Showing 72 items
matching mining landscape
-
Bendigo Historical Society Inc.
Photograph - MINING LANDSCAPE BENDIGO - CALIFORNIA GULLY AREA
... MINING LANDSCAPE BENDIGO - CALIFORNIA GULLY AREA...Sepia image: mounted on board, shows mining landscape... BENDIGO Mining landscape view Sandhurst Bendigo Duches Tribute ...Sepia image: mounted on board, shows mining landscape with numerous poppet heads and mining chimneys visible. In forefront of image: Shed with 'Duchess Tribute' written on front, small cottage alongside, poppet head on LH side and another immediately behind, various sheds. Written on bottom of photo in blue pen: Golden Square. (is not Golden Square view but California Gully on New Chum Line of reef )bendigo, mining, landscape view, sandhurst, bendigo, duches tribute, poppet heads, chimneys -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: MINING LANDSCAPE BENDIGO
... WES HARRY COLLECTION: MINING LANDSCAPE BENDIGO...mining landscape... PLACE Bendigo mining landscape Batchelder Black and white photo ...Black and white photo copy : image shows line of whims descending towards open shed like building in front of mining dam. On RH side brick chimney. Potentially, the same area as shown in image 2402.237 (see mine sheds, brick chimney and whims).Batchelderplace, bendigo, mining landscape -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: MINING LANDSCAPE BENDIGO
... WES HARRY COLLECTION: MINING LANDSCAPE BENDIGO...mining landscape... PLACE Bendigo mining landscape Bendigo Sandhurst goldmining gold ...Black and white photo copy: image shows heavily mined landscape, buildings (stone ? ) on RH side, brick chimney behind, line of whims heading to hill top along reef line.Batchelderplace, bendigo, mining landscape, bendigo, sandhurst, goldmining, gold -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: MINING LANDSCAPE - NEW CHUM GULLY, BENDIGO, 1860-70's
... BASIL MILLER COLLECTION: MINING LANDSCAPE - NEW CHUM GULLY... of landscape showing many poppet heads, mining activity in New Chum ...Black and white copy of landscape showing many poppet heads, mining activity in New Chum Gully, Bendigo. Fortuna Villa visible on ridge line, rear of photo. Horse and covered cart in foreground.unknownperson, individual, basil miller -
Bendigo Historical Society Inc.
Photograph - MINING LANDSCAPE, 1861
... MINING LANDSCAPE... PLACE Landscape view mining batchelder black and white ...black and white photograph of mining area. Tents and slab buildings in background. Man with horse at puddling machine, water pipe in right and centre. Man with horse waiting at left.batchelderplace, landscape view, mining -
Bendigo Historical Society Inc.
Photograph - MINING LANDSCAPE, 1861
... MINING LANDSCAPE... PLACE Landscape view mining batchelder black and white ...black and white photograph: view of mining area. From left to right, portion of cart, hut, houses and huts, whims, small houses, houses on skyline. Tall brick chimney at right with wood and corrugated iron roof buildings. 2 carts at front right. 2 males front right. Small houses at background right. Location unknown.batchelderplace, landscape view, mining -
Bendigo Historical Society Inc.
Photograph - MINING LANDSCAPE, 1961
... MINING LANDSCAPE... PLACE Landscape view mining site Batchelder, Sandhurst black ...black and white photo: unknown mining site. Left to right, shed with multiple boilers, horse whims with horse ( background ) Chilean mill ( foreground ) Chimney. In foreground, dam with 'filter' Substantial house ( stone ? ) on hill in distance.Batchelder, Sandhurstplace, landscape view, mining site -
Bendigo Historical Society Inc.
Photograph - MINING LANDSCAPE, 1861
... MINING LANDSCAPE... PLACE Landscape view mining batchelder black and white photo ...black and white photo: alluvial diggings in foreground, wheelbarrow, centre field stone building with galvanised iron roof with chimney at rear. 2 stascks of 6 foot timber for boiler. Headframe in front. Man standing under shelter near head frame. Midground, left tank of vertical plants. Hill with 5 whims to rear. A. frame and timber structure at centre left, mullock dumps.batchelderplace, landscape view, mining -
Bendigo Historical Society Inc.
Photograph - HUSTLER'S LINE OF REEF
... mining landscape...Black and white photograph of mining landscape with poppet... mining landscape mining landscape Redan Hill poppet head Old ...Black and white photograph of mining landscape with poppet head, chimney and mining sheds (plus timber in stack) in foreground. Other mines in bare landscape on LHS background and housing on RHS background. Inscriptions: on front - 'The Hustler's Line of Reef from Redan Hill Hustler's Tribute Coy', 'Gt. Extended Hustler;s Claim', 'The Old Hustler's Claim, Gt. Hustlers (Late Latham & Watson's). On back - 'A Richardson, 29 Harrison Street, Bendigo'.mine, gold, hustlers reef mine, bendigo, mines and mining, mine, mines, mining, landscape, mining landscape, redan hill, poppet head, old hustlers, mining cottages -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: LANDSCAPE VIEW OF MINING
... WES HARRY COLLECTION: LANDSCAPE VIEW OF MINING...mining landscape...Black and white photo copy: image shows mining landscape... PLACE Bendigo mining landscape Bendigo Sandhurst goldmining gold ...Black and white photo copy: image shows mining landscape, large chimney in front right hand side, slab timber buildings on individual shaft sites, mining cottages, very sparse landscape. Whims in centre. Horse and carts . Two men tipping an ore bin on right hand side near chimney. Landscape could be looking to either New Chum Hill or Hustler's Hill, Bendigo.Batchelderplace, bendigo, mining landscape, bendigo, sandhurst, goldmining, gold, new chum hill, hustlers hill -
Bendigo Historical Society Inc.
Photograph - VIEW OF MINING AREA - VICTORIA HILL
... mining landscape... landscape mining landscape mullock heaps Robert Wallace Black ...Black and white photograph. View overlooking north from Victoria Hill, mullock heaps, houses - some mid to late 20th century and some miner's cottages, formed road, children's playground centre foreground. Inscriptions: on back - purple rubber stamp 'Robert Wallace Studios, 6 Ruth Street, Golden Square, Phone Bgo 37565.Robert Wallaceplace, mining site, victoria hill, bendigo, mines and mining, landscape, mining landscape, mullock heaps -
Bendigo Historical Society Inc.
Photograph - MINE WORKINGS, ROCK OUTCROP
... mining landscape... Gold mining landscape Bendigo mines and mining mines mine ...Black and white photo: large rock outcrop and mine working on treed hill in foreground. House in middle ground and poppet head on hilltop horizon. Victoria Hill area ? On back Wallace Studios/6 Ruth St.,/ Golden Square/ Phone Go 37565Robert Wallace Studios, Golden Squaremine, gold, mining landscape, bendigo, mines and mining, mines, mine, mining, landscape, victoria hill -
Bendigo Historical Society Inc.
Photograph - KOCK'S PIONEER QUARTZ CRUSHING PLANT
... mining landscape... landscape mining landscape quartz perserverance united windmill ...Black and white photograph. View of large mining plant and associated chimneys. Open (waste) area in foreground. Low hill in background. Inscriptions: on front 'Kock's Pioneer Quartz Crushing Plant, Long Gully', Perserverance United Windmill Hill in background'. On back - 'A Richardson, 29 Harrison St, Bendigo'.mining, crushing & milling, kock's pioneer quartz crushing plant, bendigo, mines and mining, mines, mine, mining, crushing plant, landscape, mining landscape, quartz, perserverance united windmill -
Bendigo Historical Society Inc.
Photograph - HERCULES MINE A152
... mining landscape... mines mine landscape mining landscape poppet head horse and dray ...Black and white photograph. Poppet head, squared wooden legs & timpering, 2 vertical iron storage bins. 2 stage landings + access steps, Horse + Dray near storage bins compressed on tanks in foreground. Bailing tank near sky shaft suburban houses in distance winder house at the left front. Hercules Mine.mining, surface equipment, hercules mine, bendigo, mines and mining, mines, mine, landscape, mining landscape, poppet head, horse and dray -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the township of Golden Square, c. 1876
... mining landscape photography - victoria Anglo-Australasian ...Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Golden Square’ : Views of Victoria (General Series) No.57 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This Township is situated in the Bendigo district, on the road to Castlemaine, and although it is of little importance as a business town, is nevertheless of large importance in consequence of the great number of Quartz Reefs it contains. Almost every house is undermined, and large fortunes have been made by the proprietors. The Church in the distance is that of the Wesleyan body. It was in this township that gold was first discovered in the district of Bendigo.’nicholas caire (1837-1918), golden square (vic), bendigo (vic), gold mining, landscape photography - victoria -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: VIEW OF FORTUNA
... mining landscape... mines mining poppet head Old Chum mine landscape mining ...Black and white photograph of Fortuna with lake in foreground. Poppet head and chimneys in background. Inscriptions: on front - 'W Ninnis' Photo Bendigo. Inscription on back: 'Old Chum Mine - New Chum Hill. Taken from rear, Lansell's Fortuna lake.' A. Richardson, 29 Harrison St., Bendigo.buildings, residential, fortuna villa, bendigo, mines and mining, mine, mines, mining, poppet head, old chum mine, landscape, mining landscape -
Bendigo Historical Society Inc.
Photograph - MINE WINDER HOUSE
... mining landscape... mine mining poppet head transport dray mining landscape ...Black and white photograph. Mine winder house, poppet head, ore bins, overhead ?, chimney and shed. Residences adjacent to mine and streets. Other poppet heads near horizon.mining, surface equipment, surface site, bendigo, mines and mining, mine, mining, poppet head, transport, dray, mining landscape, landscape -
Bendigo Historical Society Inc.
Photograph - DEBORAH REEF GOLD MINE, 20/03/1937
... Bendigo mines mining landscape Black and white photograph. Poppet ...Black and white photograph. Poppet head, buildings of Deborah Reef Gold Mine. Inscriptions: on back - hand-written in ink 'Deborah Reef Gold Mines p/l', '20.3.37'. Written on back 'Royal Historical Society, Bendigo Branch'.mine, gold, central deborah gold mine, mines and mining, poppet head, bendigo, mines, mining, landscape -
Bendigo Historical Society Inc.
Photograph - VIEWS OF VICTORIA NO 13
... Companies. Mining landscape... Companies. Mining landscape Photograph VIEWS OF VICTORIA NO 13 ...Views of Victoria No 13. View of Victoria Hill Bendigo taken from Old Chum Hill. North Old Chum, New Chum and Victoria Companies. Mining landscape -
Bendigo Historical Society Inc.
Photograph - MINE SITE
... of the Bendigo mining landscape with the valley in the background... of the Bendigo mining landscape with the valley in the background ...Black and white photograph of the Hustler's Mine as a part of the Bendigo mining landscape with the valley in the background. On the left hand side is the poppet head, chimney and mining sheds and in the foreground is the bare stony earth.bendigo, mining, hustler's royal reserve mine, bendigo, mines and mining, mines, mining, gold mining, gold, gold mines, place, bendigo mines -
Bendigo Historical Society Inc.
Photograph - MINE SITE
... mines mine mining poppet head landscape mining town Black ...Black and white photograph : view of mine workings in foreground - two poppet heads, building and chimney. Town ( housing ) in background. Chimney at bottom right with pointed top.mining, surface equipment, surface site, bendigo, mines and mining, mines, mine, mining, poppet head, landscape, mining town -
The Beechworth Burke Museum
Photograph, 1960
... landscape Mining Rocky Mountain Mining Company ...Taken in 1960, depicted is an aerial view of Lake Sambell and the surrounding township. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents what Lake Sambell looked like in 1960.Black and white reproduced rectangular photograph print on paper.lake sambell, #beechworth, beechworth 1960s, lake, victoria, australian landscape, mining, rocky mountain mining company -
Bendigo Historical Society Inc.
Photograph - CENTRAL NELL GWYNNE GOLD MINE
... mining poppet head landscape Black and white photograph. Poppet ...Black and white photograph. Poppet legs. Corrugated iron buildings and associated mine equipment. Dam in foreground. Three houses at R. Inscriptions: on back - rubber stamp 'Central Nell Gwynne Gold Mining Company. No liability:mine, gold, central nell gwynne mine, bendigo, mines and mining, mines, mining, poppet head, landscape -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
... the mining landscapes, including those he painted near Hill End... the mining landscapes, including those he painted near Hill End ...David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
The Beechworth Burke Museum
Photograph, 1920
Taken in 1920, depicted are four people in a rowing boat on Lake Sambell, Beechworth. From left to right, it is believed that the names of the people are Eric Beard, Mrs Doris Beard, and S/L to Bert Beard. The last two figures are unknown. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents the community's social use of the lake in 1920.Black and white rectangular photograph print on paper.Reverse: LAKE SAMBELL/ c 1920/ from LTOR/ 1 ERIC? - BERT'S SON/ 2 MRS DORIS BEARD/ 3 S/L TO BERT BEARD/ 4 #beechworth, lake sambell, lake sambell boating, beechworth lake, social, 1920, victoria -
The Beechworth Burke Museum
Photograph, Unknown
Aerial view of Lake Sambell, Beechworth with town views. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents Lake Sambell with town views.Black and white reproduced rectangular photograph print on paper.Reverse: Stampbeechworth lake, lake sambell, aerial photo, construction, australian landscape, #beechworth, victoria -
The Beechworth Burke Museum
Photograph, 1960s
Taken in the 1960s, depicted are approximately twenty-nine male and female spectators at a school swimming carnival on Lake Sambell near the caravan park. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape. This photograph represents the post-gold rush era use of Lake Sambell as a recreational reserve. Swimming carnivals were held at the lake and considered a social event for the Beechworth community.Black and white reproduced rectangular photograph print on paper.Reverse: Community/ Swimming pool 1960s/ near the caravan park/ Lakes?lake swimming pool, lake swimming, beechworth carnival processions, carnival, #beechworth, beechworth 1960s, victoria -
The Beechworth Burke Museum
Photograph, Unknown
The A1 Gold Mine is located north of Woods Point, near Jamieson, in the Upper Goulburn region of Victoria. Gold was discovered at the A1 site in 1861 and mining operations began in 1864. The A1 Mine Settlement refers to a small township known variously as Castle Reef, Castle Point, and Raspberry Creek, which developed in the 1860s around mining industry centred on a crushing machine that worked the three gold reefs in the area. Historically, the name "A1"referred to the high quality of gold found in the quartz reefs at depths of at least two thousand feet. Along with the Morning Star mine at Woods Point, the A1 gold mine produced almost sixty percent of Victoria's gold output in the 1950s to 1970s and continued operating until 1992 when it went into administration. Operations at the site were revived in 2016 and the A1 Mine is now considered one of Victoria's premier gold mines. The A1 mine is part of the extensive and prospective Lachlan Fold Belt, a north-west trending belt of tightly folded Early Devonian sedimentary rocks extending from New South Wales to Victoria. Mineralisation is hosted within or immediately adjacent to diorite dykes. Contemporary development of the 'Queens Lode' at the A1 mine signals a move from high-grade, narrow vein airleg mining into larger scale, mechanical mining designed to increase ore production volume. This original, undated photograph of the A1 Mine appears to depict an area or phase of disuse or abandonment. The aged and humble appearance of the cottage suggests association with the historical A1 Mine Settlement, therefore the image may have been taken prior to the 1950s-1970s revival period in which the A1 mine is known to have produced high gold yields. The photograph contributes to our understanding of the A1 Gold Mine's impact on the landscape and the social, environmental impacts of mining on communities and may be compared with others in the Burke Museum's extensive collection of mining photographs to deepen our understanding of mining in the Jamieson area.Black and white rectangular photograph printed on photographic paperReverse: 5577 / A1 Mine / Near Jamieson / Vic. /burke museum, beechworth museum, beechworth, gold fields, gold rush, victorian gold rush, mining tunnels, gold ming history, colonial australia, australian gold rushes, mining technology, beechworth historic district, indigo gold trail, indigo shire, upper goulburn shire, jamieson, woods point-walhalla goldfield, a1 gold mine, victorian high country, modern mining methods, orogenic gold province, gold mineralisation, devonian, dykes -
The Beechworth Burke Museum
Photograph - Photograph - Reproduction, ca. 1900
This image shows the approach to Beechworth from the south-west via the Newtown Bridge. Numerous early buildings line the road as it bifurcates to become Ford and High Streets on the ridge above Spring Creek and Newtown Falls. The sloping, rocky terrain and water course along the gorge show evidence of the intense mining activity that occurred at the site. The Ovens Gold Rush at Beechworth started when gold was found at Spring Creek in February 1852, prompting an influx of miners from around the world. The population grew over 20,000 by 1857. While the earliest mining at Beechworth was similar to that in other Victorian goldfields like Ballarat and Bendigo, Beechworth is notable for its use of hydraulic sluicing as a major method of removing wash-dirt. Hydraulic sluicing employs high pressure jets of water to blast away large areas of earth and wash it down to be run through a sluice box. Gold gets caught in the sluice and the remaining slurry is washed away. This method of mining is extremely effective but causes significant environmental impacts and damage to waterways. Large water quantities were required for large-scale sluicing, and the long water races and deep tailraces that were constructed in the Beechworth area in the nineteenth century are nonetheless considered feats of engineering. The site in the photograph is associated with the Rocky Mountain Mining Company who constructed an eight hundred meter tunnel under the township between 1876-1880 to reduce water levels at Spring Creek, which had been subject to diversions since the earliest days of alluvial mining. Over four million ounces of gold (115 tones) were found at Beechworth between 1852 and 1868, and the wealth from the gold rushes built Beechworth and the nationally significant buildings that remain standing today.This image shows the early development of the Beechworth township above Spring Creek, where gold was discovered in 1852. Evidence of hydraulic sluicing, a uniquely predominant method at Beechworth, and water-works engineering are present in the landscape. By the 1870s, alluvial gold deposits were depleted and increasingly complex engineering was required so deeper shafts could reach bedrock. This image is significant for understanding changes to the landscape and the evolution of mining methods and engineering practices related to the extensive construction, manipulation and management of water networks. The shift from smaller scale alluvial mining to larger company dominance in the mining industry has implications for understanding wider social, economic, political and industrial changes in the region of Beechworth and within the context of the Victorian Gold Rush more broadly. A black and white rectangular reproduction photograph printed on photographic paper. burke museum, beechworth museum, beechworth, gold fields, gold rush, victorian gold rush, hydraulic sluicing, rocky mountain mining company, spring creek, netwown falls, mining tunnels, water races, tailraces, colonial australia, australian gold rushes, mining technology, beechworth historic district, indigo gold trail, migration, indigo shire, gold mining, gold mining history -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Landscape of scrub, 1935c
Landscape photograph of scrub, possibly native heath..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, scrub, native heath