Night time view of Beach St looking West towards West Gate Bridge James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councilbeach street, local government - city of port melbourne, built environment, james lauritz, engineering - bridges, west gate bridge

LinocutSigned and dated 'Euan L Heng 04' in lower right under printed image. Title 'Night time' under printed image. Edition 11/25, numbered lower left corner under printed image.

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

Donated by Mrs Elisa Nudelman through the Australian Government Cultural Gifts Program, 2019Textile, Linen, Paint, Acrylic, Oilgippsland, artwork, permanent collection

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandNight time photograph of Penguins on the beach ready to go up to their burrows.local history, photography, penguins, black & white photograph, wildlife, penguin parade, wildlife - penguins, john jenner, bryant west

This photograph was taken while crowds are singing Auld Lang Syne at the end of the 1962 Golden Jubilee celebrations for the Orbost High School.Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This item is representative of its history.A black / white photograph of a large group of people holding hands and singing. It is night time.on back - "Auld Lang Syne 1962"education-orbost orbost-high-school-golden-jubilee

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. This series shows photographs taken from around the Heritage Precinct.Photograph taken during the night time showing the firing of the Churchill Island cannon with a large orange plume of smoke erupting from the barrel.catalogue number written on reverse in pencilchurchill island, photograph

Evening performance of a band on the Portico of Soldiers Memorial Institute post 2000.Bendigo RSL and Soldiers Memorial Institute Hall Pall Mall. Colour night time photograph of Bendigo Soldiers Memorial Institute Hall. White cardboard border surrounds photograph, light wooden frame, glass protection.brsl, smirsl, photograph

Items in the collection re "Jack Mitchell". It is not sure if .1) was taken before the Mission. As per .2) The target was Berlin on 21.1.1944. There was 769 Aircraft on the mission which included 264 Halifax's of which 22 were lost. The Crew; Roger John Evans No 410202, Flt/Sgt, enlisted 5.12.1941 age 31 years. (refer Cat No 7467) John Henry Maunder No 412562, Flt/Sgt, (refer Cat No 7467) Jack Mitchell, Flt/Sgt, (refer Cat No 7467) F. Greenwood Sgt British RAF. Sidney Robert McDonald No 413239, P/O, enlisted16.8.1941 age 19 years 3 months. Keith Mossman Tranent No 426402, Flt/Sgt, enlisted 20.6.1942 age 19 years 2 months. (refer Cat No 7467) Patrick John Bourke No 426822, Flt/Sgt, enlisted 11.8.1942 age 21 years. (Later KIA on 11.4.1944, craft No HX274) Black & white photographs laminated. .1) Day light photo shows 7 Aircrew standing beside a Halifax Bomber before take off. .2) Night time photo showing 7 Aircrew standing beside a Halifax Bomber on return from a mission..1) "Jack Evans Flt/Sgt DFC, Jack Maunder Flt/Sgt KIA, Jack Mitchell Flt/Sgt POW, Frank Greenwood Sgt RAF, Bob McDonald Flt/Sgt, Keith Tranent Flt/Sgt POW, Pat Bourke Flt/Sgt KIA". .2) "Back from a raid on Berlin 21.1.1944. Same names but in a different order"photographs, 466, raaf, berlin

Black and white photograph. Night time? photograph of Post Office, Bendigo. Stature of male figure front right. Pedestrian centre front. History: 'Photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, Ph 438269', 'Photographs Francis (Frank) Thomas Kennedy',buildings, post office, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001, 158.01, 2001.159.01, 2001.160.01, 2001.161.01

Yields information about the streetscape at the City terminus at night and just how lonely it could be.Black and White photograph of No. 17 at the city terminus at night - time exposure. Tram has the destination of 'Sebastopol'. No other vehicles in the scene, though a motor car has passed the scene behind the tramcar. In the view are the Post Office, tram stop signs and buildings near Grenville St.Stamped on rear in black ink "Donated to BTPS by and Photo By" / "Chris Wurr 12 Truscott Street, Ararat 3377 (053) 52 3403.tramways, trams, city, sturt st, lydiard st, night photo, tram 17

Colour photograph. People gathered playing instruments, Man on guitar, man playing harmonica, man standing with banjo, man playing accordion, man with concertina, man playing another accordion. Night time. Date stamped '95 12 29 bottom right corner on front.photo, group, musicians

Colour photograph of a night scene in Timor Street, Warrnambool.warrnambool, night, christmas, christmas tree, timor street, streetscape

A pictorial book of the flora, fauna, rivers, waterfalls and rainforest in the Upper Yarra ValleyPaperback. Front cover has a main photograph of a creek running through a forest. There is also four smaller photographs. They are of a Red Coral Fungi, a Superb Lyrebird, a night time view looking upwards in a grove of trees and a view of a Soft tree fern. The back cover has a photograph of a Superb Lyrebird.yarra valley, upper yarra valley, flora, fauna, photography, rivers, waterfalls, rainforest, nature, donovan wilson

A pictorial book of the flora, fauna, rivers, waterfalls and rainforest in the Upper Yarra ValleyPaperback. Front cover has a main photograph of a creek running through a forest. There is also four smaller photographs. They are of a Red Coral Fungi, a Superb Lyrebird, a night time view looking upwards in a grove of trees and a view of a Soft tree fern. The back cover has a photograph of a Superb Lyrebird.yarra valley, upper yarra valley, flora, fauna, photography, rivers, waterfalls, rainforest, nature, donovan wilson

Yields information about the use of City Loop for storing trams at night.Digital image of trams 26 and 20 at night in the City Loop. Has the Big W store in the background. Photo by John Ward 27 Feb. 1971. Slide title "04410 270269 6926-D SECV Single truck trams 26 & 20 at night time on layover in Sturt St Ballarat Vic"trams, tramways, sturt st, city loop, night photo, tram 26, tram 20

Black and White Photo, Night time photo of a decorated tram, Union Jack Flag hangs from top of tram, light bulbs are decorating many parts of the tram, a Crown is highlighted in the centre of the tram, 'ER' Royal symbol is to the left, right and centre of the picture. Markings on the back of the photo say 'Decorated Tram', 'Royal Visit March 54'photograph, tram, decorated tram, bendigo trams, bendigo tramways, bendigo tramways co.ltd, trams, royal visit

A portable signalling lantern AP1038. The bulb is an Edison mazda 1w2v. Patt 1039A. the battery was rechargable. On inside of lid on top reads "Admirality Pattern 1038 Lantern, signalling, Portable, for V/S. S/No: 2759, Year 1944. lantern used for night time convoy. It has five coloured lenses - blue, red, green, white and clear.lantern, signals, lamp

These torches were used for night time refueling aircraft. Aircraft have been refueled at Nhill since the first landing field was established in 1921. Owned by Bullen Bros , of Nhill, who for a number of years had the refueling contract for the aerodrome.Alloy cylindrical body with screw on lens and switch assembly. Lens has a metal cross protector strip and a locking tag and pin. GEC Safety Torch, Cat No. L6060 patent pending, certified by Mines Dept & Home Office, Made in Englandtorch, refueling torch, safety torch, bullen brothers, refueling

Digital image of Bendigo 4 at the Eaglehawk terminus at night. Tram has the destination of Quarry Hill and has two SEC roof adverts, including one for briquettes. Photo is looking along High St Eaglehawk. Photo by John Ward 1 February 1971 Slide title "00816 010271 SEC bogie tram 4 night time at terminus Eaglehawk Bendigo"trams, tramways, bendigo, eaglehawk, high st, night photo, tram 4

Black and white photo of Mitcham Memorial Hall , also known as RSL Hall Mitcham. Scene of many social/entertainment events such a dances (ballroom and Square), local cinema which presented three night time screenings and one Saturday afternoon matinee and many other happenings. It was also the foundation home for the Nunawading Youth Club which later became the Nunawading Sports and Gymnastics Club.mitcham memorial hall

Yields information about the use of Wendouree Parade and the milk cart that use to run during the day at the time.Digital image of tram 13 in Wendouree Parade, with a horse drawn milk cart alongside. No. 39 is in the far distance. The tram has the destination of Victoria St and an ANA mutual benefit society roof advert. Photo by John Ward 27 Feb. 1971. Slide title "04410 270269 6926-D SECV Single truck trams 26 & 20 at night time on layover in Sturt St Ballarat Vic"trams, tramways, wendouree parade, horse drawn vehicle, milk cart, victoria st, tram 13, tram 39

Kerosene was used to light the signal lamps at night time on a railway, to ensure that a locomotive driver could see that the line was clear there was no danger of another train ahead. This container was used to store the in kerosene to fuel such lamps and was kept inside a lamp room until required for use.Victorian Railways - Keroseane Container Used in the storage of kerosene prior to use in lamps at stations.Large, cylindrical tin container with conical lid and wire handle. A small zinc spout is embedded in the lower quadrant. The word 'KERO' is stencilled in white across the front. Keropuffing billy, kerosene, fuel, combustible material, tin container, lamps

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

Held in ambulance stations and taken out when ambulances attended night time jobs. When fitted with barriers these items were heavy. They did not remain long in service and were replaced by the Ever Ready Dolphin brand torch. Source Chas Martin AHSV curatorFlorescent light tube in bronze coloured box. Power on and off buttons at topVIC CIVIL AMBULANCE