Main street scene, Town Hall Hotel on the right. Horse drawn vehicle on left in the street. People standing under verandah on footpath. Showing W. Shorts Hotel also known as the Town Hall Hotel. Looking East up Main Street. Visible Post Office Hotel, Spragues Sporting Depot. Town Hall Hotel was erected in 1873 by W Candy the owner and holder of the first license. Some of the early licensees were W.H. Richards, Davies, W. Short & Hugh Menzies.Sepia photograph of a scene of Main St Stawell. Town Hall Hotel on the right. Horse drawn vehicle on left in the street. People standing under veranda in foot path. Trees in Street.Miss E. Moulden 54 Dawson St Stawell stawell shops businesses streetscape

Photo of crowd lining up in front of Main Street Stawell buildings near Town Hall Hotel. Prichard's Milk Bar. Taylor Draper. Town Hall Hotel. c1940's. The two story building in the center was once owned by W. Whiteside, Taylors and the Prichard's milk bar once owned by Bone, Saddler & Harness Factory. Sepia photograph of Crowd lining Main Street Stawell in the 1940's. The crowd is outside a two story building with an ornate balcony and between Prichard's Milk Bar and the Town Hall Hotel. Two people are leaning on the upstairs balcony. The crowd are all looking to the right and consist of a mixture of young and older people. Prichard's Milk Bar on one building. Taylor and Draper on another.stawell business, streetscape

After hotel has been extended and Veranda has been expanded from 5 Bays to 8 B/W Photo of Town Hall Hotel c1910 -1920. Tourer Car Parked at front of Hotel and People Standing on footpath and on Balcony.

Town Hall Hotel c1930 Buses parked in front. On left Post Office Hotel, Jenkinson Bootmaker (Times Office), Bones Saddle Factory, W. Whiteside Taylors, Town Hall Hotel. stawell

Town Hall Hotel c1930 Buses parked in front. On left Post Office Hotel, Jenkinson Bootmaker (Times Office), Bones Saddle Factory, W. Whiteside Taylors, Town Hall Hotel. stawell

Town Hall Hotel c1930 Buses parked in front. On left Post Office Hotel, Jenkinson Bootmaker (Times Office), Bones Saddle Factory, W. Whiteside Taylors, Town Hall Hotel. stawell

Town Hall Hotel c1930 Buses parked in front. On left Post Office Hotel, Jenkinson Bootmaker (Times Office), Bones Saddle Factory, W. Whiteside Taylors, Town Hall Hotel. stawell

Town Hall Hotel c1900 Ladies on Balconystawell

Stawell Cyclists and spectators in front of Town Hall Hotelstawell sporting

Main Street showing area in front of Town Hall Hotel c1940stawell streetscape

Richards Town Hall Hotel Main Street Stawell from P.C. News Supplement 1888stawell businesses

Richards Town Hall Hotel Main Street Stawell from P.C. News Supplement 1888stawell businesses

Richards Town Hall Hotel Main Street Stawell from P.C. News Supplement 1888stawell businesses

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Main Street Stawell. Showing shops and businesses in Main Street. education, shops, main street, streetscape

Believed taken by Ian McCann Stawell's first Tourism OfficerPositive Colour Slides

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

CLEMENTINE'S RESTAURANT - WAS FORMERLY A BAKERY.LAMINATED COLOURED PHOTO - PATRONS SEATED IN FRONT OF CLEMENTINE'S - FORMERLY TOWN HALL HOTEL. PHOTOGRAPH TAKEN AT NIGHT. INTERIOR LIGHTS ON.ON REVERSE SIDE : ENTERPRISE VISION PTY. LTD. COPYRIGHT 2001, CLUNES, VICTORIA.clementines, town hall hotel

Black and white photo: image shows bullock team in Market square. Town Hall Hotel in background, Town hall building just visible on LH side. Rectangular drainage pit in forefront of image, lamp post beside.Batchelderplace, bendigo, market square, bendigo, sandhurst, market square, town hall hotel, town hall

Photograph. Harry Biggs Collection. 3 black & white photos looking south at Eaglehawk. Circa 1875. Photographer Caire. An overview of the City of Eaglehawk. Town Hall Hotel can be seen in the distance. The word Drapers is to the left. Trees are in the foreground. Eaglehawk State School is on the skyline (tall building with the bell tower).Caire.photograph, streetscape, eaglehawk, harry biggs collection, looking south at eaglehawk, eaglehawk state school, town hall hotel, eaglehawk town hall, eaglehawk post office

Chauffeurs line up next to Morris Austin cars outside of Maclurain Motors Central Garage. Other businesses seen in the photo are Mathers Tailors and the Buchanan's Town Hall Hotel.armstrong street north, ballarat, commerical, automotive, morris austin, maclurain motors, central garage, mathers tailors, buchanan's town hall hotel

The garage was located in Bath Lane and was once the Cobb & Co. Letting Stables. Adam Lindsay Gordon lived in a cottage behind the stables. The Town Hall Hotel can be seen in the background. This was in the Ballarat Homecoming publication.j.mcdonald, motor garage, bath lane, cobb & co, adam lindsay gordon, town hall hotel, building, vehicle, commercial, ballarat, ballarat homecoming

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.