One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of twenty-one Aboriginal Tools made from stones found on Phillip Island.local history, photography, aboriginal tools, black & white photograph, john jenner, bryant west

Wooden plaque with crest featuring red and silver posy and crown, at base of crest is Latin inscription and Aboriginal tools"STUART/ SEMPER PARATUS" on reverse: "MADE IN GT BRITAIN"

These three rocks were given to KVHS on the understanding that they were Indigenous rocks used as tools.No knowledge of their origins.These rocks have been stored in the Kiewa Valley on the understanding that they are Indigenous tools. It is not known where they came from.1. Dark grey rock with smooth surfaces and ridges with one flat side. Size of an adult's hand 2. Grey rock with smooth surfaces and ridges with one flat side. Smaller than no. 1 3.Narrow dark grey rock with beige section on rounded side. One flat side and a sharp pointed end.rocks, aboriginal tools, kiewa valley

One of several drawings included in a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandBlack & White Pen drawing depicting three views of the same Aboriginal Hand Axe. Drawn by Dr L Adam, University of Melbourne.local history, illustrations, pen & ink, aboriginal hand axe, aboriginal tools, john jenner, bryant west, dr l adam

One of several drawing included in a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandBlack & White Pen drawing depicting three views of an Aboriginal Pebble Implement.local history, illustrations, pen & ink, aboriginal implement, aboriginal tools, dr l adam, john jenner, bryant west

Wooden shield with plastic fittings.Motto "Floreat Ambo". Emblem with Navy Crown with Lions head in the centre. Shropshire embossed over the navy Crown. Also with upturned boomerang with crossed aboriginal "tools".

Uncle Brien says this tool was used for collecting yabbies and mussles from water holes.This stone has been worked to a smooth curve around the edge , is flat on one side and curved on the other. The stone has 2 grooves carved on the blunt end for attaching a handle. This tool is similar to 0016.basalt digging stone, jaara, aboriginal stone tools.

.This stone was attached to a handle and possibly used to collect yabbies and shellfish from water holesA Basalt digging stone with a blunted edge shaped to a smooth curve. One side is flat and trhe other is convex. This item has 1 groove at the wide end for attaching a handle.basalt digging stone, jarra, aboriginal stone tools,

Lower section of a grinding stone, with 32 excess flakes. Evidence of green paint on the bottom section.grinding stone, grind stone, aboriginal, aborigines, tools, flakes, archaeology, stone tools

Silcrete and quartzite can create sharp flakes and have been important materials for stone tool making by Aboriginal AustraliansTwelve pieces of partially worked stone by Aboriginal people. Flakes or core, silcrete or quartzite. 8968.1 - Silcrete, pale material is anatase 8968.2 - Silcrete 8968.3 - Silcrete 8968.4 - Quartzite 8968.5 - Quartzite 8968.6 - Quartzite - heavily cemented on metamorphosed sandstone 8968.7 - Silcrete 8968.8 - Quartzite 8968.9 - Silcrete in sandy texture (others muddy texture) 8968.10 - Quartzite 8968.11 - Silcrete - part course, part fine, not neatly layered 8968 - 12 Silcrete - two textures - partly muddy, partly sandy stone, aboriginal, aborigines, stone tools, silcrete, quartite, flakes, tools

Round edge stone with X ridges perhaps used by local Aboriginal people as a tool.X shaped ridge across stone.stone, aboriginal, rock

Collections from the Museum of Victoria which show their holdings of arts and crafts by Victorian Aboriginal people. Includes tools, weapons, baskets, paintings and photos.b&w photographs, b&w illustrationssocial life and customs, material culture, catalogues, victorian history

Indigenous or First Nation Person beside a large Red River Gum and next to a river (Richardson River) with aboriginal tools. Photo taken at Carrs Plains. Holford Wettenhall, took over as Protector when William Dennis left the Station. Observed during this time indigenous people mainly hunted possum. At the turn of the century the last surviving indigenous people at Carrs Plains were moved to Lake Tyers Mission in East Gippsland 588Km away. Photo said to be of "Blind Tommy" but unsure of this information. Black and white photograph of a large River Red Gum, with a man standing holding a boomerang, killing stick and shield. Copyright Museum of Victoriastawell aboriginal portrait

Art pigments Boomerangs Woomera Natural resins and gums Separation of poisons from edible plants Aboriginal bush foods Stone tool technology Aboriginal inventors Aboriginal bush medicine Specific uses of technology by a community Seasonal calendars Games and toys Firestickscolour photographs, b&w illustrations, diagramsart, seasonal calendars, aboriginal social life and customs, stone tool technology, games and toys

This set produced by the Victorian Department of Natural Resources and Environ met and Aboriginal Affairs Victoria. Mini poster 1: Aboriginal scarred trees; 2 Aboriginal mounds; [3 missing]; 4 Aboriginal flaked stone tools; 5 Aboriginal burials; 6 Aboriginal surface scatters; [7 missing]; 8 Aboriginal ground-edge axes; 9 Aboriginal grinding stones; 10 Aboriginal stone arrangements; [11 missing]; 12 Aboriginal axe-grinding grooves; 13 Aboriginal coastal shell middens; 14 Aboriginal rock art.11 parts of incomplete set, each two sided, text and photographsaborigines - victoria, aboriginal affairs victoria

The discovery in a Melbourne park (opposite the Osborne Peninsula, North Warrandyte) of an enigmatic Aboriginal stone tool led writer Jenny Brown on a fascinating journey that connected her with expert anthropologists, archeologists, Indigenous elders and knowledge holders to discover what it was. The stone tool invited many interpretations and spun off just as many amazing stories and experiences. It also afforded Jenny the appropriate canvas to tell of her own time-warping encounters with the extraordinary "otherness" of Aboriginal Australia, and with an especially marvelous character, the late Elder of the Yuin Tribe of southern NSW, Guboo Ted Thomas.193 pages : illustrations (chiefly colour), maps, portraits ; 30 cmindigenous history, aboriginal artefacts, warrandyte, archaeology

These documents were compiled for the WW1 exhibition held in Orbost April 2015.These documents are a useful reference tool.A reed plastic folders containing research articles on five indigenous men from the Orbost district known to have served overseas in World War 1ww1 soldiers-indigenous

This is the third issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". It belonged to Mary Gilbert, a former teacher at the school.This item is a useful reference tool.A 39 pp grey paper back magazine with the Orbost High School badge in black and gold on the front cover, a sheaf of corn inside a double oval. inside which is the school motto, " acti labores iundi".on front cover - "M. Gilbert 1950" in red peneducation magazine-croajingolong-1950 orbost-high-school

This item is a useful reference tool on the history of Indigenous People in East Gippsland and the Orbost district. A manilla folder with typed pages. On the cover is a label, "History of Aboriginal People of East Gippsland". On the inside cover is a letter addressed to the librarian at the Shire of Orbost Library. The letter is clipped to the inside of the folder.on front cover - a stamp -"Orbost Historical Society"aboriginal australians, gippsland aboriginal history, kurnai, brabawooloong peoples, tatungooloong peoples, krowathunkooloong peoples

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

The white woman of Gippsland, or the captive woman of Gippsland, was supposedly a European woman rumoured to have been held against her will by Aboriginal people in the Gippsland region of Australia in the 1840s. Liam Patrick Davison (29 July 1957 – 17 July 2014) was an Australian novelist and reviewer. He was born in Melbourne, where, until 2007, he taught creative writing at the Chisholm Institute in Frankston. Davison and his wife Frankie, a teacher at Toorak College, were both killed on 17 July 2014 aboard Malaysia Airlines Flight 17 This, his third novel, was shortlisted for both The Age Book of the Year and the Victorian Premier’s Awards.This is a useful research tool on the history of indigenous and settler relationships in early Gippsland.A book titled "The White Woman" by Liam Davison. It is the story of the search for the lost white woman in Gippsland, Victoria, 1846. The cover has a black and white picture of forest with the title in white print.Bottom left corner - orange sticker Orbost Secondary Collegedavison-liam aboriginal-history

This research record was part of a thesis that Mary Doland was preparing.This record is an excellent research tool for the study of the Indigenous history of Orbost.A 38 pp black spiral bound plastic folder containing a CD and research evidence compiled by Mary Doland on the topic of Dan Moylan, known as "Dan the Cook". He was speared to death in 1851 at Orbost Station, Snowy River.handwritten on a white label - Daniel Moylan handwritten on a white label below -Information researched and supplied by Mary Doland (Dan the Cook) Orbost grave Orbost station death 1851daniel-moylan aboriginal-history-orbost

This book is a useful research tool on the Aboriginal/European history of East Gippsland.A 31 pp book with a bright red/orange cover titled A Shared History a history of the Bidwell-Maap Aboriginal People and European contact history, Genoa district.genoa-history aboriginal-bidwell-maap