In 1999 the University of Ballarat Mission Statement was: The University of Ballarat provides education, training and scholarship of international standing to promote the growth and well being of the people and communities of Western Victoria and beyond. In fulfilling its mission the University will: * have a regional focus by think and act globally; * utilise the full potential of information and communication technologies to enhance teaching, learning and administration; * establish partnerships regionally, nationally and internationally for mutual benefit and enriched learning opportunity. White soft covered book with the university of Ballarat heraldic device on the cover: Contents include: mission, strategic focus, David Caro, David James, Mt Helen Administration Building, microwave tower, Mt Helen School of Nursing Building, Camp Street Precinct, Horsham Campus, SMB Brewery Complex, Ararat Campus, Stawell CampusJacaranda Training Restaurant, drought aid. IBM Global Services, Jodie Lowe, Institute of Food & Crop Science, Year 2000 compliance.university of ballarat, camp street, horsham, stawell, ararat, caro, coat of arms, david caro, david james, camp street precinct, horsham campus, stawell campus, ararat campus, jacaranda training restaurant, cheryll henry

This nozzle could be attached to a Higginson's syringe for either rectal administration of fluid or to irrigate the vagina. The nozzle could also possibly be inserted into a trocar or canula.Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Irrigator nozzle for vaginal or rectal use. Nozzle has a small flange at the distal end with four small bevel lines. midwifery

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)