SoftcoverTo Trish, for a happy birthday. Penleigh, Robyn & Benandy warhol, biography, philosophy, walsh st library

Andy Tylee had been Dux of DookieBlack and white photograph. Group staff photograph standing and squatting in front of the Administration Building . Names on paper catalogue.On reverse, "Photo taken on occasion of Andy Tylee's farewell on 26.2.53." Names on paper catalogue.andy tylee, farewell party, staff, dux

An original painting of Andris (Andy) Lapins with a helicopter and two tanks in the background.painting, vietnam lest we forget

Sepia original photo of Andy Maffesoni on left. Other soldier unknown.andy maffesoni, ww1

A tramway bridge under construction, 1910 Mr Hansen & Andy Negative Black white. Scanned at 600 dpitramway bridge construction curved hand winch mr hanson andy 1910

Written on backing sheet, "Kevin Pratt, Mary Pratt, Andy Pratt"

In 1861 the Lake Tyers Mission Station was established by the Church of England missionary Reverend John Bulmer, to house some of the Gunaikurnai survivors of the conflict. The peninsula, which has a lake on each side, was known to its traditional owners as Bung Yarnda.A black and white photograph of an older, bearded Aboriginal man. He is sitting outdoors in front of a leafy bush. He is wearing a suit.Black Andy of Lake Tyers ORBOST 1/3/21 L.G.W. photo 741lake-tyers photograph

Black ink printed on beige coloured paper depicting a soldier in full Military uniform "walking" on patrol holding a rifleSketch done by Andy C Neilsondrawing, soldier

Black ink sketch printed on beige coloured paper depicting a soldier carrying a rifle in full Military uniform. Soldier is holding the leash of a large black dog.Sketch was done by Andy C Neilsondrawing, soldier

Typed on back of photograph, "Andy Addison, youth. Sam Kennedy, plow. Ploughing near what is now the corner of Ringwood St. & Reynolds Ave. 1906. Horses Jack (left) and Nugget".

This drawing was done by Andy Freer, founding member and Artistic Director of Snuff Puppets. It forms part of the creative process to develop a new show, 'Forest in the Night', exploring themes of evolution, chaos theory, Darwinism and the survival of the fittest. More than 25 puppets were created and transformed into new strange creatures. This drawing was submitted as part of a pitch to the 1995 Melbourne International Festival of the Arts program, where it was performed as a large outdoor spectacle in the round. Please visit http://www.snuffpuppets.com/shows/Forest_in_the_Night for more information.The significance of this drawing is that it is a rare, original demonstration of the creative development processes of Snuff Puppets' unique puppet creation and building.A black ink drawing on A5 paper detailing the creative concepts for puppet design and development for a new production entitled 'Forest in the Night'art, environment, ink drawing, snuff puppets, puppetry, theatre, creative, puppet, performance, imaginery

MEDIUM: Inkjet print of original drawing (scale 1:1), archival inks.

non-fiction

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacson was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press.A4 hand printed linocut on thin cream card in 3 colours; blue black, yellow, red. Depicts a pensive skeleton sitting on a small hill with a lowered flag with the initials SP, partly concealed by a giant yellow worm. The print also features the iconic fish skeleton logo. lino cut prints, skeletons, snuff puppets, puppetry, andy freer, melbourne museum of printing, footscray, michael isaacson

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton

Bibliography, ill, maps, p.176.The story of Flying Fortress Lightning Strikes, 42-3073 from its construction in a California factory in 1942 to its loss over Germany a year laterworld war 1939-1945 - aerial operations - usa, b17 bomber - history

A thorough and well-illustrated history of the decades-long conflict in Southeast Asia, from Frances's involvement in the First Indochina War to the participation of the United States and its allies, including Australian and South Korea, in the Vietnam War. 1961-1975, vietnam war, 1961-1975 -- pictorial works, indochina, 1961 -1975 - united states, australian soldiers

non-fictionA marketing document for Mt. Pleasant Road Estate.mount pleasant road estate, william white and son

Postcards of day often held actual photos on front side. Re collection of "John Arthur Remington Alexander" No. 2237, AFC, AIF. Refer Cat 7820 for his service details.1. Black and white postcard photo of the streetscape of "The Bargate, Southampton". On the back is a message from "Andy" to Jack (presumably J.A.R. Alexander). 2. Formal picture of rows of serviceman in uniform in front of some buildings. Postcard space on back is empty. 3. 1. Letter to Jack from Andy. 2. Nil. 3. Says "Love to Daddy from Jack" "Baby held pen to sign above".postcards, ww1, john arthur remington alexander

Black ink sketch on beige coloured paper depicting three soldiers: Two soldiers holding up an injured comrade. One soldier with rifle over his right arm. All soldiers in full military uniform.Sketch by Andy C. Neilson.sketch