Showing 17 items
matching aboriginal australians -- folklore.
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Koorie Heritage Trust
Book, Barlow, Alex, The brothers Barmbarmbult and Mopoke, 1991
... -- Folklore. | Readers -- Aboriginal Australians -- Religion... -- Aboriginal Australians -- Folklore. | Readers -- Aboriginal ...Story retold by Alex Barlow with illustrations by Elizabeth Djandilnga Thorne. "Long ago, when the great spirit ancestors were making the land, two spirit brothers lived in north-west Victoria. They were the brave warriors Barmbarmbult. this story recounts one of their many adventures."32 p. : col. ill. ; 22 cm.Story retold by Alex Barlow with illustrations by Elizabeth Djandilnga Thorne. "Long ago, when the great spirit ancestors were making the land, two spirit brothers lived in north-west Victoria. They were the brave warriors Barmbarmbult. this story recounts one of their many adventures."readers (primary) | readers -- aboriginal australians -- folklore. | readers -- aboriginal australians -- religion. | readers -- aboriginal australians -- food. | aboriginal australians -- victoria -- folklore. | aboriginal australians -- victoria -- religion -- juvenile literature. | aboriginal australians -- victoria -- food -- juvenile literature. | food -- folklore. long age -
Koorie Heritage Trust
Book, Briggs, Carolyn, The journey cycles of the Boonwurrung : stories with Boonwurrung language, 2008
... Australians -- Folklore. | Australian languages -- Victoria... / Bunurong people (S35) (Vic SJ55-09) | Aboriginal Australians ...The stories constitute maintaining and reclaiming heritage and carries forward the language and knowledge to the guests in Boonwurrung country. The significance of these stories is that they constitute maintaining and reclaiming heritage. They were given to the author over many years. They are a legacy of her people, and it is her responsibility to pass them on. "This stories edition is adapted from text edition by John O'meara courtesy Bayside City Council."v-xi; 51 P.; ill.; lists.The stories constitute maintaining and reclaiming heritage and carries forward the language and knowledge to the guests in Boonwurrung country. The significance of these stories is that they constitute maintaining and reclaiming heritage. They were given to the author over many years. They are a legacy of her people, and it is her responsibility to pass them on. "This stories edition is adapted from text edition by John O'meara courtesy Bayside City Council."derrimut, -1864. | benbow, -1852. | briggs, louisa, 1836-1925. | language - vocabulary - word lists. | sites - quarries - ochre and pigment. | material culture. | environment - climate and weather - seasons. | literature and stories. | language - vocabulary - place names. | boonwurrung / boonerwrung / bunurong language (s35) (vic sj55-09) | boonwurrung / boonerwrung / bunurong people (s35) (vic sj55-09) | aboriginal australians -- folklore. | australian languages -- victoria. | language revival -- victoria. | dreamtime (aboriginal australian mythology) -- victoria. | material culture -- victoria. | ocher -- victoria. | seasons -- victoria. | bayside (vic sj55-05) | australian. -
Koorie Heritage Trust
Book, Robinson, Roland, Aboriginal myths and legends, 1966
... Aboriginal Australians -- Folklore. | Legends... Federation Square, Melbourne melbourne Aboriginal Australians ...xvi, 218 p. : ill. ; 18 cm.aboriginal australians -- folklore. | legends -- australia. -
Koorie Heritage Trust
Book, Roberts, Ainslie, The Dreamtime: Australian Aboriginal Myths in Paintings, 1968
... Aboriginal Australians -- Folklore.... Federation Square, Melbourne melbourne Aboriginal Australians ......as yet our writers, musicians, dramatists, and artists, still dominated by the influences of overseas cultures, have seen but little inspired by the beauty of the mythical beliefs of our native people. Suddenly, this rich store of beauty has been revealed to us through the paintings of Ainslie Roberts. With the creative mind of the true artist, free from all influences except those of the mythical stories of the brown-skinned aborigines, he has given us pictures as full of imagery and fantasy as the stories on which they are based, pictures that reveal both the sensitive mind of the artist and the fertile imagination of the aboriginal story-teller.79 pages : coloured illustrations ; 24 cm....as yet our writers, musicians, dramatists, and artists, still dominated by the influences of overseas cultures, have seen but little inspired by the beauty of the mythical beliefs of our native people. Suddenly, this rich store of beauty has been revealed to us through the paintings of Ainslie Roberts. With the creative mind of the true artist, free from all influences except those of the mythical stories of the brown-skinned aborigines, he has given us pictures as full of imagery and fantasy as the stories on which they are based, pictures that reveal both the sensitive mind of the artist and the fertile imagination of the aboriginal story-teller.aboriginal australians -- folklore. -
Koorie Heritage Trust
Book, Roberts, Ainslie, The First Sunrise : Australian Aboriginal myths, 1971
... 1911- | Aboriginal Australians -- Folklore. | Legends...- | Aboriginal Australians -- Folklore. | Legends -- Australia ...The profound mystery of the creation of the Universe has occupied the beliefs of people from the simplest cultures to those of the present day. Almost without exception, except perhaps in some aspects of modern life, these veliefs have played a major part in mould79p. : ill.(part col.) ; 24cm.The profound mystery of the creation of the Universe has occupied the beliefs of people from the simplest cultures to those of the present day. Almost without exception, except perhaps in some aspects of modern life, these veliefs have played a major part in mouldroberts, ainslie, 1911- | aboriginal australians -- folklore. | legends -- australia. | aboriginal tales & legends. australia. texts. | australian paintings. roberts, ainslie. | australian -
Koorie Heritage Trust
Book, Roberts, Ainslie et al, Dreamtime heritage : Australian Aboriginal myths in paintings, 1975
... Australians -- Folklore -- Pictorial works. | Aboriginal Australians.... | Aboriginal Australians -- Folklore -- Pictorial works. | Aboriginal ...Paintings by Ainslie Roberts and text by Melva Jean Roberts of Australian Aboriginal Myths. Part of a series.80p. : ill. ; 25cm.Paintings by Ainslie Roberts and text by Melva Jean Roberts of Australian Aboriginal Myths. Part of a series.roberts, ainslie, 1911- | australian paintings. roberts, ainslie. special subjects: australian aboriginal myths. illustrations. | australian aboriginal myths. texts. | aboriginal australians -- folklore -- pictorial works. | aboriginal australians -- religion. -
Koorie Heritage Trust
Book, Roberts, Ainslie et al, The Dawn of Time: Australian Aboriginal myths in paintings and text, 1972
... Ainslie. | Aboriginal Australians -- Folklore... Australians -- Folklore. | Legends -- Australia. | Art and mythology ...9-79 P.; ill.; 23 cm.roberts, ainslie. | aboriginal australians -- folklore. | legends -- australia. | art and mythology. -
Koorie Heritage Trust
Book, Robinson, Roland Edward, The man who sold his dreaming, 1977
... Aboriginal Australians -- Folklore. | Legends -- New... Federation Square, Melbourne melbourne Aboriginal Australians ...Blurb: The title of this book is taken from the story of an Aboriginal who sold his 'dreaming', or sacred tribal birthright, to the white man for five sovereigns and two bottles of rum. In collecting and reporting these stories, Roland Robinson has retained the style of speaking of each Aboriginal narrator. The stories are actually verbatim narratives, and Robinson was taken by his Aboriginal friends in New South Wales to visit the sacred mountains, rivers, rocks, and waterholes that are featured in this book.143 p. : ill. ; 18 cm.Blurb: The title of this book is taken from the story of an Aboriginal who sold his 'dreaming', or sacred tribal birthright, to the white man for five sovereigns and two bottles of rum. In collecting and reporting these stories, Roland Robinson has retained the style of speaking of each Aboriginal narrator. The stories are actually verbatim narratives, and Robinson was taken by his Aboriginal friends in New South Wales to visit the sacred mountains, rivers, rocks, and waterholes that are featured in this book.aboriginal australians -- folklore. | legends -- new south wales. -
The Beechworth Burke Museum
Animal specimen - Goanna, Trustees of the Australian Museum, 1860-1880
Sand goannas are the second largest species of carnivorous lizards found across mainland Australia. They can grow up to 160cm in length and can weigh as much as 6kg. Their common name is derived from "iguana", since early European bush settlers in Australia likened goannas to the South American lizards. Goannas retain special cultural and historic significance within Australian folklore and Indigenous culture. They were an important traditional native food source and are commonly represented in Aboriginal Dreamtime stories. In some Aboriginal languages, the sand goanna is called "bungarra"; a term also commonly used by non-Aboriginal people in Western Australia. In Pitjantjatjara and other central Australian languages, goannas are called "tingka". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small goanna with a streamlined body and textured scaly skin in different shades of olive and brown. It has a long neck and a long tail which narrows towards the tip. The goanna has four short, stocky legs which meet with large, curled claws. Its mouth is slightly slightly open, and it has two black glass eyes.On tag: BMM / 5892 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, lizard, goanna, sand goanna, monitor lizard, various gouldii -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Federation University Historical Collection
Document, Articles on the Bunyip, 1983 - 1989
The bunyip is a large mythical creature from Aboriginal mythology, said to lurk in swamps, billabongs, creeks, riverbeds, and waterholes. The origin of the word bunyip has been traced to the Wemba-Wemba or Wergaia language of Aboriginal people of South-Eastern Australia. However, the bunyip appears to have formed part of traditional Aboriginal beliefs and stories throughout Australia, although its name varied according to tribal nomenclature. Various written accounts of bunyips were made by Europeans in the early and mid-19th century, as settlement spread across the country. (http://en.wikipedia.org/wiki/Bunyip) This material was collected and used for resarch purposes by David Waldron A number of articles on the Bunyip * The Nessie Mystery Solver by Roy Fraser (October 1983) * Developers meet match (Wagyl) (The Age, 06 Jan 1989) * Narrandera's bunyips burst into tourism's limelight by Melanie Sincock (wagga Advertiser, 18 November 1986) * Hunting the bunyip by M.A. Troyahn (Australiasian Post, 06 October 1883) * Beware the bunyip, you Moomba skiers by Edel Wignell (The Age, 05 March 1982) * The yarn that grew the bunyip legend (Australasian Post, 30 December 1971) australian animal folklore collections, bunyip, bunyipswagyl, shane picket, narrandera, swan river, david waldron -
Victorian Aboriginal Corporation for Languages
CD, Robert Mate Mate Gapingaru, Aboriginal sky figures
Robert Mate Mate (Gapingaru), an initiated elder of the Woorabinda_Berigada tribe of Central Queensland has researched the stories on the CD Rom in conjunction with Gordon Patston, an experienced astronomer. The stories from Arnhem Land to Tasmania give a fascinating insight into this rich area of Aboriginal culture and shed new light on Australia?s skies.CDastronomy, dreamtime stories, folklore, stars -
Victorian Aboriginal Corporation for Languages
Book, C W Peck, Australian legends : tales handed down from the remotest times by the autocthonous inhabitants of our land, 1933
Different text to the original edition. Does not include stories of White Pioneers, but concentrates on Creation Stories, flora and fauna, etc.B&w illustrations, b&w photographscreation stories, mythology, folklore -
Koorie Heritage Trust
Book, Robinson, Roland coll, The Nearest the white man gets : Aboriginal narratives and poems of New South Wales, 1989
... Aboriginal Australians -- New South Wales -- Folklore... South Wales -- Folklore. | Aboriginal Australians -- New South ...He brings together thirty-nine Aboriginal narratives and poems. collected whilst travelling in outback Australia.96 p. : ill. ; 22 cm.He brings together thirty-nine Aboriginal narratives and poems. collected whilst travelling in outback Australia.aboriginal australians -- new south wales -- folklore. | aboriginal australians -- new south wales -- poetry. -
Koorie Heritage Trust
Book, O'Brien, May, The legend of the seven sisters, 1990
... Stars -- Australia -- Folklore. | Aboriginal Australians... Federation Square, Melbourne melbourne Stars -- Australia -- Folklore ...A traditional Aboriginal story from Western Australia.[8], 21 p. : chiefly col. ill., col. ports. ; 22 x 30 cm.A traditional Aboriginal story from Western Australia. stars -- australia -- folklore. | aboriginal australians -- western australia -- juvenile literature. -
Koorie Heritage Trust
Journal - Serials, Aboriginal History Inc, Aboriginal History - Volume 32. 2008, 2008
A series of articles by leading writers on Aboriginal History.217 P. fac. ill. notes; footnotes; refs. photographs.A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal circus performers, australia. | honorary correspondence scheme. victoria 1860-1868 and 1869-1904 | andrew porteus honorary correspondent, northern wathaurung, reports - mt. emu tribe. | edward stone parker - protector loddon aboriginal station. | dja dja wurrung, loddon protectorate. | aboriginal oral histories - childhood and playlore australian childhood folklore collection, museum victoria. -
Mrs Aeneas Gunn Memorial Library
Book, K Langloh Parker, Australian legendary tales, 1953
Legends of the Narran tribe, told to author by natives; specimen of legend given in native languageBibliography, ill, p.237.non-fictionLegends of the Narran tribe, told to author by natives; specimen of legend given in native languageaboriginal australians - social life and customs, australia - folklore