Slide. CHS, Bendigo Law Courts and former Post Office view from corner of Bull street and Pall Mall. Date: 7.4.79slide, bendigo, law courts, chs, bendigo law courts and former post office 1979

Postcard -colour enhanced photo of Post Office and Law Courts , Bendigo / addressed to the Railway Club Hotel Spencer street , Melbourne / one penny red stamp postmarked 31.12.1904.postcard, photograph, bendigo post office, post office and law courts , bendigo / railway club hotel spencer street , melbourne / one penny red stamp postmarked ' 31.12.1904 up train and possiblt mg4

Colour photo: taken from rear of Law Courts and Post Office buildings, which are situated in Pall Mall Bendigo. Demolition site where Police Headquarters once stood in foreground, fully cleared with dirt surface evident. Post Office building rear and side covered in scaffolding.organisation, government, law courts, post office

Sepia photo: image, mounted on board, shows Bendigo Post Office and Law Courts, Pall Mall, trees out front inside tree guards. Hansom cab just visible on bottom RH side of image.bendigo, streetscape, pall mall, bendigo, sandhurst, post office, law courts, pall mall

Sepia post card, printed on back 'Post Card, printed in Australia, R.E.M. Series' Image shows Post Office and Law Courts, Pall mall Bendigo. Horse and cart in front of image, lamp post on Lh side. Camp Hill primary school just visible on skyline at rear.place, streetscape, pall mall, bendigo, law courts, post office, pall mall.

The historic law courts and post office have been a feature of Bendigo's Pall Mall since they were built in the late 1800's The law courts were built between 1892 and 1896 by the contractors McCulloch and McAlpine and designed by Public Works architect George W. Watson. It was was constructed in the Victorian Second Empire style been described as reminiscent of an Italianate palazzo and shares a great deal with its neighbouring building, the Bendigo Post Office, which was also designed and built by Watson, McColloch and McAlpine 10 years earlier. The Law Courts are built of rendered brick and Harcourt Bluestone. A collectable souvenir plate possibly produced by the City of Bendigo.Dinner plate with printed drawing of the Bendigo Post Office and Law Courts. Black print on white plate with black border edge. Backstamp features the monogram "RKG" under a crown, with the text "MADE IN CZECHOSLOVAKIA". This mark belongs to Rudolf Kämpf from the factory in Grünlas (Loučky, Bohemia), used around 1918–1921.Post Office and Law Courts, Bendigo.bendigo post office, bendigo law courts

Black and white photograph of the Bendigo Post Office and the Law Courts. The photo is glued to cardboard.buildings, post office, post office bendigo

Black and white photograph of earlier photo. Bendigo Post Office and Law Courts. Small trees, planted along Pall Mall. Trees have protective guards around trunks. Two groups of two people Inscriptions: in image - across top 'Post Office and Law Courts, Bendigo':.buildings, government, bendigo post office

Black and white photograph of Pall Mall with the old Post Office and Law courts buildings. At the bottom in blue pen: Bendigo 1959.bendigo, streetscape, post office

Black and white photo of 2 trams on Pall Mall in front of Post office and Law Courts, surrounded by crowds of people and vehicles.basil miller, bendigo trams

Sepia colour postcard, portrait style Written on bottom 'Post Office, and Law Courts, Bendigo'. Image shows many people walking down Pall Mall on footpath outside Law Courts and Post Office. Women wearing ankle length dresses, large 'picture' hats. Men suits, straw boaters. Clothing appears to date to 1800's to early 1900's. Receipt number 355/16Printed in Saxony, on back of cardbendigo, business, carwardine soap and candle

Printed embossed postcard of a view looking at the Bendigo Post Office, Town Hall and Law Courts buildings. There is one ESCo tram in the view along the bottom edge. Card by Valentine & Sons, printed in Great Britain. The card has a sprigg of wattle on the left-hand side and the stars of the Southern Cross in the bottom right-hand corner, which have been embossed into the card.Demonstrates a embossed card of a view of Bendigo's Government buildings.Postcard coloured - divided back - unused, embossed.Has the "K J Magor No. " stamp along the bottom edge on the rear.tramways, trams, bendigo, esco, post office, town hall, bendigo tramway

Black and white photocopy. Public buildings Pall Mall, Post Office, Law Courts looking NNE. Original taken c1906 by WH Robinson, Tran in foreground. Two horse drawn carriages. Four pedestrians on footpath. South African War Memorial on left hand foreground. Photograph most likely taken on a Sunday afternoon, because of the lack of traffic. Inscriptions: Post Office and public buildings, Bendigo (printed) History of photograph. First appears? In a 1906 publication by Bolton Bros.WH Robinsonbuildings, government, bendigo post office

Document: copy of photos: Post Office and law courts, Bendigo and the fountain, Charing Cross, Bendigo.place, bendigo, charing cross, post office and law courts.

Colour photographs by Trav Munro of buildings at the Federation University Camp Street Campus, including the former Ballarat Post Office (now Post Office Gallery), Former Law Courts (State Offices), New South, New Northtrav munro, federation university australia, camp street, arts academy, post office gallery, post office gallery, former ballarat post office, former ballarat law courts, former ballarat state offices, new north, new south, old sheriff's office

Black and white photograph taken from SW. horse drawn conveyance lwr R foreground. Two couples standing along fenceline. Trees - small protected by guards. On back: stamped in circle 'Royal Historical Society of Victoria, Bendigo Branch'. In black ink -'MP 259'. Marks in grey lead across one diagonal and one long perimeter. History of object: Previous Acc. No. 'MP 259'. Ian Wild, June 2000 'Bendigo Post Office and Court House'.buildings, government, bendigo post office

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.