AIME is an Australia wide program. It stands for "Australian Indigenous Mentoring Experience". It gives Indigenous High School students the skills, opportunities, belief and confidence to make things possibleColoured posteraime, mentoring, skills, experience, aboriginal, indigenous

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

Aime Louis Ruedin (1847- 5/6/1896) was the son of Swiss immigrants Louis and his wife Catherine Schiener. Aime married Johanna Haemsen (1850 - 1909). in 1870. They planted extensive vineyards at Huntly and supplemented their income by selling fruit from their orchards. They had 7 children. In May 1903, fire began in the Ruedin home and spread to the winery. Some vats and winemaking equipment were save but approx 4000 gallons of casked wine was lost.Bendigo Advertiser ''The way we were'' from Tuesday, December 9, 2003. On the winery: the Ruedin family at their winery and vineyard at Huntly, circa 1890, Johanna and Aimie Louis Ruedin are pictured with their four sons. The woman with the youngest son is possibly one of Johanna's sisters, Bertha or Maria Amelia Burstall. The winery and home were destroyed by fire in 1903. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Location referred to on the back is Biesme near Mettet in Belgium. Both places are close to Namur which is the capital of the Belgian province of Namur. Part of the Meade Collection. See Cat No. 10785P for details of service for Ernest James Meade (No. 2112).Black and white photograph of two unidentified WW1 soldiers standing and shaking hands. Soldier on the left is an Australian in uniform. the soldier on the right is in traditional Scottish Military dress. Postcarde proforma on back with handwritten information.Handwritten on back in indelible pencil: “Desire Deravet, Armoible Deravet, Aime Deravet, Celine Deravet, Germoure Deravet, Maurice Deravet, Josephine Malbury. Biesme lez Mettet Provence Namur, Belgiggue. Biesme provence Namur, Belogique”meade collection, ww1, namur, photograph, ernest james meade

David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.

Hard cover book, blue cover, buff spine and corners, 'Share Register' written on spine. Affixed to front page Act No. 228, blue document, certifying that the mining company called 'The Prince of Wales Tribute Company' was incorporated at the Court of Mines Sandhurst. Dated 30th May 1870. Book contains an alphabetical listing of shareholders, dates 1869 - 1870, providing details such as who the shares were transferred from and to, calls on shares. Names include: Francis Babett; William Blackham, Joseph Bell, Joseph Brandon, Joseph Bullen, Josephy William Carrs, Charles Henry Colliers (Collins?), W.J. Cocking, J Davies, John Gregory Edwards, P. Fletcher, George Freeman, Peter Gilbert, John Henry Giles Harry Giles, Thos Gilbert, J.P Gray, J. Greenslade, Alfred Horbury, Michael Hayes, J(?) Holman, Geo Hull, Hugh McColl Henry Marshal, Matthew Moran, Alfred Miller, John Miller, Henry Oates, Phillip O'Neill, John Powell, Morris Phillips, William Piggott, Charles Quinn, John Roberts, Aime Ruedin, Nm Rae, John Scott, John Sinclair, P Simonsens, R Southby, William Thomas, Edward Tinsdale, William Henry Templeton, Sam Trant, John Taylor, David Veale, Walter Watkins J & S Williams, S. Williams, N (?) Winter, Geo Watson N (?) Webb. business, mining, prince of wales tribute co.

Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. iN 2014 Josh Muir was THE Australian Indigenous Mentoring Experience'S (AIMe) Program Manager Assistant at Federation University Australia in Ballarat.Australian Indigenous Mentoring Experience Z In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Signed lower right "jmuir"josh muir, artwork, artist, aboriginal, hutchinson indigenous fellowship

Gabriel Louis Marie Huon de Kerilleau was born to a French aristocratic family in 1769. He escaped to England during the French Revolution and enlisted in the New South Wales Corps. He married in Parramatta to Louisa Emmanuel Le Sage. They had five children who took the name of Huon – Elizabeth, Paul, Jean Francois, Aime Augustus and Charles. Paul and Charles were to become the “founders’ of the Wodonga District. In 1824 Hamilton Hume and William Hovell discovered the Hume River, later renamed to the Murray River and the rich land surrounding it. By 1835, squatters began arriving at the Hume River. During the following year, Paul Huon arrived at the Hume (Murray) River, then "taking up" 40,000 acres on the south side of the river bank. To this property he gave the name WOODONGA RUN. Charles Huon, younger brother of Paul, was sent to manage the "Run" until Paul's son, William, became old enough to take over management. Charles Huon built a mud brick home on the eastern side of a rise south of the now Wodonga Creek. Thus was Charles the first permanent settler in the district. He was a great admirer of the English Lord Belvoir hence "Belvoir" was the name Charles Huon gave to the first permanent home on Woodonga Run. By the 1857, residents numbered fifty, and the Government had surveyed a township area, proclaiming it "Belvoir" in the new State of Victoria. However, the residents wanted their own choice of a name for the town. Huon’s first home overlooked a lagoon which was often referred to as Huon’s Lagoon. It has borne several names since then including Lake Huon and Belvoir Lagoon. After much redevelopment and many roles including the location of sporting fields and the Wodonga Golf Course, it is now known as Belvoir Park, a major parkland and recreation area in Wodonga.Donated by Des Martin & Rosemary BoyesPart of a set of original sketches by Des Martin for "A Record of the 150th Anniversary" Celebrations of the Rural City of Wodonga held on 30th October 1986.huon family, belvoir park wodonga, huon's lagoon

David Gordon Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.

Gabriel Louis Marie Huon de Kerilleau was born to a French aristocratic family in 1769. He escaped to England during the French Revolution and enlisted in the New South Wales Corps. He married in Parramatta to Louisa Emmanuel Le Sage. They had five children who took the name of Huon – Elizabeth, Paul, Jean Francois, Aime Augustus and Charles. Paul and Charles were to become the “founders’ of the Wodonga District. In 1824 Hamilton Hume and William Hovell discovered the Hume River, later renamed to the Murray River and the rich land surrounding it. By 1835, squatters began arriving at the Hume River. During the following year, Paul Huon arrived at the Hume (Murray) River, then "taking up" 40,000 acres on the south side of the river bank. To this property he gave the name WOODONGA RUN. Charles Huon, younger brother of Paul, was sent to manage the "Run" until Paul's son, William, became old enough to take over management. Charles Huon built a mud brick home on the eastern side of a rise south of the now Wodonga Creek. Thus was Charles the first permanent settler in the district. He was a great admirer of the English Lord Belvoir hence "Belvoir" was the name Charles Huon gave to the first permanent home on Woodonga Run. By the 1857, residents numbered fifty, and the Government had surveyed a township area, proclaiming it "Belvoir" in the new State of Victoria. However, the residents wanted their own choice of a name for the town. A battle lasting thirteen years followed over the name of the town until the residents won in 1874 when the Victorian Government dropped the name "Belvoir" and proclaimed the town's name as "Wodonga." A local government Shire formed two years later became the Shire of Wodonga. The Huon name features in the town today including Huon Hill, Huon Creek, Huon Street and the former township and railway siding at Huon. The name "Belvoir" is used today by organisations and locations in Wodonga including Belvoir Park formerly known as Huon’s Lagoon. On 3rd October 1986 the Wodonga community celebrated the 150th anniversary of the first settlement by Charles Huon of the district that was to become Wodonga. These drawings were completed by Desmond Martin as part of a booklet produced to record the event.Donated by Des Martin & Rosemary BoyesThree portraits of members of the Huon De Kerilleau Family, pioneers of Wodonga in Victoria. charles huon, huon de kerilleau, wodonga pioneers

Gabriel Louis Marie Huon de Kerilleau was born to a French aristocratic family in 1769. He escaped to England during the French Revolution and enlisted in the New South Wales Corps. He married in Parramatta to Louisa Emmanuel Le Sage. They had five children who took the name of Huon – Elizabeth, Paul, Jean Francois, Aime Augustus and Charles. Paul and Charles were to become the “founders’ of the Wodonga District. In 1824 Hamilton Hume and William Hovell discovered the Hume River, later renamed to the Murray River and the rich land surrounding it. By 1835, squatters began arriving at the Hume River. During the following year, Paul Huon arrived at the Hume (Murray) River, then "taking up" 40,000 acres on the south side of the river bank. To this property he gave the name WOODONGA RUN. Charles Huon, younger brother of Paul, was sent to manage the "Run" until Paul's son, William, became old enough to take over management. Charles Huon built a mud brick home on the eastern side of a rise south of the now Wodonga Creek. Thus was Charles the first permanent settler in the district. He was a great admirer of the English Lord Belvoir hence "Belvoir" was the name Charles Huon gave to the first permanent home on Woodonga Run. By the 1857, residents numbered fifty, and the Government had surveyed a township area, proclaiming it "Belvoir" in the new State of Victoria. However, the residents wanted their own choice of a name for the town. A battle lasting thirteen years followed over the name of the town until the residents won in 1874 when the Victorian Government dropped the name "Belvoir" and proclaimed the town's name as "Wodonga." A local government Shire formed two years later became the Shire of Wodonga. The Huon name features in the town today including Huon Hill, Huon Creek, Huon Street and the former township and railway siding at Huon. The name "Belvoir" is used today by organisations and locations in Wodonga including Belvoir Park formerly known as Huon’s Lagoon. On 3rd October 1986 the Wodonga community celebrated the 150th anniversary of the first settlement by Charles Huon of the district that was to become Wodonga. These drawings were completed by Desmond Martin as part of a booklet produced to record the event. Stonleigh in Wodonga was once owned by Paul Huon.Donated by Des Martin & Rosemary BoyesPart of a set of original sketches by Des Martin for "A Record of the 150th Anniversary" Celebrations of the Rural City of Wodonga held on 30th October 1986.150th anniversary celebrations, huon family, early wodonga, stonleigh wodonga

Gabriel Louis Marie Huon de Kerilleau was born to a French aristocratic family in 1769. He escaped to England during the French Revolution and enlisted in the New South Wales Corps. He married in Parramatta to Louisa Emmanuel Le Sage. They had five children who took the name of Huon – Elizabeth, Paul, Jean Francois, Aime Augustus and Charles. Paul and Charles were to become the “founders’ of the Wodonga District. In 1824 Hamilton Hume and William Hovell discovered the Hume River, later renamed to the Murray River and the rich land surrounding it. By 1835, squatters began arriving at the Hume River. During the following year, Paul Huon arrived at the Hume (Murray) River, then "taking up" 40,000 acres on the south side of the river bank. To this property he gave the name WOODONGA RUN. Charles Huon, younger brother of Paul, was sent to manage the "Run" until Paul's son, William, became old enough to take over management. Charles Huon built a mud brick home on the eastern side of a rise south of the now Wodonga Creek. Thus was Charles the first permanent settler in the district. He was a great admirer of the English Lord Belvoir hence "Belvoir" was the name Charles Huon gave to the first permanent home on Woodonga Run. By the 1857, residents numbered fifty, and the Government had surveyed a township area, proclaiming it "Belvoir" in the new State of Victoria. However, the residents wanted their own choice of a name for the town. A battle lasting thirteen years followed over the name of the town until the residents won in 1874 when the Victorian Government dropped the name "Belvoir" and proclaimed the town's name as "Wodonga." A local government Shire formed two years later became the Shire of Wodonga. The Huon name features in the town today including Huon Hill, Huon Creek, Huon Street and the former township and railway siding at Huon. The name "Belvoir" is used today by organisations and locations in Wodonga including Belvoir Park formerly known as Huon’s Lagoon. On 3rd October 1986 the Wodonga community celebrated the 150th anniversary of the first settlement by Charles Huon of the district that was to become Wodonga. These drawings were completed by Desmond Martin as part of a booklet produced to record the event. Donated by Des Martin & Rosemary BoyesPart of a set of original sketches by Des Martin for "A Record of the 150th Anniversary" Celebrations of the Rural City of Wodonga held on 30th October 1986.150th anniversary celebrations, huon family

French 1808 - 1879Lithograph Initialled l.l in plate