Showing 2 items matching "an illustrated history of university of ballarat"
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Federation University Historical CollectionBook, Paul Haynes, By Degrees: An Illustrated History of the University of Ballarat, 2000
... By Degrees: An Illustrated History of the University of Ballarat...An illustrated history of University of Ballarat...Ballarat and blue writing. ISBN:0-957-70338-4. By Degrees: An Illustrated History of the University of Ballarat Book Book Paul Haynes Australian Print Group ...University of Ballarat is a predecessor of Federation University.Hardcovedered book with paper cover with greay background and image of Ballarat and blue writing. ISBN:0-957-70338-4. by degrees, an illustrated history of university of ballarat, paul haynes, australian print group, anne beggs sunter, warren perry, clare gervasoni, carole seymour, toni lea-howie, david james, weston bate, patrick previtt, mary egan, william frederick longstaff, graham beanland, john brittain, julia margaret guerin, james oddie, charles howard beanland, alfred mica smith, dick richards, edgar john tippett, william thomas henry corbould, harry elphingstone, matthew griffith beanland, e.j. barker, sir redmond barry, thelma rungkat, john sharpham, morgan john, harold trudinger, sr therese power, . bill gribble, ron wild, alfred johnston, john wotzko, henry sutton -
Federation University Art CollectionOil, Jacqueline Slaymaker, Untitled Nude by Jacqueline Slaymaker, 1993
... Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates...Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates ...Jacqueline SLAYMAKER This work was undertaken in 1992 when Jacqueline Slaymaker was a 3rd Year student at Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. More recently I am interested in the draftsmanship of Jim Dine and monoprints of May Frank.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life painting of a female nude. art, artwork, jacqueline slaymaker, nude, life study, oil on canvas, alumni, end of year exhibition
