograph of a large group of men who worked on the construction of the Waranga Basin. Contained in brown wood frame with white mounting frame and under glass.waranga basin

Swish is a fast paced game played on a table tennis table with an upright board instead of a net. Players hold a miniature cricket bat and use an audible ball that must go under the middle board and off the table to win a point. Players must use only their bat to keep the ball on the table, and not their body, and keep the ball moving along the surface of the table. In this image, two men hold bats and attempt to return the ball back to their opponents. 1 black and white photograph of men playing swishswish, recreation, royal victorian institute for the blind

Group of men on camp some seated on boxes some standing. Stawell Brewery Keg in center of the group and row of bottles in foreground.Black and white photograph of scene in the bush - A group of 8 men, some seated on boxes some standing with a keg and beside two tents. Stawell Brewery inscribed on barrel.stawell

Wooden framed World War 1 memorial - Two Men Went Forth From This Home - Charles H. Willis 1915 & Norman G. Willis 1915. To fight for the preservation of Australia's nationhood. Titled - 1914 The World War . 1918. Photo inserts of Charles H. Willis 1915 & Norman G. Willis 1915. Grey colored title band. Green wreath encircling with a stylized Australian Soldier with rifle and bayonet.Memorial for Charles H. Willis 1915 & Norman G. Willis 1915. Two men went forth from this home.

In the intersection of corridors at a nursing home, three men navigate their way along. The first man has only his lower half and back showing but appears to be guiding his companions. The middle man, dressed in a jumper, shirt, pants and polished shoes walks to his outer left, possibly holding the elbow of the man in front of him. The last man, wearing a jacket, shirt, tie, pants and a pair of snazzy plaid slippers, lightly holds the edge of jumper of the man in front of him, who has turned the corner.1 B/W photograph of three men in a corridor at a nursing home26 2917 C1association for the blind, elanora home (brighton)

Dark maroon buckram cover with small gold embossed Rising Sun. Red background, black & white print, gold image of Rising Sun in centre of dust cover. Illustrated with black & white photos, 234 pages.Donated by Bgo 'Y' Men's Clubbooks, aif, military history

Copy of sepia photograph of group of 20 men including George Neilson (Curator/Director 1891-7) and Joseph Harris, seated on benches and standing in the countryside in front of a large white tent, on an excursion? In, "Prize Essays," Alfred E. Bennett, c.1894, after p 116.men, george neilson, curator, director, joseph harris, excursion, prize essays, alfred e. bennett

Steam Engine with 12 men and 3 young children standing along side the train engine. based on the surrounds, its presumed the photo was taken at Heatherlie Quarry. No names are known of people.Black & white copy of photo of Steam engine with 12 men and 3 young boys standing alongside the engine presumed the photo was taken at Heatherlie quarry. railways

This image is one of several family or group portraits taken by the photographers Stevenson and McNicoll in Bacchus Marsh and nearby districts in 1883. The identity of this group and the location where the image was taken has not been identified. The presence of the guns in the picture suggests it might have been a group of men who gathered together as part of a shooting or hunting group. They may also have been members of Bacchus Marsh Rifle Club which was already in existence when this photograph was taken in 1883.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a group of eight men in front of a house. Five of the men are holding rifles. Six of the men are standing. Two are squatting. They are in front of a single storey timber house. The house has a shingled roof and two chimneys and a front verandah. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shooting, firearms

Group of young men Wearing corsages in Lapels. Alex Neil? Seated wearing Boater hat. c1910B/W/ Photo on Card both Torn. Posing outside Building Front of Grandstand 1 Central Park - Stairs and Seat 2 Men wearing Boaters, 3 Wearing Hats & 1 BareheadedReverse Matson & Co Photographers