Invoice and letter National Mutual Life Association of Australasia Limited, Melbourne. Dated 31st. October 1894. Receipt for 2/6 being transfer fee policy 4949., appended to letter from same re Policy 4949 transfer of same to Jas. Andrew.business, legal, national mutual life melbourne, connelly, tatchell & dunlop, national mutual, james andrew

This brochure outlines a new superannuation plan for staff of Preston College of TAFE in 1982. The plan is in association with National Mutual.Signifies the changes to superannuation in the 1980s.7 page booklet with cream card coverpreston college of tafe, pcot, staff, superannuation, national mutual, nmit,

Ballarat History35mm B&W Kodak Plus X Pan Film.ballarat, ballaraat, sw cnr sturt & lydiard sts, national mutual building

centenary, buildings, mounuments, national mutual, burke & wills, ballarat, sturt street, lydiard street north

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, national mutual, sketch, illustration, sturt, lydiard, craigs

PHOTOGRAPH ADVERTISING (INSIDE FENCE) NATIONAL MUTUAL LIFE ASSOCIATION AUSTRALIA LIMITED MARKET STREET, CLUNES, MELBOURNE. F.J. MATTHEWS AGENT.BLACK AND WHITE COPY OF PHOTOGRAPH OF TWO FEMALE ADULTS AND YOUNG GIRL STANDING IN FRONT OF VINE COVERED HOUSE AND PICKET FENCE. F.J. MATTHEWS. COMMISSION AGENT SIGN ON BLUESTONE BUILDING IN FRASER STREET, CLUNES, SIGN OUTSIDE OF HOUSE - NATIONAL MUTUAL LIFE ASSOCIATION AUSTRALASIA, F J MATTHEWS AGENTlocal history, photography, photographs, shops, national mutual life association australia ltd.[ f.j. matthews agent], buildings

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, construction, nation mutual building, sturt, lydiard, advertising

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, sturt

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

List of complete set of Commemoration Buttons issued by the Commonwealth Button Fund. Conditions of use, Country Applicants, incomplete set of Buttons. National Mutual Chambers, 395 Collins Street, Melbourne, September 1919. S. Greig Smith, Secretary.organisation, government, official, commonwealth button fund, national mutual chambers, commemoration buttons

The dome on the National Mutual Building can be seen. ballarat town hall, sturt street, national mutual, building, public, streetscape, vehicle, electric tram

Some of the businesses in the photo include Berry Anderson Stationers, Wilson's Tailors and the National Mutual building.national mutual, centenary, berry anderson, wilson's tailors, sturt street, ballarat

The photo was taken from the Town Hall tower. The dome of the National Mutual building is clearly visible.sturt street, town hall, streetscape, national mutual building, commerical, public, vehicle, garden

A night scene on Sturt Street looking east at night during the Centenary Celebrations in 1938. The dome on the National Mutual Building can be seen in the foreground.sturt street, centenary, national mutual, ballarat, traffic

Photo was taken from the Ballarat Post Office tower. The National Mutual Building is under construction. Sign on building reads 'H.M. Theatre Farewell Concert Jessie Maclachlan'.sturt street, ballarat post office, national mutual building, h.m. theatre, streetscape, garden, trams, vehicle, commerical, public

Photo of SEC Ballarat Tram No. 39 completing its turn from Lydiard St. North into Sturt St. with the buildings between Lydiard St and Armstrong visible in the photo including the Town Hall and the National Mutual building. Shows the median strip along Sturt St. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in red ink "Ballarat / Sturt St." and in bottom left hand corner in black ink "P. Moses" .tramways, trams, sturt st, town hall, national mutual, tram 39

Photo of the intersection of Sturt and Lydiard St Ballarat, with the National Mutual and Town Hall in view. Has an ESCo tram with a former horse trailer and another ESCo tram. The Clarks & Co. building is on the corner. See Reg Item 5128 for another version of this photograph/postcard.Demonstrates postcard printing mid 1910's and how they were used along with the use of former horse trams as trailers.Postcard - divided back, colour, Valentines and Sons of the intersection of Sturt and Lydiard St Ballarat. Printed in Great Britain. Has an embossed decorative border with a flower in the top right hand cornerOn the rear is a message to Lou from Les about arriving in Ballarat dated 1/7/1915. Has in pencil a "$4" price.ballarat, tramways, sturt street, esco, town hall, national mutual, trailers, horse trams

Yields information about Ballarat 's 38 and a classic Ballarat image, at the corner of Sturt and Lydiard's Street.Black and white photograph of SEC 38 turning from Sturt St. into Lydiard Street with the National Mutual Building and Craigs Hotel in the background. Tram showing destination of "Lydiard St. North". Photo taken c1971. Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06 1370.1 - digital image of the same photograph supplied by Peter Bruce - from Reg Item 4569. Peter's title of image "No. 38 turns into Lydiard St".trams, tramways, sturt st., lydiard st. north, national mutual, tram 38

Black and white photograph of tram 35 with the short working destination of Grey St Sebastopol at the tram stop known as the City Centre at Sturt and Lydiard Streets. The pole alongside the tram has the tram stop sign and an End of Section sign. In in the background is the National Mutual building and Allan Bros Jewellers store. Date and photographer unknown.Yields information about tram 35 at the City Centre stop late 1960s or early 1970s.Black and white photograph on plain paper.trams, tramways, tram 35, sturt st, lydiard st, national mutual, city centre, ballarat tramway

Illustration titled - "Sturt and Lydiard Streets" Shows an ESCo tram with all the blinds drawn in Sturt St just to the west of Lydiard St. Has the National Mutual building with C Marks & Co jewelers, Craigs Hotel, and the Town Hall in the view. On the rear is another view of Sturt St, not the full width of the original item, with an ESCo tram at the intersection with Armstrong St. Has Snows and Shoppee's Square in the view.Yields information about Sturt St at Lydiard St and Armstrong St.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, esco, armstrong st, town hall, national mutual, craigs hotel

Set of two wide-angle views - both with the initials HJS and PS&Co in the bottom corners. 1 - Illustration titled - "Ballarat Looking East from Town Hall Tower" - with a horse tram turning from Sturt St into Lydiard St North and another running westbound on the north side of Sturt St. 2 - "Town Hall to Bridge St from GPO Tower" - There are no horse trams in the view. The National Mutual building is yet to be built - see reference.Yields information about Sturt St from Bridge St to Armstrong St.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, town hall, national mutual, craigs hotel, horse trams

Photo of the scene looking southwest from the Post Office area, with an ESCo tram hauling a trailer and another tram on the opposite side of the roadway. Has the Town Hall, National Mutual Building, C Marks, and Snows in the view. Wal has dated the photo about 1913 on the rear of the postcard and about 1912 in his album notes - considered c1905 as the destinations are hanging from the front of the tram. They were soon after moved to the roof of the tram in a destination box. in the card sent to Ken Magor by Wal Jack, he notes the the Historical Museum has a large photo of this and you can see No. 12 outlined very clearly. See Reg Item 6247 for another version of this photograph/postcard.Yields information about the intersection of Sturt and Lydiard Streets in the early ESCo era and streetscape and the use of the former horse trams as trailers.5128 - Digital image from the Wal Jack Ballarat Album of a coloured postcard - titled "Town Hall and Sturt St Ballarat", has number 300516 and initials JV in the bottom right hand corner. Card printed in Great Britain, produced by Valentines. 5128.1 - Black and white version of the same photo 5128.2 - colour version with a note from Wal Jack to Ken Magor with Ken's stamp on the bottom right hand corner.5128 - On rear in ink "1913" and "Note No. 12 tram on left" 5128.1 - hand written message, undated to May from her brother Claude 5128.2 - see image 5sturt street, ballarat, tramways, esco, town hall, national mutual, trailers, horse trams, tram 12

In 1996, the Grandparent of the Year (GPOTY) program became involved with the Royal Agricultural Society. GPOTY entrants and supporters handed out program maps on Super Seniors Day at the Royal Melbourne Show. A highlight of the day was the Tiny Tots Photo Competition. Twenty four winners from almost 3000 entries won prizes on the day. A slightly cropped version of this photo appears on page 7 of the Vol 9 No 4, Summer 1996 issue of the Arthritis Foundation's quarterly magazine, Arthritis Update. It is captioned: "Mr Peter Williams, General Manager National Mutual Trustees, major sponsors of Grandparent of the Year and Tiny Tots photo competition, presents 3 year old Sorge Orphanos with his prizes."COL photo of a man handing a woman a stack of prizes, some of which have been gift-wrapped. She is holding a toddler in one arm while she accepts the prizes with the other hand. Two people are standing behind, to one side. One of them is wearing a Grandparent of the Year sash across her torso. On the wall behind them, there is a large Streets Ice Cream banner featuring an image of the Paddle Pop Lion and the (partially obscured) text, "POP ...ayground".arthritis victoria, afv, osteoporosis victoria, ov, royal agricultural society, grandparent of the year, gpoty, royal melbourne show, super seniors day, tiny tots photo competition, peter williams, general manager, national mutual trustees, prizes, prize winner, arthritis update, 1996