Set of 10 Prints of Veteran Cars. A print of a watercolour scene for each car. Signed armstrong siddeley 1904, fiat 1904, gregoire 1913, renault 1899, packard 1909, lanchester 1895, rolls royce 1906, ford 1906, benz 1885, napier 1900

In order to get your photographs printed. Film was taken to a Chemist or photographer, sent away and developed (or processed locally if a photographer) and returned in small pocket envelopes with developed negatives and prints. Printed Brown Paper folders. With advertisingG.M.J. Coles Chemist Stawell

In memory of auxiliary members who had passed away, gifts were sometimes presented to the RVIB for use in the office or sale to raise funds. In this example, two prints from a fox hunting collection were made in memorium of Margaret MacFarlane, who was a foundation member of the Alberta Auxiliary and the Executive Council of Auxiliaries for RVIB.Images of 2 framed prints of "The Fox Hunt" and "The Preparatives"Presented by Alberta Auxiliary in memory of Miss Margaret MacFarlane foundation member of Alberta Auxiliary member of Executive Council of Auxiliaries and esteemed and loyal member of R.V.I.B. Auxiliary movement 16/3/1987. royal victorian institute for the blind, gifts

Poster advertising Courses, Careers and Counseling for students. Sessions to be held on Friday 8th and Saturday 9th October at two venues - Mount Helen Campus and at the SMB Campus in Lydiard Street Ballarat.Purple poster with yellow textBarnet Printballarat institute of advanced education, mt helen campus, ballarat school of mines, lydiard street, lydiard street campus, courses, careers, counselling

Sourced from Alex Stitt's extensive archive, this well used index book provides a fascinating insight into the operations of the designer's graphic design studio in the 1970s. Used as a repository to catalogue client artwork, each contact print was given a hand-written code, evidence of a simple system to manage the process of creating artwork. The book's monochromatic pages speak of a time long past when design was a manual undertaking, a time of hard copies, not hard drives. Dominic Hofstede, 2017Index book containing contact prints relating to businesses and promotional campaigns.graphic design

Original owners: John GRYLLS Reg No 418, Unit: 4th Light Horse, WWI John Frederic GRYLLS Reg No 51033, Unit: RAAF, WWII John Grylls No 418 enlisted on 19.8.1914 in the 4th LH Regt AIF age 28 years 8 months. He enlisted with the rank of Sergeant having had 3 years prior service in the LH. Embarked for Egypt 19.10.1914, embark for Gallipoli 20.5.1915, to hospital 12.12.1915 with Mumps, rejoin unit 22.12.1915, embark for France 25.3.1916, transfer to 1st Anzac Cyclist Batt 12.5.1916, promoted to CSM 13.5.1916, promoted to RSM 7.4.1917, hospital 9.7.1917 with Scabies, rejoin unit 31.7.1917, embark for Australia 24.9.1918, disembark Colombo with Lobar Pnuemonia, embark for Australia 10.1.1919, discharged from the AIF 30.3.1919.Fawn wooden frame with white cardboard backing, glass front & rear white hanging cord. Sepia photo of WO Class 2 John GRYLLS with his medals, badges & Certificate of Discharge. All mounted on dark green background & border.Bottom RHS of Montage: “Warrant Officer Class I John Grylls - 418 1st ANZAC Cycle Battalion Australian Commonwealth Military Forces” montage, framed, 418

Wooden frame, glass front, coloured print with cream border.“BIG GUN COMPETITION AT QUEENSCLIFF”military history-army, arms-ordnance, glass technology, queenscliff

Silkscreen printNot signed. Not dated.screenprint, power, poster, exhibition, police

Queenscliffe life c1863Life in Queenscliffe in c1863Prints of an illustrations of etchings, c1863Reverse - " nil ".historical references

These items have no provenance but would be useful for display purposes. They are typical of the Victorian era displaying the romanticized beauty of children and young women. Flowers, gardens and pets were also displayed in this manner. This is all amply displayed in these two prints. Items were also quite readily and cheaply mass produced and thus available for many people to cheaply decorate their homes in the latest styles. Reproduction was possible and popular resulting in an enduring style which could be said to be eclectic The Victorian Era is named after the reigning monarch, of the second half of the 19th century Queen Victoria.This pair of prints has little provenance but being typical of the era will be useful for display. These are a matching pair of framed prints of a young boy and girl with a wide dark green border around the edge with a row of dots on the outside of the glass. The boy is holding posy of violets and the girl a fan. The edge is finished in a metal, possibly tin. Both are backed with heavy card. The glass on the girl frame is broken .There is a small metal chain from the girl frame.warrnambool

Seven prints from T.O'Shannesy's Album(Swan Island) Black and white photographdefence, swan island

Image from a set of prints relating to immigration and ships. immigration, ships

Advertisement for G. Upton (framed prints), 29 and 75 Watsonia Road Watsonia,1973.Digital copy of newspaper advertisement.upton, watsonia road watsonia

Three colour photographs of paw prints near Lake Murdeduke, Winchelseaaustralian animal folklore collection, lake murdeduke, winchelsea, mythical, myth, folklore, legend

Dyeline prints of student's technical drawings .1) Front wheel assembly .2) Vineyard motorized trailertechnical drawing, mechanical engineering, j r grant

Black and white prints of HMAS Australia (two), HMAS Melbourne carrier poem "Matelot's Farewell to his Tot"

List - 1 quarto ruled sheet, hand written, titled "Foreign Prints and Sketches"", listing in an alphabetical order of various drawings such as tower wagons, sub stations, signs, bus chassis, steel poles, loud speaker, buses, Daimler buses with dates, sizes and title. Sheet numbered 251trams, tramways, drawings, preston workshops, buses, equipment, tower wagon