27 colour photographs of the Pioneer Walk Mural displayed in Town Hall in 16.04.1992 prior to being installed in the "Pioneers Walk". Photos 322 - 12 to 14 shows the Pioneers walk way before a roof was placed over the walk way. The mural has been replaced. 322 Opening in Town Hall 16.04.1992, Wayne Kayler Thompson Mayor Cr. Bob Stone & Mrs Stone. 1. Opening speeches in Town Hall. Shire Councillor Laurie Delahunty & Marjory Delahunty. 2. Unveiling by project coordinator Jenny Munro. 3. First opening Town Hall 16.04.1992. This section of Mural was above entrance to Main Street. 4. First opening Town Hall 16.04.1992. 5. Another detail mural taken at Town Hall opening. 6. Mural detail 16.04.1992. 7. Photo of Bill Walker on left featured in Mural. 8. Opening in Town Hall. Mark Dadswell Times news Photographer. Herb Skurrie is featured in Mural & Helen Leach. 9. First opening, putting away at Town Hall. 10. Opening Town Hall 16.04.1992. 11. Detail of mural at opening 16.04.1992. 12. Another detail of boulders and steps in mural. Opening Town Hall. 13. Mural detail. 14. Mural on brick wall with Cate Whitehead, Jenny Munro and Peter Whitemead. 15. Mural detail opening Town Hall 16.04.1992. 16. Mural detail showing town hall drawing at first opening in Town Hall 16.04.1992. 17. Mural detail. 18. Detail in Mural at Town Hall opening 16.04.1992. 19. Edge of mural detail at Town Hall opening. 20. Lower detail of 322 (19) mural in Town Hall. 21. Mural detail Dedicated to the Pioneers of Stawell and Districts. Town Hall opening. 22. Mural detail displayed at Town Hall opening 16.04.1992. 23. Mural detail showing domestic scene and map of Stawell area at Town Hall opening. 24. Mural detail 1st opening at Town Hall. 25. Scene on mural show at 1st opening at Town Hall. 26. Photo showing one end of mural at 1st opening at Town Hall. 26 colour photographs of the pioneer walk "Murals"stawell

Details of murals surrounding the stage of Stawell town hall 1930. This photo is of the left hand side of the stage and also shows three smaller images (floral) on the wings of the stage opening. The artist of the murals was Will Rees.Decorative Mural with a woman playing a musical instrument and smaller paintings to the side.stawell

Details of a decorative murals taken from The Weekly Times Diamond Jubilee Celebrations. The decorative mural is on the righthand side of the town hall stage. Three smaller images (floral) are on the right hand side of the mural. The artist of the murals was Will Rees.Enlarged black & white photograph of a mural with a woman seated holding a musical instrument. The image is an enlargement of the righthand panel beside the stage in the town hall. The enlargement taken from the Weekly Times newspaper cutting of the Stawell Diamond Celebrations The paper was handed on to the Society by Stawell Athletic Club.stawell

An article about a men's art group which won an award for creating murals.The group is from Nillumbik Living and Learning Centre and the murals were created for dementia patients at the Diamond Creek Rd Aged Care centre.A small article featuring a colour photograph.nillumbik living and learning centre, diamond creek road aged care centre, mens art groups, murals, dementia

non-fictionA book about Nar Nar Goonmurals, nar nar goon (vic.)

Eric Thake had a unique way of looking at the world, uniting a singular vision that found the extraordinary in the everyday, with a whimsical sense of humour and refined modernist aesthetic. One of his lesser-known commissions was a mural for the Victorian Manager’s office at the ETA Factory in Braybrook designed by Frederick Romberg in 1957. Photographed here by Kenneth Ross, the mural depicted a stylised map of Australia, with Indonesia above and New Zealand to the south, and showed the peanuts and other raw materials that ETA used in the production of various foodstuffs against a striking and entirely gilded wall. Kirsty Grant, 2017 Black and white photograph of a mural by Eric Thake in the manager's office at the ETA Factory, Melbourne.Typed lower center, 'ETA FACTORY 1961/ MURAL BY ERIC THAKE/ IN MANAGER'S OFFICE'eta, mural, braybrook, manufacturing, architecture, artist

The mural of the artist's image of early Sunbury was painted on the garage wall of the Sunbury Presbytery. It could be viewed from the former court house garden. The first businesses opened in Sunbury in Macedon Street between Jacksons Creek and Jackson Street. The view in the mural is looking east towards Jacksons Creek.When the railway service reached Sunbury in 1859, the business area then relocated from Macedon Street to the Evans and O'Shanassy Streets precinct. Some businesses still exist at the original Macedon Street site.A coloured scanned photograph of a mural which was painted on a brick wall.murals, early sunbury, macedon street

non-fictionAn illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.murals, trade unions, women's murals, indigenous, urban art, political art, community arts, community arts network, eve glen, carol ruff, sarah macnamarra, barbary o'brien, community arts board, geoff hogg, ann newmarch, merilyn fairskye, catriona moore

Letters regarding three photos of murals in near Tobruk in Libya. The photos were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2 and donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Abbotts Lager mural.tobruk, murals

Painting depicting a four piece mural of an abstract design. Inscribed in chalk on frame lower left 'Sketch for Ceramic Mural'. Inscribed on reverse of frame "Donald Laycock/ Design for a Mural 1954'.donald laycock, painting, ceramic mural

A photo of a mural in Libya painted by a South Australian Sapper of a tea pot saying '9,256 miles to Griffiths Bros Tea Headquarters, Melbourne'. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says '9,256 miles to Griffiths Bros Tea Headquarters, Melbourne'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of a Griffiths Tea mural.tobruk, tea, murals, world war two

A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Abbots Lager. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'Keep Going. Fill up in town, but a good drink is bloody hard to get'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Abbots Lager mural.tobruk, soldiers, lager, beer, abbots lager, murals

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Mural in Chapel of Christ in Gethsemane, Coventry Cathedral, Coventry, EnglandCoventry Cathedral / Mural in Chapel of Christ in Gethsemane / Encircled 22 (Handwritten)uk, slide

A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Victorian Bitter Ale being poured into the Melbourne Cup trophy and horses racing. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'A good thing for the Cup but better for the tonsils'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian). 'The photos were there when we were coming back from Western Libya sometime in March 1941, prior to the 6th Division going to Greece.' From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of the way Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Victorian Bitter Ale for the Melbourne Cup mural.tobruk, beer, victorian bitter ale, ale, horse racing, murals, world war 2

3 black and white photographs showing the remains of a mural painted on the art room wall in the 1950's.On back of photographs: Mural in old art room (quadrangle). Painted in 1950s.williamstown high school, 1970s, mural, art room, quadrangle, after fire

Colour photograph of the Marysville Mural by Russell Danby.Marysville Mural This mural is dedicated to the people of Marysville past, present and future. May it invoke ling held enjoyable memories for residents and visitors, through it's (sic) showcasing of someof Marysville's buildingsand iconic scenery prior to 'Black Saturday' bushfires 2009 Interpreted and painter by muralmaker - Russell Danby Giften by an anonymour benefactorbushfire, black saturday, marysville, marysville mural, russell danby

Photograph donated by Anne Davie 4/6/2020 Mural has been moved to Cowes Primary School for safekeeping during the Cultural Centre demolition and rebuilding. Joy NivenColour photograph of the Cowes Cultural Centre Mural with Eric Juckert, mural artist, explaining the mural's contents to Gov. General Sir Ninian Stephens and Lady Stephens (not in the photo). cowes cultural centre mural, eric juckert, eric juckert mural, phillip island, anne davie

The mural was commissioned and executed in 2020Series of three born digital photos of a mural in Brougham Streetstreet art -- kew (vic.), public art