ERNEST HENRY JAMES No 2100 enlisted in the AIF in 3rd reinforcements 38th Batt on 8.5.1916 age 25 years 1 month. Promoted Cpl 1.8.1916, embark for England 25.9.1916, detached to 10th Training Batt England 11.12.1916, hospital 5.2.1917 with PUO, rejoin unit 24.5.1917, attended Bombing School 26.8.1917, rejoin unit 8.9.1917, embark for France 2.10.1917 and rejoin 38th Batt, WIA 24.8.1918 GSW to right leg, embark for Australia 4.1.1919 re his wounds, discharged from the AIF medically unfit 30.3.1919. (PUO) Pyrexia of unknown origin.Exercise book, canvas covered, dark blue, blue ruled. Extensively hand written in ink with hand sketches & printed pages of weapons pasted in. The entire book is on notes taken at Bombing School in England in 1917 by E H JAMES, AIF.“No 2100 Cpl E H JAMES 10th T B LARK HILL” Notes taken at Southern Command Bombing School Lyndhurst 27.8.17.books - military - notes, bombing school

Hanimex Corporation was an importer and distributor of cameras, lenses, and other photographic equipment in Australia and New Zealand. It was founded in 1947 by German refugee, Jack Hannes, who had fled Germany for Australia in 1939. Hanimex was very significant in the development of the photographic market in Australia. The Hanimex MPF 830 is a super 8 film camera which is part of the Hanimex Loadmatic series and recognized for its use in 1970's cinema. The donor, a member of the Emerald Museum Committee for several years, donated other items of used photographic equipment which suggests they were a keen photographer. The airways tag shows that the donor took the camera with him when he visited England.This camera owned and used by a local person was made by a company which is significant in Australian photographic history.Black camera case lined with black leather on outside and red felt on inside. Secured with clasp of silver metal. Black leather carry strap. A British Airways baggage tag is tied to the strap, and a completed airways address label is affixed to the front of the case. Camera is a cine (movie) camera - Hanimex Loadmatic MPF 830.On lower right front of case: 'HANIMEX' Inside case is the owner's name and address and telephone number on embossed tape. On side of camera: 'AUTOMATIC / MANUAL / OFF / AUS' and 'HANIMEX / METER / FEET'. On other side of camera: 'LOADMATIC / MPF / 830' On front of camera: HANIMEX'hanimex

Hanimex Corporation was an importer and distributor of cameras, lenses, and other photographic equipment in Australia and New Zealand. It was founded in 1947 by German refugee, Jack Hannes, who had fled Germany for Australia in 1939. Hanimex was very significant in the development of the photographic market in Australia. The donor, a member of the Emerald Museum Committee for several years, donated other items of used photographic equipment which suggests they were a keen photographer. This movie editor owned and used by a local person was made by a company which is significant in Australian photographic history.Hanimex Movie Editor inside original box. Cardboard box is a turquoise color with black and white lettering and a red stripe. Foam storage base.On front of box: 'HANIMEX / E300 / DUAL 8 / MOVIE EDITOR' On top of box: 'HANIMEX / MOVIE EDITOR / LAUFBILDETRACHTER'hanimex

Red cloth large hardcover book. Title is written on the front cover and on spine in gold. Small gold circle pattern on front cover. The book contains 100 coloured plates, 32 b/w plates with images of peasant handicraft. The book includes table of content, index, bibliography and a library due date card inside back cover, it was borrowed by Donald Ferguson(an art lecturer)on 13 May 1957. Page numbers written in roman numerals. embroidery, europe, ceramics, ornaments, peasant art, h th bossert, folk art, embroideries, handicraft, decorative arts, textile fabrics

Postcard featuring four Melbourne tramcars - B2 2100 (Bundoora route 86), Z1 53 (St Kilda Junction, route 15), SW6 888 (City Circle), and SW6 965 advertising Australian Express 1993Yields information about four different types of Melbourne trams around 1993.Postcard colour - four panel Melbourne tram photographs - Barteltrams, tramways, tramcar restaurant, luna park, w7 class tram, sw6 class tram, b class tram, c1 class tram, advertising trams

Booklet. ALEC H CHISHOLM COLLECTION. 32 page brown soft cover booklet of verse by Harold Mercer entitled ''The Frequent Lover: His Verses''. Published by Robertson and Mullens, Melbourne about 1940s - 1950s. Printed by the Speciality Press Pty Ltd. Catalogue sticker '2100 MER' on front cover.Harold Mercerbooks, collections, poetry, alec h chisholm collection, poetry, harold mercer.

Yields information about the depot area in the late 1930's and the appearance of the tramcars at that time.Copy negative of a black and white photograph from Ray Pearson Collection, taken by Dave Macartney in 1975c of Ballarat No. 11 with 21 behind on No. 1 road, late 1930's. Original negative held in the negative file. Laser print of scanned image in box 01-01-77. Scanned at 2100 dpi and Photoshopped for file image.trams, tramways, secv, depot

The 67th (Bendigo) Infantry was the local Militia Infantry Unit from 1912-1918. It's members came from Bendigo up to Deniliquin and Bendigo up to Kerang - Swan Hill areas.This is a leather bound book (Manuscript). The type of leather is called "old goat leather". The title and words are gold embossed. It is fastened with 4 brass Chicago screw binders. Inside are pages of A4. size. The history section is of 165 pages - text, images, black and white and colour. The second half of the book is A4 size excel spreadsheet with approx 2100 names.ww1, militia, citizen forces, 67th infantry

HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Book, Loch Ard Gorge: The Story of a Shipwreck by Alice Goldstraw. First published 1948, Third printing November 1954. Inscription inside front cover in blue pen, signed by the author. Soft covered book containing the story of the wreck of the Loch Ard, written in poetry. Each page has a decorative border. One page has photographs, black and white, of people and the Loch Ard Gorge cavesInside front cover, script in blue ink "To Mrs Slade, with kind regards, from Alice Goldstraw"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, the story of a shipwreck, book, alice goldstraw, terang express press, loch ard gorge whipwreck, ship loch ard

Janefield Precinct: Aloe plant on lower terrace. The remains of this site are between Greensborough and Janefield. A RAAF Hygiene Training Camp was located on the Plenty River, just south of the Janefield community. It was in use from 1944 to 1946. The Camp was constructed from salvaged materials. Instruction included building and maintenance of grease traps, latrines, elementary plumbing and carpentry.Early remains of a WW2 training camp Digital colour photograph.

Port of Portland Authority archivesFront: (no inscriptions) Back: equ14 (pencil, lower right) PG 5/7/5-63 (blue pen, centre)port of portland archives, construction, breakwater

Born Celia Elizabeth Prince in 1930, Celia Rosser began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria. She lived in Orbost in the 1960's( her husband had been posted to Orbost High School) where she painted and drew native flowers , in particular, banksias. Her first exhibition was at Leveson Gallery in Melbourne in 1965, and included three watercolours of Banksia species. Two years later she published Wildflowers of Victoria.Celia Elizabeth Rosser (born 1930) is a renowned Australian botanical illustrator, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria.A small book titled Wildflowers of Victoria and written by Celia Rosser. It was published in 1967 by Jacaranda Press. The covers are stiff card and it has an illustration of a banksia on the front cover. It has 105 pp and contains coloured illustrations. This book was the third part of the Jacaranda wildflower guides series. The book is designed to carry around in a pocket or purse.rosser-celia wildflowers banksia australian-flora

Black and white photographTyped below photograph: "2. Lady Brooks being escorted to dais."

Returned from Active Service badge. Maker - G and E Rood.Rising Sun badge (rising sun symbol, anchor, out-stretched wings) over boomerang. Gold coloured. Two rings affixed to back (no fastener) of badge. “Returned from active service badge”On rear, “A 1454”badges, ras

Trooper A R Woodsphoto, ww1, army

A dark cream coloured cardboard cover with black information on the front. There is the insignai of the Marconi School of Wireless near the middle of the cover. the manual is held together with three metal staples down the left hand side.wireless communications, television equipment, refresher course, mathematics, marconi school of wireless

A colour photograph of the reconstructed H.V. McKay timber smithy with a group of men and women posing for camera. Believed to be taken at the opening of the replicate smithyh.v. mckay, sunshine harvester factory, smithy, blacksmith, barclay reserve, albion

Demonstrates the Museum's ticketing systems and ongoing production of tickets.Block of 200 tickets - red ink on off white paper, denomination 5c, lettered A 199800 to A 199999, headed Ballarat Tourist Tramway. The 200 tickets have been stapled onto a heavy cardboard back with a heavy metal staple. The tickets are in the style of the former State Electricity Commission of Victoria tramway tickets. Tickets in use as Museum entry tickets from mid 1972 at the depot, then as child single tickets in 1974 to 1975. See BTM Fare Chart. Also used as tickets for other purposes such as check tickets and 50c tickets over stamped, cash received checks as donations for many years. Printed 1971? See Fare structure of BTM/BTPStrams, tramways, btm, tickets

Spool from Collins Mills.weaving mills, collins bros mill pty ltd

directed by Daniel Keene starring Linzee Smith Rhonda Wilson and John Butler. Staged with the assistance of the Australia Council St Martin's Theatre Company The Fitzroy Stars Gym and MavisFlyer & Newspaper cuttingthe fighter, daniel keene, the tide, melbourne athenaeum two, program, programme, australia council, fitzroy stars gym, st martin's theatre company

Set of two reports from The Parliamentary Standing Committee on Railways. .1 - 8 pages - stapled report titled "General Scheme of Tramways for the Metropolis", dated 24/7/1923, examining the MMTB's General Scheme for Tramways (See Reg Item 2088, 2089 and 2098), includes financial position of the Board, tramway or railways, the scheme itself, committee recommendations and view of the railway's commissioners. .2 - 8 pages - stapled report titled "East Northcote and Ivanhoe Railless Electric Tramways" - dated 26/10/1922 - looking at proposal for a Railless tramway (trolley bus), district to be served for residential districts, proposals, annual costs, expenses, alternative routes, betterment tax or municipal guarantee, effect on railway revenue, view of the committee and recommendations. Note: These document are available as a pdf on the Parliament of Victoria website..2 - has "Mr. Lormer" in ink on top left hand corner.trams, tramways, mmtb, general scheme, tramways, development, parliament, railways, finances, construction, trolley buses, railless, northcote, ivanhoe

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the ambush site at Hoa Long, by 8 Platoon, C Coy 8 RAR on the night of 12/07/1970 Sgt CJ Sherrin MM observed 50 to 60 NVA/VietCong pass into Hoa Long at 2100 hrs. At 0315 hrs the enemy returned and were engaged with claymores and machine gun fire, resulting in seventeen dead.photograph, 8 rar, c coy, sgt cj sherrin, nva/vc, hoa long, gibbons collection catalogue, military medal, 8 platoon, claymore mine, machine gun, killed in action, denis gibbons

Yields information about Ballarat 's Gardens loop precinct in the 1940'sCopy negative of a black and white photograph from Ray Pearson Collection, taken by Dave Macartney in 1975c of Ballarat Gardens loop precinct, based on the motor vehicles late 1940's - after the introduction of bogie trams. Original negative held in the negative file. Laser print of scanned image in box 01-01-77. Scanned at 2100 dpi and Photoshopped for file image.trams, tramways, gardens loop, wendouree parade