Showing 11 items matching " spatial practice"
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Women's Art RegisterArchive (Collection) - Michele Elliot Artist Archive
... ... Spatial Practice...Minimalism Abstraction Handmade Domestic Spatial Practice Recycled Clothing Textiles Archive Michele Elliot Artist Archive ...minimalism, abstraction, handmade, domestic, spatial practice, recycled, clothing, textilesminimalism, abstraction, handmade, domestic, spatial practice, recycled, clothing, textiles -
Women's Art RegisterArchive (Series) - Elliot, Michele. Artist File 1
... ... Spatial Practice...Minimalism Abstraction Handmade Domestic Spatial Practice Recycled Clothing Textiles Foolscap white archival 4 flap folder or document wallet Archive Elliot, Michele. ...Catalogueminimalism, abstraction, handmade, domestic, spatial practice, recycled, clothing, textilesminimalism, abstraction, handmade, domestic, spatial practice, recycled, clothing, textiles -
Women's Art RegisterArchive (Series) - Michele Elliot. Duplicate File 1
... ... Spatial Practice...Textiles Minimalism Abstraction Handmade Domestic Spatial Practice Recycled Clothing Foolscap manilla file Archive Michele Elliot. ...Cataloguetextiles, minimalism, abstraction, handmade, domestic, spatial practice, recycled, clothingtextiles, minimalism, abstraction, handmade, domestic, spatial practice, recycled, clothing -
Ararat Gallery TAMAJulie Montgarrett, From where you are you can hear her dreaming, 1987
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Fleeter, 1985
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Ar.G. 1983-7(23)
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Woomelang, 1977
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Thought Rise, 1980
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Into the Arms of Winter, 1986
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Nonplussed Orange
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating. -
Ararat Gallery TAMAJulie Montgarrett, Exhibition poster
... practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial...practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial ...Julie Montgarrett is an Australian artist, curator, and educator whose practice spans textiles, drawing, and installation. Over four decades she has developed a distinctive approach that combines narrative, memory, and materiality, using cloth and paper as carriers of stories that are both personal and collective. Her main interests are in the areas of drawing and textile to extend the conceptual and spatial possibilities of textile as narrative questioning dominant Australian histories. Montgarrett is known for employing textile traditions, such as stitching, dyeing, and assemblage, alongside drawing and installation to create works that are intimate yet expansive in meaning. Ephemeral materials and time-intensive processes become metaphors for endurance, vulnerability, and care, allowing her to weave together past and present in poetic, visually striking forms. In addition to her studio practice, Montgarrett has contributed significantly to the Australian arts community through teaching, mentoring, and curating.
