Woodblock print of Namgyalma, a deity associated with long life and purification. The engraver of the woodblock was the historically famous artist called Tsangpo. This block print was made from one of those historic woodblocks that are now designated as protected treasure of Derge Printing Press and therefore not allowed to be used anymore. Those involved in the printing process consider their work an offering to the Buddha.Namgyalma, often depicted in female form, is believed to remove obstacles that shorten one's lifespan. Reciting her mantra can help purify negative karma, heal diseases, and ensure a favorable rebirth.Woodblock print of Namgyalma printed in red on parchment paper woodblock printing, buddhist art

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limted edition woodblock print.art, artwork, lisa baker, printmaking, woodblock

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination.Vajrayogini is considered a female Buddha, embodying the ultimate state of enlightenment. She represents the union of wisdom and compassion and is known for her ability to transform strong passions into enlightened virtues.Woodblock print of Vajrayogini on yellow cloth, created using an old wooden handcrafted printing board from Tashilhunpo Monastery in Tibet.woodblock printing, buddhist art

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination. Jambhala is a Bodhisattva of material and spiritual wealth often invoked by practitioners seeking to eliminate poverty and remove obstacles and misfortunes.Woodblock print of Jambhala on yellow cloth, created using an old wooden handcrafted printing board from Tashilhunpo Monastery in Tibet. woodblock printing, buddhist art

Lionel LINDSAY (17 October 1874- 22 May 1961) Born Creswick, Victoria Wood engraving, signed in block lower right. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodblock print.art, artwork, lionel lindsay, lindsay, woodblock, woodcut, goat, animal, available

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination. Those involved in the printing process consider their work an offering to the Buddha.White Tara, revered as a compassionate and healing deity, is considered to provide protection, health, and longevity. She embodies the transcendent wisdom that helps practitioners overcome physical and mental suffering. White Tara woodblock print on paper in red ink, created using an old wooden handcrafted printing board from the Derge Sutra Printing House. Framed, sandwiched between acrylic sheets.woodblock printing, buddhist art

"In my woodblock print I have focused on the architectrure, streetscape and layout of the city. I am itrigued with teh organisation of cities and in teh creation of my own image. In this work I have almalgamated site drawings of buildings, streets and various structures to create a fish eye viewof the inner west of Sydney. By creating such a cityscape I form an historical document and record of the specific place."Anne STARLING (1967 - ) Born Sydney, New South Wales A graduate of the City Art Institute/UNSW College of Fine Arts, Anne Starling completed a Master of Art in 1994 and Master of Fine Arts by Research in 2012. Human interaction with the urban and industrial landscape is central to the work of Anne Starling. She focuses on the neglect that has occurred due to misuse and exploitation by industrial manufacturers, and the social and ecological structures of areas surrounding of Rhodes in Sydney, Fremantle in Western Australia and Port Kembla in New South Wales.Through relief and drypoint prints she examine changes that occur in this environment, presenting a commentary on the degradation and pollution of land by industry and the surrounding urban landscape. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white relief print (woodblock) representing a collage of various Sydney architecture. art, artwork, anne starling, printmaking, woodblock, print council of australia, sydney, architecture, bridge, cityscape

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination.This woodblock print on hand-made paper depicts Gesar, a legendary Tibetan warrior king who is invoked as a protector of the Buddha's teachings and emanation of Padmasambhava. Gesar's image is surrounded by four magical animals - garuda (top left), makara (top right), tiger (bottom left) and snow lion (bottom right). The print is framed using acrylic sheets. padmasambhava, tibetan buddhism, woodblock printing

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JapanWoodblock Print

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