Printed on buff coloured light paper, written on top centre of plan: ' Northern Portion of Garden Gully & New Moon Line of Reefs, Eaglehawk, Bendigo, Scale 8 chains to an inch'. Printed on right hand side of reef names: ' Issued by Wood And McNair, Sharebrokers, Beehive Chambers, Bendigo and High Street, Eaglehawk. J.B. Young, Lith. Bendigo.' On far right hand end of map, a table of information headed ' Several of the undermentioned Companies have paid considerable sums in Dividends prior to the re-registration under the No Liability portion of the Act'. Table contains information on the name of Company; No. of shares; nominal capital,; Capital called up; call per share; dividends; machinery; present depth of shaft; bottom plat; Legal Managers; address. On bottom of table, 'Beehive Chambers, Bendigo 6/8/03'. Plan shows mines along the reef lines with distance in yards of each claim - from SSW direction: Golden Pyke Company, McDuff Amalgamated, Constellation Company, Virginia Company, Specimen Hill Company, New Hopeful, New Argus Company, Clarence Company, North Argus Company, South New Moon Company, New Moon Company, Suffolk Tribute Company, North New Moon Company, New Moon Consolidated Company, New Moon United Company, Adelaide New Moon Company, J. Davies, Day & Co., (lease applied for by P. Booth), P. Booth, D. Murdoch, J. Mani, F. Bassett and R. Bassett. Mine map is part of the Margaret Roberts Collection. gold mining, gold, margaret roberts collection, garden gully, new moon, reef lines, golden pyke company, mcduff amalgamated, constellation company, virginia company, specimen hill company, new hopeful, new argus company, clarence company, north argus company, south new moon company, new moon company, suffolk tribute company, north new moon company, new moon consolidated company, new moon united company, adelaide new moon company, j. davies, day & co., (lease applied for by p. booth), p. booth, d. murdoch, j. mani, f. bassett and r. bassett.

Hercules G. M. Co. N. L. to Miss G. Alice Jones. Pink paper dated Aug. 19, 1932, to 24 1932 and 23/11/1932 containing details for sale of the North end of lease and formation of new company. Total cost £23.4.3. "B567 posted LB 23.11.32" written in top left corner.miss g. alice jones collection - account, hercules gold mining co n l, mr stanfield, hercules no 1 g m co n l, gazette, argus, bendigo advertiser

Pink paper dated June 5, 6, 30, June 24 and 30/9/25. New Red White & Blue Consolidated Co N.L. to Miss G. Alice Jones. Re attendances, instructions, typing, drawing and copying minutes for Extraordinary Meeting 30/6/25. Also attending manager advising on pipe track to battery and purchase of pipes.the miss g.alice jones collection - account, new red white & blue consolidated co n l, mr palmer, gazette, argus, advertiser

One handwritten and four typed copies of notes on the New Argus Mine at Eaglehawk. One typed copy has a locality map attached. Notes mention locality, depth of shaft, early history, prominence, amount of gold obtained and production. References; Special Edition Australian Mining Standard 1/6/1899, Mines Dept. Booklet 'Bendigo Goldfield' 1936, Mines Department Annual and Special Reports, Annals of Bendigo Mining Section 1886 - 1922 and A. Richardson. 4 Typewritten copies of this item have not been scanned.document, gold, new argus mine, new argus mine, notes on the new argus mine, eaglehawk, specimen hill mine, mr cave, mr amos, the argus mine, north specimen hill mine, adlinga and pascoe & co, new hopeful, bendigo amalgamated goldfields, special edition australian mining standard 1/6/1899, mines dept. booklet 'bendigo goldfield 1936, mines dept. annual and special reports, annals of bendigo mining section 1886 - 1922, a richardson

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Ballarat, Information re De Lacy Evans/Ellen Tremaye - various printed accounts of male impersonator, De Lacy Evans and his marriages and life in Bendigo and elsewhere. Filed under 'De Lacy Evans': a.Typescript - 'The strange story of Ellen Tremaye' (2 pp,); b.Newspaper cuttings (newspaper unknown): September 4, 1879 and 23rd July 1879. names mentioned on this report are; Evans, Stewart, The Trumpeter Clock, Mr. J. W. Moody, Edward De Lacy Evans, Samuels, Holdsworth, Dr. Cruikshank, Dr J. Boyd, Mr. Sterry J.P. (mayor), Mr. Osborn J.P. Elizabeth Marchment, Cornish United Company Long Gully, Constable Hayes, Mr. F. J. Duffy, Mr. J. Quick. C.Bendigo Advertiser 4th Sept 1879 (12 pages) - pp, 1-9 ''Extraordinary case of the concealment of sex'' (pp. 10-12) ''Interview with Mrs Evans''. Names on these sheets are; Edward De Lacy Evans, Sandhurst (Bendigo), Mr. Samuels, Mr. Holdsworth, Dr. Cruikshank, Dr. J. Boyd, Bendigo Hospital, Mr. Gundry (Warder), Irish, France, Dr. Poland, Mr. Bayne, Mr. Strickland, Kew Lunatic Asylum, Argus (newspaper), Sandhurst Hospital, Bendigo Hospital, County Kilkenny Ireland, Mrs Holt (Matron), Ellen Tremayne, Treneage, Eaglehawk, Sarah Moore, Mr. John J. Hall, Mr. George Willan, Buick Henderson and Co,. Pall Mall, Miss Julia Marquahand, Ballarat, Presbyterian Church, Rev. W. Henderson, Paris, Ellen McCormick, , Duncan Uquhart, Anne Dora (Welshman), Pleasant Creek, New Chum Extended Company, Julia Mary, Quarry Hill, Constable Bradley, General Sir Charles De Lacy Evans, Francis Bros Drapers of Pall Mall, Stawell, Allingham Drapers, View Grove Cottage Quarry Hill, Mrs Lofts Denmark Cottage Hargreaves Street, Jersey Cottage off Russell Street Quarry Hill, Great Southern Company, Sea Company, d.Single column entry, Bendigo Advertiser Dec 15th 1879: ''De Lacy Evans''. Names in the article; Ellen Tremayne, Sandhurst, Stawell, The Herald, Mr. F. Hilton, Diorama and Mirror of Australia, Horsham, The Horsham Times, Ireland. e. Newspaper article, by David Horsfall, Bendigo Advertiser Jan 10th 1990 (Title??) with photo of De Lacy Evans (standing); f.Newspaper article (poor legibility) Bendigo Advertiser Aug 27th 1901 ''Death of De Lacey Evans''; g.Newspaper article (undated) by Frank Cusack: ''Forgotten Bendigonians - Bendigo Goldfields und…??'' h.Journal article(3 pp.), The Medical Journal of Australia, Aug 26, 1978 by J R B Ball & R Emmerson: ''A case of personation'';i. copy of page #210 from unknown book (heading:'' Mount Royal Hospital'' j.27 pp.headed ''The Man-Woman Mystery'' (from bound book - binding visible - and copy in the Mitchell Library, publisher; W. Marshall, Royal Lane, Melbourne and Record Office, Emerald Hill with page (no page number) referring to two relevant documents ''The originals of these documents can be seen in the Hall'';Bendigo Advertiserjohn baptiste loridan, ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy evans, de lacy, edward de lacy evans, edmund de lacy, bendigo

Book. ALEC H CHISHOLM COLLECTION. 95 page soft cover booklet by William Henry Hudson on the life and poetry of John Keats. Contains a selection of poems, some in part only, with an accompanying discussion on each. B & W image of John Keats opposite title page. Published in 1911 by George G. Harrap & Co., London and printed by Ballantyne & Co., London. Catalogue sticker ''2260 HUD'' on spine. Signature ''A. H. Chisholm'' inside front cover. Seven newspaper articles relating to Keats, loose inside front cover. (a) Argus 4-5-40 Poet who died young. (b) Sydney Morning Herald 9-4-67 Keats seen again as Shakespeare's heir. (c Age 26-7-58 Keats's Ode to a Nightingale. (d) Age 3-11-63 Keats's Ode to a Nightingale (e) Age 4-5-63 Keats's Legend of St Agnes. (f) Age 17-5-58 Keats's Ode to a Grecian Urn. (g) Unknown paper and date Two new sonnets (by Keats).William Henry Hudsonbooks, collections, poetry, alec h chisholm collection, john keats, poetry, william henry hudson

'Bendigo Advertiser' article 9th August, 1995 'The wet brings danger to old gold mine area'. Article describes mine shaft subsidence that has occurred in 'roads, parks, backyards and school grounds' following 'heavy rain in the past month'. It was estimated that 'in Bendigo alone there were up to 3000 shafts on private land and about the same number on Crown land, all dotted along the 11 gold reefs between Kangaroo Flat and Eaglehawk'. Black and white photo of Peter Bentley, Mining and Extraction Co-ordinator, North Western region, standing in 'a now capped hole left by the collapse of a shaft at Bendigo'.gold mining, peter bentley, mine shafts, subsidence, bellevue road, mine capping, huslters hill, mcduff gold mine, new argus gold mine

'Bendigo Advertiser' article 9th August, 1995 'The wet brings danger to old gold mine area'. Article describes mine shaft subsidence that has occurred in 'roads, parks, backyards and school grounds' following 'heavy rain in the past month'. It was estimated that 'in Bendigo alone there were up to 3000 shafts on private land and about the same number on Crown land, all dotted along the 11 gold reefs between Kangaroo Flat and Eaglehawk'. Black and white photo of Peter Bentley, Mining and Extraction Co-ordinator, North Western region, standing in 'a now capped hole left by the collapse of a shaft at Bendigo'.gold mining, peter bentley, mine shafts, subsidence, bellevue road, mine capping, huslters hill, mcduff gold mine, new argus gold mine

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.This is the earliest known photograph of Ordsall / South Esk, a significant mansion in Kew, built for John Halfey and now demolishedMembers of the Kew Congregational Church in front of one of the verandas of Southesk, circa 1900.congregational church - kew (vic), south esk - south esk - ordsall - kew (vic)

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co.

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.A fragment of the painted domed ceiling of the drawingroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This rectangular fragment of painted plaster is a small section of the rectangular frieze of neo-gothic scenes that were a feature of the drawingroom ceiling. The fragment differs from those remaining from the ballroom in that it includes a section of gold leaf.Label: 'This is from "Southesk" drawing room'ordsall, southesk, cullis hill & co., halfey, john

'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.Nilordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors

Stained Glass Window depicting the Cardinal Virtue 'Prudence', holding a lamp symbolizing intellectual clarity. The window is located on the internal right of the front door at Toorak College main reception. H 880mm x W 385mm and including timber surround H 1035mm x 492mm. Constructed of coloured glass, lead came, saddle bar mounted in a timber window frame. 'Prudence' is one of a pair of windows that were donated by students and sisters Mary Wheildon (year 1928) and Suzette Wheildon (year 1934), in 1928 when Toorak College relocated to a new boarding - only campus at Mount Eliza (then Frankston). 'Prudence' has a plaque to show the window was donated by the sister 'Mary Wheildon'. The companion window depicts 'Fortitude'. The sisters' father was William Wheildon, head stained glass designer at Brooks, Robinson & Co Melbourne. The windows were designed by William Wheildon. 'The Argus' newspaper, Melbourne, reported 26 November 1928 that; 'Visitors on Saturday admired the stained glass windows provided by Mr.Wheildon and installed by Brooks, Robinson, and Co'. They are located either side of the main entrance, at main reception in the Hamilton Building. See description on page 9 of 'The Magazine of Toorak College, No. 56, December 1928. Donated by Mary Wheildon

Photo shows track construction in Malop St at the intersection with Moorabool St, looking west in Malop St. Has a horse drawn cart loaded with bags or sacks of grain turning from Malop into Moorabool St. In the background are buildings for H Fanks & Co, booksellers and stationers, advertising the Argus and Australasian, J Lockwood photographers, Havelock tobacco, tea rooms, Walter S Wylan & Co and Wartzki Freedman & Co. Very similar to item 9267.Yields information about the construction of Geelong tramways in Malop St.Black and white print on paper. Two copies held.The no. 1 in a circle written on the reverse in ink. GRS710/25/1/2 and 25-2 written on the reverse in pencil.geelong tramway laying of new track, geelong streetscape, new tramway, geelong, trackwork, malop st, moorabool st.

Photo shows track construction in Malop St at the intersection with Moorabool St, looking west in Malop St. Has a horse drawn cab turning from Malop into Moorabool St. In the background are buildings for H Fanks & Co, booksellers and stationers, advertising the Argus and Australasian, J Lockwood photographers, Havelock tobacco, tea rooms, Walter S Wylan & Co and Wartzki Freedman & Co. Very similar to item 9268.Yields information about the construction of Geelong tramways in Malop St.Black and white print on paper.In ink on the rear, "Malop St facing West" and various reproduction marks.geelong streetscape, geelong tramway laying new tracks, geelong, malop st, new tramway, trackwork, moorabool st

Rose Series postcard No. P 3541, titled "Elizabeth Street Melbourne", taken from The Argus Building tower on the corner of Elizabeth and La Trobe Streets looking south to Flinders Street, There are eight trams in the view and one horse drawn cart in Lonsdale Street near the corner. St. Francis' Church is in the middle of the photograph with the Myer Emporium Londale Street store in the left of the photo. The white building in the right of the photo is the new Mitchell House built in 1936. Yields information Elizabeth Street late 1930s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Two copies held.tramways, trams, w5 class, elizabeth st, lonsdale st