Three copies of program for an art exhibition August 7 until August 11, 1972. Those associated with the exhibition are: City of Bendigo, The National Trust of Australia (Victoria) Central Victorian Branch, Mutual Permanent Building Society, Mrs D. I. Nolan and the Australian Galleries. The brochure names the twelve paintings, on exhibition by Sidney Nolan and Portrait of Sidney Nolan, by Christine Backhaus. There is also a short biography on Sidney Nolan. Handwritten in the top right corner of one copy is: Bush 1972.art, document, art of sidney nolan, city of bendigo, the national trust of australia (victoria) central victorian branch, mutual permanent building society, sidney nolan, cr d e elliott, colonel s r birch o b e, australian galleries, christine backhaus, the age, sidney henry nolan, dora irene nolan (sutherland), mrs l sweet, mrs m goslin, brighton technical school, raymond nolan, malcolm goslin, prahran technical school, national gallery art school, serge lifar, icarus, colonel de basil, kelly gang, unesco gallery paris, paradise gardens, her majesty the queen, arts centre st kilda road, prince phillip, lord snowdon, rev. fr. j p stockdale, mr a j watts, rosalind landells, feargus niall, mari mullins, brian mcgrath, bush

SoftcoverFlyer of 'Rodney Pople: First One Man Show in Melbourne"national gallery of victoria, painting, sidney nolan, richard haese, jan minchin , walsh st library

Painting depicting a male and female nude embracing in a rose landscape Nonesidney nolan, painting, landscape, gouache, convict, female nude, male nude

Hardcover w/ Dust Jacketwalsh st library

HardcoverA small piece of newspaper inside the book (Title: Gould strikes gold with Nolan's Kelly）walsh st library

Born: Carlton, Victoria, Australia 1917; Lived and worked: England 1953-1992; Died: London, Middlesex, England 1992Post WarGift of the Friends of the Benalla Art Gallery, 2005 Black and white photogaph of makeshift horse arena. Unframed in archival folder.Recto: Not signed, not dated, not titledphotograph, fence, hill, rural, arid, tree, building, figures, fence, bush, child, woman, rock painting, paddock

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1984

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1984

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1984

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1984

Exhibition of paintings by Arthur Boyd, Sidney Nolan, John Perceval and Albert Tucker at the Museum of Modern Art of Australia, Oct 17-Nov 14, 1961arthur boyd, sidney nolan, john perceval, albert tucker, australian painting, walsh st library

Article discussing authenticity of painting entitled 'Woman and Tent' considered to be work of Sidney Nolan. and painted in Nunawading. Written by nephew.painting, carroll, steven, nolan, sidney, carroll, katherine, clark, jane

Eleanor Constance (Nornie) Gude was born in 1915 in Ballarat, Victoria to Stella Rehfisch and Walter Gude, musician and violin teacher, and conductor of the St Patrick's Cathedral orchestra and choir in Ballarat. Her parents met when Stella was 27 and the 42-year old Walter was teaching her the violin. Nornie and her sister Gilda were both raised in Ballarat before moving to Melbourne on the eve of World War II. She was accepted into the Ballarat Technical Art School at 15 because of her advanced skill in painting, and trained there from 1931-1936. She won the esteemed MacRobertson Scholarship in art worth £100 a year. She later went on to the National Gallery School from 1936-1939, studying with Sidney Nolan and Charles Bush, and became the first woman to win the National Gallery Students Travelling Scholarship. Gude won many awards for her painting both while at school and throughout her career. Her work is represented in collections at the National Gallery of Victoria, Parliament House, and the Art Gallery of Western Australia, as well as regional collections in Ballarat, Geelong, Castlemaine Art Museum, and Bendigo.Portrait of Nornie Gude while a student at the Ballarat Technical Art Schoolnornie gude, ballarat technical art school, 1931-1936, women of note, artist, macrobertson scholarship, 100 pound per year, national gallery school, 1936-1939, sidney nolan, charles bush, first woman national gallery students travelling scholarship, parliament house, regional collections, ballarat, geelong, castlemaine, bendigo, national gallery victoria, eleanor constance gude

From Information Book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Original painting polyvinyl acetate on hard board. Depicts five soldiers in vivid cobalt blue. The soldiers stand huddled together, one wearing an emu plume in his slouched hat, another has Corporal's stripes and one is holding a rifle. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print. "SIDNEY NOLAN - (1917 - 1992) Soldiers 1959". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - TEXTILE, DYE, COLOURED CRAYON ON COATED PAPER. DEPICTS IN DARK BROWN COLOURS WITH SMALL ACCENTS OF PALE BLUE, RED AND YELLOW - BELOW HORSE. VISIBLE IN PAINTING IS A SOLDIER, HORSE AND GUN CARRIAGE. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print; "SIDNEY NOLAN (1917 - 1992) Gallipoli soldier, horse and gun carriage 1961". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period. 252 drawings and painting.framed accessories, prints, ww1, gallipoli, centenary

Vol. 2, No. 2, Apr-May 1997 CONTENTS DRAWING ON NATURE Jenny Chong discusses the long transition from pottery to sculpture 3 THE WRITER IN THE THEATRE Alison Croggon talks about the pains and joys of writing for the theatre 6 A MUSICIAN'S MUSICIAN Daniel Chable on Steve Vai 9 JOURNEYS OF THE MIND The pathway of 14 regional artists 10 THE INVISIBLE THEATRE The contribution of the Melbourne writers' theatre 13 PHOTOGRAPHY Justin McMahon's camera turns the night sky into 'light paintings' 16 NOLAN AT MUSEUM OF MODERN ART Why the Ned Kelly series is the exhibition we had to have 18 THE VOICE IN BETWEEN Short story by Archimede Fusillo 21 THEATRE AND CD REVIEW A play that puts an Aboriginal and Torres Strait Islander point of view 26 THEATRE AND CD REVIEW 27 ALAN MARSHALL AWARDS 28 SOUL OF SOCIETY Ken Strong tackles some questions of creativity 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, food for all seasons, sidney nolan, ned kelly at glenrowan, jenny chong, manningham artspace, alison croggan, steve vai, daniel chable, recherche speciality picture framing, harriet dance, eva gaitatzis, manningham artspace, rick amor, jenny chong, geoffrey gordon dance, ernest fries, isabel davies, lindsay edward, kazuko eguichi, deborah halperin, inge king, grahame king, kevin lincoln, david moore, akira takizawa, tony trembath, carolyn pickett, melbourne writers' theartre, faces coffee house, eastern metropolitan opera, justin mcmahon, albert tucker, archimede fusillo, slickers, whilefood delights, eltham school of ballet, eltham little theatre, peter chapple, alan marshall short story award, janet drake, jon weaving, barry dickens, do lunch at the library licensed cafe, ken strong, wingrove cottage community clinic, helen o'grady children's drama academy, eltham high school symphonic band, james morrison, eltham wiregrass gallery & cafe

A critique of the adaption of American culture in Australian popular culture, where only the worst or silliest things from the US are adopted. Boyd suggests the colonial, unambitious and rigid brand of masculinity that characterises the "Aussie myth" hinders the development of an imaginative and creative social climate that manifests in a superficial appropriation of American culture. Boyd is not critical of US culture itself, in fact he has a great appreciation of US culture. He suggests that the Australian brand of Americanisation is only a superficial commercial exploitation of the American dream. It concludes with Boyd rallying for the development of a unique Australian originality with increasing connections to Asia.Typewritten, pencil edits (pages 22a and 22b added after page 22), quarto, 24 pagesamericanisation, american culture, australian culture, masculinity, cultural myths, australian values, social attitudes, ussr, asia, california, sidney nolan, alan moorehead, patrick white, donald horne, john anderson, robin boyd, manuscript

Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript

This is a proposal and typical script for the Public Service Programme called "Inquiry". Three sub-headings are suggested - heritage, discovery and expression. The typical programme example outlines is on "Inquiry into Art", as part of the expression series. It is an engaging script presenting facts, posing questions, expert opinion and public attitudes.Typewritten - printed and held in a presentation folder of Crawford Productions with television cutout shape. Some pages illustrated on left side with drawings. 12 papes. Invoice included.lachlan macquarie, lawrence hargrave, heidelberg school. heritage, discovery, expression, william dobell, sidney nolan, georges mathieu

Discusses what does it feel like to be an Australian in 1959? A critique on our advanced national adolescence, limitations of our artist's creativity. We are not English or America - how do we compare? Australians want to be told they are better, the country anxious to hear well of itself. (This perhaps is related to item D015.)Typewritten, pencil edits, quarto, 4 pages, pages 6-9they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript

Boyd comments on Australian life and culture in the first half of the twentieth century up until 1959. He reflects on changes - is it progress? - from the pastoral to the industrial, briefly on housing and construction, and emphasises US influences in design (especially cars) and politics, and the lingering, conservative influence of the UK. Robin Boyd wrote this article anonymously. He was a member of the 'Round Table', a English based group on imperial and commonwealth matters.Original manuscript of an article published in The Round Table, "The Commonwealth Journal of International Affairs", Vol 50, Issue 159, pp 26-31, 1959.Typewritten, quarto, 6 pagesAnnotations and corrections in pencilaustralian identity, taste, automobile design, they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript

The Nunawading Council produced commemorative First Day Covers for Australia Day showing First Day of Issue stamp during the years 1981-1992First Day Cover bearing two 30 cent stamps issued for Australia Day 1985, being reproductions of paintings by Sidney Nolan and Russell Drysdale. Postmarked, 'First Day of issue 25 Jan 1985 Nunawading Vic 3131'. Below, copyrighted logo of Victoria 150. At left, logo for Australia Day Family Festival and picture of man harnessed to parachute. At base, 'January 26th 1985 Nunawading Civic Centre'. Envelopes numbered, one 377 and the other 267Municipal Office Nunawading Vic 3131philately, date stamps, civic mementoes, souvenirs

Pamela Irving (born 1960) is a prominent Australian visual artist specialising in bronze, ceramic and mosaic sculptures as well as printmaking and copper etchings. Irving's early art was influenced by artists including Arthur Boyd, John Brack, Noel Connihan, Mirka Mora, Sidney Nolan and John Perceval. In recent years, Irving has been influenced ″by the honest and direct expressiveness of ‘outsider art’ (the art of self-taught or ‘naive artists’) and the craft of ‘memoryware’″ Significantly, this interest grew following Irving's visit to Nek Chand's Rock Garden in Chandigarh, India.Green Wedge Larry - dog sculpture reminiscent of the iconic Larry LaTrobe located at Melbourne City Square. The dog is constructed from Italian Bisazza glass tiles, using a Mapei adhesive system. The theme for his 'coat' is the flora from the local surrounds of Nillumbik, drawing from the 'Live Local Plant Local' Nillumbik plant directory.green wedge, larry, dog, sculpture, mosaic, indigenous flora, irving

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting.art, artwork, garth sansom, sansom, abstract

Elwyn (Jack) LYNN (6 November 1917 – 22 January 1997) Born Canowindra, New South Wales Sydney based artist Elwyn Lynn was a self-taught artist who often used unconventional painting media and expressive surfaces to create abstract work. He trained as a teacher, and was a teacher of English and History in Sydney Secondary schools until 1968. From 1969 to 1983 Elwynn Lynn was Curator of the Power Gallery of Contemporary Art at Sydney University where he built up an international collection, which is now within the Sydney Museum of Contemporary Art. He was an art critic at The Australian for many years, and wrote several books, including one on the artist Sir Sidney Nolan. Elwyn Lynn was awarded Membership of the Order of Australia in 1975. He won the Wynne Prize at the Art Gallery of NSW in 1988, received an Honorary Doctor of Letters from the University of Sydney in 1969, and received the Emeritus Award from the Australia Council in 1994. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed mixed media artwork. Like most of Elwyn Lynn's work 'The' is essentially abstract, although evoking a sense of landscape. " Lynn’s heavy textures were created by mixing polyvinyl acetate (PVA) with sand, cement or plaster, after which it was left to dry in the sun or near a radiator. With the upper level drying and hardening first, its skin could be cut, sliced, poked, prodded and distressed, pushed into folds and corrugations." (https://www.charlesnodrumgallery.com.au/artists/elwyn-lynn/elwyn-lynn/, accessed 22 October 2019)art, artwork, elwyn lynn, abstract, available

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It is a souvenir from the First Alpine Art Show held at Koki Lodge in June 1967. The Art Show exhibited a collection of Australian painters including John Glover (1826), Louis Buvelot (1886) Hans Heyson (1902), Grace Cossington-Smith (1918), and William Dobell, Norman Lindsay, Donald Friend, Sali Herman, Sidney Nolan, John Olson, Charles Blackman, Arthur Boyd, and Pro Hart. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because shows early activities at Koko Lodge and Australia's First Alpine Art Show.A red souvenir matchbook with black text.AUSTRALIA'S FIRST ALPINE ART SHOW AT KOKI FALLS CREEKgeorge shirling, falls creek, australia's first alpine art show

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It shows some of the staff employed at Koki Lodge in 1967. An explanation of "Australia's First Alpine Art Show" to be held at Koki is also included. The Art Show exhibited a collection of Australian painters including John Glover (1826), Louis Buvelot (1886) Hans Heyson (1902), Grace Cossington-Smith (1918), and William Dobell, Norman Lindsay, Donald Friend, Sali Herman, Sidney Nolan, John Olson, Charles Blackman, Arthur Boyd, and Pro Hart. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because shows early activities at Koko Lodge and Australia's First Alpine Art Show.A black and white photograph of George Shirling with staff at Koki Lodge 1967. The photo is accompanied with a sign explaining special activities held at Koki and tariffs for the winter season of 1967.On sign: ITEM No 50 Staff at Koki Alpine Lodge Queens Birthday Opening weekend, June 1967 (Includes, Nolene Mewton, Baldy Blackwell, Coonie, George Shirling and Pam Blackwell.george shirling, falls creek, australia's first alpine art show