Framed Asian scene on textiles indian art, textiles, framed, available

"Weaving looms and preparatory machines for all textiles" - Ateliers Diederichs, Bourgoin, France"Weaving looms and preparatory machines for all textiles" - Ateliers Diederichs, Bourgoin, France.textile machinery, ateliers diederichs, weaving looms, weaving machinery, warping machinery, reeling, winding machinery

Part of a set of three notebooks belonging to A. Eastwood, all relating to textile courses.Ruled paper notebook with brown board cover and textile binding with laces. Handwritten notes, textile samples and illustrations.Front: [handwritten] A. Eastwood Inside front cover: [handwritten] Eastwood. / Textile Dept.textiles, education, textile industry, workbook, notebook, a. eastwood

Mustard and black patterned book with white letteringA Handbook of Textiles. Ann M Collier

In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries.These coasters were part of the 75th Anniversary celebrations.A common item which has significance as it has links to one of Warrnambool's longest operating businesses.A boxed set of six coasters which are metal coloured gold. Each has an outline of Australia with text Buy Australian and the Australian flag. there is text below the outline. The backs are dark blue felt. Buy Australian Warrnambool Textiles A paper insert has " In recognition of your Safety Performance.75th Anniversary Warrnambool Textiles 1909-1984.warrnambool, warrnambool woollen mill, warrnambool woollen mill 1975

Part of a set of three notebooks belonging to A. Eastwood, all relating to textile courses.Ruled paper notebook with green card cover and textile binding, contains handwritten notes and illustrations. Binding is held by laces.Front: [handwritten] A. Eastwood / Textile Dept / Weaving Mechanismtextiles, education, textile industry, workbook, notebook, a. eastwood

Part of a set of three notebooks belonging to A. Eastwood, all relating to textile courses.Ruled paper notebook with green card cover and textile binding, handwritten notes and cloth samples. Binding is held together with drawstring / laces.Front: [handwritten] Cloth Analysis / Cloth Costing / Calcs & Testing / A. Eastwood / Textile Dept Inside front cover: [handwritten] A. Eastwood / 29 Spring Street / Gt Harwood / Textile Dept.textiles, education, textile industry, workbook, notebook, a. eastwood

At Mayoral Ball, Crowning of Queen of Textiles, 1951 To Mr Fairnie/ with best wishes/ from ADA Carmel Lourey/ or/ Elsie Bonetextile mills - staff textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., textile mills - staff, textile mills - history, textile mills

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Typewritten letter in black ink on cream paper, with a hole punched in the upper left hand corner. Letter has initially been printed as a form with dotted lines, that have later been printed over.MELBOURNE SCHOOL OF TEXTILES 35.1288 23-35 Cumberland Road, PASCOE VALE, W.8. 20TH March, 1964 Messrs. Robert Blake Pty. Ltd., 6 Hall Street, MOONEE PONDS. Dear Sir Re: …. THOMSON N. …. The abovenames student, a member of your organization, has been absent from the following classes: Thursday / 19/3/64 / Certificate Course We are very keen for these classes to be a success, and would be obliged if you to see that he attends regularly in future. Yours faithfully, MELBOURNE SCHOOL OF TEXTILES. [SIGNATURE] O. C. RIEGULHUTH, ACTING PRINCIPAL.business, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents, textile education, melbourne school of textiles, vocational training, training, education, school

Student handbook for the Melbourne College of Textiles, Pascoe Vale, 1982.A5 size paper back book, red cover with black text and white logos. 46 pages.textile industry - education, melbourne college of textiles, tafe

Design book of Fred Murgatroyd whilst he was a weaving/textiles student at the University of Leeds.Design book of a weaving/textiles student at the University of Leeds. Design book of a weaving/textiles student at the University of Leeds.The University of Leeds Textile Industries Department Designing & Weaving C Scott F. Murgatroyd Stenhouse 1928textile industry - education textile design textile mills, university of leeds, beaumont, professor - university of leeds murgatroyd, mr fred, textile industry - education, textile design, textile mills

North Western Woollen Mills became Norwellan Textiles then AUNDE

Part of collection of books concerning the textile industry from the 1930s to the 1950s.Hardie Trading Pty. Ltd. Melbourne Sole Agents in Australial.b. holliday and co. ltd, dyeing, melbourne, victoria

"Methods of test for textiles (excluding colour fastness tests): B S Handbook no.11, 1963" -British Standards Institution.textile fibres textile testing, british standards institution, textile fibres, textile testing

Handwritten black ink - "PO B SKILLINGTON R115634" .Overalls - mid grey cotton fabric with 'DURABLE FLAME RETARDANT FINISH' . Metal press stud closure. Elastic waist back. Epaulettes - embroidered gold crown, crossed anchors, and "Australia" on black fabric. Name label on front right side and inside back waistband. Makers label - below collar - back.Name label on front - "SKILLINGTON" Inside waist back - handwritten in black ink "PO B. SKILLINGTON R115634". Makers label - black and red print - top label - "National Textiles Pty Ltd/ Proban" with extensive information on the Flame Retardant Finish and laundry care. Lower label - red print - CAN'T/ TEAR/ 'EM/ AUSTRALIAN WORKWEAR/ 100% Cotton/ Size 95R/1994".uniforms, ran, workwear