Cardboard advertising fan Forex and Kookaburra Semolina pastes for soups and entrées with a black and white portrait of a young girl on front.Steele Melbcommerce, advertising, fan

Object. Cardboard advertising fan from REED Bros Bendigo. Circle of cardboard 21 cms diameter with piece of dowel stapled to lower section to form a handle (25 cm x 1 cm). Reversible picture of a Chinese man printed on one side in upright picture the man is frowning. 180 degrees turn and the man is smiling.Printed on the reverse side ''REED BROS'', BENDIGO. Pure Fruit flavours in Aerated Waters and Cordials and Crystal Hop Beer. Turn this fan upside down and note the smile of satisfaction of the user of REED Bros Cordials.ephemera, mementoes, reed bros advertising fan

Cardboard fan advertising T.R.Jones The Hargreaves St Pharmacy with a scene of a mill and waterwheel on front, T.R.Jones services and details on back, with wooden handle.Steele Melbourne 2340 FAS Made in USAcommerce, advertising, fan

Object. Cardboard advertising fan from COHN BROS. Shield shaped fan with extension to form a handle with finger hole at the base (2 cm dia). Base is reinforced with a 3.5 cm x 20 cm piece of plywood glued and stapled to lower section. On one side is a head and shoulders of a young brunette woman wearing a red evening dress. Printed on the reverse side ''C.B.Grape Fruit. Made from pure fruit. Delicious with a drop of gin. Manufactured by COHN Bros Ltd Bendigo & Swan Hill''.Bendix paper Co New York N.Y. Made in USA (Manufactures).ephemera, mementoes, cohn bros advertising fan

Object. Cardboard advertising fan from the Laurel Cafe Bendigo. Rounded top and bottom edges. Bottom edge reinforced with Ushaped pieces of cardboard glued onto front and back. Circular finger hole (2.5cm) just above reinforcement on bottom edge ( 4.5 cm). Coloured photo of head and shoulders of a young woman holding a blonde toddler sitting on her shoulder is printed on one side. Printing on the reverse side "With Compliments from LAUREL CAFE (Miss L. Nankervuis) Williamson St Bendigo. High Class Meals. Wedding parties and Banquets, especially catered for Phone 1164''. Doe Bros Adelaide (Manufacturers).ephemera, mementoes, laurel café advertising fan

Cardboard fan advertising C.A.Baggaley Covent Garden Fruiterer and Confectioner Mitchell Street Bendigo, with details of services and showing Mountain scene on front. Finger hole at bottom.Varley Specialty Co Melb & Sydcommerce, advertising, fan

Object. Cardboard advertising fan from Favaloro's. Oval shaped fan with wooden dowel (25.5 cm x1.2 cm) stapled to lower section as a handle. Front has a printed head and shoulders picture of a brunette woman wearing a pink picture hat adorned with a blue rose, a yellow rose, and a wide black ribbon. She is wearing a pink and white collared chiffon dress. A bunch of pansies is at the bottom of the fan. Name printed on picture "BARTEAU''. Printed on the Reverse " FAVALORO'S THE SPECIALISTS BENDIGO. Confectioners, Pastrycooks and Caterers. For Weddings, At Hame. Dinners etc. Luncheons, Afternoon Teas, Soda Fountain Drinks, Ices, etc. Phone 267,201,536''. The Varley Specialist Co, Melb and Syd (Manufactures).ephemera, mementoes, advertising fan

Cardboard fan advertising Café Royal 300 Hargreaves St Bendigo with a depictions of a small girl seated reading, on front , back reads Café Royal services & details, wooden handle.Steele Melbourne 2338 Made in USAcommerce, advertising, fan

Social history of Myer business operations and records.Myer Emporium advertising paper folding fan, made of paper and light card. Unfolded the fan reveals a floral design in white, yellow and orange. Undated production and distribution date.The Myer Emporium, Ltd.social history, adverising

Advertising material in the form of a circular fan, with mountain scene on one side, advertising: C.A. Baggaley, Covent Garden Fruiterer and Confectioner Mitchell Street, Bendigo

2 cardboard novelty fans with moving eyes, 1 depicting a donkey & 1 a Japanese girl. Promotion for Japan Export Trade Promotion Agency ( Jetro) Japanese Chamber of Commerce in Australia.Made ub Japan See Japan as it really iscommerce, advertising, fan

Myer advertising fanPhotocopy of both sides of a fan produced to advertise Myer Bendigo. First side has a photo of two duck hunters and their dog. The rear has 'with compliments from..... Myers, Bendigo Busiest draper", wishing you a Merry Christmas and a Happy and Prosperous New Year, undatedsocial history, myer business history

Myer advertising fan"Marvel Darner & Fancy Worker" cottons belonged to Ivy Kennedy, who was employed at Myer Melbourne in the 1920s. The referenced "Marvel Darner" could not be located. Three card silken lisle mercerised mending threads produced for Myer Emporium Ltd. Melbourne included. social history, myer business history

Part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service record.Folded four page advertising card with black printing on each page, front page features the business name, address and phone number in addition to moral advice. The inside two pages feature quotes and further moral advice regarding appropriate behaviour, the back page features to fan shaped decorations between “God save the King” and “God bless everybody is my earnest wish”, printed in Gothic type.souvenirs, advertising, taverns

Colour photograph of the almost completed horse tram, missing off side gates and advertising boards. Handrails and lettering and stairway decoration completed. Photographed on the BTM depot fan, on the occasion of the 21st anniversary of the closure of the Ballarat tramway system - 19/9/1992. Tram 661 in the background. Print on Kodak paper.horse tram no. 1, tramcars, btps, reconstruction, tram 1, 661

Colour photograph of the almost completed horse tram, missing off side gates and advertising boards. Handrails and lettering and stairway decoration completed. Photographed on the BTM depot fan, on the occasion of the 21st anniversary of the closure of the Ballarat tramway system - 19/9/1992 with Frank Puls standing between the tramcars. Tram 661 in the background. Print on Kodak paper. Used in a Trolley Wire publication?? 799.1 - similar photograph - added 25/1/2008On rear is a label "Photo page 5, Same Size"horse tram no. 1, tramcars, btps, reconstruction, tram 1, 661

Digital image of four trams parked on the depot fan, on a sunny afternoon in December 2012. Tram 671 is painted with "Pipers" advertising, Tram 14 has a "View Point" destination, Tram 38 has "Haddon Street" destination, and Tram 28 has "Special" in the destination box. Photo by Peter Waugh, collected for reference purposes.trams, tramways, tramcars, btm, depot, tram 671, tram 14, tram 38, tram 28

Hecla produced a wide range of appliances for domestic use, beginning with heaters and later branching out to a wider range of kitchen appliances Hecla was established by Clarence William Marriott, a young Melbourne metal worker. He began manufacturing Australia's first carbon filament electric radiators in 1899. He originally worked for his father James Marriott who commenced business in Melbourne as an art metal worker in 1872 and was, in 1907, appointed as the official art metal worker to the Victorian Government producing items including the ornate iron gates and gas lamp standards outside Melbourne's Parliament House. With the invention of nickel chromium wire after 1900, C.W. Marriott began making more efficient heating elements using this new material in 1916. After being influenced by the eruption of Mount Hekla in Iceland, on 19 December 1918, Clarence registered the brand name "HECLA" with an erupting volcano as its logo. The company Hecla Electrics Pty Ltd was officially registered in 1922. In 1928 the company adopted the advertising slogan, 'By Hecla, it's Good'. The Hecla range rapidly expanded to include electric heaters and radiators, electric foot warmers, electric kettles, ceramic & metal electric jugs, immersion hot water elements, electric fans, electric coffee percolators, electric toasters, electric grillers and stoves, electric irons and electric frypans, clocks and curling wands. Electric blankets were introduced shortly after WWII.In 1930, a controlling interest in Hecla Electrics Pty Ltd was acquired by General Electric Corporation. Clarence William Marriott died in June 1967 in Melbourne, Victoria.This item is representative of a common domestic appliance used throughout Australia. It was manufactured by a pioneering Australian company.A small chrome steel toaster manufactured by Hecla Australia. It has a door on either side which flips down to insert or remove a slice of bread on each side, Each door has two black Bakelite knobs. The electric element is placed down the centre of the cavity. A detachable electric cord is included.240 Volts, 600 Watts. Cat. No. T4 Submitted to Electrical Approval Board Ref Application A1/AD01 SECV 240 Volt 600 Watt MANFED. IN AUSTRALIA SOLID BRASSelectrical appliances, hecla corporation australia, clarence william marriott, domestic appliances

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a woman streaks at an AFL game – two players stand in frame with her, a Richmond and Collingwood player respectively. Behind them the crowd and a large Richmond banner can be seen. Playful and spirited interactions such as this are a key aspect of Australian football culture.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a young police officer stands on the stadium ground with his arms sternly crossed, while the crowd waits for the game. This photo highlights the tension between passionate crowds and the police at AFL games.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis’ photograph Malcom Fraser, VFL Grand Final 1979 we see a young supporter shake hands with Liberal Prime Minister, Malcom Fraser. In the grand Australian tradition, politicians and PMs are active in the football sphere. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis capturing the nations love of the game. Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Set of 10 colour prints of the re construction of the Hawthorn Tram Depot to the Watermark Apartments. .1 - Depot fan Trackwork - 6-2-2001 .2 - ditto looking towards tram depot .3 - view towards the building with the second depot demolished, and forecourt excavations underway - 11-3-2001 .4 - Sign on the building advertising apartments .5 - view from street looking at the old depot wall with drilling rigs. .6 - ditto, looking at the worksite for the new block of apartments and part of the original buildings remaining. .7 - Car park slabs being formed. 11-6-2001 .8 - looking at the south wall of the first depot showing the scale of excavation and underpinning. .9 - looking south west/ .10 - Looking from the street at the car park slab in front of the depot. Colliers Jardine and Bovis Lend Lease signs in the photos.All have details of photograph on rear and photographers name.trams, tramways, watermark apartments, hawthorn depot, construction, tram depot