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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 123 Kilby Road, Kew East, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 123 Kilby Road, Kew East by Margaret Picken.123 KILBY RD., KEW EAST/ MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 123 kilby road - kew east (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 123 High Street, Glen Iris, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ringwood and District Historical Society
Document, Transfer of Land Act - 123 Canterbury Road, Heathmont, Victoria
Photocopied Certificate of Title Vol 8446 Fol 751 dated 27th May, 1963. Valfrids Teodors Celms of 123 Canterbury Road Heathmont, Hardware Retailer, is now the proprietor, Lot One on Plan of Subdivision No.36857, Parish of Ringwood. Page 2/3 - Transfers - Ansis Rudolf Kilevics and Mirdza Erika Kilevics, registered as joint proprietors 27th May, 1963. Mirdza Erika Kilevics registered as surviving proprietor 9th November, 1966. Velfrid Teodors Celms registered as proprietor 18th November, 1966. John Boer and Brenda Marion Boer registered as joint proprietors 11th July, 1973. Page 4/5 - Photocopy of Certificate of Title Vol 9557 Fol 423 dated 31 May, 1984 shows John Boer and Brenda Marion Boer mortgate discharged 31 October, 1984. -
Greensborough Historical Society
Slide - Photograph, John Ramsdale, Plenty River catchment: Slide 123, 1990s
Photograph shows a river and bushland, part of the Plenty River catchmentPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty river -
Eltham District Historical Society Inc
Newsletter, Newsletter, No. 123 November 1998
Contents: • Next meeting, A Local Chronology; A presentation by the Society’s Committee • November Meeting • Christmas Function • Banyule Council Matters • Nillumbik Council • President’s Report • Mud Brick Heritage Excursion – and the Future • Other Brief Matters The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Moorabbin Air Museum
Manual (item) - General Electric Test Cell 123 Production Engine Quality Operation Manual
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Moorabbin Air Museum
Legal record (item) - Commonwealth Aircraft Corporation Declarations, Former Directors Declaration of Interest Section 123
Commonwealth Aircraft Corporation -
Moorabbin Air Museum
Manual (item) - E,M,R 27-123 , Sabre mod 67 , Rocket Modification ,firing system, E,M,R 27-123 , Sabre mod 67 , Rocket Modification
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National Vietnam Veterans Museum (NVVM)
Document, C-123 Toxic Exposure: Agent Orange's reach beyond the Vietnam War
A photocopy of a document, source unknown.agent orange - toxicology -
Moorabbin Air Museum
Document (item) - CAC Collection - Gas Turbine Engine Test Report ATAR 09C5 No.CAC 123 FR994
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Moorabbin Air Museum
Newspaper (Item) - Ansett News No.123 December 1991
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Moorabbin Air Museum
Photograph (Item) - Fairchild C123 provider, Fairchild C 123 provider
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Moorabbin Air Museum
Book (Item) - RAAF Aeroplane Maintenance Form , Mustang A68-123
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Moorabbin Air Museum
Book (Item) - RAAF - Aircraft Servicing Form , Mustang A68-123
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Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-752-123 Battery Installation Tail Boom
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Moorabbin Air Museum
manual (item) - GAF Nomad Customer Options Manual, Nomad Cust Opt 113 to 123 Retro Electrical
Government Aircraft Corporation -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.123, June 2018
No 123 JUNE 2018. Reservoirs and Pipes / Don Garden p1. Society News p3. Victorian Collections / Collections Group p4. Bookshops of Boroondara: past & continuing / Judith Scurfield p5. A Nationally Significant Sound Recording / Robert Baker p6. In Memoriam [by John Longstaff & John Springthorpe] / Robert Baker p7. Princess Street: a short survey of subdivisions / David White p9. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionNo 123 JUNE 2018. Reservoirs and Pipes / Don Garden p1. Society News p3. Victorian Collections / Collections Group p4. Bookshops of Boroondara: past & continuing / Judith Scurfield p5. A Nationally Significant Sound Recording / Robert Baker p6. In Memoriam [by John Longstaff & John Springthorpe] / Robert Baker p7. Princess Street: a short survey of subdivisions / David White p9. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 123
Female student seated on the lawn.female students, lawns, mrs. jessep, alexander william jessep, principal, a.w. jessep -
Merbein District Historical Society
Photograph, Klesa House 123 Game St Merbein, unknown
houses -
Knox Historical Society Inc.
Photograph, Group photo at Fern Tree Gully in 1896, 1896
The photo is of a group of 15 women and 11 men in bush type location with many holding a glass bottle presumably of refreshment. A note on the reverse side indicates that the photo may have been taken on Boxing Day (..."ing Day Fern Tree Gully 1896" but the corner of the photo with the rest of the inscription is missing). The photo is significant as it was taken by George Rose of "The Rose Collection" fame. It was noted on the reverse side was taken at Fern Tree Gully (written the early way as seperate words rather than Ferntree Gully as written today).Group Photo Sepia Fixed to mounting boardSticker affixed to reverse side- Should any copies of this Photograph be required kindly quote number to prevent mistakes.- No. 510 Photographer: Geo. Rose, 123 Chapel Street, Windsor. Inscription: ...ing Day, Fern Tree Gully 1896photo fern tree gully 1896 no.510 -
Warrnambool and District Historical Society Inc.
Leisure object - Sheet music, First love, 1850s
This piece of music, ‘First Love’, dates from the 1850s and was composed by Henry Farmer (1819-1891). Born in Nottingham, Farmer was an organist and composer and conductor of the Nottingham Harmonic Society from 1866 to 1880. He dedicated this music to Miss Hal Chaworth Musters. It is not known who ‘Miss Hal’ was but the Chaworth name was an ancient one in Nottingham and marriage with a member of the Musters family brought into being the name ‘Chaworth Musters’ and the estates included Annesley, Edwalton and Wiverton. The signatures on the front cover indicate that this music is connected to two early families in the district. Stephen Henty owned Cadnook (Kadnook), near Harrow, in the 1850s and sold it to Mordaunt Smalpage (or Smalpaige) in July 1859. Stephen Henty, who came to Victoria in 1836, was the brother-in-law of Captain Helpman, the Warrnambool Harbour Master from 1861 to 1869. They were co-owners of the ‘Champion’ which plied between Portland and Melbourne until it was wrecked off Cape Otway in 1857 when it collided with the ‘Lady Bird’.This is a most significant item because of the signatures on the front cover. Stephen Henty was important, not only in the history of Victoria, but also in the history of Warrnambool because of his connection with coastal shipping and his relationship with Captain Helpman. As far as we know the Hentys never lived in Warrnambool but it is possible that this music was played on the ‘Henty’ piano that was donated to the old Warrnambool Museum in 1889 and is now in the Warrnambool Art Gallery. The Hentys brought six pianos to Victoria in 1837. The music is also important in social history as an example of the music that was played in mid-Victorian drawing rooms. This is a piece of music of seven pages printed back to back (cover and 11 pages of musical notation) The pages have black printing on white with a multi-coloured front cover. The cover has a stylized portrait of a man and woman in period costume. The woman is holding an urn of flowers. Some of the pages are loose and the page folds and corners are tattered and torn. The name ‘Smalpaige ‘is written in ink and the name ‘Henty’ is written in pencil. Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. Sta. Hall.’ stephen henty, mrs smalpaige, warrnambool, first love sheet music, history of warrnambool, henry farmer -
Warrnambool and District Historical Society Inc.
Label, The Garden Dry Cleaners, 1950s
This label comes from The Garden Dry Cleaners, a Warrnambool business at 121-123 Fairy Street in the 1950s and 60s, opposite what was Callaghan Motors at that time. This label is of interest as the only memento we have of a dry cleaning business that was in Warrnambool over 60 years ago.This is a small sheet of cream-coloured paper with green printing. The label has an adhesive backing.From “The Garden” Dry Cleaners M………. 121-123 Fairy Street, Warrnambool the garden dry cleaners, history of warrnambool, label -
Greensborough Historical Society
Book, Lodi Francesconi, The Shire of Eltham - a perspective, 1981_07
Collection of statistics and projections relating to the Shire of Eltham as at 1981123 p. typescriptnon-fictionshire of eltham, statistics, eltham -
Mrs Aeneas Gunn Memorial Library
Book, Hodder & Stoughton, A song of the English, 1912
A book of songs and poems by Rudyard KiplingIll, p.123.non-fictionA book of songs and poems by Rudyard Kiplingmilitary music - great britain, poems - great britain -
Mrs Aeneas Gunn Memorial Library
Book, Geoffrey Bles, Domestic architecture and old furniture, 192?
A history of domestic architecture and furnitureIll, p.123.non-fictionA history of domestic architecture and furniturearchitecture, furniture - history -
The Celtic Club
Book, Evelyn M. Hood, The story of Scottish country dancing, 1980
The author has traced the origins and development of Scottish country dancing from the ritual of medieval days through the French influence of Mary Queen of Scots and the elegant assemblies of 18th century Edinburgh to the highly respected conservation work of the Royal Scottish Country Dance Society.Index, bib, p.123.non-fictionThe author has traced the origins and development of Scottish country dancing from the ritual of medieval days through the French influence of Mary Queen of Scots and the elegant assemblies of 18th century Edinburgh to the highly respected conservation work of the Royal Scottish Country Dance Society.scotland - country dancing, scotland - history -
Victorian Railway History Library
Book, Flint, Edward John, The Dieselization of the Railways of the Queensland Sugar Mills, 2015
A history of dieselizing the sugar can tramways of Queenslandill, maps, p.123.non-fictionA history of dieselizing the sugar can tramways of Queenslandsugar tramways - australia - history, narrow gauge railroads - australia - history -
Flagstaff Hill Maritime Museum and Village
Book - Tatting craft book, Paragon Art Needlecraft Pty Ltd, Tatting Designs, circa 1940's
Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle -
Flagstaff Hill Maritime Museum and Village
Book - Tatting craft book, Paragon Art Needlecraft Pty Ltd, Learn to Tat, circa 1940's
Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read.This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered 16 page instruction book with black and white photographs and detailed instructions explaining how to tat and eight tatting projects including how to make a collar and handkerchief edgings, published by Paragon Art Needlecraft of Sydney.Front cover - "PARAGON BOOK NO. 104" "PRICE 1/3" "Learn to/ TAT' Back Cover - "36/D5 E/A DO2" - handwritten in pencil flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, tatting, tatting pattern book, tatting instructions, handicraft, needlework, shuttle, tatting shuttle, paragon needlecraft, paragon craft book -
Federation University Historical Collection
Instrument - Scientific Instrument, Dumpy Level, 05/1950
Used for surveying classes at the Ballarat School of Mines.Telescope with cross hairs and stoidia wites. Internal focussing. Vertical tilt adjusted with vernier mocrometer screw mirror lid longitudinal bubble level. Pea bubble level on plate. Housed in wooden storage carry box. Fits tripod cat. no. 4118Serial number 67543 On box lid in white paing "L 6". In yellow paing "59". Inside box lid - Manufacturers label; grades table label, calibration label reading "instrument No 67 543, date 13.5.50" (ink faded) constant: +0.19 ft"dumpy, level, surveying, scientific instrument, e.r. watts & son ltd, ballarat school of mines