One of a series of photographs taken by Michael Ritchie who was enthusiastic deck hand on Wattle. Photographs taken when Wattle was at Rye for the Christmas/New Year period, most likely 1997. Sailing schedule,shows 5 cruises per day, ticket prices, cruise destination of Seal Colony.and tea, coffee & scrolls available. Colour photograph of Wattle moored at Rye Pier, looking to stern. Gangway, lifeboat, signs, Red Ensign visible. Skipper Leigh Doeg selling tickets to 2 parents,2 children on right hand side of photographsteam tug wattle, rye pier, seal colony cruises, leigh doeg, michael ritchie

Owen RYE (05.11.1944 - ) Born Cooma, New South Wales Internationally recognised in the field of Ceramics, Owen Rye was a lecturer at the School of Visual Arts, Gippsland Institute of Advanced Education (incorporated into Monash University 1992), 1985-91 and senior Lecturer at the Gippsland Centre for Art and Design, Monash University (later Federation University) from 1992-2003. Proficient in the use of the wood-fired Anagama kilm, the surface of his work is dependant upon the placement of the item in the kiln, with ash glaze developing where ash and embers coat the form. Wheelthrown Anagama [woodfired] stoneware. Jan Feder Memorial Ceramics Collectionjan feder memorial collection, jan feder, owen rye, ceramics, gippsland campus, artwork, artist, gippsland centre for art and design

Shire of Eltham Infrastructure benchmark studies (see also EDHS_04185)35mm Colour positive transparency Mount - Kodak Card duplicate Also colour photo print enlargement 27 x 35.5 cmbenchmark studies, glen drive, infrastructure, rye, shire of flinders

Shire of Eltham Infrastructure benchmark studies (see also EDHS_03937)35mm Colour positive transparency Mount - Grey and White plastic Also colour photo print enlargement 27 x 35.5 cmbenchmark studies, glen drive, infrastructure, rye, shire of flinders

Images of the Sand Sculpting Exhibitions on at Rye and Cronulla beaches. These were fundraisers for Royal Blind Society of NSW and Vision Australia Foundation (respectively), held in conjunction with Sand Sculpting Australia.63 digital photographs of exhibitionsvision australia foundation, royal blind society of nsw, fundraising

Label inscription - 'H.M.A.S. BENDIGO PORT. To commemorate the granting of Freedom of Entry/ to the City of Bendigo for H.M.A.S. BENDIGO/ 12.11.86/ 75TH Anniversary/ R.A.N."Amber glass bottle containing a liquid with metal screw top and one paper label adhered to side of bottle. Volume 750ml. Label has dark brown print on a beige background. Illustrated with City of Bendigo crest and HMAS Bendigo crest.Label inscription - “H.M.A.S. BENDIGO PORT. To commemorate the granting of Freedom of Entry/ to the City of Bendigo for H.M.A.S. BENDIGO/ 12.11.86/ 75TH Anniversary/ R.A.N."souvenir, anniversaries, bottles, hmas bendigo

One of the most important and successful attacks on merchant ships inside an enemy harbour during world war two by English and Australian Commandoes or Special Unit Forces, launched from Australia. Nil deaths by the Commandoes were recorded, and 40000 tons of enemy ships were damaged or destroyed. To enlighten RSL Members and the public, the history of the MV Krait and the importance of our Military History. The newsletter has a typed story and pictures of members of M and Z Special Force. Krait took a small force on one of its missions and they sank about 38,000 tons of Japanese shipping in Singapore Harbour in 1943. The newsletters front page has pink large writng on a white background. The word Krait and a photo of it on the Brisbane River. The newsletter is 4 pages with a photo of the men on board on page 2. Page 3 has another photo of the Krait. It is on loan from Mr.Jim Muir, world war two, pamphlet, short story, mv krait, motor vessel, singapore, singapore harbour, 1943

Black and white soft covered book including information on Graham Beanland's connection to Stawell, Yallourn, Ballarat, University of Melbourne, Electricity Commission, Electrical Insulators, Latrobe Valley, TAFE BOard, Hawthorn Institute, Footscray TAFE, Ballarat School of Mines, Family History, preserving the history of the Ballarat School of MinesINSIDE FRONT COVER 'with complements G. Beanland'graham beanland, graham howard beanland, ballarat school of mines principal, ballarat school of mines history, family history, genealogy

4862.01 - (Clockrise from front) - Angus Drennen, Dorothy Willaton, Jim Hogan, Lyn Learmonth, Ed McBride, ? Johnson, Clarrie Johnson Nee Robinson, Norm Foxcroft, Alva Maher Nee Cunningham, Betty Foxcroft Nee Cunningham|4862.02 - (L-R) - Margie Styles, Hazel Scanlon, Bella Styles, Arthur McKenzie, Mick Mather, Peg Mather, Francis Drennen|4862.03 - (L-R) - Len ?, Margie Styles Nee Kurno, Hazel Scanlon Nee Springall, Bella Styles Nee McKenzieresident

Padlock and key, iron with figure 8 cut out. Padlock - Rye Co. USA Key - "Russel & Berwin MF Co., New Britain C.T. USA" "2". warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, padlock & key

MOK271.1 and MOK272.2 Ribbon awards. Blue nylon with gold screen printing. Handwritten names of award and recipients.MOK272.1 "DARREN STEVENS COURT ULFIUS/RYENCE CHAMPION KNIGHTS TEAM" "INDOOR SPORTS 1981". MOK272.2 as above for "CRAIG HERBERT".methodist order of knights, darren stevens, craig herbert, court ulfius/ryence, awards, indoor sports

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Strip of knitted fabric samples showing the nine wool colour options for the boys line of Robert Blake/Kathryn knitwear in the winter season of 1980. Label printed in pale blue paper lists season and colour names and is attached to sample strip with two metal staplesBOYS WOOL WINTER 1980 COLOR SWATCH RED BURGUNDY BROWN RYE PEBBLE OYSTER NAVY BLUE SHADOW DENIM GRANITE GREYfabric sample, textile sample, fabric swatch, textile swatch, fashion textile production, textile manufacturing

Typed Letter 7 May 1990 to James Jim Wallace Hogan from Frank Ford|Photograph of Petty Officer Jim Hogan in uniform|Photograph of model ship HMAS Shopshire Rye RSL|Photograph 1st Navy Reunion Rye RSL|The Admirals Table with three flags and cap along with his car number plate NAVY 492james jim wallace hogan

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Strip of knitted fabric samples showing the 14 wool colour options for the ladies' line of Kathryn knitwear for the winter season of 1980. Label printed in pale blue paper lists season and colour names and is attached to sample strip with two metal staplesLADIES WOOL COLOR SWATCH WINTER 1980 RED BLACK MAGNOLIA OYSTER SILVER BLUE SHADOW NAVY TEAL GREEN BRACKEN RYE BROWN BURGUNDY DEEP REDfabric sample, textile sample, fabric swatch, textile swatch, fashion textile production, textile manufacturing

Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. Gift of the Artisttony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection

Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. tony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection

Memorabilia and notes to rules officials at the Australian Open 2005, played at the Moonah Links (Rye Victoria) 24-27 November 2005. Bruce Harding was a rules official at this competition.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Memorabilia collection of 2 p. additional local rules; 4p. ‘Rules Walkers Roster’; 4 car park passes; Moonah Links scorecard; 2 AGU guest passes; 2 season passes; Bruce Harding - Rules Official badge.bruce harding, golf - rules, australian open (golf)

Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.Collection of Photographs taken by Henry Sutton. Some are single photographs and others are double (side by side on a card)photographs, henry sutton, federation celebrations 1901, rye, stereoscope

The annual report outlines the achievements of the year and financial position of the organisation. Other articles discuss the agreement to merge the library division with NILS (National Information Library Service), expansion of radio network with a station in Geelong and new services in Warragul and Warrnambool, launch of new building at Kooyong, redevelopment at Mirridong to incorporate Community Services facilities, Kooyong fair raised $30,000, continuing discussion over amalgamation with RVIB and RBS, the sad disbanding of auxiliaries at Geelong and Warragul, 12 Easter Egg hunts were held in partnership with Kenman Kandy and Hungry Jacks - an increase from 5 last year, and partnering with Rye Beach Action Group to bring sand sculpting to Rye.1 volume of printed pages with illustrationsvision australia foundation, corporation records, malcolm daubney, michael lynch, graeme jones, fundraising, kooyong fair

Official program of the Australian Open 2003, played at Moonah Links (Rye) 18-21 December 2003. Accompanied by local rules and pace of play leaflet; AGU guest pass and 1 p. notes on dealing with TIO situations. Bruce Harding was a rules official at this competition.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Official program 83p., col. Illus. Accompanied by local rules and pace of play leaflet; AGU guest pass and 1 p. notes on dealing with TIO situationsbruce harding, golf - rules, australian open (golf)

-3a Photo of woman by W J Chapman Stawell c1920 -3b Wedding group photo of 10 individuals. Three bridesmaids & two flower girls. -3c Wedding group. Bill & Lynda Grambau (ne Shultz). Married Kewell Church. -3d Portrait of young girl standing on chair by F A Finch 112 Peckham Rye SE -3e Young baby seated on cane chair in garden setting. Series of photographs