Back row: Ernie Schmidt, Ruby Schmidt, John Schmidt, William Schmidt Front row: Jack Schmidt junior, Grandma Schmidt, Gladys Schnidt, Alma SchmidtPhotographs taken around Port Melbourne. Early 1900s Photo of Schmidt family groupfamilies, schmidt family, isobel munday, ernie schmidt, ruby schmidt, john schmidt, william schmidt, jack schmidt jnr, 'grandma' schmidt, gladys schmidt, alma schmidt

[1] Three Bears Porridge Flaked Oatmeal Bag: This textile bag originates from Canadian Cereal Mills Ltd., which marketed "Three Bears" flaked oatmeal. Popular in the early 1900s to mid-century, this product combined functional packaging with a child-friendly incentive — a cut-out cloth doll. The practice of printing toys, games, or clothing patterns on flour or oat sacks was a common marketing strategy, encouraging reuse and appealing to families during times when thrift and creativity were essential, especially during the Depression and wartime years. The Three Bears brand played off the enduring popularity of children’s nursery tales, while the doll encouraged children (and parents) to reuse packaging creatively. This object captures a unique intersection of food marketing, household resourcefulness, and early 20th-century domestic life. [2] Mammy Self-Raising Flour Bag: This item is a mid-20th-century Australian flour bag, branded “Mammy Oven Puff”, produced by A. Mammy Products Pty Ltd in West Footscray, Victoria. The use of the name "Mammy" and the caricatured illustration draws on a now widely recognised and offensive racial stereotype originating from American minstrel culture, commonly used in product branding in the early-to-mid 20th century. While the bag reflects a specific period in Australian domestic and commercial packaging history, it also exemplifies racially insensitive advertising that would be considered inappropriate and harmful by today’s standards. Such items are preserved today in museum collections to help document past social attitudes, consumer culture, and the evolution of racial representation in advertising. [3] Bandung Blue Triangle Brand Flour Bag: This bag represents a mid-20th-century Australian flour export product, particularly aimed at international markets such as Indonesia (as indicated by "Bandung"). The “Blue Triangle Brand” was likely a registered trademark used by a Melbourne-based flour mill engaged in both local and overseas trade. The use of durable cloth bags for bulk flour was common prior to the widespread adoption of paper and plastic packaging. These bags were often reused domestically for household textiles, clothing patterns, or storage. The export reference (Bandung) underscores Australia's historical agricultural trade ties with Southeast Asia, especially in wheat and flour exports. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.[1] Three Bears Porridge Flaked Oatmeal Bag: A vintage cloth oatmeal bag printed with black ink on both sides. One side is branded with "Three Bears Porridge – Flaked Oatmeal", showing an image of three bears behind a gate, referencing the well-known “Goldilocks and the Three Bears” fairytale. The opposite side features a printed cut-out doll design, showing a young girl with curly hair holding a bouquet of flowers, intended to be sewn into a stuffed toy. Instructions note that the reverse side (the doll’s back) could be obtained from a second bag. The design combines product branding with a promotional activity for children, typical of early- to mid-20th-century grocery packaging aimed at reuse. [2] Mammy Self-Raising Flour Bag: A small vintage cloth flour bag with printed branding in faded red, blue, and black inks. The front of the bag features a central image of a caricatured smiling African American woman wearing a headscarf. The text is unevenly faded but legible in parts. The bag has a rectangular shape with an open top edge and signs of previous use, including creasing and some fraying at the corners. [3] Bandung Blue Triangle Brand Flour Bag: A large, rectangular vintage cloth flour bag made of cream-coloured calico or cotton. The front of the bag is printed in bold blue ink with branding and export information. It prominently features a large triangular logo reading “Blue Triangle Brand” and numerous lines of text in block and stylised fonts. The bag is open at the top with frayed edges, suggesting it was once machine-stitched shut and later opened.[1] Three Bears Porridge Flaked Oatmeal Bag: Front side (branding side): "THREE BEARS Porridge – FLAKED OATMEAL" "7 Lbs. Net." “Packed and guaranteed by Canadian Cereal Mills Ltd., Toronto” Reverse side (doll pattern): "This is the Front for Three Bears Cut-out Doll" "In order to complete this Doll it will be necessary to obtain the Back Design from another Bag of Three Bears Rolled Oats or Oatmeal." [2] Mammy Self-Raising Flour Bag: Main product name: “MAMMY OVEN PUFF SELF-RAISING FLOUR” Additional text: “The Only Creamed Flour” “Prepared with phosphate aerator” “A. MAMMY PRODUCTS PTY. LTD., Sunshine Rd., West Footscray. Phone: FW 7321” “7 LBS. NET” (near top edge, very faded) [3] Bandung Blue Triangle Brand Flour Bag: The bag is printed with the following: “10270” “G.W.C | H.L” “BANDUNG” “BEST AUSTRALIAN” “BLUE TRIANGLE BRAND” (inside the triangle logo) “GROWER & GRINDERS” (curved around the logo) “Patent Roller” “MELBOURNE” “FLOUR” “50 LBS. GROSS WHEN PACKED” These inscriptions indicate that this flour bag was manufactured in Melbourne, Australia, and was likely exported to Bandung, Indonesia.farm equipment, flour, milling, oats

These hand tools are examples of early to mid-20th century garden cultivators, designed for home gardening, small-scale agriculture, or kitchen gardens. Their full-metal construction suggests they were built for durability and could be used in tough soils where wooden-handled tools might break. The minimalist yet practical design would have made them ideal for weeding, soil aeration, or root work in garden beds. Such tools were commonly found in household sheds and were often homemade or locally manufactured by blacksmiths or rural toolmakers. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.The image shows two vintage hand garden forks or cultivators, each constructed entirely from metal, including coiled wire handles. The implements are similar in size and style, but differ in tine configuration: [1] Handmade Garden Fork Straight Prongs: Has five straight, flatter tines, more like a rake, and is better suited for fine cultivation, weeding, or breaking up soil clods. [2] Handmade Garden Fork Claw Prongs: Features three thick, curved tines arranged in a spiral and claw-like fashion. These tines are more widely spaced and likely used for loosening tough or compacted soil, or for aerating.gardening

[1] The Premier Needle Book: This needle book likely dates from the early 20th century, possibly pre-WWI, during a time when Germany was a leading producer of high-quality steel sewing needles. Such needle books were commonly included in household sewing kits and often featured patriotic or aspirational imagery. The depiction of a steamship may have appealed to consumers as a symbol of progress and modernity. "Premier" was one of several brands that exported sewing products globally. This example reflects everyday domestic life and the importance of mending and garment care in an era before disposable fashion. [2] Broadway Imported Needle Assortment: This needle book was likely manufactured in Japan during the post-World War II era, circa 1950s–1960s, when Japan became a major exporter of inexpensive sewing supplies. Such items were commonly sold in variety stores and were a staple of household sewing kits. The cheerful domestic imagery and playful kittens reflect mid-century design trends aimed at appealing to homemakers. This example is representative of a time when imported sewing goods were marketed under Western-sounding brands like “Broadway” to enhance their appeal in English-speaking markets. [3] Little Red Riding Hood Needle Book: This needle book was produced by Prym, a German company known for manufacturing sewing notions since the 19th century. The fairy tale imagery suggests a mid-20th century (likely 1950s) origin, during a time when novelty and themed sewing accessories were popular for both practical and decorative use. Needle books such as this were sold in haberdasheries and department stores, especially targeting homemakers and young seamstresses. The charming storybook imagery also served to attract younger users and reflect domestic values of the period. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.[1] The Premier Needle Book: A small, illustrated cardboard needle book titled "The Premier Needle Book", featuring a colour lithograph of a warship or ocean liner on the cover, bordered with ornate golden scrollwork. The front is printed with "Premier" and "Made in Germany." Inside, the book opens to reveal several labelled compartments containing packets of assorted sewing needles (sizes 3 to 10) marked “Superior – Premier – Hardened and Tempered – Made in Germany.” A pink paper insert holds loose needles in place, neatly displayed on a green background with decorative gold trim. [2] Broadway Imported Needle Assortment: A brightly coloured, illustrated needle book titled “Broadway Imported Needle Assortment”. The front cover shows a charming domestic scene featuring two women in red clothing, one seated with a patchwork quilt and the other standing, both engaged in sewing. Two kittens playing with a red ball of yarn are illustrated in the lower left. The background is a warm yellow to orange gradient, enhancing the vintage appeal. The word "Flora" is handwritten in cursive at the top. Inside, the book contains black fabric inserts with five small, labelled packets of needles arranged in rows. The interior is printed in orange with a white geometric pattern. [3] Little Red Riding Hood Needle Book: A vibrantly illustrated fold-out needle book featuring the character of Little Red Riding Hood in scenes from the classic fairy tale. The design is printed on die-cut cardboard shaped to resemble a figure-eight when opened. The front and back depict detailed scenes from the story: Red Riding Hood in the forest with the wolf and again in the cottage with the disguised wolf in bed. Inside, the book opens to reveal red-printed background illustrations, with yellow paper needle holders stitched to the backing and holding various steel sewing needles. The book bears visible signs of wear, creasing, and edge damage, indicating prior use.[1] The Premier Needle Book: Front: “The Premier Needle Book – Premier – Made in Germany.” Inside packets: “Superior – Premier – Hardened and Tempered – Made in Germany.”, Needle size labels include numbers 3, 5, 6, 8, and 10., Background includes decorative motifs and border designs in gold. [2] Broadway Imported Needle Assortment: Front: “Broadway – TRADE MARK – IMPORTED Needle Assortment” Interior packets: “SUPERIOR – SHARPS – WARRANTED – Best in the World – Made in Japan”, Needle sizes are marked as No. 1, 3, 5, 7, and 9., Side edge (front cover): Faint printing reads “MADE IN JAPAN”. [3] Little Red Riding Hood Needle Book: Front (top right): "Prym" logo with stylised sheep motif, indicating the German manufacturer Prym, a long-standing brand in sewing supplies. Side edge: "Germany – Allemagne – Deutschland – Alemania" (multilingual export markings). Interior illustrations in white ink over red, featuring various fairy tale scenes and decorative elements.