Showing 5233 items matching " woman"
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Greensborough Historical SocietyBooklet, Vida Goldstein, Woman suffrage in Australia: by Vida Goldstein, 2008
... Woman suffrage in Australia: by Vida Goldstein...Reproduction of the edition published by the International Woman Suffrage Alliance in 1908 by the Victoria Women's Trust, 2008......International Woman Suffrage Alliance...Reproduction of the edition published by the International Woman Suffrage Alliance in 1908 by the Victoria Women's Trust, 2008 womens suffrage women in victoria vida goldstein 23 p. printed in black on buff paper, mauve cover Woman suffrage in Australia: by Vida Goldstein Booklet Booklet Melbourne Vida Goldstein International Woman Suffrage Alliance Victorian Women's Trust ...Classic account of the progress of women's suffrage in Australia, with special reference to contemporary political dynamics in Victoria. Reproduction of the edition published by the International Woman Suffrage Alliance in 1908 by the Victoria Women's Trust, 200823 p. printed in black on buff paper, mauve coverwomens suffrage, women in victoria, vida goldstein -
Whitehorse Historical Society Inc.Domestic object - Cake Baking Wheel, Woman and Home Magazine, Circa 1960's
... Cake Baking Wheel - revolving - red Produced by Woman and Home Red wheel shows Cooking Mark (Regulo) Temperature Variations - baking time- ingredients Types of cake/sponge Reverse side - ingredients/measurements...Woman and Home Cake Baking Wheel...Woman and Home Magazine...Instructions on cake/sponge making Revolving wheel giving time - Regulo Mark to be used - ingredients Home baking guide for cakes and sponge Woman and Home Cake Baking Wheel Cake Baking Wheel - revolving - red Produced by Woman and Home Red wheel shows Cooking Mark (Regulo) Temperature Variations - baking time- ingredients Types of cake/sponge Reverse side - ingredients/measurements Domestic object Cake Baking Wheel Woman and Home Magazine ...Instructions on cake/sponge making Revolving wheel giving time - Regulo Mark to be used - ingredientsCake Baking Wheel - revolving - red Produced by Woman and Home Red wheel shows Cooking Mark (Regulo) Temperature Variations - baking time- ingredients Types of cake/sponge Reverse side - ingredients/measurementsWoman and Home Cake Baking Wheelhome baking guide for cakes and sponge -
Greensborough Historical SocietyKnitting accessory, Knitter's aid; given free with Woman and Home, 1950s
... Knitter's aid; given free with Woman and Home....Woman and Home...Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Gauge for checking needle and crochet hook sizes and checking amount of work. knitting Clear plastic gauge and indicator for knitters Knitter's aid; given free with Woman and Home. Knitting accessory Woman and Home ...Gauge for checking needle and crochet hook sizes and checking amount of work.Clear plastic gauge and indicator for knittersknitting -
University of Melbourne, Burnley Campus ArchivesNewspaper - Newspaper Cutting, Woman, They all want to be gardeners, 1953
... woman...Photocopy of article from Woman, October 5, 1953. Briefly describes aspects of the course and the work available to 'girls' who study at Burnley....Woman...University of Melbourne, Burnley Campus Archives 500 Yarra Boulevard Richmond melbourne woman female students courses employment careers Photocopy of article from Woman, October 5, 1953. ...Photocopy of article from Woman, October 5, 1953. Briefly describes aspects of the course and the work available to 'girls' who study at Burnley.woman, female students, courses, employment, careers -
Ballarat Heritage ServicesPhotograph - Black and White, Portrait of a Woman
... Portrait of a Woman......woman...Photographic portrait of a woman...Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields fullarton woman Photographic portrait of a woman Portrait of a Woman Photograph - Black and White ...Photographic portrait of a womanfullarton, woman -
Ballarat Heritage ServicesPhotograph - Photograph - Black and White, J. Watson, Portrait of a Woman
... Portrait of a Woman......woman...Photographic portrait of a woman....Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields T fullarton J. Watson woman Photographic portrait of a woman. Portrait of a Woman Photograph Photograph - Black and White J. ...TPhotographic portrait of a woman.fullarton, j. watson, woman -
Ballarat Heritage ServicesPhotograph - Photograph - Black and White, Portrait of a Woman
... Portrait of a Woman......woman...Photographic portrait of a woman...Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields fullarton woman crinoline Photographic portrait of a woman Portrait of a Woman Photograph Photograph - Black and White ...Photographic portrait of a womanfullarton, woman, crinoline -
Ballarat Heritage ServicesPhotograph - Photograph - Black and White, William Bardwell, Portrait of a Woman
... Portrait of a Woman......woman...Photographic portrait of a woman....Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields fullarton ballarat bardwell woman Photographic portrait of a woman. Portrait of a Woman Photograph Photograph - Black and White William Bardwell ...Photographic portrait of a woman.fullarton, ballarat, bardwell, woman -
MontsalvatStone Sculpture, Untitled (Head of a Woman)
... Untitled (Head of a Woman)......woman...Stone Sculpture of a woman's head....Montsalvat 7 Hillcrest Avenue Eltham melbourne matcham skipper sculpture stone woman None Stone Sculpture of a woman's head. ...Stone Sculpture of a woman's head.Nonematcham skipper, sculpture, stone, woman -
Ballarat Heritage ServicesPhotograph - Photograph - Black and White, Portrait of a Woman
... Portrait of a Woman......woman...Photographic tintype portrait of a woman....Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields fullarton ballarat tintype woman Photographic tintype portrait of a woman. ...Photographic tintype portrait of a woman.fullarton, ballarat, tintype, woman -
Federation University Historical CollectionPhotograph, A woman wearing glasses, 04/05/1909
... A woman wearing glasses......woman...Black and white photograph of a woman wearing glasses....A woman wearing glasses Photograph Photograph Richards & Co ...This unidentified photograph was in the possession of Alice Bell nee Clayton or Woodstock on Loddon.Black and white photograph of a woman wearing glasses.Verso "With love & best wishes 4/5/09richards and co., woman, alice bell, alice clayton -
Federation University Art CollectionInk on paper, Portrait of a Woman
... Portrait of a Woman......woman...Pen and ink portrait of a woman....Portrait of a Woman Ink on paper Neville Bunning ...This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink portrait of a woman.art, artwork, portrait, woman, neville bunning -
Ballarat Heritage ServicesPhotograph - Photograph - Black and White, Portrait of a Woman, c1887
... Portrait of a Woman......woman...Photographic tintype portrait of a woman....Ballarat Heritage Services PO Box 2209 Bakery Hill Post Office goldfields fullarton ballarat woman willetts George Willets Photographic tintype portrait of a woman. ...Photographic tintype portrait of a woman.fullarton, ballarat, woman, willetts, george willets -
Federation University Historical CollectionPhotograph, Man and Woman
... Man and Woman...woman...Black and white photograph of a seated man and woman on either side of a small table. The woman is holding a book. ...The woman is holding a book. Man and Woman Photograph Arthur & Son ...This unidentified photograph was in the possession of Alice Bell nee Clayton or Woodstock on Loddon.Black and white photograph of a seated man and woman on either side of a small table. The woman is holding a book. woman, alice bell, alice clayton, arthur and son, arthur & son, arthur and co -
Federation University Historical CollectionPhotograph - Little Gem tintype, Portrait of a Woman
... Portrait of a Woman......woman....3) A tintype portrait of a woman, attached to a card. ...(Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) little gem tintype woman unidentified woman women .3) A tintype portrait of a woman, attached to a card. ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .3) A tintype portrait of a woman, attached to a card. little gem, tintype, woman, unidentified woman, women -
Federation University Art CollectionPainting - Artwork, [Portrait of a Woman] by David Alexander
... [Portrait of a Woman] by David Alexander......woman...Framed oil painting of a woman's portrait...Alexander' Framed oil painting of a woman's portrait [Portrait of a Woman] by David Alexander Painting Artwork David Alexander ...Framed oil painting of a woman's portraitSigned lower right 'D. Alexander'artist, artwork, david alexander, woman, portrait, available -
Vision AustraliaPhotograph - Image, Two woman paddling in a canoe
... Two woman paddling in a canoe...In this image two woman sit in a canoe and paddle across a waterway. ...1 black and white photograph of woman in a canoe...There are bushes and trees in the background, with a wide clearing separating the water way from the bush. Both woman wear life jackets and hats. Recreation Canoeing 1 black and white photograph of woman in a canoe Two woman paddling in a canoe Photograph Image ...In this image two woman sit in a canoe and paddle across a waterway. There are bushes and trees in the background, with a wide clearing separating the water way from the bush. Both woman wear life jackets and hats.1 black and white photograph of woman in a canoerecreation, canoeing -
Federation University Historical CollectionPhotograph - Little Gem tintype, American Studio, Portrait of a Woman, (exact)
... Portrait of a Woman......woman...A tintype portrait of a woman's head, attached to a card....A tintype portrait of a woman's head, attached to a card. Portrait of a Woman Photograph Little Gem tintype American Studio ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph -
Vision AustraliaPhotograph - Image, Woman holding candle with boy in her lap, 1986-2006
... Woman holding candle with boy in her lap...A woman holding a candle holds a boy with a Santa hat on, in her lap as they watch the stage....Col. photograph of a woman holding a candle and a boy....Carols by Candlelight Fundraising Col. photograph of a woman holding a candle and a boy. Woman holding candle with boy in her lap Photograph Image ...A woman holding a candle holds a boy with a Santa hat on, in her lap as they watch the stage.Col. photograph of a woman holding a candle and a boy.carols by candlelight, fundraising -
Vision AustraliaPhotograph (item) - Image, Elderly woman weaving on loom
... Elderly woman weaving on loom...In this image, a blind woman sit in front of a loom, holding the threads, her lips slightly pursed, as if in conversation. ...Black and white photograph of two woman and a loom...Another woman stands beside her and looks down at the work, her hand holding the weaving slightly forward as she looks at the stitches. royal victorian institute for the blind day centres Black and white photograph of two woman and a loom Elderly woman weaving on loom Photograph Image ...Weaving is a craft activity that has been a part of many day centres. In this image, a blind woman sit in front of a loom, holding the threads, her lips slightly pursed, as if in conversation. Another woman stands beside her and looks down at the work, her hand holding the weaving slightly forward as she looks at the stitches.royal victorian institute for the blind, day centres -
Vision AustraliaPhotograph - Image, Woman washing dishes with toddler in rucksack
... Woman washing dishes with toddler in rucksack...Parenthood often means finding ways to do things you need to. A woman washes dishes in her home, whilst keeping an eye on her toddler by placing them in a backpack. ...1 black and white photograph of woman washing dishes...Rehabilitation Child rearing 1 black and white photograph of woman washing dishes Woman washing dishes with toddler in rucksack Photograph Image ...Parenthood often means finding ways to do things you need to. A woman washes dishes in her home, whilst keeping an eye on her toddler by placing them in a backpack. The toddler looks over the woman's shoulder, as she continues her work, with 2 washed cups already sitting in the drying rack.1 black and white photograph of woman washing dishesrehabilitation, child rearing -
Vision AustraliaPhotograph - Image, Woman working in office
... Woman working in office...Photograph of a young, red-haired woman operating what looks to be a telephone switchboard. ...1 black and white photograph of woman working in office...Rehabilitation Royal Victorian Institute for the Blind 1 black and white photograph of woman working in office Woman working in office Photograph Image ...Photograph of a young, red-haired woman operating what looks to be a telephone switchboard. The woman, possibly a receptionist, and possibly vision-impaired, wears headphones with a mouth piece to allow hands-free operation of the phone. With her right hand, she operates the keyboard in front of her. In the background is a bookcase with phone books stacked upon it.1 black and white photograph of woman working in officerehabilitation, royal victorian institute for the blind -
Federation University Historical CollectionPhotograph - Little Gem tintype, Portrait of a Woman in a Hat
... Portrait of a Woman in a Hat......woman...A tintype portrait of a woman's head and shoulders, attached to a card. ...(Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) little gem woman unidentified woman women photography A tintype portrait of a woman's head and shoulders, attached to a card. ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical CollectionPhotograph - Little Gem tintype, Portrait of a Woman in a hat
... Portrait of a Woman in a hat......woman....9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured....(Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) little gem woman unidentified woman women photography .9) A tintype portrait of a woman's head, attached to a card. ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Vision AustraliaPhotograph - Image, Bendigo Advertiser, Noel Ferrier and unknown woman, 196
... Noel Ferrier and unknown woman...Actor and Comedian Noel Ferrier attends an outdoor event. A woman smiles at him....1 black and white photograph of Noel Ferrier and smiling woman...5441 Photo No 1 100% 1 black and white photograph of Noel Ferrier and smiling woman Noel Ferrier and unknown woman Photograph Image Bendigo Advertiser ...Actor and Comedian Noel Ferrier attends an outdoor event. A woman smiles at him.1 black and white photograph of Noel Ferrier and smiling woman11 2.8 Noel Ferrier, actor & ? 5441 Photo No 1 100%mirridong home (bendigo), noel ferrier -
Federation University Historical CollectionPhotograph - Photograph - Little Gem tintype, American Studio, Portrait of a Woman
... Portrait of a Woman......woman...A tintype portrait of a woman's head, attached to a card. ...Portrait of a Woman Photograph Photograph - Little Gem tintype American Studio ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography -
Vision AustraliaPhotograph - Image, Older woman listening to a Clarke and Smith cartridge player, 196
... Older woman listening to a Clarke and Smith cartridge player...A woman adjusts the dial on a Clarke & Smith cartridge player, which rests on a dresser beside a window....1 black and white photograph of a woman using a Clarke and Smith...A woman adjusts the dial on a Clarke & Smith cartridge player, which rests on a dresser beside a window. ...A woman adjusts the dial on a Clarke & Smith cartridge player, which rests on a dresser beside a window.1 black and white photograph of a woman using a Clarke and Smithbraille & talking book library, audio equipment -
Orbost & District Historical Societybook, The White Woman, 1994
... The White Woman...The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. ...A book titled "The White Woman" by Liam Davison. It is the story of the search for the lost white woman in Gippsland, Victoria, 1846. ...Orbost & District Historical Society Ruskin Street Orbost gippsland The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. ...The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. Liam Patrick Davison (29 July 1957 – 17 July 2014) was an Australian novelist and reviewer. He was born in Melbourne, where, until 2007, he taught creative writing at the Chisholm Institute in Frankston. Davison and his wife Frankie, a teacher at Toorak College, were both killed on 17 July 2014 aboard Malaysia Airlines Flight 17 This, his third novel, was shortlisted for both The Age Book of the Year and the Victorian Premier’s Awards.This is a useful research tool on the history of indigenous and settler relationships in early Gippsland.A book titled "The White Woman" by Liam Davison. It is the story of the search for the lost white woman in Gippsland, Victoria, 1846. The cover has a black and white picture of forest with the title in white print.Bottom left corner - orange sticker Orbost Secondary Collegedavison-liam aboriginal-history -
Federation University Historical CollectionPhotograph, Woman and child in front of a house
... Woman and child in front of a house...woman...Sepia photograph of a pregnant woman holding the hand of a child standing outside a picket fence on a very steep slope. ...Barker Library (top floor) Mount Helen goldfields woman unidentified woman house steep street Sepia photograph of a pregnant woman holding the hand of a child standing outside a picket fence on a very steep slope. ...Sepia photograph of a pregnant woman holding the hand of a child standing outside a picket fence on a very steep slope. The fence encloses a brick house. The house is quite possibly in Ballarat.woman, unidentified woman, house, steep street -
Vision AustraliaPhotograph - Image, Woman studying with talking books
... Woman studying with talking books...A woman sits in a lounge chair and rests a binder folder with paper on her lap. ...Digital image of woman listening to an audio book...Royal Victorian Institute for the Blind Talking books Digital image of woman listening to an audio book Woman studying with talking books Photograph Image ...A woman sits in a lounge chair and rests a binder folder with paper on her lap. She holds a pen and appears to be writing as she listens. Her headphones are connected to a portable reel player, which sits on a table beside her, and on top of this are reel boxes with braille labels.Digital image of woman listening to an audio bookroyal victorian institute for the blind, talking books
