Showing 42 items
matching visual environment
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Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Visual Environment, 1970
... The Visual Environment... visual environment...Discusses how the architect has broadened the visual... as 'Digger-cult curse'. environment visual environment architect ...Discusses how the architect has broadened the visual perception of environment - from loud and gimmicky (as copied from America) to acceptance and recognition of how to incorporate environmental design into architectural plans.Original manuscript a lecture given at a seminar on the environment conducted in July 1970 by the Institute of Business Administration and the Victorian Employers Federation. The lecture was condensed into two articles published in "The Age" as 'Spoilers of our environment'. The manuscript appears to be Part 1 titled 'Legal vandalism', published in "The Age" on 09.07,1970. Part 2 was titled ' The more optimistic view of the future', published in "The Age" on 10.07.1970 as 'Digger-cult curse'. Typewritten, quarto, 15 pagesenvironment, visual environment, architect, australia, visual pollution, urban ugliness, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, What Do We Want of Architecture?, 1971
... , firmness, delight and beauty in the visual environment. He says we..., firmness, delight and beauty in the visual environment. He says we ...Boyd questions the current rules of architecture, as do the young architects of the period - the idea of usefulness, firmness, delight and beauty in the visual environment. He says we will only get a more exciting architecture if we ask the question posed in the title.Typewritten pencil edits, quarto, 7 pagesReferences Morris Lapidus and an exhibition at The Architectural League of New York occurring "late last year". URL reference says it occured in 1970.usefulness, firmness, architecture's purpose, role of architecture, robin boyd, manuscript -
Port Melbourne Historical & Preservation Society
Document - Invitation, opening to exhibition of watercolours by Ray Johnstone, Ray Johnstone, Oct 1977
... to France to paint. arts and entertainment - visual arts built ...The artist, a member of this Society (self portrait inside cover), did several paintings of Creswick House, one of which was purchased by the owner Isobel Macbeth (also a PMH&PS member), who waved this item for the collection. Ray subsequently moved to France to paint.1997 invitation to the opening of watercolour artist Ray Johnstone's exhibition at Customs Wharf Gallery in Williamstown, in form of a folder of four polstcards, each with a 4 colour reprodction of a painting. One of these is Creswick House at 139 Bridge Street, Port Melbourne.arts and entertainment - visual arts, built environment - domestic, ray johnstone, creswick house, isobel macbeth -
Port Melbourne Historical & Preservation Society
Painting - Painting, Public convenience, Sinclair Parade, Port Melbourne, Ray Johnstone, 1998
... before his departure to France. arts and entertainment - visual ...One of several Port Melbourne watercolours painted by Ray Johnstone just before his departure to France. Framed watercolour of public convenience in Sinclair Parade by Ray Johnstone, 1998Port Melbourne Prints and Framing sticker on backarts and entertainment - visual arts, built environment - civic, ray johnstone -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, Eltham Cemetery Trust's launch at Montsalvat of Our Eltham - Artistic Recollections, 21 September 2017
Our Eltham - Artistic Recollections by Jim Connor, EDHS newsletter No. 236 October 2017 The Eltham Cemetery Trust, established in 1858, selected the existing burial site at Mount Pleasant Road on high ground overlooking the village of Eltham. The first recorded burial took place in 1861 in the Church of England section. Headstones depict the names of many early and well known local families. In recent years the Trust has encouraged the use of creative artistic elements within the natural bushland environment in their landscaped grounds adjoining Montsalvat. Their ongoing vision has been to offer the local communty a fresh and unique relationship to the Cemetery. On Thursday 21st September 2017 their latest commissioned art project titled ‘Our Eltham - Artistic Recollections’ was unveiled. It is a collection of panels collaboratively created by artist Nerina Lascelles and ceramicist Linda Detoma. The project was designed and constructed by Leigh Wykes using Australian stone with ironwork by Neil Carter. All contributors to this installation, located adjacent to the car park near Metery Road, are residents of the Eltham area. Our Eltham - Artistic Recollections is described as a celebration of life in the Shire since the opening of the Eltham Cemetery more than 150 years ago. Depicting scenes of life in and around Eltham, the collection offers deeper connections to the Eltham area through a series of visual narratives of Eltham’s past, environment and community. The project involves the artistic interpretation by Nerina Lascelles of historic and current images symbolically intermixed with locally indigenous flowers and plants. These are displayed on thirty-one ceramic panels by Linda Detoma, mounted within an iron fence by Neil Carter, upon an attractive rock wall constructed by Leigh Wykes. The Eltham District Historical Society is pleased to have contributed to this project. Russell Yeoman and Jim Connor from our Society have collaborated with Liz Pidgeon, Local and Family History Librarian at Yarra Plenty Regional Library on a selection of photographs, many from the Shire of Eltham Pioneers Collection we hold in partnership, located at Eltham Library. We also provided information on the images chosen. The Eltham Cemetery Trust has produced a booklet about this artwork, which can be viewed on the Cemetery website at: http://www.elthamcemetery.com/oureltham/#1 Our Eltham - Artistic Recollections is a significant monumental installation, which will encourage visitors to come to view this outstanding combination of local creative skills, set within the attractive grounds of the Eltham Cemetery. jim connor collection, eltham cemetery trust, montsalvat, our eltham artistic recollections, 2017-09-21 -
Lara RSL Sub Branch
Photograph, Dinner for 2nd World War veterans - Lara District - September 10th 1947, SEPTEMBER 1947
49.1 Names & images of 18 Returned Servicemen from W W 2. of the Lara District 49.2 Names & images of 18 Returned Servicemen from W W 2. of the Lara District presented to J & J McIntyre and Miss F McIntyre with compliments of the Lara Reception CommitteeLocal to Lara district , a visual record of persons in their home environment again . Also second photo 49.2 under glass 49.1 Oblong/Landscape....Black&White photograph on aged white cardboard....WELCOME HOME banner....Australian & British Flags prominent. 49.2 Photo mounted behind glass presented to the McIntyre FamilyFlashlight photograph September 10 1947. second world war servicemen lara mcintyre 1947 rsl j branch mcclelland -
Kiewa Valley Historical Society
DVD SEC Victoria Promotional, Kiewa Capers Compilation, circa 1990
The construction and development of the Kiewa Hydro scheme showing its construction and the people in work and play during its duration. It also shows the development of Mt Beauty and Bogong townships. The films were used as News Reels, Tourist Information and Entertainment.This VHS is a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communitieThe DVD is nestled within a formed inner structure (case), which not only prevents the disc from moving to and fro but also unnecessary intrusion of foreign particles.This DVD is a TDK data/video recordable single sided 4.7 GB disc.It is a 1-16x speed.audio visual, kiewa history, educational -
Kiewa Valley Historical Society
Hook Button, late 1800's to mid 1900's
This item and its use and design spans the 1800's to early 1900's both in its fashion and application requirements. The genteel factor must be made when applying it to the Kiewa Valley. The evolution of general clothing and apparel has moved from solid(long lasting) and sometimes expensive material and fasteners to a cheaper and more "throw away" fashion of sometimes monthly change in the later 1900's to 2000's.The significance of this item to a rural setting such as the Kiewa Valley not only points to an integration of "modern" fashion in semi remote rural Australian environments but also the limited connections to "high" fashion through magazines and audible (radio) and visual (cinema) advertising. It also "spotlights" the differences between the European and British social networking and lack of interaction between towns and counties to the "Australian" levels of interactions between rural and city environments. Although physical distances in Australia, during this period (1800's to early 1900's) was a retarding factor in the diffusion of the latest fashion apparel it was not as noticeable as when the global communication and the physical travel abilities were "exploded" in the latter 1900's. This shift towards "the smaller" globe scenario has overcome the physical distances that were so apparent in the previous century.This silver button/glove hook was based on late 1800's designs when buttons became more integrated and fashionable than "tie up" laces. This was more so in genteel fashion. The main hook extension from the "pronged" hand piece has been constructed in a way that allows for easy replacement by either longer or shorter hooks.costume accessories, footwear, shoes and boots with buttons, gloves, costume -
Kiewa Valley Historical Society
Bowl Carnival Glass, circa early 1900s
This particular glass bowl was a favoured ornamental type room "brightener" in the early 1900's. Although referred to as a "nappy bowl" this bowl has not the capacity for nappies but for nappy pins. This was a period in time before the nappy ties and instant nappy covers.This has relevance as an object that was both practical for the early 1900's nappy changes and provided some visual relief for any "drab" household ambience, especial in rural homes. The early to mid 1900's, rural households, on the whole, were more practical and not designed for entertainment. This reflected the more serious nature which were governed by aspects of providing a living from the land and unreliable weather. By placing visually attractive ornaments within various rooms (lounge/living rooms) the transformation from a stark external environment to a more warm and friendly area was achieved. This dark amber (Marigold) carnival glass 5 inch nappy bowl has a Kookaburra press molded base and wattle blossom with waratah and flannel flower sides. The bowl has a twelve scolloped rippled rim. Initially this type of bowl was reintroduced(from Roman times) into the 19th and 20th Century (modern age) by a United States glass manufacturer..Manufacturer's mark at the base illegible nappy bowls, nappy pin holders, visual mood changing ornaments -
Kiewa Valley Historical Society
Insulator Disk High Voltage, 1964
This insulator disk for the high voltage carrying electrical cables was manufactured in 1964 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to connect high voltage cables to their "towers" going from various Hydro Generators to and from power "stations". During this time period, high quality "cable" insulators were manufactured in Japan. In an earlier time they would have been sourced from Europe or England. After the 1950's the sourcing of electrical hardware was being influenced by the lower costs obtainable from Japan. Later on other Asian sources also became available.The need for a mountainous and a large area of operational requirements, such as the SEC Vic Kiewa Hydro Electricity Scheme, to distribute the electricity produced in the Victorian Alps to the major users required power transmission lines to "carry" high above the sometimes inaccessible land mass electricity generated at the power stations to the various sub stations along the valleys and ranges to flatter populated regions. The significance of this insulation "high voltage" disk to the Kiewa Valley region relates to the impact of modern technology (at that time) upon a mainly rural environment. These power lines are a stark visual "show" of the impact that the "Scheme" has on the mostly rural landscape of the Kiewa Valley and what a boost of "modern" equipment into the area has taken place. The "Hydro Scheme" had facilitated the transition of a semi rural area to an advanced rural region within a shorter time frame, than would have taken under "normal" evolutionary time. The speed of information of all "new technology" had a relatively slow assimilation rate before the SEC Kiewa Hydro Scheme came to those living in the then quieter rural communities. This high voltage (330 KV) insulation disk is made from non conductive porcelain stoneware. It is highly polished brown in colour and has a clip fastening for the high voltage cable to be attached to. This disk was hit by lightning and the burn marks are quite noticeable. The top metal connector has a "mushroom" extension jutting below the semi cone like insulation disk. Also four circular ridges or grooves (old 78 rpm disc recording style).Cable bell on top of insulation disk "4K " next to it the international symbol for electricity (triangle containing one horizontal line under one V line and one vertical flame like line.) On the opposite side "2" and to the right "64"sec vic kiewa hydro scheme, alternate energy supplies, alpine (above ground) high voltage electricity cables, volt cable, 330000 volt cable -
Kiewa Valley Historical Society
Photograph Shovel Truck, Shovel Loading Rail Truck, circa 1950s
This item shows the excavation of the side of a railway track using a pneumatic shovel and a rail mounted truck by two workmen. The period covered was well before State Health and Safety requirements, such as helmets, became law. It also details that the workmen were from European heritage as their head coverings were a handkerchief knotted at each corner. This was typical for workmen of this heritage, others used caps or hats or no head covering at all (the macho male look)The photograph of this item was one of many depicting great achievements and opening up the region. A visual link or time capsule of the 1950s rural/mining sectors clashing with the established rural industriesThis photo depicts the time (1950's) and place (Bogong and Mount Beauty) where construction workers had an immense impact, not only on the physical environment but also on the social and economic development of the Victorian Alps region. The fast expansion of smaller settlements brought about increased pressures on the welfare viability of certain subgroups within the region e.g. farming, droving and commerce (caravan hawkers versus static shops). These changes brought about a heightened awareness by both local and State Governments to upgrade not only facilities within the region but also access to the region. Black and white photo of two workmen on a rail mounted shovel truck. The photo is of good definition allowing a clear view of the subject matter. The paper is semi gloss.On the back of the photo, paper suppliers etchings are "Kodak XtraLife II paper"mining, hydro electricity, victorian alps, construction camps, earth moving machines -
Kiewa Valley Historical Society
Ash Tray Pocket, Circa mid to late 1900s
This flip top pocket steel ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. Tin plated mild steel round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access. personal effects, tobacco waste products, smoking accessories -
Kiewa Valley Historical Society
Ash Tray Pocket
This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco -
Ringwood and District Historical Society
Newsletter, Eastern Arterial Road Doncaster to Ringwood Environment Effects Statement Summary Brochure - November 1987
8-page A4 size brochure issued by Road Construction Authority reporting on the proposed extension of the Eastern Freeway between Doncaster and Ringwood. Topics include Community Consultation, Initial Four Lane Development, Estimated Capital Costs, Traffic Effects, Public Transport, Landscape Creek and Visual Aspects, Pedestrian/Bicycle Access, Noise, Air Quality, Lighting, Construction Impacts. -
Bendigo Historical Society Inc.
Document - DEBORAH REEF PROJECT ENVIRONMENT EFFECTS STATEMENT
Two page document. On top, first page ' Bendigo Mining N.L., Deborah Reef Project, Environment Effects Statement, Summary Brochure'. Poppet head on top LH corner of document. A map of central Bendigo is drawn on page 1 and shows the location of the proposed processing plant near the Airport. Further maps on page 2 and 3 show the North Deborah Mine Site, the pipeline route and the airfield site. The summary brochure provides an outline of the material contained in the Environment Effects Statement and proposed planning scheme amendments upon which, the Deborah Reef Project will be assessed. Page four lists the issues that impact on this submission: planning and land use; socio economic environment; traffic; discharges to air; water management; explosives storage and handling; subsidence; heritage; flora and fauna and landscape and visual assessment. The 16th March, 1989, is the date given for submissions to be lodged in regard to this project.Bendigo Mining N.Lbendigo, mining, deborah reef project -
Port Melbourne Historical & Preservation Society
Painting - Courthouse, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: Courthouse, Port Melbournebuilt environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Photograph - CD-ROM, various Port Melbourne images, Charles Nettleton, 1875 - 1911
Gives us a visual description of Bay Street and other highlights in the late 1800s to early 1900sCD of digitised images from late 1800s to early 1900s. Images are of Bay St, from the North East; the Freemasons Hotel; Corner Beach and Stokes Streetsbusiness and traders, natural environment - beaches and foreshore, hotels, built environment - commercial, bay street, freemasons hotel, beach street, stokes street, charles nettleton, carlton ale, fosters lager beer, whittle's -
Women's Art Register
Book, Chris Wallace et al, Megalomania 35 years of posters made at Megan Print Studio 1980 - 2013, 2013
... political art artist unknown gender health environment A visual ...A visual record of posters made at Megalomania Print Studio, a print collective in Canberra 1980-2013Booknon-fictionA visual record of posters made at Megalomania Print Studio, a print collective in Canberra 1980-2013community, political art, artist unknown, gender, health, environment -
Port Melbourne Historical & Preservation Society
Photograph - Graffiti under Graham Street overpass, Port Melbourne, 1996
... , and planter boxes in foreground removed built environment arts ...Photographed by Pat Grainger; graffiti was cleaned or painted off later, and planter boxes in foreground removedFrom a group of three panoramic colour photos taken c1996: Graffiti under the Graham Street overpass "The cowboy is always watching"built environment, arts and entertainment - visual arts, crimes and misdemeanours, graffiti -
Port Melbourne Historical & Preservation Society
Photograph - Graffiti below Graham Street overpass, Port Melbourne, Pat Grainger, 1991
Original colour photograph of graffiti below the Graham Street overpass, taken from Station Street looking West toward the tram linebuilt environment - civic, arts and entertainment - visual arts, graham street -
Port Melbourne Historical & Preservation Society
Document - Visual, presentation rough, Recycling sign, Pat Grainger, 1993
Design was commissioned by Council and resourced by both Council and Coles Supermarket to encourage participation in new recycling scheme. The finished 2 m x 140 cm sign, executed by council signwriter Bob Smith to Pat Grainger's design, featured the actual items to be recycled (bottles, cans, newspapers etc) and was displayed in the supermarket for a year.Designer's presentation rough for approval by Port Melbourne Council and Coles Supermarket of design for large 3D sign explaining household items to recycle under new environmental program, 1993environment, business and traders - grocers and supermarkets, local government - city of port melbourne, bob smith, coles supermarket, pat grainger -
Port Melbourne Historical & Preservation Society
Document - 2009 Calendar, Pat Grainger, Historic Port Melbourne - From the Album, Oct 2008
Researched, written and designed by member Pat GRAINGER as a fundraiser for PMH&PS. Production volume: 675 copiesHistoric Port Melbourne - 'Images from the Borough' Calendar for 2009 - Fishermen on cover.. Features photographers who have recorded Sandridge/Port Melbourne. All following years calendars also recorded against cat no 1864industry - fishing, arts and entertainment - visual arts, armed services - navy, built environment - commercial, hotels, faram brothers hardware, millie mcleavy, waterside workers, edward rice, henry rice, ernest rice, edward walter (ted) raven, swallow & ariell ltd, eli 'dick' edwards, jacob édwards, thomas edwards, vincent 'ben' edwards, claude butcher, george beazley, graham soccer club, harry ashworth, ken smallpage, port melbourne soccer club, wilbraham frederick evelyn liardet, wfe liardet, caroline frederica liardet, jack gould, charles nettleton, daintree & fauchery, william david swift, doug smallpage, arthur rowan, alison kelly, lloyd holmes, ron laing, david thompson, glen stuart, stefan cannatelli, geoff cross, pat grainger, george joosten, peter libbis, peter parrington, jim peterson, elizabeth rodda, us navy, william dalglish, william paterson, transport - motor vehicles, transport - railways, piers and wharves - princes pier, business and traders, religion - anglican (holy trinity), industry - manufacturing, industry - foundries, social activities, fetes -
Port Melbourne Historical & Preservation Society
Painting - Port Melbourne Town Hall, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Town Hall Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - The Old Factory (Swallow & Arriell counting house), watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'The Old Factory' (Swallow and Ariell counting house, Rouse and Stokes)built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - Court House Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Court House - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - Post Office, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Post Office - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - Police Station, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Police Station - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - Freemasons Hall, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Freemasons Hall - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - National Bank, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'National Bank - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Port Melbourne Historical & Preservation Society
Painting - Sandridge Town Pier, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Sandridge Town Pier (now Port Melbourne)'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting