The historic Victorian ‘couta boat “Viator” was built by renowned boat builder J.R. Jones of Williamstown in Melbourne, between 1890 and 1920. He was one of the early builders of this design. The features of Viator - carvel planked, open cockpit, vertical stem and straight keel, single mast and a pivoting centreboard - are all characteristics of an early Bass Strait ‘couta boat. This has been confirmed by experienced Victorian ‘couta boat restorer Tim Phillips. Viator served as a ‘couta fishing boat in the Warrnambool area until the mid-1930s, then some say she served as a mail ferry across to Portland. Later it was used as a fishing and recreation boat for local families. For years Viator sat in a paddock in East Warrnambool until purchased in 1975 and donated to Flagstaff Hill. ‘COUTA BOATS - The ‘couta design for vessels is believed to have originated at Port Phillip, Victoria, for the purpose of the Barracouta (‘couta) fishing industry, being both fast and seaworthy. , The 'couta fish was an important food fish in Australian waters, supplying Melbourne with plenty of inexpensive fish. VIATORY’S OWNERS - Some of Viator’s history is known: - 1940, registered Port Fairy and owned by G.J. Richards. - 1941-1945, registered in Port Fairy and owned by Jens “Peter” Petersen. - 1950’s “Brusher” Richards of Warrnambool and Port Fairy used it for fishing. - Peter Watson and his son also went fishing in Viator. - Frank Ferrier, boat builder, was an owner (son of ‘La Bella’ hero, William Ferrier) - Arthur Rogers owned Viator too, then sold it to Terry Pridmore and Wayne Moorefield - The Viator was stored in a paddock, unused, in Fairmont Avenue, Warrnambool, where it was gradually deteriorating. - 1975 Viator was purchase at a very reasonable price from Pridmore, then donated to Flagstaff Hill Maritime Village. RESTORATION - Shipwright Erik Mikkelsen soon started restoration on the Viator after it arrived at Flagstaff Hill in 1975. In 2006 the Maritime Museums of Australia awarded a grant to Flagstaff Hill Maritime Village to assist with the restoration and renovation of the Viator. Its restoration continues today in the care of Flagstaff Hill’s boat builder. J R. JONES - boat builder The photograph of the EVA MYRL shows the builder J R Jones with his team of workers. The other photograph shows a vessel built by J R Jones' son, J B Jones of Footscray, and his team of boat boulders. The photograph of the EVA MYRL was taken by E. A. Dond---. The other photograph is of the Sturrock Coot, taken a Albert Park Lake in St Kilda.The Viator is the most significant boat in the Flagstaff Hill's fleet, being the last remaining local 'couta boat and one of few existing examples of this craft. Viator received Heritage status with the Australian Maritime Museums Council and is listed on the Australian Register of Historical Vessels in 2006 (ARHV Number: HV000561). Viator was built in Victoria in the early days by renowned boat builder J.R. Jones, and sailed by fishermen for many years, both local and on the coastal waters of Victoria, and was possibly used for the mail service. It is significant for being used for the fishing trade, for government service, perhaps as a mail boat, and for recreation by local families.Vessel, the ‘Viator’, an historic Victorian ‘couta boat, handmade by renowned boat builder This J.R. Jones 'couta boat, the Viator, was built in Williamstown, c.1890-1920. The single mast vessel has a Caravel hull built from New Zealand Kauri, blackwood, with a red gum keel and a jarrah stem and stern. It has a pivoting centreboard. Two photographs are included; one of the builder with his team, the other is of his son J B Jones, with his team. Marked "Viator" Photograph 1759.2: "E. A. Dond---" (indecipherable". Handwritten on back "Grandfather / J R Jones / Built" Photograph 1759.3; sign within photograph "J B JONES / BUILDER / FOOTSCRAY", stamped in the card, bottom right " ----- / MELBOURNE" and handwritten on the back "I think this is Mr Abel Sturrock Coot Albert Park Lake"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, arhv hv000561, arthur rogers, bass strait ‘couta boat, “brusher” richards of warrnambool and port fairy, clinker hull boat, ‘couta crafted boat c 1890-1905, ‘couta fishing boat, erik mikkelsen shipwright, g.j. richards of port fairy, jens “peter” petersen, john lindsay, old mail boat, pivoting centerboard boat, peter watson, single-masted ketch, terry prodmore and wayne moorefield, vessel viator, viator a historical vessel, victorian ‘couta boat, victorian barracoota boat, warrnambool ‘couta boat, western victoria fishing boat, western victoria mail boat, hv000561, australian register of historical vessels, erik mikkelsen, j b jones, j b jones boat builder, footscray, sturrock coot, sturrock, j r jones, j r jones boat builder, williamstown, eva myrl

This early-to-mid 20th century bar, or cake, of Australian-made soap is carefully wrapped in card and finished with an attractive outer wrapper that promotes its gentle, moisturising qualities. The wrapper also records its origin: J. W. Lineker, pharmaceutical chemist, of Lava Street, Warrnambool. Although the manufacturer is unclear, the soap may have been made by the chemist herself. It was one of several items removed from the steam ferry Rowitta before the vessel was demolished in 2015, after around 40 years as a popular exhibit at Flagstaff Hill. The soap was likely part of a display inside the Rowitta. The wrapper identifies Jean Winder Lineker as a pharmaceutical chemist and lists her credentials, including Master of Pharmacy. In her earlier studies, she had passed the Pharmacy Board’s Intermediate Examination in 1924. By 1940, when she was granted probate from her late father’s will, Jean had relocated from Ballarat to 127 Fairy Street, Warrnambool, just around the corner from her Lava Street pharmacy. Jean was born at Dunkeld in 1900 to Adolphus Winter Lineker (ca. 1863–1934) and Jane Sophia Lineker, born Collins, who had married in 1899. The Lineker family had long associations with tailoring in western Victoria. An article in the Warrnambool Standard in October 1897 reported that A. W. Lineker, late of Melbourne, planned to open a tailoring establishment in Liebig Street, Warrnambool. By 1909, the family was in Portland, where they established the West End Tailoring Establishment in Julia Street. A comment in the local newspaper commends his window display; “Mr Lineker's windows attracted much attention throughout the evening, and most complimentary references were made to his neat dressing.” In 1912, they moved to Geelong and opened another tailor shop, before later moves to Ballarat, Brighton and Koroit. Adolphus died at Koroit in 1934, while Jane later returned to Dunkeld, where she died in 1940. Jane and Jean had been named joint executors of Adolphus’ will, but Jane died before probate was granted later that year. Other members of the Lineker family also operated tailoring businesses across the Western District in the late 19th and early 20th centuries. Everyday toiletries such as this offer a small but revealing insight into local retailing, personal care and pharmacy practice in regional Victoria during the mid-20th century. It is connected to pharmaceutical chemist Jean Winter Lineker, who lived in Warrnambool and ran her business there. Jean came from the well-known Lineker family: her father and other relatives operated several tailoring businesses across the western district of Victoria during the late 19th and early 20th centuries. Bar of soap: Superfatted Skin Soap within a rectangular, light coloured paper packet with navy-blue printed inscriptions on the front. The unsealed packet exposes a grey card lining and grey-fawn coloured soap. A decorative border encloses a female cameo portrait and details of the soap’s distributer. The soap originated from J. W. Lineker, pharmaceutical chemist, Lava St, Warrnambool. “SUPERFATTED / SKIN SOAP / J. W. LINEKER / FN. C., M.P.S.. / Pharmaceutical Chemist / Lava St, WARRNAMBOOL, / ‘Phone 424.” Logo within a circle: Portrait of a young lady showing the left side of her face.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, superfatted skin soap, j. w. lineker, pharmaceutical chemist, lava st, fn. c, m.p.s., phone 424, australian made, soap, the rowitta, jean winder lineker, master of pharmacy, pharmacy board, intermediate examination, ballarat, 127 fairy street, adolphus winter lineker, jane sophia lineker, western victoria, tailor, portland, geelong, brighton, koroit, chemist, pharmacy

This glass kerosene lamp was used at St Peter's Church of England at Cape Bridgewater. From Victorian Heritage Database - St. Peter's Anglican Church (former) is a small sandstone church, located at the end of Bridgewater Fire Station Road. The church was constructed between 1883-1884, as a result of lobbying by the congregation and the Reverend Allnutt to establish an Anglican Church in the area. The area was predominately Presbyterian and Methodist, so such a fine church was somewhat unusual. There was obviously much community support for the establishment of the church; the land was donated by Kennedy, a nearby landholder, and the stone was quarried for free at Mount Pleasant, owned by the Kittson family. The church was designed gratis by the ecclesiastical architect, Mr. Casselli of Ballarat, who designed many significant buildings throughout Victoria in the nineteenth century. The building contractors were a local firm, Messrs. Benson and Hardie. The church retains a high degree of integrity externally, and is in good condition. This item is significant because it demonstrates early methods of storing fuel. It is also connected to St Peter's Anglican Church in cape Bridgewater which is now a visitor accommodationA glass container with a metal sleeve. The top of the glass container has a metal opening and screw top as well as a spout for pouring. There is a metal carry handle with a wooden cylinder in the middle for carrying. This is only fixed to the container on one side as the metal eyelet on one side has broken off. The metal sleeve on the glass container has embossed pattering above and below the word - Dandy. There is an old carboard label attached to the top with string.Metal sleeve - DANDY Label -This kerosene container was used in / St Peter's Church of E / Cape Bridgewaterreligion, church, place of worship, cape bridgewater, st peters church, anglican, glenelg shire, glenelg, portland, fuel, kero, kerosene, light

This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery'

This album contains a collection of family photos, greeting cards and hand drawn floral emblems. Among the photographs are two which have details on them: a young girl named Margaret Clarke aged 8 1870 and another of Charles Alexander Clarke. The photographers are from many places including Britain, Melbourne, Portland and a number by Daniel Clarke of Warrnambool. Daniel Clarke was one of Warrnambool’s more important photographers, operating a business for thirty years in the town. He also worked as an artist and taught art in local schools. He painted a number of versions of Tower Hill. He died in 1918 at the age of 91.This album shows a collection of photographs and cards which were important to families in the later part of the 19th century. It has artistic and historical significance, with the photographs in particular depicting many different styles of clothing and household details of the time. Brown leather with a figured pattern and gold detail. Bent metal clasp Back cover in cross-hatched pattern. Spine has 5 horizontal lines. Edges of pages are edged in gold. Pale grey water wave patterned paper inside front and back covers. Pages inside are varied with some having coloured floral embellishments while others have pockets to hold from 1 to 4 photographs or card. One photograph of young boy has Charles Alexander Clarke written on bottom in black pen. A card with illustration of honeysuckle on front, has With Love to Mrs. Smith from Isabel,warrnambool, history of warrnambool, margaret clarke aged 8 1870, charles alexander clarke 1870, daniel clarke photographer

The actual history of this object relating to Warrnambool is unknown at this stageSome photos have been identified as local people from WarrnamboolLeather bound. Brown. Engrave with Gold and Black. Ornate scrolled, embossed work on cover with The words The Colonial Family Album on the front, back and spine engraved. Metal locking clasp is broken. 23 pages. Binding in blue tape. Each page is highly decorated changing on each page, facing pages match each other, colours used are gold, red, blue, pink and green. Photos are taken mid 1870's to late 1880's by photographers from Melbourne, Portland & Ballarat. Sepia photos, 20 large frames of men & women, 20 small oval & round topped oblong frames. Collection of Women, Men, Teenagers and children. Each photo slides in from the bottom of frame through a small slot.album. photographs. photographers. ornate art work., warrnambool historical society

This is a paper back book with a yellow cover with black headings and annotations, black and white sketches and black and white photographs. There are 52 pages of handwritten and copied material with photographs and illustrations. The pages are stapled.non-fictionAn example of Vanda Savill's handwritten books documenting western district local histories focussing on the Henty family.henty family, vanda savill, warrnambool

Painted for Mrs Ruby Young whose family owned the hotel at one time - (since burnt down) The hotel was built around 1857 near "Shaw Crossing" when Cowton and Bland selected the site because the bullockies watered and rested their stock on route Belfast and Portland. The name of the hotel came about because the winning post for the horse races was in front of the inn and the jockeys weighed in there.Illustration of a hotel that became the hub of social life in Orford that no longer exists.Watercolour painting of "Horse and Jockey" Hotel Orford. Frame composite wooden gilt embossingChristopher Mathews Ruby Young 1989 50 Whalers Road Victor Harbor S.A. 5211 1/2/84local history, illustrations, watercolours, horse and jockey hotel, ruby young, horseracing

James Robbie Mathers was born in Pleasant Creek [Stawell] in 1867 to James Allen Mathers, a storekeeper and former councillor. He was later to become a storekeeper in Gippsland and then at Heywood, near Portland. Following a move to Melbourne, he established a real estate business. He initially lived in Hawthorn, before moving his business to Kew where he traded as Mathers & McMillan, 136 Cotham Road, and later at 283 Burke Road. For a short time, the family resided at Landene, in Cotham Road. They were to finally move to Rosalea, in Dale Street, Deepdene. Following the death of Cr Henry Kellett in 1924, Mathers was elected unopposed as representative of College Ward. Elected Mayor in September 1930, he convened a meeting of citizens in the Town Hall in Walpole Street to form a local unemployment relief committee. His social initiatives included handing over council-owned premises in Brougham Street, the building re-purposed as a workshop for the unemployed, who were also granted free use of the Kew Municipal Baths. The Mayoress, Jean Mathers, set to work raising funds through charity balls, and also raised funds for St Anthony’s Orphanage in Wellington Street. James Robbie Mathers died on 8 April 1945. He was buried at Box Hill Cemetery. This rare civic testimonial is historically significant, especially locally, as it contains the signatures of all present councillors and parliamentarians representing the City of Kew as well as the names and signatures of leaders of local churches, schools, public officials and leaders of community groups.Boxed presentation folder and correspondence presented to the retiring Mayor of Kew, James Robbie Mather, in 1931. The book is leather bound with gilt lettering on the front. The 4 page testimonial includes and hand written statements about his contribution to Kew and its civic life. Other pages are signed by councillors, parliamentarians and community leaders.james robbie mathers, mayors of kew, civic testimonials

John Webster Lawson was born in Sheffield, England in 1855. HE travelled Europe as a young man where he studies art in Paris under Ferdinand Cormon. He arrived in Australia in 1895. His first job in the arts was designing theatre sets for James Cassius Williamson whose theatrical management company was described in its heyday as the largest theatrical firm in the world. Lawson went on to open an art school in Nhill where one of his pupils was Percy Leason. Lawson died in Sale in 1941.Oil painting in a gold coloured timber frame. The painting depicts a coastal scene. To the fore of the painting is a wrecked timber dinghy boat on the sand. It is falling apart. To the right of the boat are large rocks, to the left is the sea. There are sailing boats on the sea and the coastline stretches into the horizon. There are cliffs running along the edge of the sea. The sky is blue with white fluffy clouds.Signed bottom rightportland, glenelg shire council cultural collection, oil painting, sea scape, landscape, 1800s

John Webster Lawson was born in Sheffield, England in 1855. HE travelled Europe as a young man where he studies art in Paris under Ferdinand Cormon. He arrived in Australia in 1895. His first job in the arts was designing theatre sets for James Cassius Williamson whose theatrical management company was described in its heyday as the largest theatrical firm in the world. Lawson went on to open an art school in Nhill where one of his pupils was Percy Leason. Lawson died in Sale in 1941.Oil painting in a gold coloured timber frame. The frame is ornate and detailed with scrolls and decorations and each corner. The scene depicts and rocky beach. Steep cliffs follow the coastline along. There are two seagulls on the beach and several flying above the water. There are sailing boats on the sea. At the top of the cliffs in the top left corner is a building. The sky is blue with white fluffy clouds.Signed and dated bottom leftportland, glenelg shire council cultural collection, oil painting, sea scape, landscape, 1800s

John Webster Lawson was born in Sheffield, England in 1855. HE travelled Europe as a young man where he studies art in Paris under Ferdinand Cormon. He arrived in Australia in 1895. His first job in the arts was designing theatre sets for James Cassius Williamson whose theatrical management company was described in its heyday as the largest theatrical firm in the world. Lawson went on to open an art school in Nhill where one of his pupils was Percy Leason. Lawson died in Sale in 1941.Oil painting in a double frame. The inner frame is canvas with a gold timber beveled inner edge and the outer frame is timber. The scene depicts a coastal scene. A beach in the foreground with three cows grazing on the grass to the left. A rickety fence can be seen behind the cows. The cliffs reach out to the horizon and a lighthouse can be seen in the distance at the top of the cliffs. There are two sailing boats on the sea and seagulls flying above the water. The sky is blue with a few clouds.Signed and dated bottom leftportland, glenelg shire council cultural collection, oil painting, sea scape, landscape, 1800s, lighthouse

The "Listening to the Voices" project aims to preserve the recorded memories of Portland C.E.M.A. ( Council for Encouragement of Music and the Arts) early members in order to enable access to local historians, family historians and current members. Bob and Jean Stuchbery were active members in the post WW2 era and throughout the 1950s. Jean made cameo appearances into the 1980sThe series of oral history interviews (1983-1990) captured the memories of some active early members of the Portland Council for Encouragement of Music and the Arts. First hand memories of the formation of the organisation in 1945, early activities of its groups, fundraising and building of the CEMA Arts Centre provide a window into community life in Portland and District in the post WW2 era. Recent digitisation (2025) has preserved deteriorating cassette tape recordings.oral history - portland c.e.m.a., portland council for encouragement of music and the arts