After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 93 Mount Street, Kew by Margaret Picken.93 MOUNT ST., KEW / MARGARET PICKEN '~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 93 mount street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 93 Barkers Road, Kew by Margaret Picken.93 BARKERS RD., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 93 barkers road -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 93 Berkeley Street, Hawthorn by Margaret Picken.93 Berkeley St, Hawthorn, Margaret Picken '89. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 93 Burwood Road, Hawthorn by Margaret Picken.93 Burwood Road, Hawthorn, Margaret Picken '91. Woodards - Comm.artist - margaret picken 1950-

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5/93 Princess Street, Kew by Margaret Picken.5/93 PRINCESS ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5/93 princess street - kew (vic)

Photograph of 1992-93 5th XI premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, trevor jenkinson, gordon gray, colin hood, alan loughron, chris quirk, russell baker, neil jamieson, geoff de laine, robert gray, leigh hardham, mark sperling, mark blanchard, cameron lee

North Kew Newsagency, 93 Willsmere Road, North Kew.north kew newsagency, north kew village, newsagent, willsmere road, kew north

The records of the Ringwood Croquet Club given to Gail Abbe - Archivist for safe - keeping with the request that they may be borrowed should the club require them for reference - 10-Dec-1993.Minutes of Ringwood Croquet Club AGM and membership lists for 1982-93

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.93 MANNINGTREE ROAD, HAW Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950-

Looking towards Mrs Seggie's backyard (used to be a Shetland pony paddock) and the HUGE pine in the Webber's backyard 93 Ringwood Street c1970. (Pam Payne)

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.BOOK 93 / LADY'S DESIGNS IN / 8 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film93 LIDDIARD ST, HAW Margaret Picken ~91 WOODARDS - HAWartist - margaret picken 1950-

Colour photograph of the house at 93 Central Road, Blackburn, purchased from William Elliott Wilson, by the Rev. John Flynn of the Australian Inland Mission, for his sister Rosetta Flynn in 1928. Photo shows rear of house.central road, blackburn, no.93, wilson, william, elliott, flynn, rev. john, rosetta

Colour photograph of the house at 93 Central Road, Blackburn, purchased from William Elliott Wilson, by the Rev. John Flynn of the Australian Inland Mission, for his sister Rosetta Flynn in 1928. Photo shows portion of front of house.central road, blackburn, no.93, wilson, william, elliott, flynn, rev. john, rosetta

Colour photograph of the house at 93 Central Road, Blackburn, purchased from William Elliott Wilson, by the Rev. John Flynn of the Australian Inland Mission, for his sister Rosetta Flynn in 1928. Photo shows view of side of house.central road, blackburn, no.93, wilson, william, elliott, flynn, rev. john, rosetta

Used by donor in 'Blackburn - a picturesque history'Black & white photo of oldest business premises at 93 - 97 Railway Road Blackburn. Built in 1888 of Blackburn bricks. It is oldest business premises in the township.(1978) Later the Blackburn Eastern Office Supplies (see NA8) Page 31railway road blackburn, nos. 93-97, eastern office supplies

Colour photograph of the house at 93 Central Road, Blackburn, purchased from William Elliott Wilson, by the Rev. John Flynn of the Australian Inland Mission, for his sister Rosetta Flynn in 1928. Photo shows view of house from street.central road, blackburn, no.93, wilson, william, elliott, flynn, rev. john, rosetta

"A woman who went to Eltham in 1893 and had lived there ever since died at her home last Thursday at the age of 93. She was Mrs Ada Ann Anderson of Yarravale, Mt. Pleasant Rd., Eltham." Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.ada anderson, ada ann anderson, alfred anderson, alice anderson, ann anderson, beryl bradbury (nee stokes) collection, edwin anderson, eltham, flo anderson, george anderson, grace anderson, henry anderson, john henry anderson, methodist church, mount pleasant road, orchards, rev. n. lee, yarravale

Colour photographWritten on back of photo: " Bypass access road from Suda Av 10/5/93"

Mackay John Scobie Gair (1847-1941) was a Councillor in the North Ward in Brighton, elected Mayor in 1892-93. He was a solicitor and partner in the firm Brahe and Gair and became a member of the Victorian Legislative Assembly for the Bourke East electorate from 1897-1904. portrait, policitian, victorian legislative assembly, m.l.a., mackay john scobie gair, cr. m.j.s. gair, councillor, mayor, brighton, north ward, solicitor

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Karen Douglass served as Mayoress from 1990-91, 1991 - 92, 1992 -93.Colour photographic portrait sitting behind oval mount.Front cover; Photograph by: / Richard Gibbs / Tel: (054)413411city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor douglass, mayoress douglass

Notice - 3 A4 sheets stapled in the top left hand corner, titled "Staff Bulletin No. 2 - 17/2/93" - follows an agreement with the ATMOEA union, about fare collection, workshops, line closure (just Northcote to Thornbury), Infrastructure, service levels, retention of tram services, tendering of bus services, and various other reforms, consultation, arbitration hearings and revised interim management structure. Signed by John McMillan. See also 3049 and 3052trams, tramways, services, buses, bus replacement, tram replacement, railways, contracts, preston depot, met ticket, maintenance, unions, atmoea, agreements

The Watsonia Newsagency is operating from 93 Watsonia Road Watsonia in 2108Multi-coloured print on white. List of services on reverse sidebusiness cards, newsagents

The Terminus Hotel was one of the earliest hotels in Wodonga, with clear links to the establishment of the railway line. It was an important business and meeting place from the original construction in 1873 until 1st June 1998 the Terminus Hotel when it was destroyed by fire. It provided a popular venue for social activities, including competitive darts, both through its own competition and as part of the Albury-Wodonga District Darts Association. The remains of the building were demolished in 1999. This is a trophy for the Albury-Wodonga District Darts Association won by the team "Terminus Goers' in 1993.The Terminus Hotel was an important meeting place in Wodonga for more than 100 years. This item is representative of one of the social and sporting activities it provided for members of the local community.A trophy made from timber and metal with a representation of a dart on the top.On plaque lower front "A.W.D.D.A WINTER '93/A GRADE PREMIERS TERMINUS GOERS" In vertical list "B. TINGWELL (C) S. GRIFFITHS J. DE KRUIFF A. GARDNER R. GARDNER L. SIMS W. KILPATRICK B. SNEDDONterminus hotel, terminus hotel darts, sport and recreation wodonga

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

Colour photograph of Lisa Gervasoni's second birthday party held at 93 Willsmere Road Kew (behind North Kew Newsagency). Left to right: Clare Gervasoni (in the old summer uniform of St Anne's East Kew), Lisa Gervasoni, and Ann Gervasoni (in the new summer uniform of St Anne's East Kew).birthday, gervasoni, birthday cake, st anne's east kew uniform, st anne's east kew

Colour photograph of Ann Gervasoni's birthday party held at 93 Willsmere Road Kew (behind North Kew Newsagency). Some of the partygoers wear the uniform of St Anne's East Kew. Left to right: Clare Gervasoni, Sally Ann Estella, Ann Gervasoni, Lisa Gervasoni (red jumper), Eve Urban, Genevieve Rayson.birthday, gervasoni, birthday cake, st anne's east kew uniform

Colour photograph of a party in the house behind North Kew Newsagency at 93 Willsmere Rd, North Kew. The party was held after the first successful election of John Hogan Gervasoni to Kew City Council. Left to right - Fr Bob Maguire, Vin Read, Phyl Read, Gus Gervasoni, Pat Walsh, Allen Walsh, Kath Rice, Kathleen Gervasoni.bob maguire, vin read, phyl read, gus gervasoni, pat walsh, allen walsh, kath rice, kathleen gervasoni

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens