The cormorant weaving was depicted through the traditional weaving method of the blanket stitch of the Yorta Yorta people. As birds are very significant and important in Aboriginal culture, the cormorant was created to represent the meaning of Wangaratta for the local people and wider community. The weaving is an extension of my series of works which represent wildlife along the waterways, particularly in the North East of Victoria and within my tribal homelands. In 2001 I was taught to weave at a weaving workshop held at Gas Works in Port Melbourne by old aunties from Victoria and South Australia which included Yvonne Koolmatrie. A body of my weaving works, which include turtles and spirits, is held at the National Gallery of Victoria. Other collections which hold my fibre weavings are the National Museum of Australia, Albury Museum and Wagga Wagga MuseumWangaratta Art Gallery CollectionA textile sculpture of a cormorant woven from natural and man made fibres.cormorant, treahna hamm, yorta yorta people, traditional weaving, weaving

Hand coloured etching Edition 26/50 in lower left corner. Titled 'Paradise Overkill' on bottom centre. Signed and dated 'Treahna Hamm '95' lower right corner.etching, land, spiritual, environment, connection to land, disruption

Hand coloured etching on paperEdition 39/50 - bottom left corner Titled 'Drought Spirit' on centre bottom of print Signed and dated 'Treahna Hamm '95' - bottom right corner.linework, drought, etching, spiritual, land

Hand coloured etchingSigned and dated 'Treahna Hamm '96' lower right corner under printed image. Titled "Soul Freak" centred below bottom of printed image. Edition 28/50, numbered lower left corner under printed image.

violet teague, annie taylor, women photographers, constance sullivan, clementina lady hawarden(1823-65), cindy sherman, ponche hawkes, barbara hanrahan, klytie pate, alannah coleman, anne rittman, gillian welch, marion wilson, completing the picture, alice chapman, juliette peers, connie mitropoulos, treahna hamm, guerrilla girls, julie haas

treahna hamm, can't see for looking-koorie women artists, lisa kennedy, kerry kruse, juli haas, monica cogan, evelyn healy

Debra Couzens, Vicki Couzens, Lee Darroch and Treahna Hamm revived their communities' craft of cloak-making. Comprises tools, artworks, ornaments and two magnificently worked possum skin cloaks.vii, 64 p. : chiefly col. ill., map, ports. ; 18 cm.ISBN 1876944366aboriginal culture, possum skin cloaks

non-fictionMining the Collection was an Arts NSW funded project in which nine community members and four artists were invited to discover and select works from Albury City's seven cultural collections. The collections were Indigenous Collection, Textile Collection, Social History Objects Collection, Social History Collection (paper based), Photography Collection, Works on paper Collection (Drysdale, drawings) and the Painting Collection. The community members selected individual pieces for the artists to respond to in their chosen medium. All four artists – Arthur Wicks, Ponch Hawkes, Treahna Hamm and Frank Burgers – have a connection with the region and a national profile. The artists' responses to the individual works chosen for them and the range of works selected became an exhibition that introduced visitors to the collection and to the contemporary artworks it inspired. This is a publication to accompany that exhibition. albury art gallery and museum, museum collection albury, exhibitions albury