artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Third volume of indexes to The Victorian Historical Journal. Volumes 61-70, Issues Nos. 234 to 253, 1990-1999non-fictionroyal historical society of victoria, the victorian historical journal - indexes

Full colour gloss postcard of A class trams 249 and 253 in Victoria Parade, East Melbourne in May 1990 at the Simpson St. stop. Note the tram stop sign by 253. Tram 249 has the destination of City and 253 - Kew Depot. On the rear has a photo of a destination blind - showing Kew Depot with the words "75 years of Service" underneath, address and stamp blocks, PMTT logo with an A class tram in the centre. In the bottom left hand corner are the details of the photo and photographer - Ray Marsh and the number T104. 2nd copy added 15/9/2020.trams, tramways, postcards, kew depot, victoria parade, celebrations, pmtt, tram 249, tram 253, a class, the met, route 42, route 47

Contents: • Interesting Times by Jim Connor • Our Town – Part 4 by Sue Bennett • To the Blacks’ Spur • Making History by Jim Connor • Signs of Our Times • Recollections and Reflections of a Garbo by Frank Taylor • Eltham Cemetery Stories by Richard Pinn o John Jarrold o Justus Jörgensen • Contacts for the Eltham District Historical Society The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society, covid-19, coronavirus pandemic

Black and white photograph of nine men wearing suits and hats, most holding a rifle. Identified in handwriting on the front of the photograph as : [Back] Dillon, S. Lewers, Jo Donavan, Bennett, Roberts, Madden; [Front] "Bank Manager" [A. C. Cork], Luscombe, W. Angus."Rifle club Linton c1900 [back] Dillon, S. Lewers, Jo Donavan, Bennett, Roberts, Madden, [front] Bank Manager, Luscombe, W. Angus".sports, linton rifle club, rifle shooting, dillon, s. lewers, jo donavan, bennett, roberts, madden, luscombe, w. angus, a. c. cork

Wedding of George Garnsworthy Bennett (son of William Garnsworthy Bennett) and Ada Bersey in 1896 at Linton. (BDM registration #6102.)Sepia photograph of a large wedding group all in formal attire, the bride and groom seated, attendants and others standing beside and behind, two young boys kneeling at front of group.george garnsworthy bennett, g g bennett, ada bersey, weddings

A bluestone Lutheran church at Tabor, Victoriatabor church, bethlehem lutheren church, tabor, bluestone

Photograph shows out of service W2 1253 in a home garden setting on blocks with many saloon windows open and green and cream livery.Yields information about night time trams. Colour photograph with note on rear. Written in biro on rear is "W class tram 253 later 1253 now located Hall Village near Canberra, Oct 1994" w2 class, sw2 class, 253, 1253, garden setting, on blocks, canberra

p.253.fictionA fictional account of aerial warfare on the Western front in the first world warworld war 1914-1918 - aerial operations - fiction, aerial warfare - fiction

p.253.fictionThis novel is a spirited melodrama set in Westmorland, in which the writer's love of the county and its cultural peculiarities is rather more convincing than her stiff-upper-lipped characters' love for each other.england - fiction, romantic fiction

Ill, p,253.non-fiction'Packed with fascinating facts, this volume contains incredibly detailed cutaway drawings of arguably the greatest fighter aircraft ever flown. Each drawing examines what's 'under the skin', clearly showing 'the inside story' - airframe structure, cockpit components, engines, fuel tanks, avionics, machine guns and cannon, missiles and bombs - revealing how the fighters were built, and the weapons they have carried into combat. Each significant component is given a number and is identified in an accompanying key. Moreover, together with stunning photographs, as well as detailed specifications, the absorbing in-depth development histories provide avid aviation enthusiasts all the information they could wish for about the most exciting warplanes spanning almost a hundred years. The aircraft themselves vary tremendously, from simple, wooden-framed, fabric-covered machines with open cockpits, often firing machine guns through whirring, propellers, to super-fast, highly maneuverable, sophisticated and stealthy fighters armed to the teeth with multi-barrel cannons and missiles that can destroy enemy aircraft from beyond visual range. In between are featured a host of combat-proven fighters, many of which have recorded a plethora of 'firsts' - first jet warplane, first supersonic fighter to enter service, first Mach 2 and even Mach 3 interceptors, first tail-less delta machine, first sweeping-wing machine, first missile-armed fighter, and many more. It is certainly an extraordinarily wide-ranging subject presented in such a fantastically individual manner that it is difficult to imagine a more striking volume in aviation publishing.fighter planes - history, fighter planes

Index, ill, p.253.non-fictionAn account of a husband and wife interned in Singapore during Wprld War Two.world war 1939 – 1945 - prisons and prisoners - japanese, changi prison - singapore

Ill, maps, p.253.non-fictionclandestine operations - australia - operation rimau, clandestine operations - australia - operation jaywick

253 p.; 25 cmnon-fictionThere is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publishersheila scotter, fashion

Notes, ill, p.253.non-fictionThomas Kinsella's translation of medieval manuscripts.irish myths, irish customs

Ill, maps, p.253.A description of the discovery and exploration of the Pacific ocean islandspacific ocean - exploration, islands of the pacific

Index, ill, maps, p.253.non-fictionIllustrated history of the main battles of WIworld war 1939-1945 - history, world war 1939-1945 - pictorial works

Index, ill, maps, p.253.non-fictionA pictorial and descriptive history of the second world warworld war 1939-1945 - history, world war 1939-1945 - pictorial works

Thomas Couch Watts c. 1865 - 30/10/1914 was a Bendigo Real Estate Agent, initially in View St and later at 253 Mitchell Street. He married Alice Maud Glasier in 1888. His son Raymond Leigh Watts b. 1894 was admitted as a partner in the business in 1915 when he qualified as an Insurance Agent. Raymond died in 1929 aged 35. Thomas became an auctioneer and Real Estate Agent c. 1904 after initially running a book and stationery store in View Street with his brother Edward. Thomas and his family resided at "Ottawa" in Rowan Street, Bendigo.Green hardcover ledger book. The ledger has 354 pages and it lists the name, addresses and the amount of rent received. The period covered is from 1940 to 1958Two stamps on the first two pages with the name T.C. Watts and son 253 Mitchell Street Bendigo & Districtestate agent, rent book

Index, bibliography, ill, maps, p.253.non-fictionThe controversial Battle at Xa Long Tan was not only a critical episode in Australias Vietnam involvement, it was also a textbook nightmare in the history of jungle warfare. Reconstructing this dramatic action from secret documents and the vivid recollections of many diggers who fought at Long Tan, Terry Burstall challenges the official army version. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – battles – long tan

253 p. ; gold-embossed red coverfictionComedy of married life, adapted from a play by Frank Craven.fiction, ruth alexander

This item is an example of domestic furniture created to reflect an Australiana type design with Australian motifs.Wooden, Australiana dining chair. Emus + bush scene carved into back with wood turned legs and supports.Front top - Rd 253chair dining-chair wooden-chair furniture-domestic

Photograph of D2 class tram 5006 in the Centennial or 100 years of Electric Trams in Melbourne. Shows the front of the tram and its markings. Has the destination of "VIP TRAM". Photo by Morris Moller Nov. 2006.Yields information about tram 5006 decorated for the celebration of 100 years of Electric Trams in Melbourne.Colour print with a number on the rearIn ink on the rear "253/36"tramcars, 100 years of electric trams, d2 class, tram 5006, siemens, yarra trams

Photograph of A1 class tram 236 at Southbank depot in Yarra Trams livery. Photo by Morris Moller Nov. 2006.Yields information about tram 236 at Southbank in 2006.Colour print with a number on the rearIn ink on the rear "253/4"tramcars, a class, tram 236, southbank depot

Photo of the emblem for "The Colonial Tramcar Restaurants" featuring a crown, a kangaroo, an emu, a tramcar in a circle, grapes, fruit, and a banner with the Latin phrase "SEMPER PROCEDENTES" provided on the side of their Restaurant trams. Photo by Morris Moller, Nov. 2006Yields information about the emblem used on the side of Tramcar Restaurant trams operated by the he Colonial Tramcar Restaurant from 1982 to 2018. See reference.Colour print with a number on the rearIn ink on the rear "253/7"colonial tramcar restaurant, logos, tramcars, emblems

Photograph shows a close-up view of a complex and cluttered tram driver's cabin, showing various gauges, levers, buttons, and a digital display on a dark panel including the controller and white brake valve. Possibly on a City Circle tram. No car number visible.Yields information about the controls on a modified W class tram, possibly a City Circle tramcar.Colour print with a number on the rearIn ink on the rear "253/8"tramcars, controllers, tram controllers, brake valves