Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Twelve drawings undertaken for the 'Drawing the Human Figure from Casts' class at the Ballarat Technical Art School. The works were undertaken by Edith Alice Watson. The full folio of work undertaken while Alice Watson was a student at the Ballarat Technical Art School is held by Federation University Australia.most are signed A.Watson 1932.edith alice watson, alice watson, ballarat technical art school, plaster cast, artwork, alumni, drawing the human figure from casts, visual arts

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Ten works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. All paintings are of various flowers painted in watercolour. .1 is incomplete with the vase sketched in pencil; .3 has pencil sketches on the reverse side .6 .7 and .8 are still life paintings.1 urs embossed stamp " RWS Pall Mall East Guaranteed Pure Paper " with the letters "RS" in pencil; .2 lrs "A. WATSON 3rd TERM 1931 .4 upper top verso "Pass. Good tones values in red flower. Also color, one not overworked.Yellow flower rather faulty tone, but direct work. Very promising."ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, lettering, flora, flowers, alumni

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Paintings undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, flora, alumni, mount cassel, mount william creek

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. A collection of works undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. .1 .3 .4 may be by another person with the initials BM (possibly Robert Montgomery); .3 dated 1928 ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, alumni, drawing

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. These works include commercial art, advertising and catalogue illustrations as well as figure construction and fashion-plate designs. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Commercial artA folio of Fashion Drawing by Edith Alice Watson of the Ballarat Technical Art School. .1) Two women dressed in fashionable clothing- lhs tan ensemble and hat; rhs fuschia ensemble with black and white accessories plus fur stole. Signed lrs A.Watson. 1933. .26) The image with three women wearing a hats. This appears to be an example of ticket writing. Signed lrs "A Watson- 2nd term. 1932." .35) The image with a woman wearing a hat appears to be an example of ticket writing. Signed lrs "A Watson--11th-7-32." .23) female figure drawing. Signed lrs A.Watson. 1st Term. 1932 .21) female figure drawing. Signed lrs A.Watson. 2nd Term. 1932 .17) drawing of lips, side view. Signed lrs A. Watson. 1931 .18) drawing of lips,three-quarter view. Signed lrs A. Watson .37) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)alice watson, ballarat technical art school, art, drawing, figure drawing, alumni, costume drawing, fashion drawing, ticket writing, 1930's fashion, indian ink, edith alice watson, figure construction, advertising, commercial art

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Nine works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. Seven pencil sketches on paper. Two black ink drawings on paper .1 has sketches on both sides; .2 pen and ink table and chair design; .3 pencil sketch of a castle; .4 sketches on both sides - pen and ink doorway and on reverse pencil and water colour (partly coloured) wallpaper border design; .5 pencil sketch of a well and a church; .6 two pencil sketches of bridges; .7 three pencil sketches - two of partial rooves and one of a bridge drawn from a photo; .8 three pencil sketches - a window, a doorway and a thatched roof cottage; .9 pencil sketches on both sides - a village scene with gateway, church and cottages on one side and trees on the reverse. .3 lrs "A. Watson Pencil Sketch" .4 ink sketch tr "New Door" .5 lrs "Pencil Sketches A. Watson" .6 lrs "Pencil Sketches A. Watson" .7 rs" Pencil Sketch", under bridge drawing "Pencil Sketch from Photo", lrs "A. WATSON" .8 lrs "Pencil Sketches A. Watson .9 Village scene - lrs" A.Watson Pencil Sketch" ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, architecture, alumni, pencil sketches, sketches of buildings

Alice Grant married William Thomas Doyle 10 February 1904Black and white photograph of Alice Grant aged seventeen years taken in photographic studio Bairnsdale Victoria 1899Alice Grant July 1899 in Alices handwriting To Lizzie with Love on back of originalgenealogy, fashion, families

The Ballarat Technical Art School was a division of the Ballarat School of Mines. Six examples of hand lettering from the folio of Edith Alice Watson of the Ballarat Technical Art School.edith alice watson, alice watson, lettering, ballarat technical art school

Collection of handwritten reminiscences from former student, Typed list of all objects/artifacts/ uniform pieces donated to the college by Alice 1990. All entered in archive under separate catalogue numbers. Report Cards 1931 and 1932 Certificate of Competency No. 54 awarded to Alice Glascodine 1933 Newspaper cuttings, Burnley Group Photo - includes Mr Jessep Photo - 4 females working in garden Portrait photograph (Mr J Smith) Handwritten notes by E Hill. alice tucker (née glascodine), student, reminiscences, report card, certificate, newspaper, photograph

Alice Anderson was Australia’s first female garage proprietor when she opened her all-female business in Cotham Road (Kew, Victoria) in 1917. An authentic, rare original photograph of Miss Alice AndersonOriginal 'snap' of the Kew identity Alice Anderson in her touring car.Inscribed on mount: "Alice Anderson in her Humba - perhaps 1916. She took passengers between Melbourne and Narbethong. KH-40." Inscribed on reverse: "Sports Torquay 1917." and "1918 Miss Alice Anderson The Kew Garage ** Cotham Road. Car hire and service to motors." alice anderson, motor mechanics - kew (vic), motor mechanics - women

Alice DENNIS This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprint of a cityscape.art, artwork, alice dennis, monoprint, printmaking, alumni

Dress worn by Alison Watson at the wedding of Angela and Ewan Costain in 1952. Angela was a teacher at Murtoa Primary School. The outfit which included a bonnet and muff was made by Alice Watson, dressmaker, Murtoa. .1 Back and front of flower girl dress. .2 Bonnet displayed on a velvet covered stand. .3 Photograph of bride and flower girl.3 Inside front presentation folder: Best wishes, - Angela and Ewen (Costain) Flower girl Alison Watson (Jobe) Under photograph, bottom L 1952; bottom R Athol Adams Dandenong flower girl dress, alice watson, alumni

Studio portrait of Alice Dorey and Norman Hamilton taken in 1917. Alice married Norman in 1918. Alice was the sister of Iris Dorey and helped run Quamby Café.To Dear Iris With Love From Alice & Norman August 11th 1917alice dorey, alice hamilton, norman hamilton, iris dorey, olinda, quamby

Alice Watson attended the Ballarat Technical Art School, and taught at Murtoa for most of her life. Hand embroidered doily with hand crocheted edge by Alice Watson.doily, doiley, crochet, edith alice watson, alice watson, embroidery

Colour photograph of the headstone of Thomas Lenehan and Alice Lenehan in the Tower Hill Cemetery.In Loving Memory of Thomas G. Lenehan Died 23 RD. Jam. 1980 Aged 58 years Alice M. Lenehan Died 22 ND June 2004 Aged 88 Yearstower hill cemetery, thomas g. lenehan, alice m. lenehan

Used by M>Tram staff in their work around the tram system and in depots. See item 519 for a Met Tram version.Demonstrates a M>Tram hi viz vest.Hi Viz jacket, or vest, orange nylon, sewn with black piping on the edges, black zip to secure the jacket, with grey Fluro strips horizontally and the words "M>TRAM" on the back. Has a small "XXL" white tag on the top of the inside of the jacket. Has an Elliott Australia label on the top inside of the jacket.trams, tramways, uniforms, emergency, m>tram

Paperback book with a yellow dustjacket that has a sepia photo on the cover and black writing on the cover and spinenon-fiction'Courageous men and women suffered and the lives of many were sacrificed when Rabaul fell to the Japanese in 1942. The Author was a civilian nurse from the Government Hospital in Rabaul and in Not Now Tomorrow she tells her story; a story of the Rabaul nurses - prisoners of the Pacific War.' [From back of dust jacket]australian nurses, world war two, wwii, ww2, rabaul, japan, prisoners of war

Illustrated book with dust jacket. Book has a yellow cover with title and author's name printed in white on front and spine. Dust jacket has a pale-yellow background, title and author's name printed in brown on front and spine. The front of the dustjacket also has a black and white photograph of the author (Alice Bowman) (seated) and Joyce McGahan (standing) they are wearing Sisters uniforms; a building of the Namanalu Hospital, Rabaul is behind them (1939). On the back cover is another black and white photograph: Rabaul panorama, and a summary of the book in brown print. non-fictionA true story of a civilian nurse from the Government Hospital in Rabaul, who was held prisoner in New Britain (six months) and Japan (3 years) following the Japanese attack of Rabaul in 1942world war 1939-1945, prisoners of war-papua new guinea, prisoners of war-japan, nurses

Alice Zanoni [Alice Lillian Bourke 1879 - 1957] and Charles Zanoni's children were Norman, Charles, Ruby and Max [William K Zanoni's father]. Charles' brother Henry Zanoni painted the ships in the fishermen's waiting shed in the QMM.Prominent Queenscliff family with connection to the fishing, boat building industries and the Pilot Service.A framed photograph of Alice and Charles Zanonifishermen, henry zanoni, fishermen's waiting shed, boat builders, queenscliff, local history

The property was named 'Cliburn' after Cliburn in Westmorland (later Cumbria) where Mary Sneddon's mother, Mary Bird (nee Coulston) came from. According to the donor all their houses were given this name. William Sneddon (b.1875, Sandhurst - d. 1957, Deepdene) was a postman in Surrey Hills for many years. His father James (1833 - 1901) ran an estate agency in Surrey Hills started in the 1880s by his father, also James. William's wife was Mary Sneddon, nee Bird, (b. 1878 Bethunga; d. 1948, Surrey Hills); they married in Surrey Hills in James Sneddon's house on 12 November 1903. They had 5 sons and 1 daughter: John William 'Jack' Sneddon (b.1908 - d. 1957); married Mabel Creek. Norman Alexander Sneddon (b. 1910 - d 1989); married Eva Pearl Sampson. Alan Coulston Sneddon (b. 1914 - d. 1985); married Netta May Clow in 1941. Jean Isobel Sneddon (b. 1916 - d. 1976); married Clifford James Jenkin. Douglas Haig Sneddon (b.1918, Surrey Hills - d. 1973, Blackburn); married Myra Marjorie Clewett in 1945. Relationship with Alice Keane: According to the donor, Alice Ruby Dore married Herbert Keane. She was born 21/9/1901 and died 14/4/1926. Her entries in the Victorian BDM index give that her father was Henry Dore and her mother Sarah Ann Bird and that she was born in Neerim. She married Herbert Henry Keane in 1922; her death at the age of 24 years was registered in Heidelberg. According to the donor her young children Wallace and Phyllis were embraced by William and Mary Sneddon. William and Mary Sneddon are buried in Box Hill Cemetery. The donor Robin da Costa-Adams is related by her first marriage to the Sneddon family. Relationship with Bird family: Netta Sneddon was correct in that Alice Keane was likely a relative. The exact relationship is yet to be fully established. Alice's mother's name is given as Sarah Ann Bird (1873-1952) with birth at Tarrawingee; father John Bird and mother Sarah Ann Coburn (REF: Victorian BDM index). Her notice of marriage in The Age in 1894 states she is "the eldest dau of John Bird of Drouin, late of Box Hill and Talgarno." Has her mother's surname been misspelt? Is it Coulston? Sepia photo of Douglas Sneddon and his sister Jean Sneddon taken in the garden of 'Cliburn', the home of their parents William and Mary Sneddon. With them is with Alice Keane. Part of the house is seen on the RHS of the photo. It is an Edwardian timber home. The profile of the house next door can also be seen in the background."Alice Keane / at / Doug & Jean Sneddon / taken at Sneddons / Surrey Hills" in grey lead pencil in Robin da Costa-Adams' writing. "Children of Mary & / William" "An Alice Keane may be an Aunt (crossing out) - Netta / was not sure" in ink in Jocelyn Hall's hand.suffolk road, 'cliburn', jean isobel sneddon, mrs jean isobel jenkin, douglas haig sneddon, william sneddon, miss mary bird, mrs mary sneddon, box hill cemetery, children, clothing and dress, mrs alice keane, mrs alice ruby keane, miss alice ruby dore

The tent model mentioned in the letters was displayed in the Ballarat School of Mines Museum. During the 1960s it was transferred to the Ballarat Historical Society. Two handwritten letters on paper with black mourning edge written by Walter M. Hitchcock to the Ballarat School of Mines, and another written by Walter's brother George M. Hitchcock.Letter transcription follow: Letter from Walter M. Hitchcock regarding the death of James Oddie and early gold mining at Ballarat, 1910 and 1911 48 The Memorial Hall Farringdon St London Dec1/10 The Secretary Ballarat Museum Dear Sir, I am just now sending you this line, i anticipation of further correspondence later on, simply to forward you a Post Card of the 1st mining tent erected 1851 on the site of he then newly proclaimed Township of Ballarat, which, as the sole survivor of the party who built the original, I have had the pleasure in making, and have decided to present it to your museum, Sir Jno Lasenor out Agent General for Victoria came to a Bazaar recently held in London. where I had it on view in the museum from 3 days, - and desired I would allow its [ ? ] exhibited in the first large window of the beautiful new building of the Victoria Agency situate in the Strand. It is there for the past few days and he may wish it to remain a week or two longer, I know of no other exhibition of it to delay it being packed and shipped to my relatives in Geelong (Mr [?] Bright of Hitchock's Firm) who may wish to show it in one of their windows before forwarding it to your museum - I have had an itemised pane glass case made for it with drop down end and [?} it stands on a plateau of moss, to represent grass 32 x 13 x 13 high and chimney 14 1/2 - the case is made 34 x 26 x 20 high inside - I shall have it very carefully packed - tent emptied tools, beds, &c &c in separate packing and insured for 50 pounds - I will send you full details later on. I hope and believe your President will accept it in due time Meantime believe me to be very truly Cat Walter Hitchcock G.F.B. 48 The Memorial Hall Farringdon St London March 15th 1911 The Secretary Ballarat School of Mines Dear Sir, Thanks for your letter received last week – I have unaccountably mislaid it, so cannot address you personally, shall no doubt find it among office papers. The model is being fetched today from Victorian Agent General’s (Sir John [Lavernor?] office window in the Strand where many thousands, he tells me, have stopped in passing to see it (their first peep of Ballaarat). It will be on view at Blackheath (Kent) for a week, then packed and shipped without further delay. I shall enclose in the glass case (which is 26 x 34 x 16 in high) some spare minced moss and gas (smoke) in case in transit the plateau suffers by shaking (though it is well glued down). All the tools, mining appliances, cradle, windlass, &c will be separately packed enclosed – which you can easily place in respective positions. HRH Prince of Wales has graciously accepted a photo of it – and in my letter to him when sending it for his acceptance I said – as he would probably ere long visit Australia as did his grandfather and father, which ought to (and certainly will) include at least a day or two in seeing your beautiful City, and also something of your mines &c instead of the hurried visit of his father (2 hours) when he, as Duke of York, unveiled a statue to the memory of those slain in the sad Boer War, which now is admitted by almost everybody to have been a big political mistake, - though in the future with England’s present wise policy towards that country it will prove for Africa’s welfare. It may interest you to know that when I ascertained that Geelong was not to be visited by the Royal Pair – I went up to St James’s Palace by appointed time the Duke’s private Secy Sir Arthur Bigge – taking with me a specially illustrated paper issued in Melb. showing many pictures of the beauties and industries of Geelong – Sir Arthur was impressed but said all the arrangements for the Royal stay in Victoria (10 days) were made locally, by Lord Hopetoun and collegues and committee, and were practically closed – which meant that only a brief trip to Ballarat to uncover the memorial was intended outside Melbourne. Perhaps if we were Melbourne residents we should have succumbed to the prevailing spirit of selfishness – forgetting (or trying to forget) that there are many beauty spots in Victoria and centres of great interest - Ballarat, Geelong, Bendigo, &c that ought to have been visited instead of Melbourne only. Finding Sir Arthur favorably impressed about Geelong I thanked him and returned to City work again. I at once called to Geelong whose mayor and friends had been twice unsuccessful in trying for the Melbourne functions programme being altered to include a visit to Geelong and lovely spots in the Western District, reporting my interview with Sir A B and his favourable reception of my representations, but that any alteration to the programme of engagements during the Royal visit must be made locally and by the local authorities. This had the desired success for on receipt of my message the Geelong mayor and colleagues again reopened the question and went to Melbourne, resulting in a concession (but what an altogether inadequate one) and they graciously ? consented to the train, on its way with the Duke and Duchess to your city, to stop at the Geelong stn (15 minutes) and so it came about that by a hasty local effort, 3,000 school children, and not a few of the leading people including the Mayor &c were gathered to welcome them in Geelong. The National anthem being sung, an Address read and presented and kindly replied to. Now Ballarat should doubtless has influence. See to it when our P. Of Wales visits Victoria – an unselfish ¬ programme is fixed up – and HRH afforded ample opportunity of visiting leisurely your city, Geelong, Bendigo and other centres of beauty and importance. The Prince himself will be the gainer by such an equitable and enlightened programme, - and come back with all the more favourable views of the marvellous development ever since our family first settled in Geelong in 1850. A far preferable result of such a visit than night after night having Melbourne Banquets and the visiting of its undoubted attractions - whilst all the rest of the State remained unvisited. Such an official mistake must not be made again. I will write you again, stating name of steamer of which the model is shipped and date of departure – it is firmly built on a backing of 3/8 in oak tall uprights so through the 7/8 in plateau and am entrusting the packing be very careful. I expressed firm – so that except possibly any breakage in glass case – it should reach you in due time all right. The top of case will be screwed so that it can be readily removed temporarily to enable my [ ? ] firm to show it in one of their windows. Believe me Yours very truly Captn Walter M. Hitchcock My brother will deliver it on my a/c – all carriage paid. Mt very kind regards to my friend since 1850 Jas Oddie. University of Ballarat Historical Collection Cat. No. 8133.3 & .4 Letter from Walter M. Hitchcock regarding the death of James Oddie and early gold mining at Ballarat, 1911 48 The Memorial Hall Farringdon St London April 20th 1911 My Dear Sir, It is with no ordinary feeling of regret that I received the tidings of the death of my good friend, your fellow citizen for many years, Mr James Oddie. Living at Geelong from March 1850 I came to know him there as carrying on a foundry business in Ashby. With the discovery of gold at Ballarat started off almost of the working people, as well as of all other classes of the male population. Mr Oddie arrived in Ballarat I believe on or about September 1st 1851. My three comrades and I arrived October 1st 1851 – among the many thousands soon gathered within a mile or so of Golden Point – my friend Oddie and I often met. I returning to Geelong after a year mining – my friend on the other hand remaining at Ballarat ever since – a marvellous record, and I am sure his life has been one of unique value to your City in many ways, - his age (87) naturally prepared me for his call home – and only two mails before the news came I received from him on of his kindly chatty letters in which amongst other things – he referred with pleasure to having received from me two 10 x 12 photos – one being of my model and that he was arranging to have it placed in a shop window in your city. I am interested in the fact of your having known each of my three comrades of 1851/52. It was J.M. Garrett and I who got permission to conduct public Sunday morning service in their large Marquee – used all the week for issue of Licenses in the absence of any church buildings, and it being on wet Sundays impossible to have services as usual under the trees – Ballarat then was more like a Gentleman’s Park – than bush country – but the axe soon did its work – and all were felled for our cooking, and hencewith to make our kindling etc. Shafting of holes not being at first done because too shallow – our deepest (at Eureka) was only 115 ft. Bendigo I hear had now mines of 4,000 ft in depth (deeper than our tin or coal mines here). I fortunately have, in excellent state of preservation, my last of 12 licenses dated October 1 1852 and have recently purchased here a Miner’s Right dated 1864, to that when explaining on matters re Gold Licensing I can show sample of each. With kind regards Believe me Yours sincerely Walter M. Hitchcock Geelong June 20/11 Dear Sir, By rail to day through Messrs Bannister I send the model of miner’s tent packed in a case 50 donated by my brother Captain Walter M. Hitchcock of London. This model was made by my brother and represents the tent he worked in on the Ballarat Gold Fields in the year 1851 or 2. In a separate parcel a few extras omitted from the case. Please send me receipts in duplicate, one for my brother, the other for the Customs, Geelong, as being donated to your institution, after some little correspondence it was admitted [??] any payment for duty. You probably have my brother’s address and would like to acknowledge its arrival, direct. I hope it is in good order. I did not open it for show in Geelong, as there would be less risk of breakage on repacking. With kind remembrances. I am Yours Faithfully Geo. M. Hitchcock. A Mr G. F. B. Sharick who is living near my home called in to see my model – he said he knew FM [Fred Martell] and was lately at Ballaratballarat school of mines, frederick martell, fred martell, james oddie, walter m hitchcock, walter hitchcock, f m garratt, george hitchcock, hitchcock, golden point, gold discovery, j m garrett, gold license, j.m. garrett, t.m. hall, george m. hitchcock, f.m. garratt, walter m. hitchcock

The full folio of work undertaken by Alice Watson while a student at the Ballarat Technical Art School is held by Federation University Australia.Double sided. Two water colour paintings undertaken by Edith Alice (Alice) Watson for art course at the Ballarat Technical Art School, a division of the Ballarat School of Mines. One side has a corked bottle,jar with leaves and onions. At the side is a flower and two onions. Verso is a blue vase, metal mug, champagne glass, an onion and two tomatoes. E.A.WATSON verso lrs of paintingballarat technical art school, edith alice watson, ornament, flora, alumni, still life, water colour, onions, alice watson, tomatoes

Pamphlet - 3 fold - titled "Safe Travelling on M>Tram", full colour about safely travelling on M>Tram services, with boarding, on board and alighting text. Has photos of M>tram, trams in their livery and the pamphlet in their colours.trams, tramways, safety, m>tram, passengers, behaviour

Alices hair has centre part pulled back in severe style, dress has white collar fringed bow and finished with cameo broachBlack and white photograph of Alice Grant fifth surviving child of George and Sarah Grant Victoria. Also second photo of Alice genealogy, families