Pro (Kevin Charles) HART (30 May 1928 – 28 March 2006) Born Broken Hill, New South Wales Pro Hart drew upon a variety of techniques in his paintings, including layering, chiaroscuro, glazing, scumbling, scratching and Alla prima. Insects, particularly ants and dragonflies, are among Hart’s most popular and most identifiable images. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Bookplate featuring a giant Pro Hart with palette dwarfing poppet heads in Broken Hill."Ex Libris PRO HART"pro hart, bookplate, poppet head

Hart had a long and varied experience, always emerging from action with distinction for courage and skill. Served in the Ashanti War (1873), Zulu War (1879), the Boer War of 1881 and the Egyptian War of 1882. In 1899 he was fighting in Natal and at Colenso. During the final and successful advance of the British on Ladysmith in 1900, "Hart's Brigade" successfully drove the Boers from Colenso.Individual image from photographed poster of tobacco and cigarette cards.major general fitzroy hart, ashanti war, zulu war, egyptian war, natal, colenso, ladysmith, boer war, hart's brigade

David William Hart (born Mt Cole Vic, enlisted Melbourne) No 3529 enlisted on 20.7.15 in 8th reinforcements 21st Batt AIF age 24 years 1 month. Embarked for Eygpt 29.12.15, transfered to 57th Batt 15.3.16, hospital 30.3.16 with sore feet, embarked for France 17.6.16, hospital 29.11.16 with Trench feet, hospital 1.4.17 with Mumps, hospital 1.1.18 with Chilled feet, WIA 25.4.18 GSW left forearm, embarked for Australia 13.4.19, hospital aboard ship 15.4.19 with Contusions, discharged from the AIF on 27.8.19.Medals, court mounted, set of (2) re D.W Hart. 1. War Medal 1914-18 2. Victory Medal 1914 - 1919"3529 D. W Hart 21 BN A.I.F"medalss, military, history

Small black and white studio photograph showing a standing Steve HartSteve Hart Bushranger (on rear in ink)kelly gang, bushrangers, steve hart, glenrowan, stringybark creek, police murders

The mining class visited the Last Chance on the afternoon of Thursday, 8th June, under the guidance of Mr Kirby, the mine manager. Mr Campbell, the photographic instructor, also dared the perils of the deep in order to take some flashlight photos. As this was Mr Campbell's first visit below, several difficulties which he did not now existed prevented success. The students all ranged themselves in poetic and heroic attitudes for the first flashlight, but the development of the plate showed only the light from the candles and the moisture on the lens. The next two tries were better, but were under-exposed, and of no value, except as experience. Two gentlemen from England also went below with the students, but history repeated itself and Australia won the "test." The Englishmen left early. Mr Hart secured a fine specimen of arsenopyrite and indicator slate; also a bootlace, the property of a much-vexed miner, whose boots Mr Hart had borrowed. Horrors! Mr Hart steal a bootlace! Impossible! However, a tragedy was averted by the miner securing a new lace, and he was at once all smiles - so were the students. Mr Campbell took a photo of the students dressed for the occasion, and some were flattered, and some looked very like the universal "Weary Willie". (Ballarat School of Mines Students' Magazine, July 1899, p.2.)Over 24 men pose for a photograph outside the Last Chance mine. Some of the men are members of the visiting Ballarat School of Mines mining class. Thomas Hart (beard) stands at the back right. Verso: Copied from Annual report 1898, Thomas Hart - back Row, 2nd from right with beard.ballarat school of mines, last chance, thomas hart, john rowe, hart, mining, mining alumni, rowe, charles campbell

Tait collection: item 32 of 62 This document contains details of the Will and Probate of Ellen Hart, a married woman of Warrnambool who died in January 1905. Ellen Hart (nee Stocker) 1829-1905, came to Victoria in 1859 with her first husband, George Greening, and two of their children. George Greening died in 1863 and Ellen married a widower, George Hart, in 1881. Ellen and her second husband were involved in the activities of the Warrnambool Methodist Church. Ellen Hart left real estate to the value of £400 and personal estate to the value of £9. The beneficiary was her stepdaughter, Charlotte Hart. Ernest Chambers, who had legal offices in Warrnambool, Port Fairy and Koroit at the end of the 19th century and the beginning of the 20th century, was the lawyer concerned with this document. He had it in his possession and it was passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014. It was then passed on to the Warrnambool and District Historical Society.This document is of interest as it contains details of the Will and Probate of Ellen Hart who lived in the Warrnambool area for many years in the 19th century. It will be useful for researchers. This is a cream-coloured piece of parchment paper folded in two and containing handwritten information on the Will and Probate of Ellen Hart of Warrnambool. She died in January 1905. Three of the pages have black ruled lines. A seal of the Supreme Court of Victoria is attached with a green ribbon and there are three red stamps of the Master in Equity of the Supreme Court. The document is slightly discoloured. In the Supreme Court of Victoria in the Probate Jurisdiction in the Will of Ellen Hart late of Spring Gardens near Warrnambool in the State of Victoria Married Woman deceasedellen hart, ernest chambers, warrnambool, tait collection, spring gardens

Black and white studio photograph showing a standing Steve Hart.Steve Hart one of the Kelly Gang. Killed in an encounter with the Police at Glenrowan 28 June 1880 (on rear in ink)kelly gang, bushrangers, steve hart, glenrowan, stringybark creek, police murders

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 265x183 Inscription: 3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORN3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 215x178 Inscription: 18 HARTS PDE, HAW E Margaret Picken ~97 WOODARDS 18 HARTS PDE, HAW E Margaret Picken ~97 WOODARDS artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 167x167 Inscription: 34 HARTS PDE, HAWTHORN Margaret Picken ~90 WOODARDS - HAWTHORN34 HARTS PDE, HAWTHORN Margaret Picken ~90 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 206x169 Inscription: 37 HARTS PDE, E HAWTHORN Margaret Picken ~89 WOODARDS37 HARTS PDE, E HAWTHORN Margaret Picken ~89 WOODARDSartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 220x164 Inscription: 42 HARTS PDE, HAWTHORN Margaret Picken ~92 WOODARDS -HAWTHORN42 HARTS PDE, HAWTHORN Margaret Picken ~92 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 235x170Inscription: 18 HARTS PDE, HAW E Margaret Picken ~96 WOODARDS - C'WELL18 HARTS PDE, HAW E Margaret Picken ~96 WOODARDS - C'WELLartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 226x160 Inscription: 9 HARTS PDE, HAW E Margaret Picken ©2004 FLETCHERS 9 HARTS PDE, HAW E Margaret Picken ©2004 FLETCHERS artist - margaret picken 1950-

Note by E.B. Littlejohn 4 March 1992, "Also identified: Bert Clinton (another poultry expert) a world expert on poultry parasites, second on left of small boy in front row. E.E. Pescott front row third from right."Large black and white photograph pasted on to cardboard. 3 copies black and white photographs and negative. Group of approximately 200 people outside entrance to Pavilion. Copies donated by Isobel McLennanCaption on original and 1 copy, "Part of Audience which attended Lecture and Demonstration by Mr. A. Hart and Mr. A.V.D. Rentoul, Poultry Experts. Department of Agriculture Burnley Gardens 21st November 1914." On reverse 2 copies, "Part of audience for lectures by A.Hart & A.V.D. Rentoul, poultry experts, D. Of Ag 21/11/1914. Note Bert Clinton, E.E. Pescott (Principal.)"pavilion, audience, lecture, demonstration, a. hart, a.v.d. rentoul, poultry experts, department of agriculture, burnley gardens, bert clinton, poultry

H. Lewis, W. Evans, A. Hart in Wannon ValleyPhoto shows 3 men - 2 seated in car, 1 standing beside car.H, Lewis, W. Evans, A. Hart 1925 Wannon Valley written on backpeople

This framed image was part of the estate of Chief petty Officer Maxwell Hart. Service No: R94031, Leading Stores Assistant Victualling, who served on HMAS Vampire in November 1972Estate of of LSSL Maxwell Hart Service No: R94031Sepia drawing of side view of the ship HMAS VAMPIRE D11 with details about the ship, and about LSSV M Hart.Top right hand corner: Image of the badge for HMAS VAMPIRE . hmas vampire d11, navy, ran, hart, vietnam

William Charles McNamara, a blacksmith, married Mary Ellen Hart of Happy Valley in 1895.Sepia photograph of a man with moustache wearing suit and tie, seated with right arm resting on side table holding photograph on lap, and left arm resting on left knee."William Charles McNamara, blacksmith. Wife Mary Ellen Hart, sewing mistress Happy Valley school".william charles mcnamara, blacksmiths

The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. An Index at the back lists all courses available. There is also an Index to Advertisements. Orange/red soft covered book with assorted photographs and advertisements.Office Jun Tech written on front cover.melbourne, prospectus, w.c. kernot, james smith, thos smith, a.e. smith, c.e. oliver, r. solly, s. barker, r. fiddes brown, t.f. bride, daniel white, f.e. shillabeer, d.avery, a.h. merrin, chas gray, w.h. haigh, j.h. hewison, h. burgess, sir d.v. hennessy, w.s. busby, r.b. lemmon, s.n. rodda, j. lemmon, r.b. mccomas, working men's college, melbourne technical school, charles gray, heads of departments, j sarvaas engineering, g b pritchard mining and metallurgy, e s richards chemistry, a hart mathematics, g r pitkeithly art and applied art, r j haddon architecture, instructors-in-charge, e carlton, coach and body building, r j dorey, blacksmithing, j dewar, plumbing gasfitting sheet metal work, h haile, sheep and wool, g leslie, printing, r h mcleod, correspondence courses, f parkin, pattern-making, w penrose, turning and fitting, machinery erecting, d skidmore, moulding, librarian a hart

Mary Ellen Hart, sewing mistress at Happy Valley State School, married William Charles McNamara in 1895.Sepia photograph of a fresh faced young woman with dark hair drawn back from face, wearing long sleeved gown with necklace, standing with hands resting on an article at waist height."Mary Ellen Hart, sewing mistress Happy Valley school Married William Charles McNamara 5.6.1895 Linton RC".mary ellen hart, mrs william charles mcnamara

The Linton Post Office building, erected in 1880, was still operational in 1982. The former Bennett family and later Todd family butcher's shop is understood to have been built in 1858. In 1982 it was a private dwelling occupied by the Jarvis family; the house on the right (lived in at the time by Maisie Hart) is thought to have been moved to the site in the 1950s, after fire destroyed an earlier house on the site.Black and white photograph showing three buildings in Sussex Street, Linton, as they were in 1982 : the Linton Post Office, the former Bennett butcher's shop, and a house lived in at the time by Maisie Hart.linton post office building, bennett's butchers, jarvis family, maisie hart

This photograph which could have been taken in the 1970's. It shows the state of the station and it's surrounds at that time. It also shows the good condition of the J Locomotive at that time.This photograph shows that state of the J class locomotive at that time. It appears to be in very good condition. The passenger carriages behind appear to be more of the usual carriages used in the 1970's.The J Class locomotive and train passing under the Echuca Station footbridge. Some people are on the bridge and also next to the train.Verso: Hart's 01301111NNNN037railways, echuca station, j locomotive

Sepia photograph of a gentleman with moustache and side whiskers, wearing three piece suit, collar and tie, standing with left arm crooked at waist, right arm holding a book resting on the end of an carved chaise-longue."J J Hart".mr j. j. hart