Colour photo. Queen Victoria Gardens,Bendigo. Image shows the statue of the Queen, the soldiers memorial hall and the post office tower in the background. Written on bottom in white pen: 'Queen Victoria Gardens, Bendigo' and 'No 8'bendigo, parks and gardens, queen victoria gardens

Photo, color. Queen Victoria statue in centre of image, Memorial Hall behind. Palm tree on LH side of statue. On bottom ' Queen Victoria Gardens Bendigo' No. 8.bendigo, streetscape, queen victoria gardens, queen victoria gardens, bendigo

black and white photo: Queen Victoria Gardens, showing palm tree on LH side, round garden beds, Queen Victoria statue behind palm. City Family Hotel in centre back of photo.Rose Seriesplace, public gardens, queen victoria gardens, queen victoria gardens, city family hotel, rose series

Colour photo. Queen Victoria Gardens,Bendigo. Image shows Post Office clock tower and RSL buildings in background both fronting onto Pall Mall. Infant Welfare Centre building in foreground, rendered single storey with red tile roof. Written on bottom in white pen: ' Queen Victoria Gardens, Bendigo' and 'No 10'bendigo, parks and gardens, queen victoria gardens

Views of Bendigo. No. 10 of a series of sixteen black and white photographs of Bendigo. Undated. No. 6 and 7 in the series are missing. No. 10 is written in the bottom right corner. Queen Victoria Gardens, Bendigo is written in the bottom left corner.bendigo, parks and gardens, queen victoria gardens, queen victoria gardens, bendigo. pall mall, bendigo.

Views of Bendigo. No.8 of a series of sixteen photographs of Bendigo. Nos. 6 and 7 in the series are missing. No. 8 is written in the bottom right corner. Black and white photograph, undated, of the Queen Victoria Gardens, Bendigo. The label is written in the bottom left corner.bendigo, parks and gardens, queen victoria gardens, queen victoria gardens, bendigo. bendigo historic buildings.

Photo of postcard: Postcard shows Queen Victoria Gardens, Bendigo ( written on bottom in white, No 6?) Handcoloured original shows statue of Queen Victoria forefront, RSL building behind.bendigo, parks and gardens, queen victoria gardens

Photo of postcard. Written on bottom in white : Queen Victoria Gardens Bendigo. RSL building in centre, Pall Mall on right. Baby Health Centre in foreground. No 10. Hand coloured photo.bendigo, parks and gardens, queen victoria gardens

Postcard, coloured, taken from Queen Victoria Gardens looking towards Charing Cross. Statues on either side of pathway in foreground. Fountain Plaza building in background on corner of Pall Mall and Mitchell Street. On back of postcard ' Nu color Vue, Bendigo Victoria, looking to Fountain Plaza, Charing Cross'bendigo, streetscape, queen victoria gardens, bendigo, charing cross, alexandra fountain, queen victoria gardens

Leslie John Bagust Collection. Black and White Photo Queen Victoria Gardens Bendigo 1940. Image taken looking towards the R.S.L. Soldiers Memorial Hall, Queen Victoria Statue and surrounding gardens take up prominence in the foreground whilst in the background the top of the old Post Office now a gallery can be seen.bendigo, tourism, queen victoria gardens bendigo

Leslie John Bagust Collection. Black and white photo of the Queen Victoria Gardens. In the foreground is the baby health centre, (since removed), Queen Victoria statue in white, centre background shows the RSL Hall and part of the roof and the clock tower of the Old Bendigo post Office. Background right the tower of the Shamrock Hotel and centre background is the town of the Bendigo School of mines. The right shows vehicles parked along Pall Mall. To the right of the health centre there is a small white statue, of unknown representation. At the bottom of the photo in white Queen Victoria Gardens, Bendigo and to the right is No.10.bendigo, parks and gardens, queen victoria gardens

Historic building, eventPhotograph of original photo, Opening of Queen Victoria Rotunda, Buninyong Gardens, 13 December, 1901"Opening of the rotunda Buninyong Gardens. I think Bern is the child." queen victoria rotunda, buninyong gardens, opening

Queen Victoria Gardens, Bendigo, showing statue of Queen Victoria, RSL Hall, Post Office tower with clock, roofed shelter on Pall Mall at right. Printed on bottom of photo: Queen Victoria Gardens, Bendigo.unknowncottage, miners

Article titled "Lighting Effects in the Victoria Gardens, Bendigo", "High = Lighting in Bendigo", "An Echo from the Past". The article has photos of celebratory flood lighting in Bendigo, Victoria Gardens during 1937, for the Bendigo Carnival and Coronation Celebrations. Festivities were held in Victoria Gardens. Notes the Coronation tram car, illuminated and decorated. Has a photo of No. 21 outside the depot. Reprint of an extract from the Geelong Advertiser in 1912, 25 years ago of the opening of the Geelong tramways, passenger numbers and celebrations of the event. Record revised 3/4/2019 to add digital images with those from Andrew Cook CD. See item 9099 for the image of tram 21. Page 35 - records the relocation of Mr. A N Mercer who was involved in the reconstruction of Ballarat and Bendigo Tramways has transferred to the Flinders St Drawing Office. Each item had a thin strip of paper attached by staple to the top left hand corner, giving the Vol. No. details.Yields information about tram 21 as the Bendigo Coronation tram in Photocopy of an article in the State Electricity Commission of Victoria Magazine, Contact, Vol 2, No. 2, Aug. 1937. One A3 sheet.trams, tramways, sec, geelong, decorated trams, bendigo, opening, coronation

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Single page of think paper with black printing, containing the information about the concert held in 1953. It includes the name of the conductor - Frank Wright and the names of the representative bands along with the programme of music.frank wright, conductor, programme, brass band, victoria embankment gardens band stand

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.