Showing 4006 items
matching woman
-
Greensborough Historical Society
Booklet, Vida Goldstein, Woman suffrage in Australia: by Vida Goldstein, 2008
Classic account of the progress of women's suffrage in Australia, with special reference to contemporary political dynamics in Victoria. Reproduction of the edition published by the International Woman Suffrage Alliance in 1908 by the Victoria Women's Trust, 200823 p. printed in black on buff paper, mauve coverwomens suffrage, women in victoria, vida goldstein -
Greensborough Historical Society
Knitting accessory, Knitter's aid; given free with Woman and Home, 1950s
Gauge for checking needle and crochet hook sizes and checking amount of work.Clear plastic gauge and indicator for knittersknitting -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, Woman, They all want to be gardeners, 1953
Briefly describes aspects of the course and the work available to 'girls' who study at Burnley.Photocopy of article from Woman, October 5, 1953. woman, female students -
Ballarat Heritage Services
Photograph - Black and White, Portrait of a Woman
Photographic portrait of a womanfullarton, woman -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Portrait of a Woman
Photographic portrait of a womanfullarton, woman, crinoline -
Ballarat Heritage Services
Photograph - Photograph - Black and White, J. Watson, Portrait of a Woman
TPhotographic portrait of a woman.fullarton, j. watson, woman -
Ballarat Heritage Services
Photograph - Photograph - Black and White, William Bardwell, Portrait of a Woman
Photographic portrait of a woman.fullarton, ballarat, bardwell, woman -
Montsalvat
Stone Sculpture, Untitled (Head of a Woman)
Stone Sculpture of a woman's head.Nonematcham skipper, sculpture, stone, woman -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Portrait of a Woman
Photographic tintype portrait of a woman.fullarton, ballarat, tintype, woman -
Federation University Historical Collection
Photograph, A woman wearing glasses, 04/05/1909
This unidentified photograph was in the possession of Alice Bell nee Clayton or Woodstock on Loddon.Black and white photograph of a woman wearing glasses.Verso "With love & best wishes 4/5/09richards and co., woman, alice bell, alice clayton -
Federation University Art Collection
Ink on paper, Portrait of a Woman
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pen and ink portrait of a woman.art, artwork, portrait, woman, neville bunning -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Portrait of a Woman, c1887
Photographic tintype portrait of a woman.fullarton, ballarat, woman, willetts, george willets -
Federation University Historical Collection
Photograph, Man and Woman
This unidentified photograph was in the possession of Alice Bell nee Clayton or Woodstock on Loddon.Black and white photograph of a seated man and woman on either side of a small table. The woman is holding a book. woman, alice bell, alice clayton, arthur and son, arthur & son, arthur and co -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .3) A tintype portrait of a woman, attached to a card. little gem, tintype, woman, unidentified woman, women -
Vision Australia
Photograph - Image, Two woman paddling in a canoe
In this image two woman sit in a canoe and paddle across a waterway. There are bushes and trees in the background, with a wide clearing separating the water way from the bush. Both woman wear life jackets and hats.1 black and white photograph of woman in a canoerecreation, canoeing -
Federation University Art Collection
Painting - Artwork, [Portrait of a Woman] by David Alexander
Framed oil painting of a woman's portraitSigned lower right 'D. Alexander'artist, artwork, david alexander, woman, portrait, available -
Federation University Historical Collection
Photograph - Little Gem tintype, American Studio, Portrait of a Woman, (exact)
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph -
Vision Australia
Photograph (item) - Image, Elderly woman weaving on loom
Weaving is a craft activity that has been a part of many day centres. In this image, a blind woman sit in front of a loom, holding the threads, her lips slightly pursed, as if in conversation. Another woman stands beside her and looks down at the work, her hand holding the weaving slightly forward as she looks at the stitches.royal victorian institute for the blind, day centres -
Vision Australia
Photograph - Image, Woman washing dishes with toddler in rucksack
Parenthood often means finding ways to do things you need to. A woman washes dishes in her home, whilst keeping an eye on her toddler by placing them in a backpack. The toddler looks over the woman's shoulder, as she continues her work, with 2 washed cups already sitting in the drying rack.1 black and white photograph of woman washing dishesrehabilitation, child rearing -
Vision Australia
Photograph - Image, Woman working in office
Photograph of a young, red-haired woman operating what looks to be a telephone switchboard. The woman, possibly a receptionist, and possibly vision-impaired, wears headphones with a mouth piece to allow hands-free operation of the phone. With her right hand, she operates the keyboard in front of her. In the background is a bookcase with phone books stacked upon it.1 black and white photograph of woman working in officerehabilitation, royal victorian institute for the blind -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Photograph - Little Gem tintype, American Studio, Portrait of a Woman
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography -
Orbost & District Historical Society
book, The White Woman, 1994
The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. Liam Patrick Davison (29 July 1957 – 17 July 2014) was an Australian novelist and reviewer. He was born in Melbourne, where, until 2007, he taught creative writing at the Chisholm Institute in Frankston. Davison and his wife Frankie, a teacher at Toorak College, were both killed on 17 July 2014 aboard Malaysia Airlines Flight 17 This, his third novel, was shortlisted for both The Age Book of the Year and the Victorian Premier’s Awards.This is a useful research tool on the history of indigenous and settler relationships in early Gippsland.A book titled "The White Woman" by Liam Davison. It is the story of the search for the lost white woman in Gippsland, Victoria, 1846. The cover has a black and white picture of forest with the title in white print.Bottom left corner - orange sticker Orbost Secondary Collegedavison-liam aboriginal-history -
Federation University Historical Collection
Photograph, Woman and child in front of a house
Sepia photograph of a pregnant woman holding the hand of a child standing outside a picket fence on a very steep slope. The fence encloses a brick house. The house is quite possibly in Ballarat.woman, unidentified woman, house, steep street -
Vision Australia
Photograph - Image, Woman studying with talking books
A woman sits in a lounge chair and rests a binder folder with paper on her lap. She holds a pen and appears to be writing as she listens. Her headphones are connected to a portable reel player, which sits on a table beside her, and on top of this are reel boxes with braille labels.Digital image of woman listening to an audio bookroyal victorian institute for the blind, talking books -
Vision Australia
Photograph - Image, Woman weaving plastic cording
In this image a woman weaves two different colours of plastic cording into a interconnecting X shaped pattern. Weaving has often been done as a commercial skill taught by blind institutes, however machine woven materials and goods have now turned this skill into a recreational one.1 black and white photograph of woman weavingrecreation, weaving -
Vision Australia
Photograph (item) - Image, Woman taking casserole dish out of over
Cooking often requires skill and adaptation. In this kitchen, a woman with low vision removes a dish hot from the oven of an upright cooker. Dressed in a pinafore and oven gloves, she carefully maneouvres the dish outwards. Above her, a tea kettle sits on the hob, next to the sink. In the background, spice jars are lined up on the bench, each with a large written label on them. Woman is not named, but possibly Joy Kerr, who gave talks and wrote a book on cookery for people who are blind or vision impaired.royal blind society of nsw, education -
Tarnagulla History Archive
Photograph of a woman on the bandstand, Tarnagulla Recreation Reserve, Woman on the bandstand, Tarnagulla Recreation Reserve, circa 1930s (original image)
Murray Comrie Collection. The woman may be a Comrie.Monochrome photograph depicting a woman on the bandstand, Tarnagulla Recreation Reserve. This dark, poor quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, recreation reserve, bandstand, people -
Tarnagulla History Archive
Photograph of a woman on the Reservoir jetty, Tarnagulla Recreation Reserve, Woman on the Reservoir jetty, Tarnagulla Recreation Reserve, circa 1930s (original image)
Murray Comrie Collection. The woman may be a Comrie.Monochrome photograph depicting a woman on the Reservoir jetty at Tarnagulla Recreation Reserve. This dark, poor quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, recreation reserve, reservoir, res, jetty, water, people